thomas m wilson

the Uncategorized Category

Origins.

February 15th, 2000

In February of 1830 Sarah Theodosia Hall, my great, great, great grandmother, arrived in Fremantle on a ship called The Protector. She and her husband had filled most of the 380 ton ship with their livestock and servants. Sarah was 27 years old.

In the middle of the 1840s Sarah planted an oak tree on her families 420 acre farm near Perth. Perhaps she couldn’t truly enjoy the aesthetics of the Australian flora. Perhaps she felt that an oak tree was part of her ethnicity as an English woman, and wanted to plant the tree as metaphor for her own attempt at abiding and enduring on this apparently inclement southern land.

oak tree

160 years later, in the year 2000, I stand beside Sarah Theodosia’s oak tree, and I see history unfolding its leaves before me. Blood of my blood, she has passed down to me not just a bit of my genetic inheritence, but a beautiful living oak tree for me to look at. Twin strands of continuity standing side by side under the sun.

One of Sarah’s children was my great, great grandfather, William Shakespeare Hall. He was a five year old boy when he arrived at the beach at Fremantle in 1830 aboard a ship whose timbers creaked with his mother and father, five sibilings, eight servants, plenty of tools, seeds, plants, 37 sheep, 13 goats, brandy, gin, rum, and much else (I know this detail thanks to my grandmother Helen Maragaret Wilson’s book Sarah Theodosia and the Hall Family, 1994). These were English men and women whose whole civilisation was based on the pastoralism of the British Isles, in turn founded on deep topsoil and heavy rainfall. Their sheep ate Zamia palms and died. They had arrived at the other end of the earth from everything they knew. They stood on the beach at Fremantle facing endless dry and infertile wilderness, alien plants and animals, and the faces of black men and women whose ancestors had been Australian for the past forty eight thousand years. There they were, clinging to their linen and ‘wearing apparel’ as fragile symbols of the dinner tables of home.

Shake.JPG

Young William grew into a man and spent much of his life in the 1870s and 1880s in the saddle of a horse in the north-west of Australia. He would have made first contact with the original humans to live in this part of Australia. I can only imagine what these eyes saw.

Parisian ideas.

December 29th, 2000

I include this journal entry from my time in Paris to show how much I’ve changed. At this time in my life literature and music and people were the atmosphere I wanted to breath. I was Euro-centric and I was culture-centric. Happily I no longer unconsciously tow the line that northern hemisphere cities are the centre of the world. Read on:


I look out the kitchen window of my friend’s shared apartement and through the early morning dusk what looks like a cloudless, if barely illuminated, sky is to be seen. Another subterranean muttering sends vibrations upwards, rattling the kitchen panes slightly, as the trains of the Metro go to work. I am in Paris.

sit.JPG

Windows look out from the bedrooms on the courtyard below and have curliqued iron railings at their bottom. The floor is a wooden tiling, worn by many years of Parisian feet. We walked into the small kitchen in which I now sit and pulled out a half size bottle of champagne from the fridge. Clinkings ensued. Thinking about how much of a culture, people, city, jungle, world was beyond the walls around me. It is the babe-in-the-woods effect that I am familiar with from visiting New York City. One feels acutely how much complexity and density of life one is physically contiguous with. It is a feeling you just don’t get living in a house in an Australian suburb. It is the feeling that action and the unknown are happening and existing everywhere around one. Just around the corner. Just down the street. You are in Paris: Notre Dame, boulevards galore, Tour Effiel in profuse blue scintillations, interior of nearby Pantheon softly lambent with ultra-aquamarine.

tabac.JPG

The far shore of the Indian Ocean: Reunion Island.

July 23rd, 2002

French street signs; French small cars; lots of sugar cane fields; old black men wandering along with proudly worn broad brimmed cowboy hats firmly pulled on; old black woman with umbrellas as a defence against the sun; twisting roads along the coast along which various dwellings have been hobbled together; people sit around on street corners in the middle of the day talking and hanging out and drinking – this could be a charmingly islander-like liberation from capitalistic rigmarole, smelling the roses rather than put one shoulder to the wheel, or it could be a sad, alcoholic waste of life, or it could be a mixture of the two. But when one gets outside the human settlements on Reunion the beauty of nature reasserts itself, the landscape swings up from the ocean into majestic mountains, it cuts the skyline with audacity, gorges slice down from above with a plethora of vegetable life hanging on their flanks, the greens of the island’s flora wave in the warm air everywhere, a volcano’s crusty dribble of lava blackens the slopes here, a fluting bird song comes fresh on my alien ear’s there… even if I couldn’t always understand the local creole, I could decipher the beauty of the living creation. Tropic birds sail around massives cliffs inland on the island.
Paie en ceu, Reunion 02.JPG
The rock is raw basalt in the nooks of the river. This bassin cache’s, this hidden water hole’s, water ran fresh from the three thousand metre tall mountain peaks above.
reunion 2

When I flew out of Mauritius (as you must if you fly to Australia from Reunion) I knew that the incipiently claustrophobic, bone numbingly boring discomfort and frustration that equals nine hours in an aeroplane was nothing compared to the weeks and weeks on a ship that my ancestors would have spent crossing the Indian Ocean in 1830. Goodbye Reunion. It is a riot of volcanic rock, black and baroquely shaped and battered by the Indian Ocean. Volcanic, tropical, clear-watered, vacuaos growing and French speaking and Creole eating. A green, mountainous, misty island with its gurgling rivers, unquestionably alien to all things antipodean.

maurice.JPG

Meeting John Fowles.

September 12th, 2002

Belmont House is a happy mellow ochre, with little dolphin’s on the façade at the front. As you walk in the sense is of a very large, warm, comfortable, cultured, book-filled residence. Paintings everywhere, book-shelves in most rooms, two cats, one Kitto they bought from the gypsys, the other Bagh, is Sarah’s big and purring tabby that she likens to a Bengali tiger.

belmont

The tabby followed me into the garden like a friendly escort as I took a look in the three acre hill side that begins with a level lawn and then slopes down through winding paths in the thickly wooded what you can now only call patch of forest. Ceres, the Greek goddess of fertility, has her sculpture on the top lawn in a bower of trees, and the back hand is cast down behind her. Someone has humorously put a gardening glove on her stone fingers.

ceres

In a flash one could be in a world of refined ladies and gentlemen circa 1867 (as Fowles, we all know, has been), or Jane Austen’s people could stroll down the road by the side of the garden. Yet again, these trees and paths step outside history, so that one feels above the ‘past’ and ‘the historical present’, and able to exist in a now which has no steady allegiance to historical epochs. A now of fluid swaying of leaves for which it makes little sense to impute the date 2002. As John told me later after lunch, this place is part of him, he knows it and what grows here intimately after all these years. ‘It is my paradise’. I walked a bit through the patch of forest, then decided to sit down and realise where I was. I realised that this place is beautiful, a little bonne vaux. And I thought how lucky John is to be its steward and companion, watching it change and live from day to day. I also thought to myself that it was so very fortunate I made the decision to come to England, and see the nature that John loves with my own eyes. If eco-critics in America go to the lands Edward Abbey, or Barry Lopez, or whoever else they are writing about loved, then I was getting a taste of the nature the distinguished English equivalent bats for. Talking about Fowles as a nature writer is something, Sarah agreed with me in the car on the way back to the train station that day, that hasn’t been done really in the critical literature. And as she told me, you know, nature is his first love. So it is something that really needs rectifying in literary studies, no one has done it thus far, and I have struck out on an important task.

Fowles

John is a frail old man now, but (despite the odd repitition) can still converse more or less cogently. His house is a citadel of culture and refinement, and his garden and patch of forest are indeed a kind of paradise.

The Undercliff to the west of John’s home is one of the true areas of wilderness in southern England, and its winding paths and jumbled angles exude nothing if not the mysterious. What do you think inspired The French Lieutenant’s Woman? Look down this path.

undercliff

Tasmania: Another fragment of Gondwana.

May 18th, 2003

As a teenager I lived in Tasmania for three years. However only on returning to the island more recently have I really appreciated it.
My country boasts some wild and unmistakably beautiful natural environments. Proceeding upwards into Mt. Field National Park in the south of Tasmania these blasts of yellow leaves caught our attention, these were our first sightings of Nothofagus, the only native deciduous tree, a beech. Their leaves were resplendent, and glowed like fire on the rocks and among the snow gums with their winding bark.
huon pine
Further on up we came to Lake Dobson and here we saw Pencil Pines many centuries old (perhaps a thousand years) which twisted like giant bonsais in front of the pellucid and pan- flat lake, which caught the sky in a mirror reflection. (Why did I have to step into this photo!).
mt.JPG
Further south I found another kind of beech tree on a trip up the Huon River. The beech trees in Australia and New Zealand are closely related species, indicating that they used to all belong to the same big land, Gondwana:
me and beechtree huon river.JPG

New Zealand’s south island

November 5th, 2004

While George W. Bush was about to bring shame to the stars and stripes for a second time (term), I blew out a sigh of frustration and headed to Eden (a.k.a. New Zealand’s south island).
At Kinloch Lodge, near Queenstown, the mountain across the lake was shot in the forehead by a bolt of sun’s even-song. Never have I seen a mountain with such a iridescent wreathe of cloud around its brow. Such clarity of pellucid light. The superlatives have to be packed up at this point. Nothing to be said.
kinloch

Try stopping for a moment in some beechwood in New Zealand – the bird songs are amazing. The litter on the ground and the tall trunks create the open space of northern hemisphere beechwood, but it feels much wilder here, as indeed it is.
beewood
The space and the ancient forms… The tiny leaves… I was transported to Lothlorien from Jackson’s film.
The atmospheric and sentinel-like tors of Arthur’s Pass:
the pass
And finally, the Southern Alps. Aldous Huxley’s father called a trip to the mountains the equivalent of church-going, and my time in this area certainly cultivated my sense of the religious.
new zealand high 04.JPG

At home on the ground in Perth.

December 1st, 2005

This is the path along the Swan river in Peppermint Grove. Melaleuca in bloom in the foreground.
peppermint grove
Before I moved to Fremantle I was living further up this river, on its northern side. I often found my looking at the crassly ostentacious houses of the rich and thinking what a waste of resources they’ve heaped up into a pile. The people they vote into power prioritise economic growth. My t-shirt explains the rest (if you don’t live in Australia, Lib-Nat is an acronym of the ruling federal party of right-wing henchmen).
greed
I find myself much more at home on the banks of the river beside a young tea tree than clamped behind gates of steel.
tea tree
This picture below is of John Forest National Park in the hills behind Perth. John Forest was a former premier of Western Australia, as well as being a bit of a man of the land. If we’ve forgotten most things about him, we remember him gratefully for this park. Granite boulders here are hundred of millions of years old.
darling hills
A couple of months ago my local patch of dirt staged one of the largest floral displays on planet earth.
everlastings.jpg

Wandoo woodland beneath the sun.

March 13th, 2006

These are some of the shapes and textures of the often heat baked and sometimes fire scorched woodland a couple of hundred kms east of Perth. First I look upwards into the smooth white limbs of the wandoo tree…
wandoo
Then I turn my gaze downwards to smaller forms… Hakea leaf.
hakea.jpg
Grass tree post-mortem.
grasstree.jpg
A banksia log by twilight with its bark stripped off.
banksialog1.jpg
Knarled woodland on a mirco-scale.
log1.jpg

Sydney: Sojourning in the big smoke.

April 27th, 2006

I’ve been in Sydney for the past week, staying in Bondi Junction and then in Surry Hills. In the past I’ve dismissed this city as a brash and anonymous pile of high-rises, and not really thought it a high-light in the Australian scene, or bothered to spend much time here. This time I’ve enjoyed tumbling out of bed and onto the well-beaten pavement and into the shifting metropolis of faces and lives. On ANZAC day I was strolling through Hyde Park and noticed this young guy walking in front of me with his brass instrument gleaming.
anzac instrument

South of Sydney to Coledale for one day, and I found myself passing through the cabbage palms and dramatic escarpment of that area just north of Wollongong. I noticed these stones shining in the shallows of the Pacific.
stones

I was at Taronga Zoo for one morning. Not being a fan of caged life, I’d just hoped it would be a nice place to just walk around in – like Perth Zoo with its old trees and bamboo groves – but wasn’t overly impressed. If you can say that a crocodile is the warm mangroves as much as the warm mangroves are the crocodile, I don’t really see the attraction in seeing one bit of an ecosystem floating there out of context.
taronga.jpg

As for wildlife in the city, I saw a seven foot transvestite happily saunter down Flinders St. in bottemless chaps the other night, but was more impressed by the glistening wings of this bat who passed above me.
bat

South-east Queensland: Catch a Fire

April 30th, 2006

beach

Here I stand, on the beach at Byron Bay, looking out to sea with a smile you can’t see. On Thursday I and my old university friend Reuben caught up in Brisbane where he’s living. Byron drew us on Friday evening, and on Saturday morning we wound up a rugged little road through the tropical plants and trees and greens, and found a beach where waves wrapped lazily around a sandy point. The waves broke for longer than I can remember seeing good surf break, and upon entry the water gave me the thermal shock you’d expect from the tropics – even if we were five hours drive south of the tropic of Capricorn. The Pandanus palms stood sentry back on the edge of the beach, and I had a mental recall to Reunion Island and that epoch of my life. There was no wind, the sun shone from the blue, the waves were superb, and if it hadn’t have been for the sixty or so people out in the line-up, I would have cried halleluya.

This is the view from on top of Cape Byron, looking south.

cape byron

Below is a fire seen through cuttings in a drum at Woodford, where we were on Saturday night for a small festival. Of course I’m including it here for the meaning of the word cut into the steel.

dreaming

Saturday night I and my friend slept at his parents house near Maleny. In the morning I found myself wondering around their hill-top property, through their tropical orchard. They were just harvesting their eight avocado trees. Trees only twenty years old groaned with hundreds of avocados, and many other tropical fruits stood alongside for the picking.

avocado

The Rainforest

May 2nd, 2006

For a while I’ve had the idea that you had to make your way up to around Cairns in northern Queensland if you wanted to see some warm rainforest in Australia. I was wrong. A hundred or so kms south east of Brisbane you come upon Lamington National Park, the largest area of easily acessible subtropical rainforest in the world.

With around seven hundred varieties, Eucalyptus species of tree dominate Australia. Aesthetically I admit I found it a relief to be surrounded in the rainforest by a more chlorophyll enriched maze of life.

leaves

It is hard to imagine how the early white settlers could have dismissed this area of rainforest on the east coast of Australia as the big ‘scrub’.

buttress

I raise my glass to John Seed, highly influential rainforest activist who was engaged in the conservation struggle in the seventies and eighties just south of Lamington in northern NSW. Seed said that he was simply part of the rainforest defending itself.

leaves in the rainforest

As you drop down 400 metres in altitude into a deep valley near Binna Burra the light turns a silvery grey.

Fremantle again.

May 15th, 2006

15/5/06

I’ve moved house and am now living in Fremantle, the gateway to Western Australia if you happen to be a shipping container. This photo looks out from my bathroom window over the roof tops to the busy harbour.

bathroom

Here I am in my upstairs study, sporting some Jamaican headware. Purely by chance in turns out that my dad rebuilt some of this house thirty years ago – Fremantle is pretty small!
me in study

This is my new front door. I’m living a stone’s throw from the centre of Fremantle in a house built in the 1850s from limestone. Outside my bedroom window New Holland Honey Eaters drink the nectar from the yellow cones of Banksia flowers. It seems like a nice compromise between the vapidity of the burbs and the grime of inner city life here above the harbour.

house entrance

Shadows

June 10th, 2006

In between the interstices of the light, falls the darkness.

shadows.jpg

Life is a balancing act. In my mind I see all the darkness and destruction of this world as well as so much light and beauty. On the side of darkness I see Westerners driving cars more suited to militarised zones than a trip to the supermarket. These people fail to read the fine print of their actions.

exhaust.jpg

On the side of light I see this young wandoo tree catching the evenings light above the Swan River in the supple curves of its trunk. I know that trees such as this one capture carbon dioxide, and ultimately help Gaia to regulate herself at a temperature suitable for all of us living things. To take this photograph, as I do whenever I do photography in Perth, I jumped on my bike and cycled to the location. It’s easy to read the fine print of such actions.

youth.jpg

Is there anybody there?

June 19th, 2006

Webcams are an example of a green technology. I’m not saying that using one should always replace having a tete a tete in person, but using them more might reduce the amount we fly around the place. So now I have one… and even if you don’t have one you can do a one-way video chat with me. Go to http://www.aim.com/ My username is: Thomas MurrayWilson

webcams.JPG

The Moore River

June 21st, 2006

If you drive two hours north of Perth you get to the Moore River. I visited a friend of mine, Peter, who is a bee keeper and who has some land in this mostly flat and sandy country. The Menzies Banksias were wreathed with buzzing bees wherever I walked. Being allergic to bee stings, I was watching my back.

banksia.jpg

Down by the Moore River a friend’s child, Hamish, scampered through the tussled trunks of Paperbark trees.

hamish.JPG

Later, in a fit of Blake-like sermon-on-the-mount grandeur, the sun blasted its rays outwards.

gingin.JPG

The south-west of Australia in winter – part one.

June 30th, 2006

I spent some of my childhood in the south-west of W.A., and being back here this last week has reminded me of what I like best about my old stomping-ground.

morning.jpg

Here I stood, watching the morning’s light creep onto the Frankland River.

orchid.jpg

A demure leaf orchid.

pep.jpg

Beyond this peppermint tree, the farming pasture rolls down to the sea. This photo could almost be a painting by Samuel Palmer of the English countryside in Kent.

pep1.jpg

I stand under this peppermint tree and the angles of the branch on the ground and the hills and the trunk of the tree to my left imparts a feeling of reclining ease in the land.

The south-west of Australia in winter – part two.

June 30th, 2006

daisy1.jpg

There is only one place where the karri trees meet the southern ocean. Behind these flowers is the location.

elephants.jpg

The orange lichen gives Elephant Rocks its unique character.

evening.jpg

Here the evening light was caught high up in the arms of this karri.

The south-west of Australia in winter – part three.

June 30th, 2006

grasstree1.JPG

This grass tree had its stalk removed, and its diverging leaves stimulated my eye.

tingles.jpg

The rich reds of the tingle trees bark seemed to glow in the soft winter light.

dsc_99.jpg

Peaceful Bay is just down to the right in this photo.

The south-west of Australia in winter – part four.

June 30th, 2006

flower.JPG

The whole trip was an experience of the natural world of the south-west which is existing in all its splendour out of sight and mind of the majority of Perth’s population. A place which is quietly going about its millennial routines, while the city’s denizens further north shoot here and there, oblivious to the subtle winter beauties of the south. Maybe some of these photos will remind Perth people of what is best in their state.

island1.JPG

From grey to red, the winter has its secrets.

fungi1.jpg

The south-west of Australia in winter – part five.

July 1st, 2006

These six entries detailing images of the south-west come from a week I’ve just spent down in the Walpole-Nornalup wilderness area.

carn.jpg

This plant is carnivorous. It catches little insects with its sticky flowers.

banks.jpg

I liked the way this former Banksia flower loomed out at me from the greyness.

fern.jpg

This native fern sits as an epiphyte on a dead stump. I’ve been staying at a friend’s house near the Deep River. The world of moist, micro nature among the sandy soiled and gently undulating hills was such an intimate treat after the bold shapes and sizes of sixty metre karri trees and open-horizoned sea shores.

hollys.jpg

Thoreau’s log-wood cabin never had it so good!

The south-west of Australia in winter – part six.

July 2nd, 2006

Despite that previous image taken from space, there is still a lot of wilderness in the most south-westerly corner of Western Australia. The next six entries delve into those wild places.

pillars.jpg

The karri trees seemed to me like white pillars holding up the sky on this evening.

afterrain.jpg

After the rain has fallen in the forest, shafts of sun light filter down through the canopy.

Reality beyond the Perth suburbs.

July 4th, 2006

Southwest.JPG

All the lighter areas in this satellite image of south-western Australia have been cleared for European agriculture, mainly the growing of wheat. For those Perth citizens naive enough to think endless Aussie bush lies beyond the edges of their sunny city, this photo is worth dwelling on.

The South-west Botanical Province accounts for only 0.23 per cent of the earth’s land surface but it supports 12.6 per cent of the world’s rare and threatened flora. This is because we live in quite a special place, and around 93 per cent of the vegetation communities in this special place have been cleared for agriculture. Over previous millienia each afternoon’s sea breeze dumped layers of salt on the land. The native flora kept the salt below the water table, but now it has risen back to the surface, killing everything in its way.

Putting it simply, life around here is very biodiverse, and the land east of Perth, the so called ‘wheat-belt’, is a mess. There are people doing something about this state of play. For example, The Australian Bush Heritage Fund has bought a massive conservation reserve in an area called the Charles Darwin Reserve. You can read about it, and also find out a bit more about life in these parts, at the Charles Darwin Reserve website.

The blasphemy of dead men.

July 5th, 2006

jarrah.jpg

Jarrah is a eucalyptus tree with long, grey striated bark. Today I’ve been in the Jarrah forest south of Mundaring in the Darling Hills east of Perth. I went out there in the hope of finding some old-growth Jarrah forest to walk amongst. I talked to a local fire officer with Conservation and Land Management, a guy who would know, and told me that he only knew of the odd old jarrah standing about the place and of no virgin forest. He was right, the whole forest I made my way through had a feeling of unhallowed youth about it. There were no groves of four hundred year old trunks to be found. How dissapointing.

truck.jpg

The fact is that only two per cent of jarrah forest remains which has never been logged (karri is doing better in the south-west, where two thirds of old-growth remains). I am not against the harvesting of timber. Quite the contrary: it takes ten times the amount of energy to produce an iron girder as to produce a wooden beam, and as long as forests are selectively logged and not clear-felled, all those who care about the planet should very firmly support the harvesting of timber and see wood as the building material of the twenty-first century. However the Australians of earlier years went much too far in their chopping jarrah down and shipping it off around the world.

jarrahload.jpg

Here jarrah lies on the Fremantle dock in 1899. What the people of this era called ‘swan river mahogany’, a superb building material for its extreme hardness, went off in massive quantities to lie under the pavements of London, amongst other places and uses (actually in this photo they were building the docks with the wood but you get the idea). In few places in the world could you have found, in the early 1800s, such a huge swathe of mature hardwood forest standing on such dry and nutrient-poor soils, as the jarrah forest of the Darling Range. A pity these dead men and women didn’t appreciate this fact.

mushroom.jpg

The actions of the dead loggers of earlier years left me wandering around the Jarrah forest today, feeling nonplussed. I was unable to find a bit of ground where the grey trunked elders of the forest towered over me. Well, at least I found this transient forest floor dweller amongst the winter leaf litter. That was some kind of compensation.

In An Old Look at Trees: Vegetation of South-Western Australia in Old Photographs, compiled by Robert Powell and Jane Emberson (1978) you can find the following photograph of virgin jarrah forest near Jarradale, south of Perth.  It was taken in 1896. This is what the jarrah forest used to look like:

It is the birth-right of all people who live in Perth to go into the hills near our city and walk through big, beautiful jarrah forest like this.  We have been deprived of this birth-right by the blasphemy of dead men.

The journey into darkness.

July 6th, 2006

ship.jpg

I was down on the north mole this evening when a massive ship slipped through the water past me. I live in a port town, so quite often I see the vast steel architecture of these structures float accross the top of Fremantle’s streetscape.

Ninety per cent of all trade between countries is carried by ships. There is something romantic about seeing a huge ship glide past you a few metres away and off on the four and a half day trip north to the tropics and to Singapore. On the other hand, there is nothing romantic about the fact that that ship will have its hull painted in a paint mixed with organotins – highly toxic chemicals which kill anything that attaches to the ship and which leach from the paint into sea water, and are absorbed by marine organisms and humans who eat them. There is nothing romantic about the fact that if cargo levels are low the ship will load up on local sea water, and then release the water when they pick up new cargo at the next port, introducing stowaway organisms that can become invasive, and potentially ruin entire ecosystems. Then, you all know about the spectre of the big oil spill, but did you know that many ships illegally discharge bilge oil before they enter port to save the money they’d have to spend on legally getting rid of the stuff?

Despite the efforts of the Australian Quarantine and Inspection Service, we have the known marine pests the European Fan Worm and the Asian Date Mussel around Fremantle thanks to ship’s ballast. And although they are planned to be phased out by 2008, organotin-based anti-fouling paints can still be found in plenty of the hulls of the ships in Fremantle. Actions are being taken to deal with these problems by national and international agencies. These actions are happening about as quick as the response time of a mighty but stupid behometh of the sea. The night is gathering, but now I’m seeing more clearly.

Thoughts on having seen the film ‘Ten Canoes’.

July 10th, 2006

LR Platform 3 2969.jpg

[Photo by Jackson, Courtesy of Fandango Australia and Vertigo Productions.]

I watched the film Ten Canoes the other night. In the opening shots of the film the camera pans over the Arnhemland wetlands, that part of Australia where one third of our bird species live. One instinctively holds one’s eyes wide open to this expansive, green, bird-buzzing, wilderness. The film turns out to be a story told by a canny and humorous old Aboriginal, set in the time of his ancestors. The film follows a tribe who go through revenge, love, battle, laughter and gathering goose eggs on a swamp, among other things. In the above photo the hunting men avoid crocodiles by camping high in the branches of paperbark trees. It was nice to see a film where the pace and rhythm of life is slow, closer to the daily schedule of the natural world than in most other films. The camera shots often make humans tramping through the landscape look peripheral to the enduring and greater fact of the earth, positioning them at the top edge of the frame for example. And to see bark canoes made with precision and paperbark stripped to carry food and make shelter is to witness important local competencies. So many folkways have been lost with the loss of Aboriginal culture, and indeed some amount of cultural revival had to take place in the making of this film. The first Australians were truly the mastercraftsman of living in the bush. This film acknowledges that fact with quiet accuracy. Although I admire this original Aboriginal culture, I am personally searching for a whitefella dreaming. We white Australians also need representative stories, or cultural myths, which illustrate our living sustainably with the land.

Lines of connection.

July 15th, 2006

sheoks.jpg

This is a dimly lit grove of sheoaks, or allocasurinas to use their latin name, near Walpole in the south-west of Australia (they are actually Karri Sheoks). Of the 45 species of casurina trees found in Australia, most are endemic to Western Australia. However there are some of these trees in Indonesia, and one species is found in Madagascar and Reunion Island.

So casurina trees ring the Indian Ocean. When the wind blows through their thin, needle-like leaves it creates a high, whistling sound just like the sound of wind blowing through the rigging of yachts with their sails down. They are important trees to me because they are marker of continuity between Reunion Island, where I stayed a few years ago, and Perth, to otherwise entirely different locales. When I see one, or when I hear the sound of the wind in its needles, I can be transported to the hot, volcanic sands on other side of the sea.

drawers.JPG

My dad built this chest of drawers out of casurina timber. Perhaps the English saw another line of continuity with the similarity to the grain of the oak of the British Isles, and that’s why they called this tree ‘sheoak’ (after I wrote this blog entry my brother told me quercus robur, or oak, was sometimes called the ‘He-oak’ in English dialects, due to it’s manliness). All I know for sure is that its fine, amber-coloured veins make it the most beautiful wood in Western Australia.

Climate truth is…

July 19th, 2006

This morning I watched Al Gore’s new film, ‘An Inconvenient Truth’. Gore illustrates the facts and figures of climate change in a way which brings clarity. Here is a man who knows the steps of the white house better than most people, who is a member of the privileged WASP American, square-jawed set, and yet who also knows that to be an intelligent and ethical man at this juncture in history means to be out of kilter with the majority of his countrymen. Thankfully we have Al Gore and his new film around, because in it, step by step, and with comic relief, Gore shines light onto the single most important issue on planet earth at the start of the twenty-first century. You may have read a thing or two about climate change. You can read that, for example, the overwhelming majority of the scientific community agree that climate change is real and is caused by humans, but until you see on Gore’s slide screen a representation of all the scientists who back the climate change consensus, compared to the number that don’t, then you’ve not fully grasped that really everybody who counts thinks its real. You might know that glaciers are retreating, but until you’ve seen these images from Greenland, you’ve not really understood how far we’ve already pushed the planet into a new shape. This film is a shaft of strong and steady light, striking into the miasma of public understanding about the changing of the atmosphere. I’d call the release of ‘An Inconvenient Truth’ an important event in world history, and I’d say that if you don’t get yourself along to watch it then you are neglecting your duty as a citizen. I can’t put it any more lightly.

You can click on the icon above and pledge to go and see the new film about the heating of the atmosphere.

FERN

August 9th, 2006

mag.jpg

Now I’m on the board of FERN – the Fremantle Environment Resource Network. This old community garden centre is just around the corner from where I live in Fremantle. It could become a centre for sustainable technologies, but at the very least it is a nice glass-walled, open space, which will be filled with Lee Perry and Freddie Hubbard style sounds, and nice food and company each Tuesday evening. Next Tuesday we’ll be projecting slides of nature photography as well, and this may become a regular feature.

Tuesday night at FERN.

August 23rd, 2006

Earlier this evening I was over at FERN. This Tuesday night gathering is gathering force. My friends Nick and Johnny projected some of their photos…

slides.jpg

I projected some of my own images later in the evening. While the photos rolled off the digital projector I gave a commentary, to those willing to listen, which was possibly a little blurred due to the effects of shiraz.

me.jpg

Yesterday I and my friend Ravi, a Byron Bay horticulturalist now based in Fremantle, prepared the soil for a large garden bed at FERN. I thought it was time that we kicked the ball off in terms of gardening here at the site, so away we went. We planted seeds and seedlings of capsicums, cucumbers, eggplants, chilli, silverbeet, basil, and tomato. I even put in a few kangaroo paws, Perth’s great glory.

I and Ravi stepped out into the dark this evening for a photo beside our soon to be germinating bed of life.

meandravi.jpg

In an issue of the British magazine The Ecologist the journalist Paul Kingsnorth recently reminded me of the campaign during the second world war in England to get families to grow their own vegetables.

digvic1.jpg

Britain needed to become self-sufficient in terms of food at this time with the seas swarming with German U-boats.

dig.jpg

Next time you hear a check-out chick ask you if you want fly-buys at the supermarket, just remember: Dig for Victory!

Time to power-down.

August 24th, 2006

I heard the American peak oil commentator Richard Heinberg talk this evening at the University of Western Australia. Oil production is currently just keeping up with oil consumption. By approximately 2010 however we’ll be wanting to put petrol in our cars at a rate that will not keep up with how many barrels of oil are being pulled out of the ground (even taking into account projected new discoveries of oil deposits). So the current increase in the price of oil will turn into a much sharper increase. We’ll have reached a peak oil crisis. With this knowledge we can continue with business as usual, in which case in four or so years time a yearly increase in demand for oil combined with a yearly decline in the global supply of oil will surprisingly quickly reek havoc on our social and economic system. Or we can prepare for a world in which oil isn’t always there in endless supply, and thus avoid an unpleasant jolt.

oil.jpg

On my way home from the talk I passed by these big badges of oil dependence standing beside the Fremantle harbour. For over the last hundred years we’ve used the magical substance contained within these silver monoliths to replace human and animal labour. It is hard for us to imagine that it won’t always be around in such large quantities as we’re accustomed to. It won’t.

Fremantle five metres down.

September 9th, 2006

The Intergovernmental Panel on Climate Change reported in 2001 that the expected rise in sea level by 2100 due to glacier melting alone was between 1 and 23 centimetres. Sounds ok to me? Nothing much to worry about there?

One fear is that the entire West Antarctic and Greenland ice sheets might disappear into the oceans. Greenland hosts the second-largest icecap on Earth, holding 10 per cent of the global ice mass. If the Greenland ice sheet melts then the global sea level would rise 6.5 metres.

2001 is a long time ago in the world of climate science, and things have changed. New data is in and new predictions are now being made.

Four weeks ago the notion that the IPCC website is out of date was firmly confirmed. Four weeks ago New Scientist magazine reported that the Greenland ice cap, the world’s second largest ice cap, may be melting three times faster than indicated by previous measurements, according to newly released gravity data collected by satellites. Greenland’s ice is melting faster than ever. The process could reach a point of no return before the end of the century.

Some time this century down town Fremantle may truly be down: the West End, the markets and South Terrace forever submerged under five metres of water.

Freo_5m_sea_level_rise1.jpg

[Thanks go to map expert Dave Robertson for preparing this image for me.]

If you don’t believe that you’ll live to see a five metre sea level rise, this is what Freo will look like under three metres of water.

 Freo_3m_sea_level_rise.jpg

We actually got this image published on the front page of the Fremantle Herald, the local newspaper. 

 

 

Big Earth – Part One

September 23rd, 2006

figberry.jpg

Berries actually grow out of the trunk of this rainforest tree. There are around 1200 tree species in the wet tropical bioregion of north-east Australia. (These photos were all taken on Fitzroy Island, south-east off the coast of Cairns.)

plage.jpg

The beach was an eroded coral jig-saw patch on this tropical island’s shore.

fig.jpg

In the spotlight.

Big Earth – Part Two

September 23rd, 2006

After Cairns and Fitzroy Island we went south. Up into the Tablelands to the east the water flowed cold and pure.

falls.jpg

Then we were a thousand metres up in the Tablelands, amongst the clouds and the rain.

blur.jpg

By Lake Barrine I thought I’d check the strength of the lianas by pulling on one. One thing lead to another…

Big Earth – Part Three

September 23rd, 2006

twist.jpg

This black and white and sepia collection comes mainly from Mossman Gorge, north of Cairns.

gorge.jpg

This is the Gorge in all its quiet, fresh-watered inwardness.


Big Earth – Part Four

September 23rd, 2006

train.jpg

The area around Mossman is full of grand cane field-filled ampitheatres of cloud and mountain.

rapid.jpg

Engaging with nature doesn’t mean just looking at it. The waters of Mossman Gorge are so good for washing off the salt of the coast. Massive white boulders and cool water on the skin, so fresh you could smell it as you stroked your way forward across the surface or tumbled through the rapids.


Big Earth – Part Five

September 23rd, 2006

green.jpg

The light is saturated in green in the forest north of the Daintree River.

alexander.jpg

Looking down over the forest to the Coral Sea I am almost part of the tangle of life.

trunki.jpg

The trunk of this palm by Cooper’s Creek is vibrant with colour.

 

Big Earth – Part Six

September 23rd, 2006

 

reef2.jpg

Coral gardens I saw on the outer edge of the Great Barrier Reef came in yellows, purple, reds and blues.  David Suzuki published his autobiography this year (2006), and in it he writes of going to the outer reef from Port Douglas, as I did to take these photos.  Suzuki laments the decline in the reef’s health he’s noticed over the years.  He also speaks of a moment where he watched his eighty year old Japanese father and young grandchild floating together over coral such as this, with intent and delighted faces, as one of the happiest memories of his life.   

greenisle.jpg

A photo looking southwards from Green Island, off the coast of Cairns. What lies off beyond the shelving ledge of coral?

Big Earth

September 23rd, 2006


I have just been in the wet, tropical north-east of Australia for the last two weeks. The next few entries of photos are named ‘Big Earth’ in honour of the latest album by Taikoz, the Australian drum ensemble of which Riley Lee is a part. I saw a performance of Taikoz at the Cairns civic theatre on my second night in the area and this event of floating smoke and giant drums was a fitting opening ceremony to two weeks travelling through the rainforests and reefs. The music of Taikoz has has the virtues of stillness, depth, simplicity, force, and spaciousness. Good nature photography should aspire to the same virtues.


Enter Spring

October 9th, 2006

pink.jpg

Every spring Western Australia gets one of the largest floral displays on planet earth, up there with the profuse flowerings of California. In fact, because this part of Australia has been a stable bit of land, with not much going on in the way of mountain building and the like, for the past 250 million years, and because the soils are leached of nutrients so that not too many big trees shade out the little heath plants, species of flowering plant have just kept joining the party, century after century. We’ve got to the point where the southwestern corner of WA has more species of flowering plants than almost anywhere else in the world. The Everlastings above were found in King’s Park.

yellow.jpg

This flash fire of yellow I saw on the north shore of the Swan River in one of Fremantle’s only remaining pockets of uncleared nature.

 

The Stern Report

October 31st, 2006

Sir Nicholas Stern is a former chief economist at the World Bank, which means that as economists go, this man has impecably good credentials. He has just released the Stern Report in the UK, declaring that the globe now must reduce emissions or face a depression greater than that of 1930 and the world wars combined in the coming years. Tony Blair calls it the most important report ever to come over his desk.

The report has got Britain moving into a brave new era of political action on the climate crisis. In Australia, Howard’s complicity with the fossil fuel industry has backed his government into a corner. The only way the world can deal with the climate crisis is to have carbon taxes. Howard’s compromised position means he must repudiate this, and instead he wastes our tax dollars on $100 million of what is, boiled down to its essential nature, window-dressing. The solution? Among other things, vote in the next federal election at the end of 2007 for regime change in Canberra.

One day you might be asked, ‘How come you did not know what was going on?’

‘Why did you not fight?’

‘Fight!’ you’ll say,

‘that’s a word that never occured’,

the very word brings tears.

It will dawn on you after all those painful years

that to fight is one of the most beautiful,

simple and useful ideas.

– Michael Leunig

Climate Protest in Perth.

November 4th, 2006

kid.jpg

There is no beating green and gold. Today in Perth, Brisbane, Sydney, Melbourne, Hobart, Adelaide, Canberra and Perth, people who you would not normally call ‘environmentalists’ came out in their thousands and protested our government’s inaction on the climate crisis. In Trafalgar Square, London thirty thousand people marched (check out some photos), while in a country half the size of England, Melbourne boasted forty thousand participants and Sydney, forty thousand. This has been the biggest march on the biggest issue on the planet, to date.

chris.jpg

Every man and his dog put there right foot forward on the streets of Northbridge, in Perth. If you are reading this blog from outside Australia, this placard is more explicable if you know that our prime minister’s surname is Howard. I made this placard, along with four or five others I handed out, including ones which said: CAPTAIN HOWARD: FOSSIL FOOL AT THE HELM, and CARBON TAX NOW, OR YOU’RE DOING NOTHING.

horn.jpg

Blow your horns, blow your triumphant horns!

lulu.jpg

Back-stage comment. As the hearts of men become increasingly arid, so too will the desertification of the earth creep forwards. This saying has taken on a new, quite literal meaning in light of the climate crisis issue and its effects in south-west Australia. Perth normally has around 870ml rainfall each year (falling mainly in May to October), which isn’t that dry compared to many places in the world. However since the 1970s human-induced climate warming has caused it to drop 25%, and by 2020 it is predicted to drop another 20%. The average run-off into Perth’s water reservoirs since 1996 has been 115 gigalitres, compared with 339 before 1975. That is a big drop. So people in this city have started to feel the local effects of the global climate crisis and scratch their heads, wondering why their elected government isn’t taking care of the national interest.

paul.jpg

Humour’s satirical barb at the end of the march (drawn by Bill Leak).

dave.jpg

Let us hope that Australia won’t forever look like such a rogue state. No, hope isn’t good enough. Time to get out of that chair.

Conversation with Bob Beale

November 16th, 2006

zamia.jpg

This afternoon I was walking across Murdoch University campus, where I’ve temporarily been doing some work, when I came upon this big Zamia palm’s spiky fruit. 170 years ago my English ancestors had the misfortune to have their livestock munch on this thing and go belly-up. A couple of hundred years before that, the odd Dutch sailor came onto these shores, ate the fruit, was violently sick, and died. For forty or so thousand years before that the original Australians took the fruit, soaked it in a stream for a couple of days and buried it in the ground, leaching the toxins, and then sat down for some good tucker. This afternoon, perhaps understandably, I wasn’t game to pick any wild food before I got on the bus back to Fremantle. Back in England, foraging for wild foods is a contemporary reality: read this lovely little article about one forager called Fergus Drennan by Paul Kingsnorth. But here in Australia, I feel like I need a guide to show me the ways of the sclerophyl woods.

The discourse of environmentalists can often over-shoot itself. Carbon dioxide emerged as the global villain of 2006, and our struggle to spread the word about the current climate crisis continues apace. This spreading of the word is good stuff, however, let’s not forget the bioregion we’re standing in right here and right now.

So where am I? I’m standing in front of this strange looking zamia palm fruit.

Small-scale mixed farming, what is usually ‘organic’ agriculture has much to recommend it environmentally, as all of us thinking people already know (in relation to this I really suggest reading this short piece by Colin Tudge).

However, organic isn’t the whole story when it comes to doing the right thing with food in Australia. What follows is a online conversation I’ve had over the last few days with Bob Beale, co-author of Going Native, along with Michael Archer, and based at the University of New South Wales.

Tom:
I have read your book Going Native and learnt much from it, and would like to thank you for it. I have given a copy to the head chef at one of Australia’s only organic restaurants (The Sandcastle), and he has read it with pleasure.

However I have a question for you. Recently I was at a talk given by Peter Singer on his new book The Ethics of What We Eat. I asked him during question time why he does not advocate the consumption of native species in the Australian context as an important ethical act. He replied that only perhaps two million of the twenty million Australians alive could be fed using native species available, even if we were to farm them more. Is he right?

Bob:
I don’t know on what basis Singer makes this claim but it sounds like a specious argument that I’m not going to get drawn into any further than I must to respond. How does he arrive at a figure of 2 million? What does “farming them more” mean? How much more? If we developed productive native grains that could be farmed instead of wheat, our wheat farmers have already shown that with current production methods they can produce enough wheat to supply the Australian population several times over. He also seems to be trying to cast it as an either/or argument: we’re suggesting a gradual process of supplementing our largely exotic diet with native foods. If you’ve read our book, you’ll see that surely that is the ethical and sustainable way to go. We’re not suggesting “farming” kangaroos or breeding stumpy-legged emus, just making more of what we’ve got with foodstuffs that fully sustained millions of human beings for tens of thousands of years before we got here. One challenge I pose to people is to set a date, say six weeks from now, and plan and create a three-course meal for six people that uses only indigenous Australian ingredients (no marine foods, please, since they are not strictly Australian). It’s a great discussion subject around the dinner table, especially when you relate to your guests the processes you must go through to find your recipes and ingredients. It’s irrelevant whether Singer’s figures are right or wrong: the more interesting question to me is: why do we know and eat so little native fare when the ethical and environmental arguments for it are so strong?

Tom:
It seems that you have basically confirmed what I thought: Australia’s most well known philosopher has made a major omission by not emphasizing the importance of native species in his latest book on what we eat. What a pity!

Bob:
Peter Singer is well aware of the kangaroo harvesting issue, so it would appear to be unlikely to be an oversight, especially since he had a ready answer to your question. I guess you then have to ask why the topic is omitted (no conspiracy theories here, just a fair question)..

[So I wrote to Peter Singer in America]
Tom to Singer:
Recently I was at a talk given by you at the Fremantle town hall on the ethics of what we eat. I asked you during question time why you do not advocate the consumption of native species in the Australian context as an important ethical act. You replied that only perhaps two million of the twenty million Australians alive could be fed using native species available, even if we were to farm them more.

Peter Singer:
Sorry, I assumed you were referring to eating native animals. I know nothing about native grains, and can’t comment on their advantages or disadvantages.

Tom to Bob:
So this is Peter Singer’s rather cursory response to my question – professors at Princeton are busy men!

[I don’t want to give the impression here that I don’t respect and admire the work of Peter Singer. I do, and his book How Should We Live? is on my list of essential reading.]

I suppose you could argue that he wrote his recent book with the US as well as Australia as a target audience, and as there are 300 million yanks and only 20 million Aussies, it was not the ideal platform to talk about Australian native species. All the same, I do think he should read your book considering what he writes about.

Bob to Tom:
Thanks Tom. I would have hoped for a more considered answer. We’re all busy.
We still don’t know the basis of his assertion about native species feeding only two million people. Even if he were referring to animals only, I can just as easily hypothesise that if we actively bred bustards instead of turkeys (or, say, mallee fowl instead of chicken) we’d have plenty of poultry meat to go around. If we also bred emu, possum, yabbies and say, crocodile specifically for human consumption and sustainably harvested selected kangaroo species likewise, I’d have thought there’d be a rich and varied supply of delicious protein to fill many stomachs (not to mention securing the existence of some currently threatened species). Of course, Singer’s focus is more on production methods, which is a different take on the question. I wonder where he’d stand on eating koala, echidna, goanna, snake and the myriad other animal foods utilised by Aborigines.

Have at look at pages 18-23 of this document on the Aboriginals of Port Stephens.. I first read it almost 25 years ago and it made quite an impact on my thinking about issues like this. It puts modern lifestyles, animal liberation, environmental sustainability, organic farming and so on in a different perspective, even allowing for hindsight and the filtering eye of the observer.

Tom:

One other thing Bob, in thinking of a three course meal for six I didn’t come up to the high standards of the Port Stephens mob!

In fact I only could think of getting some kangaroo from Coles (which comes from South Australia), some macadamias (again, not local) and some native tomato chutney (the brand I know is made in NSW), all of which means that the food miles of the meal would be enormous. Help?

Bob:

The light is beginning to dawn . . . seek and ye shall find brother! That’s the point of the exercise. Google it man:

This page has some pictures of some Australian food.

[End of dialogue.]

And there you have it. After I read the first link Bob sent to me about the original Australians of Port Stephens, I was really interested and pleased to learn a bit more about what the food, pets, and generalized attentiveness to nature of these people looked like. I have yet to organize that three course meal for six, but the walking boots are ready to go.

Al Gore at the Perth Concert Hall

November 17th, 2006

Al1.jpg

Al Gore delivered a speech this afternoon in Perth, Western Australia. He ambled onto the stage in front of 2000 people, and spoke for the following hour in a deep, calm and measured voice. These are my recollections of his key points.

The climate crisis is a symptom of civilisation, as we currently know it, colliding with the ecosystem of the planet. Studies of happiness among people in the West have shown that since the 1950s economic growth has steadily risen, but we have not been getting any more happy. So not only is the pursuit of short-term material wealth at the expense of the planet a bad idea for nature, but it is a bad idea for us as well.

Every day we pump out 70 million tons of carbon dioxide into the air. 25 million tons of this is absorbed into the ocean, causing the acidification of the seas. We act as a society as though it is just business as usual. In the words of Abraham Lincoln, ‘we must disenthrall ourselves’ from this shared delusion. We must disenthrall ourselves from the shared delusion that it is ok to put 70 million tons of CO2 into the air each day.

During the Middle Ages in Western Europe knowledge was largely controlled by the Church. With the Declaration of Independence in America in 1776, and with the Enlightenment of the 18th century, knowledge became something which could be debated among private individuals. If one person didn’t believe something, but was shown by another person that for this or that reason it was true, then they would be open to altering their views about the world. The clergy didn’t have a monopoly on the truth anymore. Now the best argument, made with the best evidence, could come through.

At the end of the World War Two, a bunch of German philosophers sat down in Frankfurt and discussed what had gone wrong, what had lead to the rise of Hitler. Theordore Adorno said the following words: ‘knowledge has become power’. Wherever Al Gore has gone around the world to spread the word on the climate crisis he has encountered the vested interests of governments, businesses and industries which do not want the truth to come out. The media is full of these vested interests. Instead of an open, democratic public sphere where we can say, look this must be true because of that, now those with an interest in the world not knowing about the climate crisis have increasingly shut down the conversation. The rise of the internet, and the emergence of blogs, such as the one you are reading right now, is a positive thing in that it can help us navigate around some of these effects of power.

Austrlia and America are the only countries to have not signed the Kyoto Protocol to deal with the climate crisis. We are like Bonny and Clyde. If Bonny falls, if Australia signs, then Clyde will will be left all by himself, and then finally there will be overwhelming pressure for the US to join the international community. After the US joins, there will be overwhelming pressure for countries like China to get onboard. So in a sense Australia is the domino that has to fall. We Australians can have a disproportionately important effect on solving this global problem.

After he had spoken in a strong voice, Gore became hushed. He ended by quietly quoting a Scottish mountain climber’s words:

‘When you commit yourself, Providence moves.’

The 2000 strong audience broke into applause, now standing in their seats. The concert hall was loud with the sound of acclamation.

So, what do I think about Al Gore now I have heard him speak in person? I’m not easily convinced to buy into new movements, as those of you who know me will attest. However, now I’ve heard Gore in person, I honestly think this:

All those who have thought deeply about the world we live in, now have a new leader.

Back at home, and looking at Gore’s recently published book, full of large colour photos and clear, succinct quotations, I can only further confirm to you that this man is now the leader for all of us who get out of bed in the morning with an inquiring mind and an ethical framework. If you cannot see Al Gore speak in person, then see his film and buy his book.

We must disenthrall ourselves from this shared delusion. It will take courage.

I have a final comment that I would like to add to this report on the speech this afternoon. Each of us has our own strength and talent to bring to matter. Human ingenuity will be needed. However, those of us who have started to break out of the shared delusion use words such as emergency and crisis to describe our current situation. Do our actions reflect our words?

No.

If we are in an emergency, then we should start acting like we are in an emergency. It is time for public protest. It is time for students to stage noisy campus sit-ins, and for enterprising media activists to get the tv cameras rolling on the tons of coal they’ve just dumped in the forecourt of Parliament House in Canberra.

As Mike Tidwell wrote a couple of days ago, ‘big change requires both legislative action and determined public protest.’ While the lawyers were working the courts, Martin Luther King Jr. was on the street boycotting buses. While anti-Vietnam War legislators were holding hearings in Congress, men and women of service age were unfurling banners on the streets.

North America

November 25th, 2006

NorthAmerica1.jpg

There is plenty of anti-American sentiment where I’ve been in Australia and Europe. People forget to mention that America is also one of the most beautiful lands in the world. One of the richest conservation NGOs in the world recently put on a competition for the best nature photograph taken by one of its members. As most of The Nature Conservancy‘s members come from the US, this means most of the photos were of America. The photo above is my vote for the winning entry, but it is worth browsing through some of the other photos entered if you’re interested in nature photography.

Politricks for Australia’s 2006

December 1st, 2006

parliament.jpg
In case you’ve forgotten, Australia became a nation in 1901. For the previous hundred or so years it had only been a bunch of individual British colonies. The capital of the nation is Canberra, an inland city in the south-east of the continent. This city was planned from the start and its construction dates back to just 1913. Australia’s most highly respected research university is there, the Australian National University, where I studied philosophy and English from 1997 to 1999. The current Parliament House was completed in 1988, and is a large structure, for the most part buried beneath a grassy hill in the middle of this city.

On warm evenings at the end of the 1990s, I and a friend of mine would often sit on top of this grassy hill. We walked to the top of the hill, almost directly on top of Parliament House. I liked the symbolism of tempering the arrogance of officialdom by sitting above them. Me and my friend were usually alone, apart from the odd security guy patrolling the area. The night was quiet and we looked down across the smooth sward on the lake below, and up to the southern cross in the night’s sky. At such moments I was glad to live in this country, and glad to be in Canberra with its big granite monuments to the nation’s history and democracy.

Let us look beneath the well-mown surface of this scene. Like each of Australia’s six states, the federal parliament has an upper house and a lower house. The lower house is called the House of Representatives. Australia votes every three years for the people here, and the party with the majority of people in the house governs the country. They make up the cabinet and the prime minister.

What follows is my personal ‘snap-shot’ impression of politics in Australia in 2006.
I’m not going to dignify the federal ministers by referring to them by name. History will not remember any of them in the way that it remembers figures like John F. Kennedy, so I don’t think you should bother to remember their names either.

In September the Minister for Environment said of Al Gore’s film An Inconvenient Truth in an interview on Radio National:

‘I did see it on one of my flights in the last couple of days. My most respected scientists concur with me that the science in vice-president Gore’s movie is sound and solid. It’s based on fact and the consequences of not addressing the problems that vice-president Gore has identified are very substantial.’

This guy is clearly onto something. So why doesn’t he do something effective? He is in government, so why not just go for broke and try governing?

The federal parliament uses a cabinet system where the Ministers have executive decision making power. However in reality over the past few years the Prime Minister, after successive election victories, has made Canberra politics into more of an unofficial presidential system, where he and a couple of his friends decide what goes, and then ring Ministers and say ‘do it’. The policy priority is to get economic growth going up, and to not worry about other stuff (like, say, personal well-being or nature). Let’s strip the message of these economic fundamentalists bear: ‘Life is a perpetual eat-buy, eat-die cycle.’ And hey, don’t even think about suggesting that fetishization of a rising dollar could lead to over-work and over-consumption. Don’t mention that it leads to stressed individuals and families, and to the destruction of nature.

So what of the ship all Australians are sailing aboard? What of nature? The current government says we need to be rich to look after the environment. The say it again and again. This philosophy has hit a big and glaring snag with the world’s biggest issue. You guessed it, the climate crisis.

‘We need to be wealthy to look after the environment.’

Translate this cornel of wisdom into reality and you get the following sentence:

We need to work really hard as a society, so that when we make ourselves sick we will have enough money to buy some medicine, to, hopefully, cure ourselves.

Sound dumb? You decide. That is the current government’s policy priority in a nutshell.

In October the Minister for Environment and Heritage put out a media released entitled ‘Australia on track for a sustainable future’. This looks hopeful I thought, turning to the media release. I then read that WWF released their Living Planet Report 2006, showing that Australia’s ecological footprint was 6.6 hectares in 2006. If all of the world’s people had such a footprint we would require more than three planet earths to have a sustainable future. I wondered if the Minister was privy to some late-breaking news from the exciting world of space exploration.

As well as being stupid, the current gang of federal ministers are ugly. All of them. If you don’t believe me, go to their departmental websites and look at their photographs. Would you trust any of these faces if you were stuck with them in a broken down lift? Without even mentioning the face of the current Minister for Health and Ageing, the Minister for Industry, Tourism and Resources is a case in point. As well as having a head which is an assault to God’s good earth, he boasts on the official government website that he played rugby while studying engineering at university, and was dubbed “chainsaw”. Even if this moniker was used affectionately, I’m not sure we want a man with all the finesse of a self-professed power-tool in charge of industry. But then the Minister for the Arts has a degree in Commerce. Why not continue the trend of putting aggressive materialists in positions of national importance?

But let’s stick to policies.

Humans now face the biggest challenge they have ever faced collectively: a global human-caused climate crisis. It is not the only thing needed, but government regulation will be a sine qua non in meeting this challenge. The federal government in Australia is currently made up of the Liberal Party. They don’t like the idea of government regulation of the economy, and prefer to stand around smiling benignly with their hands in their pockets while the rich get richer and the GDP goes up. Australia has woken up to the threat of the climate crisis and have started to look to the federal government to see what they are doing about it. The government has found a key phrase here and they think if they parrot it enough it will let them off the hook. It is: ‘low emission technologies’.

Since roughly September 2006, the climate crisis has featured more and more in the media releases of the Environment Minister. This Minister doesn’t want to put a carbon tax in place as that would curb economic growth (despite the fact that the recently released Stern report says that this is wrong, and that it is the only viable solution to bring the power of the market to do good). The Environment Minister is advocating technological developments as the way forward. He needs to perpetuate the illusion that he is doing something after all. Biodiversity conservation is a priority of this department, but again not when it impacts significantly on the economy. This is partly why issues like whaling get so many media releases from this department. Saving the whales doesn’t impact on the Australian economy, but it does captures the public’s easily courted ‘green’ imagination.

So the approach of the Environment Minister is to give out a fistful of dollars; a few million here and a few million there (remember for context that this year the federal government spent $220 billion). But do not accomplish actually the goal of curbing CO2 emissions by harnessing the power of the market and putting a carbon tax in place.What of the other Ministers?The federal Minister for Agriculture, Fisheries and Forestry talks a lot about financial support for farmers including drought support, water recovery packages for the Murray, Landcare, and export markets for food. His department is promoting exporting food from Australia all over the world, with inevitable increase in the burning of fossil fuels. They are also giving money to farmers suffering drought until the drought is over, which may be unsustainable if the climate is causing the permanent drying of large parts of southern Australia.

The Minister for Trade promotes the export of primary products from Australia to countries such as Japan and China. He seems to think Australia should just be a big farm and a big quarry. The shipment of large quantities of primary products overseas is not sustainable due to massive fossil fuel use and the increasing cost of oil.

The Department of Immigration and Multicultural Affairs makes no mention of tailoring immigration numbers to achieve sustainable population levels.  On this point let us remember that Derek Eamus at the University of Technology, Sydney, has shown that if we want to make our ecological footprint more like that of the global average, and maintain our current population size, then we will have to halve our energy usage.  If we want 40 million Aussies on this land, then we will have to consume one-quarter of the energy we currently use (per person).  The current government’s talk of an expanding population ensuring a growing economy sounds good on one level, but if you cannot see that this nation’s supplies of water, fossil fuels and agricultural soils are limited, then you really do have your head buried firmly in the sand.  Those who put their heads in the sand deserve to have their asses kicked.

But I digress.

From the Department of Industry, Tourism and Resources we have heard some talk of the worth of sustainable development and the capture of carbon from power plants, but the main priority has been the export of gas and coal, and the giving of grants to innovators in industry. This department continues the current government’s policy of generally expecting industry to do the right thing by the environment on a voluntary basis, for example on energy efficiency they require that the largest 250 energy users make public their opportunities for energy efficiency gains. Ohhhh, what an iron fist from above Honourable Minister! Rather than a carbon-trading scheme or taking part in the global Kyoto Protocol, the Minister for Industry proposes putting millions of dollars into developing clean energy production methods. Through, for example, the $100 million investment in the Asia-Pacific Partnership on Climate Change (AP6, or what one US senator called a gigantic PR ploy) they expect to see adequate progress on reducing Australia’s carbon emissions.

The Minister for Tourism expresses concern over the impacts of climate change on Australia’s ability to draw tourists, for example with the bleaching of the Great Barrier Reef. However it has never occurred to her to discuss the impacts of overseas tourists making long-haul flights to Australia on global climate heating.

The Treasurer makes no mention of sustainability (apart from economic sustainability of course) in this year’s media releases or his speeches. This is even after the Stern report was released showing that inaction on the climate crisis will result in a depression greater than 1929 and the two World Wars combined.

So that is my snapshot of federal politics in 2006.

But let’s not get too gloomy.

Australia is not Haiti. We do not leave our doorsteps each morning and step into a chaotic world of massive unemployment, a debased currency, endemic street violence and almost total deforestation.

You might argue that Homo sapiens evolved primarily as a hunting and gathering species, and that since the Neolithic revolution roughly ten thousand years ago we were always going to have a tough time organizing ourselves in societies of millions rather than around 150 people. Consequently, you might say that sure we’re not doing a great job with securing our long-term wellbeing on the earth, but we’re doing pretty well in Australia in organizing mass democracy, at least in as botched and unnatural a job as it will inevitably be.

And politics is always behind public opinion to some extent. While the wave of public opinion breaks, the low bass swell of movement from government follows a few leagues behind. That is dynamic is built into the nature of large unwieldy organizations.

But the wave is breaking. Concern about the environment in countries like Australian, Canada, the US and Britain reached a peak around 1990, and since then it has dipped and been comparatively low. Well guess what? At the end of 2006 concern for the environment is as high, if not higher, then in 1990.

At the start of last month a News Online poll has found 75 per cent of voters want the Government to sign the Kyoto Protocol, and 80 per cent think the big polluters should pay a tax on their emissions. 92 per cent, think the Government isn’t doing enough to encourage clean technologies. There are 16 million people of voting age in this country. Millions and millions and millions of Australians want our federal government to do their bit to fix the climate crisis. Look at my photos from a recent November blog entry of the Walk Against Warming to see just a few thousand of them.

And we can change. Look at Britain. Culturally not very different from Australia in many ways, they now take part in an EU emissions trading scheme and electricity suppliers are obliged to source an increasing amount of their energy from renewables. It seems like the whole of England has gone green sometimes when I read the news. The tabloid newspaper The Sun has made clear movements in that direction, as have the conservative party the Torys, not to mention the future King, Prince Charles.

Taking a turn for the greener is possible for Australia. If an election was called tomorrow, it is quite possible that the majority of 16 million dissatisfied voters would have a rather pleasing effect on the make-up of the inside of Canberra’s Capital Hill.

This morning I was went for a dip in the Indian Ocean, at Port Beach by my home town Fremantle. The sky was blue and a few stratus clouds lined the western horizon. The sun shone down through the crystal clear and very warm water around me. I floated there, with alternating rays of sun and shadows flickering on the sandy bottom of the sea below me. A Caspian Tern flew by to the west of me, with its graceful, crisply pointed white tail feathers outlined against the blue. In my final piece of good news for today, I can report that this little Tern couldn’t care less about any of us or our government.

Politricks for WA’s 2006

December 4th, 2006

parliament1.jpg

Welcome to the land of the black swan.

First some context… In 1870 Western Australia was granted representative Government, cutting loose from mama’s apron strings back in London. Until 1964, only those people who owned property were entitled to vote in Legislative Council (upper house) elections. Pathetic! That would have counted me out from voting on that one.

Parliament house is on a hill just west of the Perth CBD (and, incidentally, just around the corner from King’s Park, an area of wild woods bigger than Central Park in New York City). The two Chambers of Parliament House were completed in 1904. Later, in 1964, the eastern front was added. This is the main entrance for the public and it isn’t extremely august looking, but at least you get to walk up some stairs to get to the entrance. I’m sitting on these stairs in the above photo.
And now, after a searching and extensive historical discourse, I turn to WA politics in 2006.

Let us start with good news. The state government Department of Planning and Infrastructure is concerned about cleaner transport options such as hydrogen fuel cell buses, biofuels, gas buses (179 provided so far) and cycling paths ($68 million spent) and a initiating a program of community education to reduce car trips. This state government has significantly expanded Perth’s public transport network, for example between 2001 and 2006 putting $1.6 billion into doubling passenger rail capacity. They are also encouraging new developments along rail lines. This department is currently developing a mandatory building sustainability index (like the one in NSW), which will require energy saving measures be incorporated in the construction of new buildings in WA. Not bad stuff.

However, figures on, for example, transport show that the state government certainly should be busy. At present 8 out of 10 people in Perth drive to work. Check these figures out:

CBD parking spots per 1000 people
Perth: 631
Australian average: 489
US average 468
European average 238

Percentage of work trips on public transport
Perth 9.7 %
Melbourne 15.9%
Sydney 25%
Australian average 14.5%
US average 9%
European average 39%

My environmentally based focus on politics continues… From the Department of Agriculture and Food we have heard, as usual, concern for invasive species that plague crops and pastures, for example the newly arrived Starling in Western Australia, and the Rainbow Lorikheets in the Perth metropolitan area. As per normal, much concern for the breeding of crops and animals, and the export of agricultural produce from the state (no concern that the export of primary products in large amounts is not a sustainable industry due to its impact on global heating and its reliance on increasingly expensive oil).

From the Department of Conservation and Land Management there has been concern with containing the soil-born disease dieback in areas where it has infected the native flora, with maintaining and creating national parks and marine parks (any time now we should hear about some good news in protecting the waters of Rottnest island), and with combating the spread of invasive fauna such as pigs, camels, goats, wild cattle, foxes and cats. Conservation through the nomination of national parks as well as the encouragement of nature-based tourism are also priorities.

As for the Department of the Environment, well this one and the previously mentioned department have now merged. Climate change is a concern here and on this matter the declining rainfall has motivated the construction of a desalination plant which will be powered by wind energy. Government agencies have been required to gradually reduce their energy usage. Carbon trading is being investigated. Despite some concern over climate change, WA only gets 3% of its electricity from renewable energy, smaller than any other state, and only plans to get 6% by 2010 (and this is not even a legislated target). South Australia gets 11% and has legislated to get 20% by 2014, NSW gets 8% now and has legislated for 15% by 2020, and of course Tasmania gets 81% from renewable sources as we speak. The Greens, the Liberals, the Nationals and the Independants are all pressuring Western Australia’s Labour government to commit to 20% renewables by 2020.

Today I heard, from an source not to be named, that the Premier of Western Australia saw An Inconvenient Truth last month and had a moment of truth and revelation. The government will release its climate change action plan in the first quarter of 2007. If Al Gore’s message has really sunk in with the head of state government, then we may have something exciting waiting for us some time in the new year.

Looking back, one of my favourite recent moments of clarity from Parliament House came from the Green member of Parliament Paul Llewellyn when he, in his inaugural speech to the upper house, envisaged Western Australia in 2055. Among other things he put forward a picture of an ‘internationally recognised tourism industry based on sail and solar powered ocean liner technology’. I can imagine how beautiful my little port town of Fremantle would look full of such ocean liners. Huge swathes of white sails lazily flapping from towering masts… The masts festooned with elaborate computer-controlled riggings… In a sense, we would be moving forwards by moving towards Fremantle’s historical.

At the start of last year over 3000 people voted for me to take a seat in the lower house of state parliament, representing the Greens. I received sixteen per cent of the vote, which was more than double won by the previous greens candidate for the area. True, I didn’t end up with a seat in Parliament House with my name on. But ever since I’ve believed, like Al Gore, that you’ve got to change public opinion before the politicians will shuffle along in its wake.

Now you’ve read this blog entry, don’t worry about lumbering old state politics. Just talk to your neighbour. Get back to the politics of you and me. Ask that only half convinced friend to see An Inconvenient Truth. Leave a copy of Gore’s book of the same name on the kitchen table.

Going Down to Earth

December 7th, 2006

sand.jpg

[Thanks to the Department of Agriculture and Food for the photo.]

If I ask you where you live you’ll probably tell me a particular suburb and a particular street number. But where you live is also defined by your bioregion, that is your watershed, the plants and animals that are native to your place, the climate, the soil beneath your house… This is basic knowledge, and yet so many of us cheerfully walk around each day as ecological illiterates. We can read a complex alphabet developed into Western Europe, but we can’t read the shapes and forms of our home place. Walk into the middle of your local university, supposedly a city’s greatest repository of learning, and ask the first academic you bump into about the soil which lies beneath our feet. From the distinguished, tenured philosopher specializing in Hegel you will get a blank look.

Most people in Perth live on the Western Coastal Plain, where the soils are largely yellow or brown sand, often with a grey surface, and with limestone further down. Rain falls on the ground and soaks down through the sand to underground to aquifers and to the Swan river. Our suite of native plants and trees are exquisitely adapted to this ecological niche.

Certain people in this city choose to resist these physical realities, and to pretend they live somewhere like England with deep topsoil with plenty of organic matter in it. They plant non-native plants which require lots of piped in water and fertilizers. The phosphates from the fertilizers flow down through the soil to the Swan River and create massive algal blooms in the water each summer which use all the oxygen in the water and kill everything in that ecosystem. Ignorance isn’t always bliss.

This week I and my brother and father were twenty metres beneath the old Fremantle Prison. We were exploring an underground passage way dug out by convicts well over a hundred years ago. The passage had been dug out of the limestone by hand, and our torch lights flickered across the uneven rock surface. Water flowed through the bottom of the passage at some points. The air was musty and damp, and as we walked along we noticed thin, hairy tree roots hanging down out of the shadowy ceiling. Some native tree had sent its roots over twenty metres through this limestone in search of water. That is true knowledge of one’s place.

Within the Groves of Academe

December 8th, 2006

wandoo.jpg

[In a new development, all of the photos in this blog entry can be viewed in a larger size if you click on them.]

In the above photo you can see the skin of a Wandoo. While the leaves fell each autumn back in Europe, when white people came to this land they found an invertion of their experience: here it was the bark that was shed as the seasons turned. Some Australian trees have a thick layer of bark to insulate them from the fierce fires which can burn in summer.  Others, like this Wandoo, sacrifice their bark to the flames to escape too much damage to their trunks.  To be honest this tree is normally found a bit further inland and had been planted by human hands.

After the previous blog I wrote on soil, I thought I’d show that there really is a diversity of natural beauty which springs forth from my sandy home.

Between the Indian Ocean and the hills behind Perth, the Darling Scarp, sits the Swan Coastal Plain. This is an area of Banksia and Eucalypt Woodland. Agriculture and urbanisation have lead to clearing and fragmentation of this woodland, however pockets remain. Murdoch University has one of the largest campuses in Australia, and here, camera in hand, I found one of these pockets of original life.

banks.jpg

Now we’re in the real woodland. There are plenty of species of Banksias endemic around here (50-60), and this is the immature flower of one of them (I think it is Banksia ilicifolia). Its conical shape makes me think of it, for some reason, as a trophy of the bush. Aboriginal Australians used to soak Banksia flowers in water and then drink the water for a sweet beverage. Each Banksia cone is actually covered with thousands of tiny little flowers and each flower is dripping in nectar, a high-sucrose substance. Each year the Banksia grandis, the most imposing looking Banksia flower, would bloom and the Australians would gather to celebrate the ‘yellow season’. Sounds good to me.
sap.jpg

This is the sap of a Marri tree. Marri trees are always giving you the impression that they are bleeding from a mortal wound, and layering their dried blood on the woodland floor beneath them. In fact this stuff is properly called kino, and is a sugary exudation from the Marri which was used by the first Australians as a medicine.

nuytisia.jpg

Nuytsia floribunda, or the Christmas Tree, puts out some new flowers, soon to be a riot of yellow and orange (those are a couple of Marri trees in the background). I really love these trees. Every December I know it is getting close to Christmas when these beautiful flowers start to explode out of the dull green leaves of certain trees. Forget the bunting in the main street of the city, this is the real colour of our yearly celebration. Of course it is pure chance that this tree works in time with a ritual derived from a land over thirteen thousand kilometres away.

Slip St.

December 11th, 2006

slipst.jpg

I don’t often write about boats and perhaps this is strange considering that I live in a port. So, let’s go for a wander down Slip St.

This is the street in Fremantle where ships were built many years ago and then launched down the slipway at the west end of the street into the sea.

wood.jpg

As you can see, there is still some wooden boat buidling going on. My brother, Sam, studied wooden boat building in a workshop on Slip St. a few years ago. He helped to build a ten metre long whaling boat, exactly the same design of boat that was used in the second half of the nineteenth century to take pilots (people who would help guide ships into strange harbours) out to jump onboard incoming ships off Rottnest (the island off the coast of WA). Here it is…
oars.jpg

The design is called a clinker, because of the overlapping planks that make up its hull. Five men would sit in it and pull on these oars. In making this vessel my brother made of himself a point of connection with hundreds of years of human history.

clinker.jpg

This is a piece of technology whose use emits zero CO2 pollution into the atmosphere.

It is also lovely to look at. Not to mention made with an impressive amount of skill, care and attention.
As the process of producing a bit of steel uses ten times as much energy as the equivalent wooden plank, wooden boats such as this one also have it over vessels with metal hulls when it comes to discussions of in-built energy (assuming you harvest your wood in a sustainable manner of course).

In Perth, a sunny city on a coast, there are tens of thousands of boats used for cruising around and having fun in, and most of them are propelled by many hundreds of litres of petrol. No leisure activity should necessitate the burning of fossil fuels. Unless you can change formula one racing to electric vehicles, then get rid of it. This is where boats like the one above come in.

I’d happily row around the Swan river on a summer evening in this thing with four or five of my friends and a few cold beverages stowed within reach. If I wanted to go further afield then one could contemplate another zany and avant-garde form of zero-emissions technology: a sailing boat.

Imagine this: It is 1865 and you are standing on the wooden deck of a seventy metre long tea clipper, surging west over the Indian Ocean. Four masts tower above your head, each with six massives sheets of white canvas billowing outwards, not to mention topgallants and other smaller sails full of the salty wind. The hold is full of wool from Australia, or maybe tea from China. Ships from earlier centuries, like the Duyfken, were happy to steam along at six knots with the wind behind them. As you stand there on the deck know that beneath your feet nearly one thousand tons of wooden clipper is moving at twenty knots.

As I imagine this moment I realise that this is a point in which I can see a sophisticated technology, the culmination of hundreds of years of human ingenuity and maritime history, shine forth proudly. And then, at the same time, I realise that I’m looking backwards in time at our past.

In 2006 the world’s fastest sailing vessels are now slick and shiny catamarans made out of carbon fibres, but after well over a hundred years of tecnological development and many millions of dollars invested, they can only add about another ten knots to the speed of these nineteenth century clippers. To this day ships like the Cutty Sark and the Flying Could were the fastest ever commercial sail vessels.

Oil is currently seventy two dollars a barrel, and big sailing ships take many hands on deck to operate, each sailor needing to be paid. Sailing ships are not economical to transport goods for trade at present only because full environmental costs are not built into the cost of a barrel of oil. When it is the China Clippers of the 1860s and 1870s may start to look like not only the beautiful, silent and swift paragons of human civilization that they truly were, but also blueprints for a saner future.

Out, beyond the salt estranging sea.

December 12th, 2006

samphire.jpg

Before white people populated the Swan river this beautiful little succulent called samphire (Halosarcia lepidosperma) used to be found all over the place. Now I have to go further afield to find it.The other day I and my brother headed over to Rottnest, an island 18 kms west of the coast of Perth. This island hadn’t been inhabited for thousands of years prior to the nineteenth century, and Rottnest island pine and tea trees clothed the land. These trees can happily manage with exposed, salty conditions, but not with prying farmers and errant fires. The nineteenth century was not kind to Rottnest, and today, as we saw standing at the top of the lighthouse in the centre of the island, it is quite deforested.
barren.jpg

People who live in Perth nearly always have memories of going on summer holidays to stay in a cabin or a bungalow on the island off the coast. I have such memories, and they are good ones.

My dad was telling me the other day of how he and his friends would go over as teenagers in the 1960s and camp in the campground. The roads were not sealed then, and they were allowed to have a fire at their camp site. They would catch thirty crayfish a day, and they would all sit by the fire at night playing the guitar and hanging out.

As you can see, this island has developed a special place in my dad’s affections. Over the last seven years he has been over once a year each winter to help plant around 25 thousand a year of the native tea trees or pine trees. I think its nice to see this kind of reciprocal care between a person and a place.

youth.jpg

The Rottnest Society is the organising group for the plantings, and you can get a free bed in a cabin if you go over and help with the planting for a weekend in July. The fence in this photo is stopping quokkas, the gregarious mascots and macropods of the island, from eating the young trees.
pine.jpg

Eventually the native pine trees have a deep shade of green that you’d never expect to come out of this salty and sandy island.

armstrong.jpg

Me and Sam walked down to Armstrong Bay and jumped into the water. The clarity of the water was such that even though I wasn’t wearing a mask, I could see for metres and metres every which way I looked.

Bubbles drifted up to the surface as I slowly exhaled, and looked at the sea floor beneath me and the plants around me. The light illuminated everything, so that the browns of the sea grasses and the greens of the other plants glowed brightly. The cool water slid over my skin, and for that moment I could have my dad forty years earlier: I was just a male body under the water, marvelling at the colours and the brightness in front of me, off a beach on Rottnest. As long as I was underwater for that moment I felt free of time and free of all the troubles of the world above the surface.

Trust in Aeolus

December 13th, 2006

A couple of weeks ago I quoted Green member of the Western Australian Parliament Paul Llewellyn when he, in his inaugural speech to the upper house, envisaged Western Australia in 2055 having an ‘internationally recognised tourism industry based on sail and solar powered ocean liner technology’. I’ve been doing some reading.  Paul was wrong to have sketched such a vision as belonging to as far away an epoch as 2055.

The Royal Clipper is 5000 tons worth of ocean-going ship for carrying tourists around the place.  It uses the power of the wind. India to Greece is one route they do which might be interesting. I’m not attracted by the whole ocean cruising tourism thing, but I wouldn’t mind sipping a whiskey in some wooden interior redolent of a London club, knowing that it was Aeolus, the god of the winds, and not the Dug up Dead, fossil fuels, that was abetting my travels.

I also recently mentioned the Cutty Sark in this blog. Wouldn’t it have been great to have been onboard in 1885 heading towards Sydney when, under full sail and at a rate of 17 knots, she overtook the steam ship Britannia? I like the poetic justice of this moment in history.  The age of steam was threatening to entirely replace the age of sail, but here were the sailors of the Cutty Sark, looking back in their clipper’s wake at a ship within whose iron bowels sweaty stokers laboured in the dark to feed coal into infernal furnaces.

Meet the Cyclops

December 14th, 2006

acacia.jpg

You are looking into the eye of Acacia cyclops.  Acacia trees number nine hundred and fifty species in Australia, and they are amazing at taking nitrogen, one of the things that plants really need to grow, out of the air and fixing it down in their roots.  This species is endemic to the south-west of the country, and it has plenty of seeds out at the moment.  These are seeds which can be picked and ground up and used as flour, for a loaf of bread say.  That is the plan for one element in my Christmas lunch this year.

picking.jpg

The aboriginal name for Fremantle was Booyeembara, which means place of the limestone ridges.  That is what I and my friends were standing on this afternoon as we picked Acacia seed pods and put them into our bags: a limestone ridge above the harbour.  This bit of disused land is normally only haunted by graffiti artists and black cockatoos.  Until the seed pickers arrived.
shelling.jpg

We all sat around my kitchen table this evening, drinking beers and hulling the pods of the acacia.  I’ll take a photo of the loaf of bread that all this goes towards creating on a Christmas day blog.
cyclops.jpg

Wink.

Even the limestone background has hints of Greecian antiquity.

En Route

December 17th, 2006

sails.jpg

This afternoon I was on a three-masted barquentine called the Leeuwin, sailing off Fremantle. I spent a bit of time lying on my back up on the bow sprit, the bit of the ship which sticks out the front. This is what I saw looking up and back at the sails.
rope.jpg

We spent most of our time travelling at about five knots. This is something like the speed humanity, or those select members of it who did get about, travelled around the globe for the four hundred years before the twentieth century. There was no noise of a mechanical engine roaring. Later, I stood watching the water slip by the ship’s rails, listening to the sea’s slap and trickle on the hull below. So this is what travel used to be like, I thought to myself, slow, but quiet and very peaceful.

Re – Freshed

December 24th, 2006

beach.jpg

Yes all you northern hemispherians, the water is just fine down here in Australia.

This evening I was hot from the thirty something degree weather we are getting in Western Australia, and the Indian ocean was my destination.  Just as millions of Indians bath in the Ganges as a spiritual exercise, I get a really profound feeling of renewal when I re-emerge from the sea in the evening after a dip.

Looking out to sea, what do I see…

2006 was the year in which it was predicted that, if current trends continue, all the major fisheries of the world will collapse by 2048 (which means they will be reduced to 10% of their original capacity).  ‘Current trends’ mean a global system where fish are sought out with sonar, a technology developed in World War Two to detect submarines, and scooped up in massive nets.  If we forget the hi-tech element, the essence of the current war against fish can be understood by us landlubbers if we imagine two jeeps speeding across the African savanna with a huge net strung between them, picking up every lion, antelope and sparrow to get in the way.  Of course we wouldn’t condone such a practice on the African savanna, and we shouldn’t condone such rapacious, indiscriminate and, ah, plain dumb harvesting of populations of species which exist beneath the waves.  To make sure you’re not taking part in this stupidity, get hold of a copy of the recently released Australian sea food guide, or the equivalent for your country.
But looking out to sea I’m also seeing mystery…

2006 was also the year in which the global Census of Marine Life further revealed how little we know about what is out there beyond our shored horizons.  This well-funded international project discovered, to give two examples, a previously unknown species of crayfish off the coast of Madagascar whose length spans half a metre, and, off the coast of New Jersey a 20 million strong bunch of fish swarming in a school the size of Manhattan island.   The scientists taking part in the Census of Marine Life know that when their project finishes in 2010, they will still not have shone an all-seeing light onto all that is out there in the sea.

grass.jpg

Mystery endures.  And I’m still happy to be standing here on the shore, exploring the fragments of life out here on the periphery.

The Bread of Christmas

December 25th, 2006

grain.jpg

Christmas morning I sat at my kitchen table and a nutty, coffee-like smell that isn’t exactly like nuts or like coffee, wafted my way.  I was smelling acacia seeds popping and jumping on a frying pan.  This smell is the smell of Western Australia, I thought to myself.   We chefs did a bit of work getting the little bits of red stuff off the seeds, before we could get to this late stage.  And although the whole process takes ages, the smell is worth it at the end.  We made two loaves of bread with acacia seeds mixed into the flour.
lunch1.jpg

Here’s to Euro-Australian fusion.  Happy Christmas.

Locating Civil Unrest

December 26th, 2006

oz.jpg

So this is my home town, all alone besides the big, old Indian Ocean. Let’s narrow things down a bit…

oz1.jpg

This is the port town of Fremantle, part of the larger city Perth. You can see two patches of green at the top of this photo: these are the two remaining good sized patches of nature around here, otherwise known as Bold Park and King’s Park. I treasure them.

The red arrow is pointing at the gardens and building known as FERN (Fremantle Environment Resource Network). Let’s look closer…
oz2.jpg

You can really see in this photo the way in which Fremantle is involved in the sea, the way in which this port town leans against and takes into its open arms, the lapping ocean.
The red arrow shows the way for present purposes. You can see that FERN sits in the corner of the grounds of the Fremantle golf course. At the corner of Montreal and High streets, for those planning a visit.

Our regular Tuesday evening meals will start again on the second Tuesday in January. On this first event for 2007 I will be fermenting some civil unrest; from approximately 6.30pm. To be specific, I will be screening some films, streamed off the internet, using a digital projector. These include a video made about a conference in Lyon called ‘Towards Car Free Cities‘, and a film out of San Francisco about an ingenious style of car busting. I might even show the Edward Abbeyesque video for discontented youth now on the net.

I love to watch the astounding cinematography of the BBC’s recently released ‘Planet Earth’ series with the sound turned down and ambient music by the likes of Eluvium or Markus Geunter coming out of my stereo’s speakers. However this film screening at FERN will be much more about involving you and I in environmental action. My brother gave me a year-long subscription to Carbusters magazine for Christmas, and it has introduced me to a whole new social movement and its milieu. The films I will show will present the growing car-free movement, a movement which empowers urban citizens to express their discontent over gas-guzzling oil addiction.

See you there.

Ask not for whom the bell tolls…

December 28th, 2006

bell1.jpg

This is the bell of the Scots Presbyterian church in Fremantle. It was made in London, and has been ringing over the roof tops of Fremantle for the last 110 years.

This morning I climbed up through a series of very dusty chambers and ancient wooden ladders to the top of the church spire where this sight confronted me. It is not generally open to the public, and my thanks go to Sandy, the obliging old fellow who took me up there (none of the other churches in town would let me go up their spires).

I hear bells like this one toll every day and every night while I lay in my bed before driting off to sleep. Their sound means something to me.

First, it is part of the identity of this place I live in. Hi fi, that is, coherent and unique sounds, and not low fi, meaning the background hum of traffic and the like, is partly constitutive of a place’s identity. Then, the sound is like the birds which regularly cry ‘Attention!’ in Aldous Huxley’s novel Island: it is a call for us to bring attention to the moment. Finally, the sound is a calming reminder of a more monastic pace of life.

But you may be wondering why I’m writing about a church bell in this blog. At the start of December, thanks to the organising efforts of the Climate Institute, 16 of Australia’s religious communities signed a document called ‘Common Belief’.

In this document some very important things are contained, some of which I want to highlight.

In this document, a bishop of the Anglican church called the destruction of the environment a ‘sin’. He called climate change a ‘core matter of faith’.

The Australian Christian Lobby said that we have a moral duty to be stewards of creation.

The Buddhists said that ‘when one treats nature as a friend and teacher, one can be in harmony with other creatures, and appreciate the interconnectedness of all that lives.’

Australia’s Catholic bishops said that we are indebted to environmental activists, as ‘such people show that humanity elevates itself when it reaches for a heightened consciousness of Life on Earth.’

The Islamic faith was in accord with all of the churches when it said that ‘people of religion must forget their theological differences and work together to save the world from climate ruin.’

The Salvation Army decried the the ‘environmental vandalism’ that is rapid climate change, and said that we must each take ‘practical steps to regenerate and conserve’ the Creation.

The Uniting Church admitted it had been complicit in the abuse of the creation in the past, and renewed its commitment to treat ‘the earth itself and all the life that it supports’ as precious.

I’m not religious, but I now see that I share some common beliefs with my church-going neighbours.

Environmentalism used to be seen as concern of a ‘special interest group’. No longer. Now it has been publicly acknowledged for what it truly is: an essential part of a thoughtful and ethical human life.

The bell tolls for you.

 

See more photos on wikimedia commons.

New Year’s Resolution

January 1st, 2007

gorge.jpg

I took this photo in May last year in Australia’s central east coast rainforest – in Lamington National Park. I didn’t publish it at the time, but today is a good day to share this river’s beauty with the world.

In Richard Wilbur’s poem ‘Year’s End’ he writes of how most of the time we don’t boldly step into our future’s with clear and shapely resolutions:

‘These sudden ends of time must give us pause.
We fray into the future, rarely wrought
Save in the tapestries of afterthought.’

Australia’s great poetic voice of honesty and human frailty, Michael Leunig, has some words that I think would make a good centre-piece for anybody’s list of new year’s resolutions. The following bit of writing comes from his collection Wild Figments (yes, it has a painting of people picking figs on the front cover). Check it out.

So, in the coming year I will keep this bit of Leunig wisdom always at the back of my mind:

‘A Herbal Remedy for Lifeache’

You suffer from lifeache. Your whole life is sore; it hurts when you move it. Herbal remedy: take one patch of grass, a mild day, and two large green trees. Lie on the grass beneath one tree and contemplate the other tree. Nap from time to time, or gaze occasionally at the grass. Pain will subside. Lifeache cannot be cured, but you can learn to manage the symptoms.

Unity with the Land

January 9th, 2007

danny.jpg

Earth Man.

(Actually it is my friend Danny Cummings a few years ago in Byron Bay, east coast Australia.)

I recently discovered a drawing by Paul Livingston, author of Australia’s most sadly neglected comic novel The Dirt Bath (buy a copy if you find one), which continues this theme of finding union with the Earth.

Livingston accompanies his drawing with some humorous words on the habit of sunbaking.

After heeding Livingston I will never look at Australian beaches in the same way again:

‘I believe this irrational behaviour is a subconscious attempt by displaced Anglo-Australians to get in touch with the land. One only has to witness the hordes of white flesh basting on the beach to realise that these people have a deeply repressed need to become a desert.’

flacco.jpg

Funny Weather

January 10th, 2007

kateevans.jpg

Funny Weather by Kate Evans is a recently published book of cartoons about climate change (Myriad Editions: 2006). I’ve just finished reading it and it is essential reading: humorous, honest and entertaining drawings and witty commentary on the biggest issue in town. I thought I knew plenty about climate change, but I also learnt a few things from Evans’ book (here are a few pages from the book for you to preview). I was so impressed by the ability of this slim volume to pull one’s attention along, that I might go and leave a copy of this book in the waiting room of my local doctor – I’m sure some of the patients will pick it to pass the time. This is pretty crazy but you can’t buy the book in Australian book shops right now, so you have to resort to ordering it off Amazon.
There are many more obviously funny cartoons in the book, but the above image of Gandhi has lodged itself in my mind. If you’re not living in a log cabin far from news of the day, and you have an ethical bone in your body, then it is likely that you will have informed yourself about the developing global climate crisis and decided that low carbon living is the way to go. But you may despair that your efforts are ultimately not going to change the course the majority of your neighbours have set the planet on. When you feel like this, remember this image of Gandhi, and don’t give up.

New signage in Fremantle

January 23rd, 2007

stop1.jpg

Finally local government has become serious about encouraging the people to reduce their carbon footprint in the face of a growing climate crisis. This morning STOP signs all over the Australian port city of Fremantle were unveiled, boasting a new design which incorporates a motivational carbon neutral message. Well done government!

stop.jpg

Visiters to the Fremantle train station needed no encouragment.

stop2.jpg

Fremantle’s historic West End proudly wore the anti-car moniker on another beautiful, sunny West Australian afternoon.

Today the Colour of Patriotism is Green

January 26th, 2007

On the National Interest on Radio National (21/8/06) a few months ago, Ian Lowe and Tim Flannery, two of Australia’s most eminent environmentalists, discussed climate change.

Ian Lowe praised the actions of some state governments, and then gave to the federal government’s role thus far. He said: ‘…the problem is that the commonwealth government is asleep at the wheel’.

Tim Flannery quickly added the following: ‘I would even go further than that Ian, I don’t think the federal government is asleep at the wheel, I think that they are actively acting against addressing climate change.’

Today is Australia Day, and for the first time in close to thirty years a hero of the planet has received the nation’s greatest honour. Tim Flannery has been named Australian of the Year by the prime minister.So what kind of odd predicament do we find ourselves in here? The nation’s leader hands out the great award for Australianess to Tim Flannery. Tim Flannery points his finger right back at the PM and accuses him of putting the fate of the planet in peril.

Score: Australia: 1/ Dishonourable PM: 0.

And so, amidst the helter and skelter of today’s recrudescent tribalism, the annual outing of the flags and the louts, I will have a smile on my face. I will be smiling with the knowledge that this country has officially recognised the greatest Australian of all as the one who speaks with much eloquence and intelligence on behalf of the living earth. Today we have some real, widely acknowledged, reason to recognise honourable Australians as being those who work to care for this country’s ecological heritage.

Oh, and if you have yet to listen to this talk that Flannery gave at Sydney University last year, then today is your day.

Plant a Wandoo next to your house.

February 1st, 2007

skin.jpg

The trunk of this Wandoo has all the colour and curvature of a human body. Its warm tones and taught muscles rise confidently in the January warmth, despite no rain having nourished this tree in a long time. Don’t you just want to run your hand over this bark?

Jane Hirschfield has written a poem called The Tree.

Tree

by Jane Hirshfield
It is foolish
to let a young redwood
grow next to a house.
Even in this
one lifetime,
you will have to choose.


That great calm being,
this clutter of soup pots and books—


Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.

Having read Hirschfield’s poem, I started to think that the good nature photographers could be said to plant the seed of a redwood – or a Wandoo, to use a more Western Australian example – in our little urban lives. As the tree rises up besides us, the clutter of our housed existences is thrown into salutory perspective.

New Earth: Part 3

February 9th, 2007

frog.jpg

Silver silence.

The locker of this natural world still has plenty of patterns and species within, yet to be encountered.

dsc_0011.jpg

The Retreat.


New Earth: Part 2

February 9th, 2007

heights.jpg

White giants.

muscateers.jpg

This is more of a personal photo, remembering me and my friends and our recent time in the wilderness.


New Earth: Part 1

February 9th, 2007

fire.jpg

Colour in wind.

These photos I took on a recent trip to the bottom south-west corner of Australia, to a place called Broke Inlet.  I call them New Earth as a way of testifying of the power of our living earth to continually appear new to me.


space.jpg

Mind Dunes.

The Australian Farm

February 23rd, 2007

The other day I was 160 kms east of Perth, in the area of land known as ‘the wheat belt’ for its growing of large amounts of wheat. I was visiting a farmer by the name of Kim, a friend of a friend, and a guy who has spent his whole life calling this four and a half thousand acres of semi-arid sheep and wheat growing country home. Welcome to the farming life: long hours of looking after sheep and hanging out with sheep dogs, dark, quiet nights, lots of space and the odd eagle soaring overhead. I couldn’t do it – even though I love the space and the quiet – and I’ll be thanking the farmers next time I eat a bit of bread in the city.

oldhouse.jpg

This is where Kim and his sister and mother and father started out, later moving into a more modern house. For a deracinated urbanite like myself it is difficult to imagine having such a continuity of attachment to home. Surely behind the laconic and bluff patter of the Australian farmer lies a deep sense of belonging?

The trees have mostly been chopped down decades ago in this part of the world, and the roots of the trees which used to keep the water table lower are now mostly gone. The water has risen as a result, bringing salt from down in the earth to the surface and killing all the plants in its way. Kim showed me dead trees which had been alive and well when he was a kid in the fifties.

salt.jpg

These are salt bushes which Kim has planted. By doing so he is laying down plants that will soak up the salty water in the ground, thereby combating the march of the salt. He has planted thousands and thousands of trees and salt bushes each year and he is winning the fight. On the other hand, many farmers do not have such foresight. And even if they did, it seems to me that what is needed is not just such action on certain strips of farming country, but for the government to buy back twenty per cent of the wheat belt and set it aside to conserve the thousands of species of plants which grow out here. If the Greens were in government you could expect that kind of result.

If any of you reading this blog in Perth would like to come out to Kim’s property in July of 2007 and plant some trees for a day or two, then let me know. Kim loves nature and its diversity of species, and has offered to put us up at his place so that we can do some planting. Rather than paying for carbon offsets, why not just come out and stick some seedlings in the ground youself?

These days Austalians aren’t the most agrarian folk you’ll find. We have gone, in a handful of generations, from bush pioneers to city slickers. As of 2000, 91 per cent of Australians live in urban areas. In the context of the democratic West, Australia is the second most urbanized country after Belgium. Although I’ve no deep affinity with the rough culture of Australian farmers, I do feel invigorated by the colours of the salmon gum in half-light and the huge amounts of tourist-free space everywhere you go, up hill and down. And I’m glad I’ve made a connection with a person who produces my food and sees beyond the city pavements.

The English Farm

March 1st, 2007

[Today I’m going to publish a bit of writing by Julia Denton-Barker (my mum). She has recently written a retrospective piece about a farm in Cornwall where she lived many years ago. Reading it doesn’t just make me sad for the loss of the traditional English farm and associated folkways, it also makes me reflect on the immense difference between producing food in England prior to the 1960s, and producing food in Australia today. The former seemed to allow a kind of humane intimacy between humans and the land, while the latter most often seems to lack such any such rapport. Anyway, time for me to stop writing.]

kerrow.jpg

When they first bought the farm, they had to learn everything from the beginning. Despite lots of experience with a large (and organic) garden, a productive orchard, plenty of chickens, rabbits and the rampaging goats, they had no idea at all about the work involved in running a dairy farm. It was a large place by local standards, nearly 200 acres, although I may remember that wrongly and it could have been much smaller. In those days, milking 24 cows everyday, twice a day, was considered to be a useful contribution to the farming economy, whereas these days it wouldn’t be ‘viable’. They dived in, full of positive expectations.

The farm had been owned by William Tregear, and possibly his sister, but by the time he had decided to sell it, she had died. He had lived there all his life, and had worked the farm with three or four Clydesdale horses. They were in the top home field, the first day that I went to the farm, and their huge heads hung over the gate as they watched the activity in the yard. It was the last farm in that part of Cornwall to have working horses, possibly the last farm in the south west of England, and Willum, as he was called, had no time for tractors. He was a large man, usually wearing an old dark tweed jacket with a hessian sack tied (with binder string) around his waist, sagging and stained trousers and boots that looked as though they were welded on to his feet. His nose was a beacon: it took up most of his face, florid and enormous, like a large red cauliflower, and the skin was veined and mottled, from his life of being outdoors in the gales and rain of West Penwith. We stood in the farmyard, that first day, and he slowly brought words up and out into the daylight. His entire life had been bounded by the farm and the area between Sennen and St. Buryan; somehow the subject of ‘elsewhere’ came up, perhaps because we had told him that we had lived in the Welsh Borders, and he paused, considered, and carefully told us, “Well, yesss, you know that, I did go to England once, you know, yesss….” and he stopped again for a moment. “I went to Plymouth, you know, well, in fact I did go a couple of times,” and he considered this, thinking about England again. I felt the weight and depth of what it must mean to be so strongly grounded in this place, and how the Cornish land was still held to be a different nation with its own identity. Willum Tregear was a Cornishman, and he wasn’t English.

The farmyard where we stood that first afternoon, talking, looking around, waiting for whatever he may be able to tell us next about the farm, was ringed by low granite barns. At the top of the yard was the hay barn, two stories, with opened dormer style shutters and below were the horse stalls. An opening in the wooden upper floor meant that the hay could be easily thrown down to the horses; there were cobblestones on the floor and ancient stone troughs for their feed, and wood partitions were rubbed smooth from uncountable years of occupation. Next to the stables was the milking shed: long, low, and with a spotless concrete floor. Each cow had her own place, her own spot, and when the gate was opened for them at milking time, they ambled gently into the cowshed, straight into their places and keenly pushed their heads down to eat their allocated food. Willum had twenty four Jersey and Guernsey cows, each one known well and clearly loved deeply. We watched him milk, later that first afternoon, quietly going up and down the row of cows, working as he had done for over sixty years, and the cows stood, calmly chewing, while the milk was taken and pumped into churns. There is a particular smell to milking parlours, composed of cow manure, disinfectant, hay, cattle feed, and the soft warm taste of fresh milk too. The milking took place in silence, or at least without the noise of talking; there was a low hum from the milking machine, and the sounds of chewing cows, the swish of their tails, the clank of the buckets as Willum hefted them to carry the milk into the adjoining small barn to be measured and poured into larger churns. It was a peaceful and measured way of working.

Next to the milking shed was the longer barn which was used to house the new litters of pigs: empty that first day of animals. The pens were roomy and clean, covered in fresh straw with corner areas cordoned off, separate so that the piglets could sleep without being squashed by their large mothers. Then, at the end of this row of barns was an old, near derelict cottage, with broken windows, and no front door. Inside, the second floor had been almost completely taken out, so that the roof tiles were visible. One corner of the old floor still stood, held up by roughly placed timbers, and the whole building was filled with hay bales, stacked right to the roof in the back and coming down like a large staircase to the old front door. The smell was sweet and strong, and the only sound inside amongst the hay was of faint rustlings of the mice and of swallows coming and going to their nests, lining the rafters.

The house stood on the other side of the yard, which was roughly paved with stone, but muddy with the activity and use of a working farm. The two sheep dogs lay quietly watching every move that Willum made, waiting to work; the younger collie inched closer to his master, waiting hopefully. Chickens pecked around the dung heap that pushed up against the cowshed wall, and in the middle was the well, which had low granite blocks as a wall, no roof, and an ancient galvanized iron bucket resting on the stone, and some rope roughly tied around the handle. This was the house water supply: there was no running water and no bathroom in the house. A scullery served as the kitchen, a lean-to built as a much later addition to the rest of the farm, and this held two rickety wooded benches with large enameled, white bowls for the washing up and perhaps, too, the washing. The farm had probably not changed for fifty years or more, although there was now electricity. No telephone, though, and no need for such a device.

kerrow1.jpg

The land went up gently behind the farm buildings, towards the hill, Chapel Carn Brea, which stood to the east. Each field had its own name, and its own character. He led us round, up past the fields where the cows were pastured, through old wooden gates tied with string and bits of wire, up on to the higher ground. There was another old abandoned cottage up there, standing with its windows open to the weather, and holes in the walls where the granite rocks had fallen, lying in the bracken now, and in the cottage just mud and a rocky floor, where the cattle had sheltered from the weather. Up here were the beef cattle, perhaps a dozen at most of Aberdeen Angus, young creatures who came bunching up around us in curiosity and affection. Willum knew each one of these beasts, naming them and giving each one its history. Each field on the farm was contained, held, protected by stone walls – he called them hedges – about the height of a man, these walls were covered in flowers, gorse, moss and lichen, ancient granite blocks which stopped the wind and rain from eroding the land and which gave shelter to the birds and small creatures. The fields were small, each with its own special character, and the grass was patched with bracken and clumps of gorse bushes. As we walked, the only sounds we could hear was that of the larks, the cattle, and the wind; the air smelled sweet with the yellow gorse flowers and the damp familiar bracken. The dogs ranged around us, back and then away again.

Higher up again, on the top of the hill, the view stretched right around the whole peninusula. The path up to the top was narrow, winding up through the gorse and low bushes, past tall blocks of granite: standing stones, some of them, ancient and placed there for ceremonies, perhaps and for reasons that we could never know. We looked out over Lands End, towards the islands, and back towards Penzance: a networked web of small fields, outlined by the hedges, dotted with cattle. There weren’t many trees, as the wind howls in from the Atlantic in West Penwith, but in the valleys there was the glimpse of shelter and a sense of mystery and hidden beauty. The wind was strong up there, and the rocks held their own power. The stones tumbled up into a large mound were, he said, the remains of the Chapel of St. Michael, built there in the earliest times of Christianity in Britain. Beyond this stood standing stones, grouped together, still erect, silent, with a curiously forbidding sense about them. The view was as wide as the world, and we stood, with no words necessary, looking out over the patterned, unchanged landscape and aware of the gift that had been granted. William Tregear was no longer able to work his farm, but if he handed it on to us, we could work to be stewards, truthful caretakers, and hold the long occupation of this land in trust. I fell in love that day, for the first time knowing that one particular place, this place, the air and the wind and the earth, could be a source of immense joy, comfort, peace. I was to spend many long hours on the hill, absorbing the spirit of place, loving it, dreaming, losing myself in delight.

mum.jpg

My parents only lived on Kerrow Farm for about seven years, before selling it and moving to the Balearics, and then, on to Australia. The history of each field, and the continuity of use, ended with them. They milked the same number of cows as Willum, and ran some cattle up on the top fields, and they kept pigs for a time, grew beets and kale for winter fodder, and brought the hay in, just as it has always been done. But when they sold the farm, the new owner knocked down all the old stone ‘hedges’, in order to make the land ‘profitable’ for larger scale farming. He planted one crop over the whole area, one crop on one large field where previously had been five or more small, enclosed and healthy fields. The wind blew the soil away, and destroyed the crop, and the rain washed earth down onto the bottom road, and away off the land. He sold the house, then, to a local business man, and the monoculture continued with cattle, first, and then more crops. The price of the land went up and up, so that only rich agribusiness farmers could afford to buy it when it went back on the market.

Last year I went back to Kerrow for the first time in nearly forty years. I went first to the top of the hill, and walked, and gazed, and heard the larks, and smelled the gorse, still sweet like special honey. I climbed onto the top of the rocks, looking out over the land towards the sea, and out to the Scilly Islands. The sky was luminous, blue, clear, and I rubbed my hand against the rough granite, closing my eyes, knowing suddenly that I was home again. The path still wound down past the stones, through the bushes, down towards the farm. But the fields had gone, and there was just a large space of wheat growing, and some plowed land, fallow and dark. I hadn’t intended to visit the farm itself, but as I went past the bottom of the lane, past the old stone-built stand where I had so often hauled up the full milk churns to be picked up by the milk lorry there was a For Sale sign stuck up at the gate. Without pausing to think, I turned up the lane. It had been winding, lined with flowers, blackberries, muddy and hard to walk without getting wet after rain, and I had walked it each day with the dogs, down to collect the post, or down to catch the bus along the main road into town. Now, the lane was just a track, no walls on either side, no winding curves to invite the visitor. I came out at the farm yard.

This was no longer a yard, or at least, it was no longer anything to do with a farm. The buildings still stood, and there was some kind of structure in the middle of the space, but there were small tubs of petunias dotted around and it all looked like some kind of municipal carpark. The old stables, still there but looking neat, and pretty in a magazine fashion, as if they had been created for a theme park not for real use. The milking shed had patio furniture standing neatly outside the door, and curtains shielded the windows where once the cats had perched waiting for their milk. It all looked the same and yet it was utterly different. A tall man came out of the house, wearing a buttoned down blue shirt, neatly pressed, and grey trousers, soft shoes and a mobile phone in his hand.
He was a retired doctor who had bought the house, with just a small piece of garden, about eighteen months ago, and he knew nothing about the history of the land or of the farm itself. He showed me around the house, and I could just recognize the rooms, the deep set windows, the view out over the fields towards Sennen. But the rest was new, done up, with the old house covered over by nice furnishing, comfortable carpets, proper heating and the kind of bathrooms that featured in design magazines. I thought of William, and then I remembered too our time in the house, carrying water, bringing in fresh milk and taking thick cream of the top of each jug, listening to the gales rage, going out in the rain to bring the cows in for milking, caring about each spot on the farm.. I knew that it was the same house and yet there was no acknowledgement that this had been a real, working place, loved and inhabited by generations of Tregears, and who knows who before them.

He showed me around, and then we went back outside. The barns on the other side of the yard had been bought, done up as holiday cottages, used for perhaps a month or so each year and rented out for sums of money that seemed unreal to me. The For Sale sign that had brought me up the lane was for the old pig shed, a small barn that had housed three litters of pigs at a time. It was freshly roofed, and the stone work pointed, cement making the walls neat and probably more solid. The front door could have belonged in a street of town houses, in some city far away from this windswept, granite grounded finger of land surrounded by the wild Atlantic.

Nothing I saw matched my memories. It all seemed as though a theme park had been constructed over the site of a prehistoric settlement: the displacement was as strong as if I had come out of the age of dinosaurs to find a new species occupying my own habitat.

The Child is Father to the Man

March 1st, 2007

Why do some people love nature and some people are just rather indifferent to it? Developmental psychology tells us that early exposure – as we are growing up – to woods, fields and animals encourages biophilia, the human tendency to affliate with wild nature.

In some families there is a tradition of owning animals and of regularly spending time out in nature. My mum comes from England, and her family have always been nature lovers. What follows is a snap-shot of how one family carried its love of nature down through the generations.

grandfather.jpg

This is my great-grandfather and his children – my grandmother and my great-uncle – somewhere in England about 1904.

ralph.jpg

Stepping down to the next generation, my grandfather, Ralph, loved to walk in nature, up fell and down dale. His favourite writer was William Wordsworth, the poet from who wrote the words which are the title of this blog entry. My grandfather and grandmother lived first in the Welsh border country, then on a Cornish dairy farm, and then on a Spanish island. Clearly my mother was influenced by some of these environments – not to mention the constant companionship of various dogs – as she grew up and turned into a woman.

mum2.jpg

She moved to Australia and had two sons, me and my brother. For a while we lived in Denmark, a small town in the south-west corner of Australia, surrounded by towering karri trees to walk under, sun dazzled inlets and grassy fields. My mum and my dad took us on plenty of camping trips and we were always accompanied by dogs and cats while at home. One of my mum’s favourite poets is Gary Snyder, and her favourite novelists, Wendell Berry.

meandsam.jpg

I and my brother both love nature as adults, and I think our parents actions when we were young may have had something to do with this. I thank them for imparting a love of nature to us. The child is father to the man.

I am writing this retrospective blog entry in 2007, and very recently we human beings tipped over the point where there are now more people living in cities than outside of cities. As Gary Snyder has said, what we need now more than anything is people who love the world. Knowing this, I hope most fervently that all these new urban citizens take their children out into the world beyond the pavement.

Remembering America

March 2nd, 2007

In 1996 I lived in the U.S. for the year. I was in their charming parlance, a ‘resident alien’. I was an alien in San Franscisco, north of the Golden Gate Bridge in Marin County. One of the points of cultural association that I have come to increasingly appreciate since I have left this country was City Lights Books, a bookstore in the city.

sanfran.jpg

It isn’t City Lights I love really, but the associations that hang around that geographical location. Lawrence Ferlinghetti started the shop in the early 1950s and it became a gathering point for certain beat poets, such as Gary Snyder. In 96′ I was sitting in a bookstore by the name of A Clean Well-lighted Place for Books in Marin listening to Snyder, the old man with the creased, experienced face, give a reading from his book of poems Rip-Rap and Cold Mountain Poems, however it wasn’t till more recent years that I came to realise the value of some of Synder’s limpid moments of being in the natural world expressed in his poetry.

In Snyder’s world sometimes nothing has meaning, except ‘that which is seen is truly seen’. Read ‘Piute Creek‘ and you might understand what I’m talking about.

And then there were the woods, the redwoods…

redwood.jpg

These are the tallest trees on our planet: redwood trees. It’s not a mark of rectitude to talk in cathedrals, so I’ll be quiet about this place.

elcap.jpg

In winter I was in Yosemite National Park, and I looked up at ‘El Capitan’, as had Ansel Adams before me. Where Adams looked, saw and photographed some of the most perfectly composed black and white compositions ever, errant stone monkeys have looked at El Cap and scaled it, intoxicated by a visceral sublime. Before such people knocked about rocks, John Muir walked around Yosemite, writing prose about the place which expressed a truly ecological imagination, and inspiring the president Theodore Roosevelt to protect the joint.

After reading ‘Piute Creek’ you’ll perhaps understand why I was interested to visit the Tassajara Zen Mountain Center, a Zen monastery in secluded valley of the dry southern moutains in California. I was here for a few days, and although I didn’t actually spend that much time meditating, I spent plenty of time walking down the valley, along a creek which provided relief from the heat.

In the south of California I also explored the world of the Spanish monks who had come here in 1771. At Mission San Antonio I participated in an archeological field school, where after study was over for the day I saw cougar flash across the fields, and was woken in the morning to the sound of coyote wailing like tormented banshees. Some hot nights I would stand in the mission quadrangle… you could hear only the soft splashing of the fountain, see the see the lambent cream of the adobe walls topped by the orange of tejas. One evening I remember the moon was particularly large and bright as you looked up past the cypresses. A monk walked past the other side of the tree-filled square. The air had a comfortable warmth to it for my t-shirt and shorts shod body.

So I was skirting my way around the crass and commercial parts of California. It then found my way to another desert monastery: Joshua Tree National Park. Here I had intimations of the south-west of the U.S. that Edward Abbey writes about in his books (yes, I know he wasn’t writing about California, but for me there are certain associations between his books and this place). Abbey, if you don’t know him, was a savage, funny, and incandescently intelligent voice out of the American desert. Read him at your merry peril.

joshua.jpg

Finally, in my last American adventure, I helped onboard the good sloop The Clearwater. The Clearwater is a ship which sails down the Hudson River in New York State, delivering a positive environmental message to school kids to clean up the Hudson. It has as its founder and patron spirit, Pete Seeger, that great voice of politically progressive American folk music. In fact I went to Pete’s 80th birthday party, at his house on a hill above the Hudson. We need more voices like Pete Seeger’s in this world.

Here I am, standing on deck, giving a hug to a New Yorker who followed our floating hippy bandwagon down the Hudson. The rusts, yellows and reds that are the autumn colours of New York State made a fine backdrop for a river voyage.

meandrandy96.JPG

These are just some snapshots of the points of interest on my personal map of America. It took some clever navigation all those years ago, but I did learn that the US isn’t all blaring soap operas and endless billboards.

Environment Minister with a Past

March 4th, 2007

On Australia’s Radio National this morning the current Liberal Minister was exposed as having a history of involvement in the corporate rape of the earth. Liberal Minister helped expand a forestry company in 1991 – Axiom Forest Resources in the Soloman Islands. This guy streamlined this company’s efforts to cut down Pacific Island rainforests. The company was allowed to cut 33 thousand cubic metres per year, which is more than would have been sustainble for the whole of the Solomons (remember they were only allowed to log some of the country). The now Australian federal Minister for the Environment earned a neat twenty five million Australian dollars for his work. Should we trust this kind of operator to look after Australia’s heritage?

The Aboriginal

March 5th, 2007

soane.jpg

This is John Soane. He is an aboriginal of the British Isles.

A few years ago I was in England for the first time, and I thought a bit about belonging to a land and a landscape. My ancestors all came from England to Australia at various times in the past. Australians speak English, it is our mother tongue. But if you pick up a volume of poetry by any number of celebrated and dead poets who write in this language you’ll find poems with titles like ‘May Morning’ or ‘June Day’. When you come from Australia and pick up John Clare’s poem ‘July’ and read the first line – ‘Loud is the summer’s busy song’ – then you feel a strong sense of incongruity with your own experiences. In Australia July is the middle of winter and noon doesn’t ‘burn with its blistering breath around’, it is actually pretty cool (Peter Porter has commented on this in a poem about reading Midsummer Night’s Dream).

So Australia obviously needs its own literature of nature, and we have a bit of it, here and there. But my point is that the English landscape does have a small influence, through the circuitous route of English literature, on life in Australia.

Anyway, when I was in England a few years back I got interested in the kind of aesthetic sense expressed by people people like John Soane. Soane’s house is open to the public as a museum in London, and shows the visitor what the nineteenth century English gentleman with an interest in architecture could do to make a pleasing environment. Beyond that I went out into the country and entered the world of the English country house and its estate. Despite the lamentable political circumstances associated with the creation of such places hundreds of years ago, I found myself pleased and calmed by the order and beauty to be found in some of these houses and their woods and gardens.

This is a postcard I have of Belsay Hall, a property run by English Heritage (the British government), one of the most beautiful of all country houses. It is in Northumberland, and the quarry where the stone for the house was taken from was turned many years ago into a sunken garden, which winds under the canopy of overhanging trees.

belsay.jpg

I normally are much more interested in wilderness than planned gardens, but this winding walk through the limestone walls and ravines is enough to make me feel some affinity with the great tradition from the 18th and 19th centuries of English landscape gardening.

Soon I was doing a couple of weeks voluntary work for the National Trust. I stayed at Felbrigg Hall and worked, along with a bunch of around twenty other volunteers, at Blickling Hall, in Norfolk. In the evenings all the tourists had left the area, and I wandered about the place. It was a warm evening at the end of May, and I was sitting in the walled garden by myself, watching the doves flit around the tall dovecote and listening to their soft coos. I got up and walked through the gardens behind the house to the orangery and breathed in the thick aroma of the many camelias kept in there. With moments like these, why, I asked myself, don’t more English people volunteer to do this kind of thing?

At one point I found myself opening up the pyramid shaped mausoleum in the middle of the woods at Blickling. The door to the mausoleum is made of iron and weighs a ton. I fitted the old iron key to it and swung it open, a slow, sepulchral creek echoing inside the tomb. I thought of what kind of person John Hobart must have been to have wanted a pyramid in the middle of the woods to be his tomb. Did he really felt he belonged to England? Then I left this musty resting place and walked into the woods around the pyramid. I saw a barn owl fly above me and across to a nearby tree. It landed and watched me. I sat down for a minute and watched it. I kept walking and deep in the woods I found the old deer ditches that bordered the medieval park, now green and leafy dingles. I could hear buzzing, rustling, hooting and scurrying around me. There was the smells of the forest, the wind on my face and the soft earth under my feet. Tall trees rose from the sea of purplish blue bells in front of me.

bluebells.JPG

I’ve never been there, but I just noticed on the National Trust website that Wallington, another estate with lots of woods, this time in Northumberland, has an opening for volunteers this May. If I was in England, I’d do it. The great thing isn’t just helping out with running the gardens, but is being able to wander around the place when all the day trippers have gone home.

Australia has a lot more original wilderness and previously undescribed species of life still kicking around, and I feel a strong sense of belonging on this southern land. On the other hand I can’t help feeling like an aboriginal when I’m treading along under ancient silver beeches.

Climate change and Australian politics

March 7th, 2007

revolution.jpg

[Thanks to Linda Zacks for letting me use her illustration.]

What is my take on politics and climate change in this election year in Australia? As you’ll see from my recent blog entries, I’m not a fan of the current government.

The Labor Minister for the Environment is Peter Garrett. He is actually now called the Shadow Minister for Climate Change and the Environment, a move that you might think was made to hint that his party takes the climate crisis seriously. Labor proposes to ratify the Kyoto Protocol, cut Australia’s greenhouse pollution by 60% by 2050, establish a national emissions trading scheme; substantially increase the Mandatory Renewable Energy Target, and build greenhouse gas triggers into Australian law.

What do I mean by this last bit about greenhouse gas triggers? The Environmental Protection and Biodiversity Conservation Act (EPBCA) is the single most important bit of national law relating to nature. In its four or five years of operation it hasn’t done much about the two major threats to biodiversity: greenhouse gases and land-clearing (it has had a few minor successes, like protecting flying foxes in Queensland). State laws are more important when it comes to protecting the environment. But the EPBCA could become important if it had a greenhouse-gas trigger built into it, so that when a proposed development was considered and it was going to pollute the air with too much carbon it would be rejected. Labor, it seems, might build such triggers into the EPBCA.

But then I have a feeling that Labour here would be like Labour in England right now. Plenty of talk about climate change, and even some targets, but they probably won’t actually keep to the targets for reductions of emissions by 2020. Despite the green-friendly rhetoric, Labour in Britain looks set to fail to deliver sufficient reductions.

The Australian Greens actually would make targets and keep to us to them. Of course the Greens have very little money for campaigning, usually a bunch of thousands, that’s all. If only some philanthropist would donate $2 million for the greens to have TV ads on prime time commercial tv – where an ad costs about 50 thousand to make and four thousand to air for 30 seconds each – just before the federal election. Maybe shouting the truth into Australian sitting rooms that we live in a country on the front line of the effects of the climate crisis would sway a few more politically comotose voters. And after the election we’d end up with a few more compassionate and honest humans in Parliament House. Hard to imagine I know.

Well in the absence of a couple of million dollars, the Greens can do what? At least become a bit more canny….

In 2007 I’d like us in the Green party to remember Guy Rundle (editor of Arena magazine), looking back on the 2004 Australian federal election, and saying:

‘[The Greens] have not yet made the leap from the politics of the New Left to one that addresses contemporary society’.

I support nearly all the policies of the Greens, but I think there is an urgent need for us involved in the Greens to appreciate the cultural and political climate in which we act. In the February 2005 issue of The Ecologist Aidan Rankin wrote of how the European Greens have, lamentably, been captured by an authoritarian and unelectable left. Rankin goes so far as to suggest that a new Ecology Party be formed to remedy the situation. In America, Kevin Phillips recently argued in Harper’s Magazine that the decline of liberalism began because “liberal intellectuals and policy makers had become too sure of themselves, so lazy and complacent that they failed to pay attention to people who didn’t share their opinions.”

This election year the Australian Greens need to ask, how do we start bridge-building with the mainstream, and get more people into parliament,? The dire predictions of climate change make the stakes much too high for us to sit contentedly on an unelectable moral high-ground (even while our membership numbers continue to climb).

The Greens drug policy is hurting the Greens vote. James Norman, Victorian Greens Media Assistant during the last federal election, wrote recently in Arena magazine: ‘One of the key differences between the Greens and the other Australian political parties is that the Greens released extensive policy documents on the party website for all to see months before the election. Most other parties don’t do this.’ The Greens ‘went overboard in making long, detailed policies too freely available. For example the much misrepresented drug policy should simply have read: ‘The Greens support the principals of harm minimisation and wish to see drugs considered as a health, rather than criminal problem.’ Leave it at that. There is no need whatsoever to isolate particular drugs, like heroin and ecstasy, as drugs earmarked for liberalisation. It’s political dynamite.’

If you’re reading this, please join the Greens, run as a candidate, and don’t sit too high up the moral high-ground.

Bespoken Hemp

March 9th, 2007

My private and unofficial Eco-Dandyist Manifesto stipulates that a gentleman dresses well. But where to from there?

Hemp is a great plant fibre, environmentally speaking, in that crops of it don’t require the application of large amounts of environmentally harmful pesticides, like the cotton you are probably wearing as you read this sentence. Hemp comes from canibis, and canibis plants more or less just shoot up by themselves. So that sorts out the kind of the plant fibre we’re aiming for (although bamboo is another one worth thinking of nowadays – even softer than cotton).

Making the clothes is next…

Most of the clothes we buy come from Asia, where hundreds of women sit in ugly and noisy factories and do boring work for hardly any money. So why not spend a little more on your clothes and get them made by someone in Australia, or whichever first world country you are probably reading this blog from?

Time to find a bespoke tailor. What’s ‘bespoke’ mean, I hear you ask? It means a tailor that makes your suit to measure your body, by hand. Well, better read the explanation of Thomas Mahon, a tailor on Saville Row in London who writes a blog called ‘English Cut‘.

So now you know all about bespoke tailoring. If you live in Western Australia you might get some hemp from the Margaret River Hemp Company and ask a local clothes designer to go to work.

So is the suit I’m wearing made from bespoken hemp?

No, it came from a local op-shop and cost seventy dollars. Even better for the environment than getting a locally tailor-made hemp or bamboo suit, is going and collecting a suit that was just sitting there unclaimed in an op-shop around the corner (as long as you can find one you really like, that is).

Time to hit play on some Gregory Isaacs and drink a gin and tonic.

New Zealand and How it Became Middle Earth

March 16th, 2007

mountcook.JPG

I’ve been thinking about New Zealand recently, partly because of a related essay I wrote a while back which is soon to be published. I’m not going to say much about the essay here, but I will say something about the land that is the South Island.

Looking back through my journal I find the following from my time there in 2004:

“Not only seeing nature, but also smelling the wet earth and the fast flowing stream at the bottom of the valley. Further up we passed through a high ridge and looking down on the scene below made me think: well, there is nothing left. It isn’t possible to see any more impressive topography on this blessed planet. D. H. Lawrence said he only felt a deep sense of the religious in his world travels when he arrived in New Mexico. My New Mexico.

Being here, these experiences of green mountain ringed plains, dell-filled beech woods, pine bordered, iridescent lakes, drift wood tossed shores, gives me a grounding in extra-human meaning, meaning outside the realm of human artifacts and social interactions. I’m glad to have had this time, its memory will help me persist through the knocks and setbacks that are endemic to suburban day-to-daying on my return to Perth.”

There is a way in which Wallace Stegner’s comment that ‘a place needs a poet’ is meaningful. Peter Jackson has, in a way, sung these beech woods, and given them added significance. I have a chapter in a book called ‘How We Became Middle Earth’, which is forthcoming later this year. It is out with Walking Tree Press – check it out.

nz.JPG

I haven’t taken any good photos of New Zealand… apart from the following one of the farming country near Christchurch. The shades of green in this land are so deep compared to Australia!

farming.JPG

Although I don’t have a great gallery of New Zealand photography, I can direct you to a few photos taken by others. These photos will give you some idea of what I’m talking about.
The river flows

The clouds drift

Mt Cook stands guard

Now look into the lake, and wash away your mental clutter…

New Photography Gallery

March 18th, 2007

crooked.jpg

Mass of twisting white spirits, frozen in their silent decade-long dance in a clearing of the south-west,

ancient lives towering from the floor to the canopy,

tumbled granite boulders, with a window in the karris out over the land and the southern ocean and the swell’s boom,

clear sight… peace in his heart.

karriland.JPG

My new gallery of nature photography can be viewed by following the link on the top right hand side of this page.

Why I Like Edward O. Wilson

March 25th, 2007

reunion1.JPG

In 2oo2 I was on Reunion Island, in the middle of the Indian Ocean. At the time I wrote in my journal: ‘I have seen the beauty of nature on a tropical island, been fascinated by the workings of the physical world around us, realised that I am part of the biosphere – something much bigger than my personal problems – discovered how pressing is the need to conserve and restore global biodiversity, and found new direction in my life in wanting to help do that.’

When I was on Reunion the place had a 43% unemployment rate, plenty of bad drivers and groups of men drinking rum on the side of the street in the middle of the day. Despite some of the problems on the island, being in a very different cultural framework – the French speaking, Creole eating tropical scene with a little bit of African influence – allowed me to see nature like an alien on another planet. I read E.O. Wilson’s The Diversity of Life for the first time. Wilson and the land both inspired me, and thus this blog entry has to be about both. Wilson’s prose in his book Consilience – which I also read while I was there – put me on a new path, bound up in his broader conservation ethic, to approaching my own life. The tone was amelioristic, in control, optimistic, rational, autonomous, fascinated, and knowledge-hungry.

Reunion is a volcanic cone poking up out of the Indian Ocean. The somewhat undisturbed south-east is called the ‘sud sauvage’, the wild south in English, and it is crested by this constantly unpredictable volcanoe, the Piton Fournaise. This mountain is three thousand metres from the sea to the top. Dribbles of dark lava come down the south-east slope.reunion2.JPG

The interior of the island is sometimes dry, sometimes lush, but nearly always slashed by very deep gorges and outrageously tall mountain peaks. This beach is typical of the island. I don’t love the French habit of leaving cigarette buts everywhere in the sand, but I do love the fact that you can float in a pool at the end of this beach and see the warm colours of live coral beneath you. You can see what a great place it was to be reading about the workings behind the diversification of species of life on earth.

The rivers that flow to the sea carve deep gorges full of icy water holes, like this secret spot…

reunion3.JPG
So this is the tropical crucible within which I first heard the uplifting and philosophical voice of the greatest prose stylist of modern science. Thanks Edward O. Wilson. Partly because of your writings, everywhere I walk on this earth I feel I belong, as part of the biosphere.

When I returned to Australia in 2003 I was saddened to find that the conservationist figure embodied by E. O. Wilson – the affable, well-mannered southern gentleman with a prodigious intellect and stylish approach – didn’t fit very clearly among Australian Wilderness Society activists and Greenpeace recruits.

Still, I have continued to be influenced by Wilson’s outlook on the world. True, I write about novels, poems, and films, and not about the workings of ecosystems. But some science does inform my environmentally- slanted literary criticism. Most of all, I’m humbled by the complex workings of the species of life on this earth; my cosmology places us humans firmly within this natural realm; and much of my spiritual sustenance comes from the creation. Partly thanks to the tone of the writings of an old Harvard professor, I’m still determined and I’m still impressed.

The Path and John Fowles

March 29th, 2007

walking.JPG

My interest in conserving and marvelling at global biodiversity and the physical planet has caused me to be more: scientific, optimistic, determined, self-secure and impressed by the world. It has created a path of sorts for me in life.

In 2002 I walked from the West Quantocks Hills in Somerset just under the Bristol channel, with the Exeter University Out of Doors Society, to a small village called Bishops Lydeard. This is when the photograph of the path above was taken. It is also the period of my life when I first met John Fowles.

Fowles was right to insist that you can’t capture the experience of nature in words. Of you can’t capture it with photographs either, which is a salient reminder for myself now that I’m more interested in photography. I remember walking through the trees below Fowles’ house in south-west England, with the wind and the grey light gushing past, leaves swaying and turning, my vision moving as I pass, feelings of The French Lieutenant’s Woman and a man and a place so bound up in nineteenth century notions of refinement.

fowles.JPG

My bedroom was inside the main house, a room that makes one think of well lived in certain country mansions of the 20s a bit, not big but cultured and hailing from an England you’d never guess existed still as you walked down today’s British high street with its mobile phone shops and ugly mall. And Baag, the big, burly tabby who has now sadly passed away, padded around the house… it really is true that having cats around reduces one’s level of background anxiety.

I uses to often walk into the Undercliff, a wooded area west of Lyme Regis. I strode forth, across a section of open county and then into the chaotic topography and jumble of trees and plants. The path winds along and one thinks: well, here is a bit of wild England after all. The blood pumped through my body and I felt alert, but when I came to a particularly romantic spot – it all is that, one really gets a sense of the spirit of the place that must have motivated the romanticism of the FLW, as Sarah calls The French Lieutenant’s Woman – I stopped. And the silence came flooding in from all sides, and I stood thinking how much these lush vines and trees and shrubs on such wildly up and down terrain stimulant a sense of mystery, of promises around corners. Thinking how, regardless of how hackneyed a word it is, there really was a magic to this place. Of the kind that Fowles talks of in his notion of la bonne vaux. The place is an entrée into a kind of invitation to dream. After the contrast of recent city or town dwelling it came onto my eyes with a fresh, possibility-filled and timeless charm.

How easily I could be Charles Smithson setting out into this wilderness. Or how easily the fictional Sarah could come walking down Ware Lane. The place varied every second as I trod along the path which winded and bobbed up and down, under trees and around corners. The magic of a Samuel Palmer English valley, which Fowles has written about, I truly got an inckling of. As my walking boots had given out the previous weekend, Sarah gave me a pair of John’s old shoes to have and walk in. I was truly walking in the footsteps of John Fowles.

undercliff.JPG

Freo Stencils

March 30th, 2007

I’d like to announce that a new blog has arrived in my home town Fremantle: Freo Stencils.

Of course the British artist Banksy is the acknowledged king of stencil art placed in urban spaces. However this frequently political art form has been taken over by all kinds of people in the community, as is evidenced by this website. With the public space, the agora of Greek civilization, monopolised these days by merchants of mindless consumption, I see stencil art, at its best, as a stand against this culture of consumption, in the manner of Kalle Lasn, the inspirational and courageous Estonian prankster who founded Adbusters magazine.

To the writer of this new blog, I salute you!

Back From the Island

April 2nd, 2007

I’m just back from Rottnest, the island off the coast of Western Australia. This arid fragment of limestone floats in a scintillating blue and green sea. It is shored by finely ground shells and inland jagged, wind-blown and salt-tolerant plants make their home.

I’ve finally got a couple of reasonably good photographs of the place. So check my gallery – follow the link on the top right – to see the island’s colours.

Gary Snyder’s Most Recent Book of Poetry

April 4th, 2007

Danger on Peaks (Washington: Shoemaker and Hoard, 2004) is a slim book of poems from a man who is now in his mid seventies. As usual the poems are spare and understated, and reach for the clarity of a summer morning in the high Sierras. The tone of the collection seems somewhat elegaic, largely due to the number of poems which recollect experiences Synder had in the fifties or later. As usual we are introduced to the quality of simple, hard work amongst the truckies and loggers of the US, and taken into simple and limpid moments amongst the granite of the Californian mountains. This isn’t Snyder’s best collection in my view, but it does contain a handful of poems worth reading.

The last two lines of the book are my favourite, and are translated from Chinese. You can almost hear the quiet, koan-like intonations of Synder’s voice behind these words:

hail all noble woke-up big-heart beings;

hail – great wisdom of the path that goes beyond

The Peace of Wild Things

April 6th, 2007

Sometimes life gets a bit too much. Too confusing or stressful or whatever the case may be.

Shelly’s sky lark, and Keats’ nightingale, were envied by those nineteenth century poets for the peace of unreflective sentience. Today I want to share with the world a poem by Wendell Berry, the English lecturer turned farmer from the east coast of the US. Like Shelly and Keats a century before him, Berry reminds us of the peace experienced by nonhuman lives. It is an instructive lesson:

The Peace of Wild Things

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

Amen.

Spreading the Word

April 9th, 2007

terania.jpg

This is one of the most memorable photographs in the history of the Australian conservation movement (thanks to the Terania Action Network). The year is 1979 and one of the last pockets of the subtropical rainforest of the central eastern Australian coast is about to be logged at Terania Creek. A hundred or so long haired hippy types arrive, and for the first time Australians see images in the media of direct confrontations between conservationists and police and loggers. This photo stand out though.

Here we see the power of physical affection to break down barriers. Authority is humanised through love, not further strengthened through the expression of hate. In this one moment caught on film, we see how the ‘pig’ in black and white can become the man with the beating heart. I think in contemplating the issue of climate change today we need to remember this image. Instead of become frustrated with the majority of our fellow citizens lethargy when it comes to becoming carbon neutral, we need to take a deep breath and talk to somebody about the issue you might not normally talk to. Instead of ‘shouting at the idiots for not doing enough’, remember that everybody is, as W. H. Auden said, ‘jealous of their privacy and easily hurt’. Everybody is human. Approach with the sentiment of brotherhood and unity and you’ll get more traction. The best tool in the skill kit of the active conservationist is to find something to love in that man or woman who doesn’t seem to care. And then to draw them forward with gentle prods and hints.

Ok all you young dudes, the hippies who are now in their fifties were right…

one love.

Two French Pastorals

April 11th, 2007


cow1.JPG

This is the south-east of France, in the hills north-west of Lyon that drain into the Soane River. At the start of 2001 I stood on a hill here, near the tiny village of St. Cyr le Chatoux. I was alone and I sat down on a grassy bank beside the road, and looked out into the valley before me. This is what I saw. The pastoral quiet and gentle sunshine still rise clearly from my memory.

Monet’s Poppies is a painting familiar to many. Take a look at this new take on that old painting. I saw this image recently and it made me think anew about the concept of pastoral in the rural landscape. The machine in the garden marks a turn for the pastoral idyll of literature past, and this painting is a kind of anti-pastoral spoof of Monet’s pastoral scene.

Australian Company

April 12th, 2007

cunningham.jpg

This photo is by Geoff Cuningham (published in The Best of Australian Geographic Photography). It is of a velvet gecko pausing on some Aboriginal rock art, and to me it is the perfect symbol of the intimate connection between Aboriginal culture and the natural world on this continent. I consider this to be one of the most memorable Australian nature photographs.

The Aboriginals weren’t saints when it came to environmental sustainability, but they were a lot more attuned to the textures, patterns and forms native to Australia than the Europeans who arrived after them. Part of this came from hunting native animals: the hunter perforce has a deep knowledge of the animals he hunts. Aboriginals also kept Australian animals as pets.

But white Australians can bring Australian life into their homes as well. Michael Archer, author of Going Native, has kept a quoll from infancy in his house, and reports that it makes a better pet than a cat or a dog. The Department of Environment and Conservation in Western Australia has, over the last few years, legalised the keeping of lizards, so that you can now have even a big monitor lizard. In the next few years they will hopefully get around to legalising the keeping of marsupials such as quolls. If a native pet industry grew up then conservation would have another ally. But more than this we would have little Australians in our houses, bringing us white people closer to having a bioregional consciousness.

With knowledge could come love.

Art and Photography Exhibition in Western Australia

April 19th, 2007

exhibit.jpg

My friend Dave is opening the doors of the studio in his back garden a week from this Friday. The currently roofless studio – thus the ‘weather pending’ bit above – will be full of art works and photographs of a bunch of local people, including four of my photographs. There will be music and the drinks policy is byo. I hope to see you there.

Galahs and Play

April 22nd, 2007

cockatoo.jpg

This morning I was on my way into King’s Park when I looked up into an old Wandoo tree and saw this galah sitting above me. I stopped and watched him for a while, and took this photo. When I clicked my tongue a bit he became more interested and seemed to engage a bit.

Parrots originated in this part of the world. Cockatoos are part of the parrot lineage, and more than half of all cockatoos come from Australia. We have plenty of hard nuts to crack on our trees, thus the big, powerful beaks of these birds for cracking nuts open. Eolophus roseicapillus is the latin name for this species, but most Australians call them galahs. Australian slang uses the phrase ‘playing the galah’ to indicate that somebody is fooling around, and it is true that these birds love to play (ok, I admit that only salt of the earth Aussies use the term!).

Play is a sign of intelligence, and parrots are amongst the most intelligent of animals. They can live to 80 years old – older than many people! – and they do plenty of stuff in groups. For example, these galahs often keep their fledglings in ‘creches’ of up to a hundred youngsters. An evolutionary history of cooperation like this has helped direct their increasing intelligence. It also means that they readily develop strong relationships with others, be they cockatoo, or be they human.

As I looked up into the tree from a suburban street I saw a stranger, not a friend. But as I looked up into the tree from the street it was salutory to be reminded that another intelligence was looking down at me from the wild, and wondering what the hell I was doing standing there.

Interview with Riley Lee

April 25th, 2007

Listen to a little chat I had recently with Riley Lee on the connection between his music and nature.

This is the first in an infrequent series of podcasts on the arts and the environment.

Way To Go

April 26th, 2007

Roger Short, at a recent conference on science journalism at the University of Melboure, made the point that when we are cremated it has a negative effect on global warming, both because of our bodies becoming carbon dioxide pollution, and because the oven has to be heated up to 850 degrees for an hour and a half and uses massive amounts of fuel. Traditional burials are also no good as the places we use just have grass on them, and no biodiversity.

Smart thinks we should have vertical holes drilled, and we should be lowered down amongst leaves as a kind of padding. And then a tree should be planted over that. Over a century a tree sequesters one metric ton of CO2.

I love Short’s idea, not just because his science is so spot on and because he has thought of an important change for us to make in our burial rituals, but because of the associated symbolism of returning to the ecosystem. Edward Munsch’s painting ‘Metabolism’ springs to mind…

dsc_0003.jpg

On Not Coming in from the Rain

April 28th, 2007

Today I really want to share with the world a Mary Oliver poem:

Black Oaks

Okay, not one can write a symphony, or a dictionary,

or even a letter to an old friend, full of remembrance
and comfort. 

Not one can manage a single sound though the blue jays
carp and whistle all day in the branches, without
the push of the wind. 

But to tell the truth after a while I'm pale with longing
for their thick bodies ruckled with lichen

and you can't keep me from the woods, from the tonnage

of their shoulders, and their shining green hair.

Today is a day like any other: twenty-four hours, a
little sunshine, a little rain. 

Listen, says ambition, nervously shifting her weight from
one boot to another -- why don't you get going?

For there I am, in the mossy shadows, under the trees.

And to tell the truth I don't want to let go of the wrists
of idleness, I don't want to sell my life for money,

I don't even want to come in out of the rain. 

Clive Hamilton’s Scorcher

May 4th, 2007

Clive Hamilton has been busy digging up the truth on the Howard government’s self-serving response to climate change. He has just published a book in which he brings the truth to the surface. I heard him talk last Wednesday at UWA in Perth.

If you didn’t manage to get your hands on the book or get to a lecture, you can hear Hamilton talk at the University of Sydney a couple of weeks ago.

My favourite quote from the talk: What do you call a climate change sceptic’s think tank? A sceptic tank.

Nuf said.

Goodbye Western Australia

May 10th, 2007

dsc_01352007-05-07.JPG

The other day I was in the belly of a wooden whale: standing in the burnt out core of an ancient tingle with my friend Sunny, looking out like Jonah from the beast. Being here with food, fire, friend, trees, sky, birds, winds, colds, warm suns, being here with the basic elements is good for the soul I’m sure. No advertising to spin you off course. No texting mobile phones to chop up your minutes. No errant knaves, just the knaves of wooden chapels, like the tingle I’m standing within and looking out from the triangular entrance. Sunny wandered off from the tingle, but I stayed within, looking closely at the breaches in the trunk where light and spiders webs coalesced.

All of a sudden the sound of Sunny’s bamboo pipe echoed through the Valley of the Giants. The high and delicate notes came to my ears through the maze of green leaves and came muffled by the wooden buttresses to my sides, but they came as if from the loci genus, the spirit of the place.
dsc_01742007-05-07.jpg

This morning I’m leaving Western Australia. My recent time in the forests of the south (where I took some new photographs which have been added to my gallery) was a bidding farewell to this place. I’m about to travel around the world, going today to Coffs Harbour, and then to New Zealand on Tuesday, and hence Samoa, North America, Europe, Bali and back to Perth. I’m going to put some of the dates of my travels on the front welcome page of this website if you’re interested.

Along the way I’ll be updating this blog, when I get the chance.

I’m about to go to some strange places, but everywhere I go I feel that the biosphere is my home.

Dorrigo National Park and Memories of Oscar and Lucinda

May 13th, 2007

I’m sitting in a cafe in Bellingen, a small country town on the Belliger River in north-east N.S.W. This morning I paddled a kayake with my friend James up the Belliger River, and as I did so I remembered Peter Carey’s novel Oscar and Lucinda, the final scenes of which are set on this river. Oscar is taking a church made of glass up the river on a barge to Bellingen. The year is around 1880, and the town he is trying to take this church to is one of the first pioneering town’s outside Sydney. Oscar is an idealist and a dreamer and the impracticality of these attributes in the Australian wilderness is represented by the heat pounding down upon him as he sits inside the now cracking glass house by himself. As the barge moves up the river Carey talks of how the white colonists saw only looming trees and failed to percieve that the land about them was thick with stories and myths, belonging to the Aboriginal culture. This morning as I pushed my way up the river with my paddle I didn’t even see banks thick with trees: in 2007 the banks of this river are mainly cleared for cattle. Oscar dies in this place, and this great Australian novel ends with a fatalistic view of white settlement on this continent. But throughout the final pages of the novel, and the final scenes of the film of the same name, I think the beauty of this part of the central east coast of Australia comes through.

dorrigo.jpg

This is Dorrigo National Park, just up the hill from where I sit and write this in Bellingen.

insidedorrigo.jpg

The subtropical rainforest, beneath the canopy. The central east coast rainforest reserves of Australia are the largest areas of subtropical rainforest on earth.

flow.jpg

The humidity in the forest is very high, and the air is cool as we’re at about 800 metres.

strangle.jpg

I can say that my time in these hills was happier than Oscar’s.

New Zealand’s South Island: The View From the Highlands

May 17th, 2007

dsc_00212007-05-16.jpg

I flew over from Sydney on an Air New Zealand plane a couple of days ago and looking beneath me I saw the Southern Alps, with their empty, wide, brown valleys, and craggy peaks. A man from flat and olive coloured Western Australia finds himself in tall mountains, and his soul swoops up with the crests of the snow dusted summits. Honestly.

I stayed in Geraldine, a small town at the foot of the moutains, on the first night. The next morning I stepped outside to see giant sequoias growing in the Geraldine camp ground where our wee white cabin stood. The air was cold and crisp, and the air was still and bright. This evening I’m staying in an old farmhouse just outside Twizel, up on a spacious plateau in the moutains. The fire warms the sitting room, but otherwise it is pretty cold in the evenings, if the days are surpringly warm. The land is dry here, after a long dry summer, and not nearly as green as last time I was in New Zealand one November.

dsc_0190.JPG

The rivers run cold and clear over grey pebbles.

dsc_0093.jpg

The colour of the water comes from some mineral – silica I think – suspended in the glacial melt.

dsc_00252007-05-16.jpg

Light and shadow battle it out.

img_0643.jpg

Tomorrow is my birthday – I’m turning 29 – and I’m happy to say that I’ll be staying at Kinloch Lodge (there is a link to the place on my links page, under places), a beautiful place north of Queenstown. If anybody wants to ring me, you can use the number on my welcome page, or use the number of Kinloch on their web page.

And yes, the view from this rock was pretty good.

Deep in the Valley

May 21st, 2007

slyvan2.jpg

I’ve been at the northern end of Lake Wakatipu, near Queenstown, for the last few days. I thought Western Australia was young when it came to the arrival of the white skinned folk, but they didn’t get to New Zealand till around 1840, and to this valley till around 1860. More than other places I’ve been, Western civilization is a fledgling creature.

beechbark.jpg

Red beech bark…

boldness.jpg

A bold visitation from a miromiro? If you know what this bird is let me know. I and another photographer were walking through the beech wood on Saturday morning when this little fellow decided to pose for us. He came within five centimetres of my ankles, and then jumped on this fungi covered log, when I took this shot.

kinlocoh.jpg

Kinloch Lodge’s view over the water… We’re at about four hundred metres here and those mountains are about two thousand metres tall. The light falls over the tussock grasses and tumbles down through storm clouds, and there is literally a different mountain every ten minutes to look at.

colours.jpg

Colours of the forest floor…

kinlochwards.jpg

The road to Kinloch…

nothofagus.jpg

Beechwood is found deep in the valley, and goes up to 1150 metres, at which point the alpine tussock grasses take over. With the coming of climate change the beech woods will literally be – and already are – marching up the mountain sides in New Zealand.

sylvan.jpg

Tonight I’m in Te Anau, and tomorrow I’m going on a boat on Milford Sound, a fiord in the wilderness.

Imagination and Reality at Milford Sound

May 23rd, 2007

Yesterday I, and an English guy I picked up hitchhiking made our way to Milford Sound, in the bottom south-west corner of New Zealand. The route into the sound is through steep valleys covered in beech forests and alpine grasses. The amount of water falling from the sky around here is seriously large, and when it isn’t raining all this water tumbles down cascades and waterfalls, like this one…

waterfall.jpg

After making our way through a tunnel through the guts of a vast grey, rocky mountain which looked like a war-lord’s castle, we came down in altitude to the sound.

milford.jpg

Here you stand at sea level, and look up to cliffs and peaks that shoot up vertically to two thousand metres. With all this grandeur it can be easy to forget the smaller details…

stone.jpg

Going out on a boat on Milford Sound was strange. Everywhere you look the scale of the cliffs and the lush hanging gardens on the cliffs, seems implausible. Another boat passes by a waterfall on the other side of the sound, and you realise how an otherwise quite large vessel is made to look like a grain of sand at the base of the waterfall. The boat came up to the face of the cliff at many points and upon looking upwards at the falling water and clinging trees I had the feeling that this was hardly real. A baroque reality.

cascade.jpg

After going out to the Tasman Sea the boat turned around and we faced the entrance. I imagined being a lost sailor and coming to this shore, not knowing this was New Zealand. What would I think? I’d scarcely believe that this amalgam of something out of Rober Louis Stevenson and Samuel Taylor Colderidge was actually planet earth.

milfordparttwo.jpg

Standing in the Sound and looking around the ampitheatre the hardest thing to fathom is that there are 13 other sounds, very much like this. Now that knowledge really makes one feel insignificant.

This morning I’m in Queenstown and today I’m heading down out of the high country, down to Geraldine, and hence to Samoa tomorrow.

onwards.jpg

Letter from Samoa

May 28th, 2007

I’ve now been on Samoa for four days. Samoa consists of a couple of small islands in the South Pacific, not far south of the equator, and about 180 thousand Samoans. I’ve been staying with a friend who is working for an aid program of the Australian government, Ausaid, in the capital, Apia.

This place is really a land unto its own. Despite having had a New Zealand administration from 1914 to the sixties, English is not understood by everybody, and Samoan is most assuredly the language of the land. ‘Saaa Moa’…. pronounce it that way, and do so with a deep voice and an air of brusque finality and you’ll sound like an insider. My lips had been cracked and almost bleeding from the dry, cold air of New Zealand, but within minutes of stepping out of the plane they felt ok again and rehydrated. The air is sopping with humidity here and the temperature is always in the high twenties. Apia is a small town for a capital, and the place has a dilapidated air, perhaps prematurely aged from the tropical conditions. Faded Coke signs are here and there, and taxis crawl down the high street. Leaving uncharasmatic Apia, you head into the suburbs, which here are just villages which join up on the edges. Lots of space and virulent greenery. Except in the middle of town there are no pavements, and the seemingly blithe indifference shown by the motley strollers to oncoming traffic is surprising. School boys walk along wearing skirts, which all the men wear here. Older men are generally fat, except if they are playing sport, in which case they are very athletic. The taro, chicken, pork, cream and Vailima (the local beer), with no shortage of deep fried options, is the die (not to forget the great tropical fruit everywhere growing), and beyond bok choy greens are a rarity. As you pass around where I’m staying there are hedges, stray dogs, lots of churches, breadfruit, mango and papaya trees. The men generally seem to be quite macho, and the way that you communicate here seems to be, well for the men, speaking in short bursts and deep tones in a way which is subconsciously perhaps intended to express their control of the situation.

I’m sleeping under my tripod with a mosquito net I brought with me draped over the top of it – National Geographic journalists on location eat your heart out! I have yet to have the courage to do much photography of the people here, but that will come. For the time being here are three photos of the island. This is the real Samoa as far as I’m concerned anyway, not Apia. I have a mobile number here also: 7582361 (you’ll have to find Samoa’s area code also).

picture-001.jpg

The south side of the main island, Upolu, looking eastwards.

picture-002.jpg

Everybody wears colourful shirts with flowers on them… perhaps this kind of thing was the inspiration.

picture-003.jpg

There is only one road that crosses the centre of the island. Here I stand looking southwards. Lots more photos to come!

Bringing Progress to Polynesia: The Gradual Loss of Samoa’s Forests

May 30th, 2007

Samoa is made up of two main islands, Upolu and Savaii (you pronounce Savaii like you pronounce Hawaii). Upolu is where the capital is, and where most people live. It is about 70 kms from east to west, and about 30 kms wide. The islands have some rare wood pigeons and flying foxes, and plenty of species of native rainforest trees still growing up in the mountains. The pigeons act as the dispersal agents for the seeds of some of these rainforest trees, so if the pigeons go (and they are hunted for food), the trees will go. If the trees go the pigeons will lose their nesting places and food sources, so they will go.

Although this island has green everywhere you look, nature does have some troubles. The four pictures below (from Samoa: Mapping the Diversity, R. Gerard Ward and Paul Ashcroft, Suva: University of the South Pacific 1998) show how much forest has been chopped down in the last fifty or so years. The centre of both the islands is full of mountains, and it is for this reason that the forest remains in the centre of the islands. These uplands have a much higher rainfall, lower hours of sunshine and temperature, steeper slopes and poorer soils than the lowlands. So like many places in the world, nature hangs out and hangs on where the ground is too steep for humans to grow stuff on it.

dsc_0004.jpg

dsc_0007.jpg

The two pictures below are of the main island – home to the capital and where most Samoans live. Witness the even greater change between the fifties and the eighties on Upolu.

dsc_0005.jpg

dsc_0006.jpg

From the mid 1950s to the late 1980s the amount of forest on Samoa went from 74 per cent of its land area to 55 per cent. Before Europeans arrived here the population was stable and forest regeneration was allowed to happen as they moved their root crops from one area to another. Then along come the white folks…

The Germans and then the Kiwis encouraged the expansion of cash crop production: coconuts, cocoa and bananas. This combined with the clearing places on the edge of the forest to plant taro, and a rising population from the 1920s onwards, saw the forest retreat. New roads now aided the clearing of the land for agriculture. The high rate of clearing slumped a little when there was a collapse in the export trade of bananas in the 1960s. But then by the 1970s there were Samoans living in New Zealand and Samoa started exporting taro for their taste preferences overseas, and this continued the high rate of clearing. The introduction of the Taro Leaf Blight in 1993 destroyed this export trade, and some former taro growing land has regenerated.

Then there was the change in tenure practices. Land was traditionally controlled through the title of the matai (chief), but more and more people have tried to control land as individuals. The act of clearing a bit of land traditionally gave you ownership of it, so people have tried to clear land to get land for themselves.

So on Samoa in the late 1980s forest loss was 2 per cent per year – about the same rate as the loss of tropical rainforests worldwide. Unlike other parts of the world, only a small amount of this loss comes from logging for timber. There has been some, but by 1992 only 14 per cent of the primary forest on Savaii was suitable for logging, and there was none left on Upolu.

So you have to hand it to the champions of Western civilization. Sure there are some sealed roads on the island now, and some hydro-generated electricity, both good things. But the West can be proud at having brought Samoa export trades and a dash of selfish individualism which in combination have gradually skinned the lowlands of their nation. I was hoping to be able to walk around some flat, lowland rainforest with big old trees, but that isn’t too easy nowadays.

Robert Louis Stevenson and Austin’s Bedroom

May 30th, 2007

In case you don’t know him, Robert Louis Stevenson was a Scottish writer from the nineteenth century who wrote many poems, travel books and novels, including Treasure Island. He loved language, and his poetic turn of phrase is obvious even in his fiction. He also loved adventure, and this combination of a love of language and adventure made his books quite popular in their time. He travelled to beautiful places in France and America in a time when a British gentleman travelled in style, and there were some very stylish places to travel to. Travel was also a more serious undertaking in those days; as he writes on chartering a ship accross the Pacific: the vessel ‘ploughed her path of snow accross the empty deep, far from any hand of help’.

Stevenson was a small man with a big nose, and long dark hair. At the age of forty or so Stevenson moved with his wife and her children to Upolu, the main island of Samoa, just up the hill from where I’m writing now. He built a lovely white, wooden-boarded, two-story house next to a steep hill which overlooks Apia. He had health problems throughout his life, and he died in this house four years later. The house has in the last ten years or so been restored to more or less how it looked when the family lived in it over a hundred years ago. Walking through it you could imagine blinking and having Robert or Fanny stroll into the room to proffer a gin or a port, depending on the hour of the evening. I have to admit that I appreciated the light elegance of the stylish English nineteenth century after being in the chaotic downtown Apia just down the road.

In some parts of this island there really is a Treasure Island aesthetic. Look for yourself.

picture-017.jpg

On the south side of the island there are secret coves which could be approached over the fringing reef, beneath billowing cumulus clouds.

picture-014.jpg

Here I and a couple of friends found an ocean trench, a deep hole in the ground close to the shoreline into which the ocean ebbs and flows under the ground through caves and tunnels.

picture-015.jpg

This open roofed cave is like a ten metre deep and thirty metre wide natural bath tub, with a sandy bottom beneath a couple of metres of fresh sea water. After climbing down a ladder into the water, with a slightly cooler temperature, ferns hanging off the dark rock walls, one’s voice bouncing off the surfaces with an errie echo, and then having a couple of errant coconuts bobbing by in the lambent blue twilight, I truly felt like a character out of an R. L. Stevenson novel. This would have to be my best moment so far in Samoa, and it was a moment when I said to myself ‘no wonder Stevenson settled on this island for the last few years of his life.’

picture-005.jpg

This is the man’s study, on the second story of his house, surrounded by a spacious verandah over which refreshing sea breezes would flow to cool the brow of a toiling scribbler.

picture-009.jpg

Doesn’t Upolu’s southern coast just look like a scene out of a pirate-festooned book or film?

picture-006.jpg

This is the room of Austin, the son of Fanny, Stevenson’s wife. Stevenson’s fiction is adept at imaginatively performing the struggle for survival in the wilds of nature, and maybe in this way it speaks to that aspect of the young adventurer inside of many men. On the little mountain besides the house the man is buried and on his tomb reads the inscription: ‘Home is the sailor, home from the sea/ And the hunter home from the hill.’

Young boys have this spirit of adventure in nature – I know I did – and in this way I found Austin’s bedroom to be, ironically, the most R. L. Stevenson room of any room in the house.

Heaven and Hell in a Humid Nation

June 2nd, 2007

A few weeks ago before leaving Western Australia to start my journey eastwards I watched a film from the eighties called The Bounty, a reenactment of Captain William Bligh’s journey through the Pacific in the late eighteenth century. In one of the early scenes from the film, the well trimmed English vessel leaves the mouth of the Thames with its full compliment of square-rigged canvas sails billowing in a fresh breeze. The open, white sails signified ‘the journey out’ for me at this point in my life. After all I too was headed for the South Pacific. The crew of the ship mutiny upon arriving in the Cook Islands and being faced with the beauty of the place, the fecundity of the natural world and the swaying, gorgeous and semi-naked Polynesian women all around them.

Well, now I’m in the South Pacific, guess what? It isn’t all quite like that.

Now my opinion is that living in Samoa is a combination of the good, the bad and the ugly. I’ll start with the negatives: nobody is ever on time, shops provide, as the Lonely Planet accurately describes it, ‘a nutrition nightmare’, broadband internet isn’t available, potentially dengue fever carrying mosquitoes buzz around you (invading your space and making you feel ill at ease), the language has the abrasive abruptness of many Asian languages to my ears, the national sense of humour sometimes seems to me to have the simplicity I recall from some of the Japanese people I’ve known, and a coterie of frequently aggressive stray dogs wander the streets making every journey on foot potentially dangerous, especially after dark, nobody is on time, I don’t feel like getting any exercise because I’ll get a bit over-heated, and the culture is more religious than the bible belt of the USA. Now for the good stuff: the colours on this island are vivid, be they the greens of the plants, the blue of the sky and the white of the cumulus clouds, or they the red, yellow, or pink lava lavas of the women, and the aloha shirts of the men; nature is fecund; the air is gentle; the basalt rock creates really varied land; even in Apia the suburbs are a collection of brightly coloured houses, each situated on generously sized bits of land covered in the lush green leaves of mango, breadfruit, coconut, papaya trees, with hedges for fences; the water is always warm and full of coral and colourful fish; the people, with their broad faces, and big frames, are often very beautiful… In summary, this place is paradise, but it can also be considered purgatory from certain angles. I don’t want to mutiny and leave the boat.

picture-010.jpg

Where do people live in Samoa? Not on the colonial verandahs of Robert Louis Stevenson, that’s for sure.

picture-013.jpg

This is more like it. Fales traditionally had thatch, and many still do, although corrugated iron is more common. Cutting fresh coconut up and sitting, eating it, in a fale by the ocean seems to much of a tourism brochure cliche, but many rural people here would see such a lovely vantage point as normality.

I’m in the village (Apia has linked ‘villages’, not suburbs) of Vavasi Utu, staying with a couple of Australian Youth Ambassadors (people in their twenties or thirties I think, who come to the South Pacific or south-east Asia to work in voluntary positions for a small wage paid by the Australian government). Their house is provided for them, and nearly all the houses around here are surrounded by a good variety of tropical fruit trees.

picture-016.jpg

Driving around the island you keep seeing people, and not just the old folks and solitary sheet farmers travelling past at 110kms/hour in white utes, familiar from the Australian bush. No, young people, middle-aged people, people in the prime of their life. It is strange for a person from a country where ninety per cent of the population is urban to come to one where seventy per cent of the population is rural, but perhaps many third world countries around the equator are like this.

Paradise? Put down that tourist brochure and swat that mossie!

Life in the South Pacific

June 2nd, 2007

After having navigated some snaking roads frequented by pigs, dogs and chickens (yep, second-gear terrain), I’ve seen a few of the shapes and the colours of life in the South Pacific.

picture-007.jpg

This is how black basalt looks after it gets wet.

picture-012.jpg

In the centre of Upolu this fall falls a hundred metres, surrounded by the original forest of the island.

picture-018.jpg

Going to a beach around Samoa usually entails paying a couple of bucks to the locals. I have to say I’m not a big fan of the idea that a trip to the outdoors should cost money.

picture-011.jpg

A breadfruit trees leaves on the right (and is that a mango on the left?).

White Man Moving Through

June 5th, 2007

I’ve been on Manono for the last couple of days, an island off the western tip of Upolu. Manono has no roads and no dogs. I walked around the island on the one path that goes through banana plants and past coastal villages. Often little kids would see me coming down the path from the vantage point of their parent’s fale and start shouting out to their friends: ‘Palangi! Palangi! Palangi!’ Palangi means white man. I tried to imagine an African American walking down a street in Australia while my kids ran out onto the front porch crying ‘Black man! Black man! Black man!’ Couldn’t do it.

Anyway, here are some images to lodge in my memory…

may-001.jpg

The leaf of Samoa’s favourite fruit.

may-002.jpg

Looking up to my fale’s ceiling, beauty was in the eye of the beholder.

may-005.jpg

I talked to a bee keeper in Samoa and he told me that in the past the majority of flowering plants would bloom in September or two or three weeks on either side of then. Well for the past ten years or so he has noticed that the blooms can be two or three months on either side of September. He suspects global heating is the cause. Other impacts of climate change on Samoa include increased frequency and intensity of cyclones. The ocean in the tropics is like a pot on the stove full of hot water. Turn up the heat just a little and the activity at the surface can become pretty turbulent. When a cyclone does arrive this translates into onslaughts of wind and water that can knock everything on the island flat.

may-004.jpg

That’s the rim of former volcanoe on the left – Apolima.

Goodbye Samoa. After coming from the bare, tussock-covered hills of Central Otago in New Zealand, I’ve found my way to the azure waters and rioting rainforest of Samoa. Quite a transition. Tonight a red-eye special, and tomorrow evening the concrete towers of downtown San Francisco. This kind of fast forward travel is impressive visually, but it can’t be good for the planet.

Arriving in America

June 8th, 2007

I’ve been in the US for two days. I caught a cold on the plane thanks to a slump in my immunity because of sleep dep, but this morning I’m starting to feel better. This arrival in San Francisco has been bringing up some family related stuff which I won’t go into here, but I can say that I left this place over ten years ago and most of the major events of my adult life fit into the time space between leaving here and arriving back Tuesday night. Seeing downtown San Fran, and seeing Marin County (where I used to live) north of the city, is good after all these years.

Some first impressions of the US…

The cars really are big here – I thought they were big in Australia, but many people drive SUVs here which make Range Rovers look small. The money is paper and grey and green and looks like what you imagine ‘real’ money to look like. African American police officers rocket down the highway in Highway Patrol cars that look like they are out of the movies. Streets often are called ‘Fourth’ or ‘Van Ness’ or ‘Lombard’, without the ‘St.’ afterwards on the sign. The speed limit is 55 miles an hour on the highway and everybody sits at 70 because California voted to do away with speed cameras. Food is reasonably cheap. People pay tips.

After coming from Samoa there are a few things I’m really loving: I can drink water from the tap – what a luxury! There are no mosquitoes! The air is cool and not humid! There are no dogs barking at night or lurking on the street! Ahhh… I’m clearly not cut out for life outside the first world. It is so nice to have healthy, organic food easily available (the health food grocery shops in North California are the best I’ve found anywhere). And so nice to have a few books and paintings and fast internet around in the house where I’m staying. The summer is on here and it is somewhat disorientating and jarring to see young tomatoe plants in people’s gardens and dry grass on the Marin hills at this time of year (when Australia and New Zealand have been dipping into the colder months). Still, I’m adjusting. And even the summer here in this Mediterranean region is a cool relief after the constant warmth of the tropics. In the shadows or in the mornings and the evenings I need a jumper on, which I’m liking. I know much of the wealth of this country that I see around me is paid for by cheap oil and cheap Mexican labour, and I dislike the culture of consumerism here, but I’m happy to have arrived.

Marin County is the area north of the city, just over the Golden Gate Bridge. The few suburbs (towns), such as San Anselmo, Mill Valley, San Rafael and Novato, sit on the eastern side of an area of hills covered in a patchwork of dark leaved oak trees and dry, gold-coloured grass slopes. In many places you can look up from the shops or houses and see the hills – a nice compromise between the urban and the rural. It doesn’t look that opulent to me, but I hear that this is the second wealthiest county in the US. Despite this they all vote for the Democrats. From a British/Australian perspective the people are very American in an ‘irony-deficient’ kind of way, but at least Northern California has attracted a good number of non-conformists (like myself).

I walked through Fairfax yesterday. Comparing it with funky little towns in other parts of the Anglo-saxon, English-speaking realm such as Denmark in WA, Bellingen in NSW, Geraldine in south island New Zealand (well Geraldine isn’t funky)… I like Fairfax. It has the advantage over those other places that in one hour’s travel you can be in the downtown of a big city. Yet like those places it has beautiful nature not far from the high street. Of course the average price of a house here is a million American dollars, so that isn’t so attractive if you wanted to buy a house here I suppose.

Last night I went into City Lights Bookstore in San Fran’s Northbeach. I’ll put some photos up later, but I can say that I wish I always had access to this place! The best poetry section in the upstairs room of any bookshop I’ve been to. And some fast, pulsing jazz on the stereo downstairs.

San Francisco

June 9th, 2007

Here are a few images of the city, taken in a hurry and without any art.

goldengate.jpg

The good old Golden Gate Bridge. Still going after all those earthquakes.

sanf.jpg

Yep, the hills are as stupidly steep as ever, and the rows of white, wooden nineteenth century two story houses are still clinging to them.

transatlantic.jpg

The TransAmerica building still looks good as far as sky scrapers go.

explosive.jpg

Step inside City Lights Books Store, the literary capital of Northern California. This place is owned by Lawrence Ferlenghetti the great American poet, and since the fifties when this area was a Beat hang-out, it has been part of the city’s identity. And yes, I like the comment about ‘printer’s ink’ on the wall.

citylights.jpg

If you have time, read a couple of Lawrence’s poems on the following page.

In a minute I’m off to visit Muir Woods, a grove of giant redwood trees named after the great conservationist John Muir, and one of the few remaining pockets of redwoods in Marin Country. Hopefully I’ll also go up Mount Tamalpais, or Mt. Tam, the tallish hill that looks over Marin and often has its foothills clothed in the notorious San Franciscan fog. Tomorrow morning I’m off to Big Sur, three hours drive south along the coast, where I’ll briefly visit the retreat centre at one point frequented by Aldous Huxley, Esalen.

Mt. Tam

June 14th, 2007

tam.jpg

These next couple of posts are retrospective – I didn’t have time to go on the internet at the time. The photo above was taken from the top of Mount Tamalpais, or Mt. Tam, the biggest hill in Marin, north of San Fran. The Pacific Ocean is really cold in California – too cold to swim in – and the cold water combined with the hot air from the land combines to create regular fog. Here I’m looking west, over the fog.

redwood.jpg

Muir Woods is one of the last patches of old growth redwood near the city. Redwoods have seeds come out from beneath them when they are killed in a fire, and young redwoods, ‘daughter trees’, form in a circle around the old stump. In this way they grown in little circles here and there in the forest.

Esalen and Big Sur

June 14th, 2007

embrace.jpg

The embrace of sea, land and air.

Last weekend I went south along the Californian coast to Big Sur, an area of steep cliffs that drop into the sea, where giant kelp groves sway, feisty otters bob about, and the odd condor swings down out of the sky. Esalen is a retreat centre which offers week long courses in yoga, massage, meditation and the like. Aldous Huxley spent some time here many years ago. The place sits on the edge of the American continent, with steep hills behind it and the constant white crumbling waves sloshing over the rocks in the ocean in front. Hot springs come up through the rocks here, and Monterey cypress – that tree with the philosophical and wizened bend in its boughs – grow. I sat on a table outside of the dining area and watched the backs of the swells roll into the bay to my left. You can understand how this place is conducive to transformation of a kind, and why it would attract a utopian mind like Huxley’s.

garden.jpg

Most of the food served – I had the best carrot cake of my life here – is grown on site.

esalen.jpg

The lawn rolls to the edge of the cliff and then…

meditation.jpg

This is the meditation room. The thermal baths are pretty great for the spirt as well.

While I was in Big Sur I stayed with a family who live up a canyon called Palo Colorado (tall red colour in Spanish, reflecting the tall redwood trees which line the canyon’s floor). One evening we had buffalo for dinner. In the same way that eating kangaroo in Australia amounts to conservation through sustainable use, eating buffalo in the US is something which aids that species ultimate renewal. That night I slept in a large yurt amongst the live oaks of the hillside. Next to me sat the gaunt skull of a buffalo, complete with pointing horns. Buffalo’s famously are supposed to charge oncoming storms rather than run away from them. I could say that I awoke full of buffalo courage in my yurt on the hill, but that would be a lie. I didn’t. I did however find a drum lying in the yurt which turned out to have the skin of a buffalo on it. I hit it and put it up to my ear and easily imagined the hooves of the big bison thumping into the earth of the prairie.

The Home of Robinson Jeffers

June 14th, 2007

tor.jpg

Signpost‘ by Robinson Jeffers is a poem worth a look. Jeffers lived on the Californian coast south of San Francisco and wrote vitriolic verse in the 1920s to 194os. This is a picture of Tor House, the house he built in Carmel, a town I went through last Monday.

Jeffers attracts me for his sense of the greater glory of nature as something which gives needed magnitude and dignity to human experience. However most of the poems in the three very weighty volumes of The Collected Poetry of… (Stanford: Stanford University Press, 1989) betray or outright exhibit, an anger at all human society which becomes tiring and a cynicism for the human future which is somewhat depressing. For this reason I don’t return to his work with much enthusiasm – apart from his canonical poem ‘Hurt Hawks’, the poem most people vaguely familiar with his work know.  Thought I’d share the photo of Tor House though.

The Ugly Airport

June 14th, 2007

Ah travel! I’m currently sitting in a departure lounge of the airport at Washington D.C. Yesterday I made my way here after a stupidly early start (I accidentally set my alarm for 2.30am in the morning and couldn’t go back to sleep). The flights to Greenville – where I’m now going to attend the conference of the Association for the Study of Literature and Environment – were cancelled due to severe thunderstorms in the south. After going and prodding the staff of United I discovered this – they were not forthcoming. This was three hours after I was supposed to leave. Then another three and a half hours elapsed as I stood in the line for customer service. Upon getting to talk to somebody I was told that I was rebooked on a flight at noon today and that there were no hotel vouchers. After ringing all the hotels it appeared that the hotels of D.C. were fully booked. I’d now been awake for nearly 24 hours, and the prospect of a hard airport floor was not attracting me. This low point was starting to remind me of the other low points I’ve had on this trip – such as having a red eyed Kiwi sheep farming lad slam into the front of my compact rental car on a road in New Zealand, or getting a cold from sleep dep. Travel sometimes doesn’t seem worth it.

Luckily a distant contact who I managed to phone booked me into the local Hilton somehow and the airport agreed to pay some of the price. So I have actually managed to get a few hours sleep – ah the joys of a hotel bed for a weary wanderer! – and I’m off to the second day of the ASLE conference.

If I have yet to respond to your emails, that is because I’ve only had twenty minutes on the internet to post these few blogs. I’ll do so asap.

Expect more from the ASLE conference soon. I will get there!

ASLE Conference 2007: A Few Comments

June 15th, 2007

It is Thursday afternoon, and I’m sitting in the Roger Miliken Center, a meeting place for the conference goers. I’m feeling a little tired after an early start and loads of conference papers, and its nice to sit and not be spoken at for an hour or two.

So, I’m in the south. The southern drawl in some of the accents is charming and it is nice to have the regional identity of this place come through in people’s voices. I’m enjoying being amongst 500 people interested in literature and the environment, to have a little room to stay in of my own, good food available in the dining room, and a packed schedule of papers and plenary sessions to listen in on. One of the best thing about academic conferences is the sudden invigoration of being able to engage in high-octane intellectual conversations with lots of friendly people, all over the place.

A couple of months ago I said that I would create a podcast of some of the talks in this conference. However in the intervening time the conference organizers decided to do this themselves. Here it is.

This morning I listened to Astrid Bracke talk about environmental concerns in Graham Swift’s Waterland and Martin Amis’ London Fields. It seems Amis had been precient in writing a novel at the end of the eighties which pictured intimations of apocalypse in the violent and confused wheather on London streets at the turn of the millenium. I heard Andrew Hazucha talk about Jane Austen’s Emma as a character who tempers her class prejudices through the development of a landscape asthetic in the novel of the same name. Liam Campbell, from the University of Ulster (one of the very few people at this conference who isn’t North American), talked about ecological augury in the works of J. R. R. Tolkien, mentioning Treebeard’s anti-industrial critique – Saruman has a mind of metal and wheels – and the description of Mordor as mounds of rock standing ‘like an obscene graveyard in the endless rows, slowly revealed in the reluctant light.’ (Twin Towers HarperCollins 1993 p.617) He remarked that one might see humanity as the dark lord of the technosphere, owning one ring, the will to be master of all things. In the sense that elves were once in balance with nature, and that the orks come to be destructive of the natural world, Tolkien is reported as having written to a relative that we humans may in this way become elves in the future. Campbell mentioned a short story by Tolkien called ‘Leaf by Niggle’ in which the painter of a leaf ends up spontaneously drawing a whole tree and then can’t help but paint the whole landscape around the tree. In the same way Tolkien had written of the way in which the ecological concerns in his work were self-propelling energies.

I’ve met the editor of Orion magazine, as well of plenty of teachers and editors in the area of literature and the environment. Tomorrow I’m looking forward to a session on film and ecocriticism. More soon.

More Thoughts From ASLE 2007

June 16th, 2007

Until I arrived here to Wofford College a few days ago I was unfamiliar with the phenomenon of rich private colleges with small student numbers that are unique to the US. Walking around this campus is so relaxing. There are only around a thousand students here. The actual town of Spartanburg isn’t very charasmatic, but being here amongst the nineteenth-century red brick buildings and the massive oak trees in full leaf standing over their carpet of thick green grass… well it seems like these college environments constitute a pastoral idyll all of themselves, with gambling ecocritics on the sward. And I hate to sound like Prince Charles, but give me a moulded cornice any day over a sixties concrete bunker.

There are five hundred people here, but the Australian contingent is made up of only two people. Myself and the co-editor of The Littoral Zone: Australian Contexts and their Writers (CRANSTON, CA. and Robert ZELLER (Eds.) This book is in the same series as my own book on John Fowles, and is forthcoming. Conferences are always good places to learn of books to put on your ‘to read’ list, and I’ve added Terry Gifford’s Reconnecting with John Muir; Bill Mckibben’s Hope, Human and Wild: True Stories of Living Lightly on the Earth; and Coming Into Contact: Explorations in Ecocritical Theory and Practice (Ingram, et. al.) to my list. Hopefully I’ll be having a look around some of northern New England next week, and because of this I also want to read Bill Mckibben’s book about walking through this area: Wandering Home.

Last night I was out in a pavilion on campus where a bunch of the profs were playing guitar and singing and hanging out – I tried to picture this kind of scene going taking place at a British ASLE conference and couldn’t see it. The English would just be too self-conscious. While I was there I met a woman who will be talking about place-based blogs – like this one I suppose – tomorrow morning. In other conference news, I met a young guy here who has a tattoo on his arm of a maple leaf, as originally drawn by Henry David Thoreau.

After the talks tomorrow morning I’ll be heading off for the weekend to St. Helena Island, and the Penn Center, with around twenty other conference participants, to check out that heartland of Gullah (a kind of African-American slave) culture. Monday afternoon I fly to Montreal.

So long Wofford College…

wofford.jpg

A Short Journey in the Deep South

June 19th, 2007

Today is the close of my weekend-long trip with the ASLE conference participants to Helena Island, a large fragment of land just off the coast of South Carolina (south-east USA). I’ve enjoyed this trip to the south, but right now it will also be good to have a break from this country’s huge cars, huge portions of food, permissive gun laws, and America-centric view of the world.

porch.jpg

There were 18 of us on this field trip, mainly academics, and apart from two of us, all North American. Here a few of us sit on the front ‘porch’ of our story house on St. Helena island, watching the light fade in the ubiquitous Spanish moss hanging from the tree branches. That’s David Ingram in the foreground, Londoner and author of Green Screen, a volume of ecocritical film theory and criticism.

egret.jpg

One day we went on a tour of the sounds. This photo was taken as our boat slid along through the waterways of South Carolina’s low country, the area being so named because of its low lying, tide inundated topography. The grasses grow up to the edge of the forest, and then pines and cabbage palms rise up. The climate here is subtropical, and the air is almost as warm and humid as in the tropics. This area was once inhabited by native Americans who made thatch for their shelters from the wide leaves of the cabbage palm. The Spaniards arrived in the early 1600s, but didn’t stay. Pirates used these bays and estuaries as jumping off points to take Incan and Mayan gold-laden ships as they bobbed up the Gulf Stream later in the century. I can’t imagine English pirates careening their galleon on this shore, while armed native Americans flit through the foliage in the background. While we cruised by the marsh grasses and green woods, John Barth’s novel The Sot Weed Factor kept springing to mind. I know it is set further north, in Virginia, but here I was really experiencing the fertility of the eastern seaboard of North America as it appeared to the adventurous and sometimes murderous European flotsam that came here during the 1600 and 1700s.

My sparse knwledge of American history will have to be excused here… The English got over here. Later the revolutionary war ended with the US shaking off the old country. Then there were Africans brought over by rich whites from West Africa and used as slaves. At one point in the early 1800s there were 800 plantations around these immediate islands (6000 whites and 30 thousand black slaves). With such fertile soil and long hours of sunshine the cotton crops shot up and this in combination with the slave labour made the planters so rich that they could fill their estates full of lavish European silver and crystal and extensive libraries. Knowledge and repression side by side… how vile. Then the abolutionist movement arose and the south wanted to be a separate nation… thus the Civil War. We walked through Beaufort, the town which where the cradle of insurgency was located.

beaufort1.jpg

When the Union guys (the north) arrived in town in 1862, three days before all the wealthy planter families had high tailed it down the road in their carriages, leaving the Corinthian columns of their white boarded mansions to the company of the Gullah people, the cultural group of African Americans that had formed in this region.

Notice the big windows in this photo. Climate change is causing sea level rise in the lowcountry – dead cabbage palms could be seen on the shore as a result. Also more intense hurricanes are coming to these parts. And still the air conditioned retirees inside houses like this don’t open the floor to ceiling windows on their ‘porches’ to let in the breeze, as they were designed to do a couple of hundred years ago.
grave.jpg

We went to a church in which the gravestones had been dug up during the civil war and used as operating beds for soldiers (in the hospital temporarily located inside the church). I can’t think of a worse operating table, symbolically speaking. This gravestone has the cabbage palm on it, the state’s emblematic tree. It is a different species, but it looks like the cabbage palm found on Australia’s east coast.

spanishmoss.jpg

The Spanish moss on the branches of the Live Oak is my abiding memory of the south. I hope the Gullah people keep ownership of as much of this land as they can, farming it for vegetables as their forefathers have for the last few generations.

Montreal is a Green City

June 22nd, 2007

Ironically living in a city is good for the environment. Dense population clusters facilitate the widespread use of public transport and bikes, and mean water and other things don’t require as much energy to be moved about. But some cities are better than others. I arrived in Montreal on Tuesday, and I think this place is one of the better ones.

I really like this city. It has the brownstones familiar from New York’s Greenwich Village, with iron stairs leading up to the second story, and old trees in full green leaf along the street. Unlike Greenwich Village it is affordable to live here. Odd turrets and elaborate gables top the terrace houses here and there. Black iron fire escapes climb down into the back alleys, where squirrels dodge cats and people stroll. The books have the minimalistic jacket designs of the French publishing industry. People switch backwards and forwards between French and English, both with a slight American slant. The windows of the apartment I’m staying in have the old, white sliding bolt design used in old French apartments. The air is warm and lots of people are on the street.

chezmois.jpg

Bikes adorn the railings in front of nearly all the houses in this area, Mile End. Everywhere I go in Montreal the street is wide and full of cyclists. They have installed very wide, two-way cycle lanes – as big as another lane on the road – on a few one-way streets. I saw literally fleets of cyclists shooting down these lanes.

veges.jpg

Often people have vegetable gardens in their narrow front yards. There is a funky, community orientated feeling, familiar to me from Brunswick St. in Melbourne.

iron.jpg

I’m happy to be here. In some ways this city is the place I can most imagine myself living out of all the places I’ve been so far on this trip. That said, I’m looking at the place in late June when all the windows and doors – like our back door in the above photo – are open and heat is in the streets. In January minus ten celcius is merely average and more snow falls than in a Moscow winter. I don’t know how I’d cope with that. But right now I really like this place. It has a cool, urban feeling, and doesn’t have the cultural arrogance to think it is the centre of the world (I think us Australians and Canadians share this sense of cultural humility).

me.jpg

Sitting on the Metro, reading the program of the soon to come Montreal Jazz Festival. As part of the festival I’m going to see the Cinematic Orchestra on 5 July. If you don’t know them, have a listen. They are sounding quiet and romantic on their latest album Ma Fleur.

Tribute to George Seddon, Writer on Australian Nature

June 23rd, 2007

A few weeks ago I recorded and podcasted a chat I had with George Seddon on my back verandah in Fremantle, Western Australia. He lived six or seven houses away from me, in another old, limestone house in central Freo. Now and again he’d come over for a cup of tea, and a talk about our mutually shared bioregion, and matters to do with culture and the environment. More than any other person in Fremantle, perhaps even more than any other person in the whole of the country, George was a wealth of knowledge when it came to the geological and biological identity of south-western Australia, and Australia more broadly. He loved to talk, and had a cultured accent, and a measured, yet good humoured approach to conversation. He’d written a large number of books and articles, something he didn’t mind letting people know about.

A couple of days later I bumped into George on the street walking up the street next to the playing field around the corner from our houses (below John Curtin high school). George always seemed a bit frail and preoccupied. We exchanged a few words, and said goodbye – he touched me on the shoulder in a rare show of physical affection. Three or four days later George died.

There were things that irritated me about George. Mainly his seeming lack of interest in the doings of others – most of his conversation was about himself, and his lack of humility when it came to talking about his own academic achievments – he was always telling me about various articles and books he’d published. We had different interests as well: he was much more interested in the scientific details of the natural world than I am, and had less of a clear interest in fighting environmental destruction. However, despite this I feel sad that I will never be able to walk around the corner and talk to George again. The finality of death has served to emphasise all that I did admire about the man and his intelligence. Through his books he more than anybody else has taught me about my home place, the soils and plants of the Swan Plain around Perth. Being 80 years old he was a bridge for me with the past. I feel like I’ve thought, read and lived a fair amount, but when George was my age it was the late 1950s! He carried a lived knowledge of a lot of the twentieth century to our conversations in 2007.

Back to the U.S.A.

June 25th, 2007

Today I’m heading down over the Canadian border into the US, to New York State and Vermont, for a few days camping with a friend. All going well we will get down as far as Concord and pay our respects at Walden Pond, the location of Henry David Thoreau’s famous book.

I’m hoping that while camping beside a lake in the Adirondacks or in the farming country of Vermont I’ll hear the low, baleful call of a loon (a kind of bird) as did Thoreau over a hundred and fifty hears ago. Check this space in a week from now and you’ll find out about my trip.

The Adirondacks to Vermont

June 28th, 2007

I don’t have time to write this blog right now, but I’ll expand on the comments below when I get back to Montreal on Friday or Saturday.

I’ve just come down from Montreal, through the Adirondacks briefly, and into Vermont, the most rural state in the US. This place is pretty harsh in winter, but at the moment I have to say this is one of the most beautiful places I’ve ever been. I’m not going to make it to Walden Pond after all – too far – but this evening I’m heading to another pond in the wilderness – where loons are to be found. Finding one’s own ‘Walden Pond’ is much more in the spirit of the man anyway. And I’m in the right place to do so.

adirondacks.jpg

Standing on Mt. Joe in the north-east of the Adirondacks. The spruce, and white pine and hemlock blend with the birch trees, and carpet the mountains every which way you look.

bridge.jpg

One evening in southern Vermont I saw a fly fisherman cast his silvery line beneath one of Vermont’s famous covered bridges.

foret.jpg

American beech… more soon.

Right Inhabitation in Vermont

July 1st, 2007

‘I hate a man who skins the land.’

Franklin D. Roosevelt said that, many years ago. This last week I was camping at Townshend State Park in southern Vermont and I noticed this lovely old stone retaining wall.

ccc.jpg

I asked the ranger about it, and he told me it had been built in the 1930s by members of the Civilian Conservation Corps, a government program for unemployed young men during the depression. I remembered learning in my high school history classes about this initiative of FDR, and the way in which the CCC had built many state park facilities, as well as planting lots of forests around the country. FDR was a great president, the greatest conservationist president ever. ‘I hate a man who skins the land.’ When he found out that he was the next president of the USA he had just been called down from a hike up a mountain in the Adirondacks. The mud from the mountain trail was still clinging to his boots when he was given the news. It was good to see this small but pleasing legacy of the Civilian Conservation Corps in Townshend State Park.

I grew more and more tired of seeing American flags draped off the front of people’s homes as we wound through the wooded valleys of Vermont. They’re everywhere to the extent that not flying one would look like an act of rebellion. But on a more positive note, I can report that the number and quality of state parks – places which have a camping ground and an area of protected land – in New England is very impressive. This system of protected areas and camping grounds must be the best in the world, or one of the best.

I loved the first night of the trip in Meadowland state park, near Lake Placid. The gentle floor of fallen pine needles, the deep green maze of maple and coniferous forest stretching out a few metres from the tent. The grey clouds floating slowly over the mountains and the valleys, valleys on the other sides of the mountains around us that you just knew were devoid of humanity, and only busy with the activities of other life forms. The tiny, striped chipmunks chattering and chirping and running up to our ankles. As I lay in my sleeping bag that night I thought of the tall, wooded Adirondacks leaning in above me, all around me, and I felt safe and contented.

Coming down out of the Adirondacks into the Champlain Valley and north-eastern Vermont was a clear transition between bioregions. From the tall hills (mountains, but without the craggy majestic peaks you might hitch to that word), down to the lake and then the horizon opens on the other side into open, very green and very pastoral space. The air was hot. Haze hung over the hills. We went to the south of Vermont where we were back in wooded valleys, but this time without the strongly coniferous and mountainous feeling of the Adirondacks – this was the Green Mountains. This place is very beautiful. There is seemingly endless woods, with a white, wooden boarded nineteenth century house here and there along the road. We swam in a river and the water flowed over the skin with a cool, refreshing feeling. The architecture is like the Etruscans of ancient Italy, it is lovely, but won’t last for hundreds of years like stone architecture – and that transience adds to its charm.

barn.jpg

I read Wondering Home, Bill Mckibben’s book about walking through this area. He lives in Vermont and loves the place. As he walks he visits little organic farmers, sustainable forestry projects, and maple syrup farms, suggesting that this is one of the best places in the world where restrained and humane inhabitation on the land is concerned. I have to say I didn’t see that on my journey through the state, but then I was there only briefly and didn’t investigate deeply. It kind of makes sense though, considering that, along with northern California, Vermont was one of the key places where the American hippy back-to-the-land types of the 1960s and 1970s moved out from the cities to settle in. In Vermont you’re in a rural arcadia of sorts and it is hard to imagine that only three hours or so by car away is downtown New York.

field.jpg

Solitude on a Waldenesque Pond

July 1st, 2007

walden.jpg

That’s quite like what Thoreau would have seen as he walked down to the edge of Walden Pond.

It was going to take too long to get to Walden Pond, so here we were, camping among the trees five metres or so from the edge of a pond I imagine is just like Thoreau’s home. In fact this may be more in the spirit of ‘going to Walden’, than actually going to Concord woods, as here in the central eastern side of Vermont I’m in a much more remote valley than the ‘wilderness’ Henry sat himself down in in the 1850s. Sitting reading a book I looked up at one point one morning and suddenly felt how calmly beneficent the combination of plants and water and warmth is here. All of a sudden I really understood that passage in Walden where he writes of recovering from a bout of loneliness and about feeling that he was surrounded with life forms that provided relief amid the solitude. I think the reason Thoreau wrote that was partly the unmistakably benign nature of the plants and animals in this bioregion of north-east America in this summer season. A wooded, wild lake edge in New England in June has soft bird calls, or beautiful loons singing. It has little flowers and deep green grass. Birch, alder, maple, oak, beech. Green leaves that are broad, and most of all, rich in chlorophyll. The leaves are as green as green can be.

beech.jpg

(The American beech, Fagus Grandiflolia, which is different to the European beech and very different to the southern beech of Australia and New Zealand, Nothofagus.)

friends.jpg

No wonder Thoreau felt at home deeply and given good company by nature – he was in a place like this. You can learn to love more arid places on the earth – look at Edward Abbey’s love for the American desert in Desert Solitaire, or my own love of the south-west of Australia. But it is hard to find a more obviously benign environment for humans to live in as this Walden-esque, New England lake edge in June.


maple1.jpg

Maple leaves. I just had some of the sap from this kind of tree on my morning muesli, and it was delicious.

Tribute to a Long Lived Bowhead

July 2nd, 2007

Around six weeks ago a Bowhead whale was caught off the coast of Alaska. Inside was found the remains of a lance bomb, an explosive harpoon head. Knowledge of this weapon shows that the whale had last been attacked around 1890. Using knowledge of the rate of decay of the lens inside the eye of the whale, as well as the age of the lance bomb, the whale was estimated to be around 120 years old. Some Bowhead whales are thought to live as long as two hundred years, so this whale could have lived decades longer. When I heard this bit of news yesterday my imagination was fired.

Tribute to a Long Lived Bowhead

Singing through deep, icy blue space, while the author of Moby Dick lay on his death-bed.

Engulfing a great cloud of krill, while Australia became a nation.

Crashing down out of the sky in sport, while the Depression washed over the Western nations.

Drifting slowly past an Artic ice pack, while jazz was invented.

Taking a leisurely draft of oxygen through the blowhole, while Britain introduced rationing.

Finding a baleen lover, while my grandparents had their first and only child together.

Growing old and wise, long before my own conception as a human being was credible.

Watching the Bowheads become strong again in numbers, after the IWC banned commercial whaling in 1982.

Diving deep into the blackness, while humanity decided to use the atmosphere as a sewer, and digital technology went online.

Finally, in 2007, facing a human with a harpoon again.

Facing blood and extinction a second time.

Death.

Know that even now, drifting in sequestered blue, the brothers and sisters of this fifty ton being are going to see more suns set than you.

Know that all the details you call modern, all the details of our ‘twentieth century’, are rounded by the life of one Bowhead whale.

I’ve read the news and I feel a fresh breeze in my room.

Goodbye Montreal

July 7th, 2007

I’ve now left Montreal, and I feel a bit sad about it. So, in retrospect, I’m going to go on a little bike ride, camera in hand, through the city.

First some info. It is the second biggest French speaking city in the world after Paris – 3.6 million people. But the city is bilingual – you can speak French of course, but when you get tired or are unable to express a fine philosophical point, you could lapse into English and be understood pretty well. How nice for an English speaker like myself! The city is far inland, but has a big, wide river running past it – the St. Lawrence river – and has a large, wooded hill in its centre – Mt. Royal. I’d miss the ocean if I lived here. But then you do have the arcadia of the Adirondacks/the Champlain valley just south of here into the US, an hour and a half hours in a car away.

When you go up Mt. Royal and look down you can see downtown…

downtown.jpg

But if you go north-east from downtown the Plateau and Mile End the area becomes more residential, but in a cafe frequented, community fostering, urban kind of way. Old three up brick apartment buildings line the streets.

home.jpg

Here I begin my ride at the bottom of the stairs from the apartment I was staying in…

mileend.jpg

The trees in this area are one of the things I like about it…

viateur1.jpg

Going down St. Viateur, past bagel bakeries and organic supermarket, people are all over the place, in cafes and on the pavement. The density of living spaces means more people about, and fewer cars in action. Even without the environmental virtues of this scenario, this kind of urban environment – lightened by the street trees – appeals to me over the semi-isolation of living in the well-spaced Australian suburbs. Even more, you don’t feel cramped here on the wide streets of this new world city as you might in the similarly busy streets many old European capitals.

viateur.jpg

When you have a bike in a new city somehow you feel less of a tourist, and more a part of the place – even if you’re riding a vintage road bike like this creaking contraption.

jazz.jpg

The Montreal Jazz Festival brings out everybody, young and old.

saskatoon.jpg

Saskatoon berries, a native food formerly eaten by the American Indians. One night I and a couple of friends picked them off somebody’s front garden tree and brought them back to the apartment for desert. Food is generally very cheap in Montreal, a meal out often costing say eleven dollars (Canadian and Australian dollars are about the same). Rent is also cheap – you could live in this area and share an apartment with one or two other people and pay $100 a week, or a little more.

So I really like Montreal. I’m just not sure about the winters. I’m not sure I could handle being inside for so many months of the year… But as a new worlder from one of the non-superpower nations I relate well to the unspoken sense here that we are not the centre of the world, and we are not stuck in our cultural ways. One of the differences I like compared to Australia is that the culture here is probably more open to the arts and ideas in some ways than the still slightly anti-intellectual legacy evident in Oz (I may be wrong on this point – let me know if you disagree).

I hope I’m back in this part of the world soon!

Hallo Oxford

July 8th, 2007

Well I’m in England. Oxford is a little over an hour on the bus from Heathrow, and as I rolled along the highway the land I saw on either side seemed so domesticated after the woods of New York and New England. I felt a sense of dissatisfaction with the natural world here, as though the density of people in southern England had robbed it of its glory.

But I’m in Oxford, and there are other things to appreciate apart from nature. Here is what you’ll see when you look through the main gate of many of the ancient Oxford colleges: the ‘quad’. The noise of the high street dims and the calm of the scholar’s sanctuary takes over.

quad.jpg

This afternoon I had an interesting meeting. I was wondering around Oxford by myself. Walking past New College I poked my head through the main gate, and noticed a ‘no visitors’ sign. Ignoring this with casual trepidation, I walked onwards into the college grounds. Rounding a building I came on a lawn, with some pretty flower beds on one side. A few students were hanging out on the lawn and one of them asked me if I was a photographer. We got to talking and they offered me a glass of sparkling wine.

students.jpg

Tim, on the left, and John, on the right, are English, while Daniel, in the centre is American. We had a jovial argument about the advantages of American and Australian accentless meritocracy over the system of inherited prestige in some parts of Britain, along with plenty of other stuff, and they invited me over to Keeble College later that evening to continue the talking and drinking (Oxford University is a collection of colleges where students live and study).

commonroom.jpg

Here is John in his common room, playing the gentleman at ease.

keeble.jpg

We went up on the roof of one of the buildings to hang out, and the Victorian brickwork of Keeble glowed quietly beneath us.

There will be more about arriving in England tomorrow.

Post-script…

Ok, I’ll admit that the evening was a bit more eventful than that. There were a bunch of us at Keeble that night getting a bit drunk. About three in the morning or so somebody had the idea of running around the main quod of Keeble college stark naked. Everybody did it. Yep, everybody.

Picturing the Modern Era in Britain

July 9th, 2007

Oxford is a city of 136 thousand people, about 60 miles from London. This place is an old don in a modern scene. Today I stood in the middle of the High, and looked towards Queens College. What would I have see if I had stood here in the 1920s, I wondered?

high1.jpg

Well, let’s see…

high0.jpg

Wow, all of a sudden I’m not swirling in a turbulent sea of 14 year old French and Spanish school kids, and there are dapper gents in well creased slacks enjoying the spaciousness of their street corner!

In the last thousand years only two new roads have been built in Oxford. The High Street of Oxford was not designed for enormous metal vehicles. I am an advocate for the environmental benefits of public transport, but if you stand in the middle of this road – Oxford’s High Street – today you’ll have such things obscure your view and brush past your coat tails. Streets in Canada, the US and Australia and the rest of the New World, were built more recently. Medieval road design does not figure in our daily experience, and there is a lot more space on our pavements as a result.

So here is what you’ll see today standing in the middle of the road:

high2.jpg

Now let’s go up the road a bit, past that spire you can see in the picture above, to Queen St. And let’s wind back the clock to 1907. What shall we see?

queens0.jpg

What do I see today?

queens1.jpg

Hmm… Blank concrete, nylon sportsware and multinational temples of commerce. Get me out of here!

Let’s go over to Broad Street to get away from all the people. And let’s go back even further in history this time, to 1875.

broad0.jpg

Sure there would have been plenty more carts here on market day, but for now peace reigns.

Ok, back to the future.

broad1.jpg

Britain, and the world as a whole, has changed a lot in the last hundred years. One of those changes has been an increase in noise and ugliness on the High streets of the Commonwealth.

In response I suggest we all recite the Chap Manifesto. Could classic style be an act of revolution on the streets of 2007?

An Obscured View From an Ivory Tower

July 9th, 2007

Today I saw this gargolye at New College, Oxford. Its veiled features got me thinking about the way in which universities are not always awake and alert to the reality of an era of environmental crisis.

academia.jpg

During the Second World War our governments put much of the professorial brain power within the universities to work on research that was relevant to the war effort. This redirection in the core mission of the university was temporary, and after the war things returned to normal. In 2007 we are faced with a window of ten or so years within which to restrain our carbon economy, or face the deaths of hundreds of millions of people and the permanent extinction of around half the species of life on planet earth. I would suggest that such a situation would be well termed a crisis. I would suggest that such a situation asks for, among other things, the channeling of the intellectual efforts of our university research sector into dealing with this threat. It is true that research into ‘sustainability’ issues is a major research priority in many countries, particularly Britain thanks to the Labour government. However, has the academic world as a whole truly woken up to the magnitude of the climate crisis? Are universities being put on a ‘war-time’ footing? No. Look upwards. The man on the tower still hides his eyes behind his hands.

gated.jpg

Do universities communicate with the public? Do they try to pass the fruits of their research into the public sphere?

The gold of these gates shines in the sun. The gates are firmly closed. Oxford’s wealthy coffers and tenured scholars are back there somewhere.

gardens.jpg

The gardens of New College are full of flowers at the moment. I do think that universities should centred around beautiful green spaces, as many of them are. Being in such environments is relaxing, and a state of biophilia-induced calm is a good base from which to engage in clear, concentrated mental activity. Mathew Arnold’s ‘Scholar Gypsy’, an Oxford man I believe, is an appropriate pastoral for the practicing prof to emulate.

inside.jpg

But how far away from the real world, how deeply inside the academic sanctuary, can academics afford to rest?

London

July 11th, 2007

I don’t have time to write now, so just a few words.

My friend Danny’s Bethnelgreen Rd. apartment. Outside London is raining, despite it being summer time. London really doesn’t excite me. Grey skies, expensive public transport, bored faces and slumped shoulders in the hot and over-crowded tube, Indians selling tacky merchandise on the pavement of Bethnelgreen Rd., uninspiring and shoddy architectural styles lining the streets… I’m glad I don’t pay the $250 Australian a week for a room in an apartment here. London is not on the list of charismatic places I’ve been on this trip around the world. Why do Australians flock here?

london.jpg

Now the good things about this city I’ve seen. This is the front door of Maggs Rare Books, a very fine bookshop. I love good front doors.

door.jpg

This is my friend Danny browsing in a photography bookshop in Bloomsbury.

shop.jpg

And here are some of the old books at Maggs. Time travellers, full of learning.

books.jpg

Right now I’m off to Lyme Regis in the south-west.

The Memory of John Fowles

July 16th, 2007

John Fowles died 5 November 2005, a bit over a year and a half ago.  John had lived here, at Belmont House in the small coastal town of Lyme Regis on the south-west coast of England, for around four decades.  He would have seen the light on those cliffs in the distance on many evenings as he sat in his upstairs study and wrote.

belmont.jpg

Last Wednesday afternoon I arrived in Lyme, the first time I’d been there since John’s death.  I was visiting Sarah Fowles.  As we walked down the hill to look at the recently built ‘John Fowles Path’, a memorial to John’s life here, the high and fading sound of English sea gulls and the gentle wash of the sea below came freshly to my ears.

wall.jpg

I have spent a lot of time over the last few years studying John’s writings, and reading his personal journals.  Many of John’s ideas about nature and his attitudes towards the natural world have had a considerable influence on me.  Seeing Sarah again and returning to John’s home was an important experience.

john2.jpg

John studied French at New College, Oxford, during the late 1940s.  Charles Drazin, editor of John’s journals, wrote an obituary in the New College journal, seen above, for the man.  Yes, that also happens to be the Oxford college I ended up in last weekend.  A friend of mine is taking up a job teaching French at this same college next year.  The lightning bolt of hazard strikes twice in a row.

belmonty.jpg

This is the front of Belmont House in Lyme Regis.  It has been given to the Landmark Trust and it was strange to see the pink dolphins frozen in stone and the light pink facade, and know that John and Sarah no longer reside within.

ceres.jpg

I walked around the back of the house the next morning.  The three acre garden is still there, with the area of lawn at the top.  And then I saw what you see above:  yellow flowers growing over the stone sculpture of Ceres, the Roman goddess of growing plants.  The profusion of yellow blooms touched me, it was as though life continued over the still figure of John’s stone goddess in a vidication of his faith in nature.  The man is gone, but the beauty of nature, embodied by the plants that John loved, return anew this year, immortal in the present.

The Undercliff and Remembering the Path

July 16th, 2007

On Thursday I walked in the Undercliff, the area of wilderness and unstable geology which stretches six or so miles westwards from Lyme.

path.jpg

As I walked I remembered walking here for the first time in 2002, soon after I had walked over the ridges and beaches of Reunion Island.  Walking through the English wood I remembered feeling that John’s love of nature was my love of nature, and that that love and that relationship would be, as it had been for him, a deep lifeline.

undercliff.jpg

Totnes

July 16th, 2007

On Thursday afternoon I was on board a train, heading for the small English town of Totnes, south of Exeter, in Devon.  Ah train travel… if only I could ride more trains.  I think it is the best form of long distance transport.  Space, quiet, the English countryside domed by a blue sky full of fluffy white clouds outside the window, and the feeling that you are happily en route.

train.jpg

Totnes is a small town of eight thousand people, and is reputedly the classic English hippy country town.  Like many old country towns in Britain, the streets are just wide enough for a horse and cart, and in 2007 when they are full of cars, you feel a bit hemmed in.  Totnes is trying to powerdown, to ween itself of oil.  But bikes are dangerous on the very narrow country lanes that wind between the hedges – I and my friend Cliona hitched a ride back to her place outside the town, and as we rode along I saw a cyclist almost fall into the hedge, trying to ride so close to the edge of the road to avoid our car coming up from behind .

The Totnes Pound: a good idea.  You can buy one of these things for 95 pence, and use it to buy stuff in many of the shops in Totnes.  The great thing about local currencies like this one is that the money of the people of Totnes will stay in Totnes, instead of heading off to London or Paris or Sydney or wherever.  If the money stays in Totnes then the local community benefits.  There are over a couple of thousand local currencies now in existence around the world.  I hope there are more and more.

pounding.jpg

London Colour?

July 17th, 2007

I spied a London mood…

lond.jpg

Europe is the most densely populated continent. Only 1/100 of Britain has its original forest cover. London air pollution can be seen on the black grime on the buildings of the capital. These are the stones of the Fitzroy Hotel.  Imagine what your lungs would look like after fifty years of living in this city.

black.jpg

Martin Amis was right in London Fields to portray this city as a grey and gritty. But enough criticism. I’m staying on Bethnel Green Road with my friend Danny and this part of East London is pretty close to being on the Indian subcontinent. It is a mark of the multiculturalism of this city that I thought I was engaged in very London experiences when I relaxed in the apartment yesterday listening to a Ravi Shankar record, and when I then strolled down the street past the West Indian guys listening to reggae circa 1974 on my headphones.

They have damn good hats in this town. I bought a straw hat with a green top in Brick Lane market today from a stylish black guy.  You can see some of Alva’s other hat work on his site. Below is Brick Lane market. The fashion here is far more quirky than any  other European cities can manage.

bricklane.jpg

They also have great bookshops in this city. Foyles on Charing Cross Rd., the road most famous for its bookshops, is excellent. As is the London Review Bookshop in Bloomsbury (that is the British Museum you see in the background on the left).

bookshop.jpg

Browsing in these bookshops on the weekend I discovered a few titles I plan to get hold of and leaf through. They are:

The World Without Us by Alan Weisman; The Earth Only Endures by Jules Pretty; and the apparently quite gimacky but actually very intriguing Extreme Nature by Mark Carwardine.

One book I did buy was Wildwood by Roger Deakin.  The author of Waterlogged, a book about one man’s attempt to swim his way across Britain, died last year.  This book details his travels through trees around the world.  I happen to think the jacket design is superb.

book.jpg

I said that the British Museum was in the background of a previous photo. Walking around the Japan section of the place I discovered an ancient bell. Apparently bells such as this one have been found buried on the edge of agricultural land, suggesting that they were involved with some kind of fertility ritual. In Zen Buddhism the bell is used as symbol of enlightenment, a moment of clarity or satori. If you can, get your hands on an album simply called ‘Japanese Temple Bells. It is a recording of different bells, many from the 7th century, and is well worth hearing.

bell.jpg

Tomorrow I’m leaving London for Geneva. This weekend I’ll either be in the Alps of Switzerland or the Black Forest of Germany.

Switzerland

July 22nd, 2007

I arrived in this country last Wednesday evening.  The approach from England and from the west emphasised the space and rolling patchwork of forests around here.  26% of this country is forested, a big contrast after England, and it really showed as I looked down out of my plane window.  People and their settlements were being almost shrugged off by the massive geology, the ridges and the hills, and large areas of trees stood all around.  Ah, what a relief.

As soon as I arrived at the airport I could see that this was a rich country.  One thinks that once one is in the first world that is it, first world means first world.  But no, think again.  This place is even richer than England.  The public transport is excellent.  The dirt of Bethnel Green Road seems a distant memory.  The country has very little crime and almost zero unemployment.  They have hydro and nuclear energy which means their electricity produces no CO2 pollution, and recycling is very, very advanced here.   They also have direct democracy, and referenda are held a few times each year on different topics.   Good place eh?  On Thursday I was swimming with my friend Ben in Lake Geneva in warm water, with the French-looking hotel fronts of the six story stone buildings that surround the lake edge in the background.  I thought it was a pretty nice place.

But what of the opaque banking system here?  In this country a corrupt, third world dictator or mafioso crime boss from eastern Europe, can have an account with a number on.   Some of the wealth in this very wealthy place comes from rich banks who operate in shonky ways.  And did I mention the price of a sandwhich?!  Think $10 Australian.  I honestly don’t know how tourists manage to come here without leaving all their savings in the hands of the Swiss.Today I walked in the centre of the country, in Grindelwald.  Walking up the Alps I heard a strange disembodied tinkling sound, as though metallic wind chimes were ringing out there in the grey space before me. What could it be I thought? On the other side of the steep ravine was another slope, and so it wasn’t coming from mid air at two thousand metres, this much I knew. From the preternatural to the prosaic, in a few steps, bovine reality loomed out of the mist.

disembodied.jpg

The mist wraps the mountains like swaddling. The cauldron is a space of obscurity…

cauldron.jpg

The Eiger, a well known mountain, has a glacier on one of its sides.

eiger.jpg

Last night I dreamt of a valley whose sides only could be seen. In the morning I saw one such outline.

mists.jpg

As beautiful as the Alps can be, I do realise now why Australians flock to London, despite its flawed nature. It is the shared cultural background of the place for English speakers of the Commonwealth. We are able to speak a common language, allowing utter transparency of communication. And we know much of English literature, with its consequent common points of reference. Going through German speaking Switzerland I sometimes remembered walking through London with my friend Danny…

londre.jpg

Despite Switzerland being a good society, I don’t want to live here. But what of Geneva, a city where 45% of people are from elsewhere and where English is heard on the streets often? More in my next blog entry.

Geneva and the United Nations

July 25th, 2007

This is the view I see looking out of my friend Ben’s apartment window. That area of buildings in the back is Old Geneva. The other day I was sitting in the park around the corner and I kept hearing people speaking different languages, often English. This city may only have the population as Hobart, Tasmania (around 200 thousand), but it is much more cosmopolitan, and feels much larger because of the more densely spaced living quarters.

geneve.jpg

Today I walked, through extensive security checks, into the Palais des Nations, a central building of the United Nations here in Geneva. The big HQ of the UN is in New York City, but the second largest centre for the UN is here in Geneva.

un.jpg

The 192 states which have membership in the UN each get a vote in the General Assembly, the most important forum in the UN (this bit is actually in New York). But it doesn’t sound very democratic to me. I was in Samoa a while ago and there are only about 200 thousand of them. Why should they get the same vote as China with over a billion people? As our tour guide continued to talk about the comprehensive membership coverage in the UN I found myself wondering if Tibet or West Papua are two of the 192 nations that get a voice in this international talk shop. Get real Tom: of course they don’t.

un1.jpg

The view from the softly padded diplomat’s chair… I have to admit that the idea of day long sittings in such places, arguing fine points of language in shared declarations, would send this citoyen running screaming into Lac Leman. But they do good stuff. To use an example you might not expect, a committee of the UNESCO World Heritage program is currently looking into the evils of logging practices on the edge of a world heritage area in south-west Tasmania. I hope they shame Australia on the international stage on that point.

In a week or so I’ll be in France, and not too long after that, back in Western Australia.

The White Swan and the Sleeping Sword

July 28th, 2007

swaning.jpg

A snow white swan cruises the fast flowing river that courses through the centre of Geneva. I’m used to seeing black swans in Australia, so the snowy feathers are a novelty for this rambling tourist at least.

Walking home you cross the river and look down at veins and eddies of silver and black. You are reminded in a salutory manner that this river has run through here for much longer than this quite old city has stood.

warrior.jpg

The sleeping sword in the hand of a forefather of the city…

One thing I didn’t mention in my previous remarks on Switzerland is that they are gun mad. Well not quite, but let us just say that every adult male has a machine gun locked in a box in his cellar. They don’t have a professional army, and the Swiss are all prepared for immediate mobilization in case of an invasion. The problem is guys, nobody is coming. Italy is in a cafe drinking a latte! France has a croissant to deal with!

(Need I add that easy access to fire arms is bad news when it comes to the issue of suicide.)

geneve1.jpg

In summer in Geneva you can get a bike for four hours for free. I left my $20 deposit and rolled out along the lake. Why doesn’t every city have this kind of scheme?

By the way, that is the famous ‘jet d’eau’ of Geneva in the background of the previous photo, the tallest fountain in the world at 140 metres.

evening.jpg

The sight of a summer evening in mid-flow. May there be many more for all of us.

Tomorrow morning I’m off to Paris, then Tuesday I’m going to Stockholm.

Paris: Take One

August 1st, 2007

I’ve been in Paris for a few days. Yesterday I arrived in Stockholm, but before I write about Sweden I want to reflect on my recent time in France.

Paris, as everybody has probably told you, is a beautiful city. I spent a few months there six years ago, I’ve had a few Parisian friends, and I can speak a bit of French, so I know the place more than some tourists. One of my first impressions of Paris this time around was that the city doesn’t have enough trees. Compared to the streets of where I was in Montreal, it feels all stone, and it is very densely populated. So being in the centre, where the traditional conception of ‘belle Paris’ emerges from, made me feel like I was far from the natural world I love so much. It is interesting to find myself critical in this respect of this city. So many, including myself, have so much praise for Paris. But despite the beautiful old architecture, I wouldn’t want to live there permanently, deep in the middle of the work of humanity. I would crave more space. I would miss untamed ecosystems.

gargoyle.jpg

Now after my brief bit of complaining, I will say that I do like walking around certain areas, like St. Germain des Pres. For those who don’t know, central Paris is about two million people living inside a ring road amongst five or six story eighteenth and nineteenth century apartment buildings. St. Germain is close to Notre Dame and the Seine. I like to be close to the Seine, as being by a river reminds me of the natural world a bit. I know that the days of Hemingway and Sartre and Camus are gone when it comes to this quarter, but I still like its art galleries and narrow streets and stylish cafes.

backstreet.jpg

I looked into the shop window in St. Germain and saw reflected the classic Parisian activity: sitting in a cafe.

stgermain.jpg

There is a bookshop on the other bank of the Seine from Notre Dame that I often visit: Shakespeare and Co. They have a piano amongst the books for any passing musicians to sit down at. On Monday morning I was browsing in the back of the shop when I heard some clear and bluesy notes coming from the piano. I looked over and there was a guy with a white beard playing. I kept looking at books, but my attention was completely taken by what he was playing. He was improvising. What he played was perfectly conceived jazz improvisation, with fades to contemplative, well spaced thoughtfulness, and then rises to soulful, twisting movement and force. I stood there behind the piano and amongst the books and felt my heart become lighter. My spirit relaxed as I felt the play and delicate emotions of his phrases. The space of the book shop took on a new quality, much more than a place for old parcels of paper.

music.jpg

That is his son I think, waiting for his dad to finish playing. After he had finished playing I congratulated him on his music and asked if he played in a group, expecting to hear some famous jazz trio as the response. No, he said, in a North American accent, he just noodled around on his piano at home. I couldn’t believe it. Some of the most beautiful music I’d ever heard, stuff that I’d happily put beside Keith Garrett’s work, had just been played by some North American guy who liked to play at home. The music hadn’t been recorded. It had just happened in a bookshop in Paris. I will never here that bit of music again. I left with a new appreciation for music as an event, an event that need have no connection with concerts or studios or CDs, or even with a written score. Just the right set of fingers on an old set of keys. A moment I will not forget for a long time.

Paris, Take Two

August 1st, 2007

At this time of year many Parisians go away on holiday, and sometimes it seems like every second person in the street is an American with a guide book. Or one of their kids.

tourists.jpg

That is Pont des Arts in the above photo.

The number of tourists that must stream over the paving stones of this city per year must be astronomical, but who can blame them? Paris is beautiful.

I wanted to represent the ‘flow’ of tourists through Paris visually, so I stood beside one of the most amazing doors in the world, the front doors of Notre Dame, and took a photo. Great old Age welcomes transient and restless Modernity across its threshold…

doors.jpg

Ok, I’m not the first person to have taken the next photo, but it is an image I like nonetheless. From the top of Notre Dame I look westwards. The devilish gargoyle plots and broods over the denizens of the city far below.

theplot.jpg

If we are to look for a devilish plot with a greater basis in reality, the newly elected president of France, Nicolas Sarkozy, might have something up his economic-growth-festishizing sleeve. That at least is what this bit of stencil art on the pavement of the Latin Quarter intimates.

sarkozy.jpg

OBEY

WORK

CONSUME

AND SHUT UP!

In the space of those last two images I moved from the Paris of the tourist to the Paris of the resident. What of the residents? They are more likely to be hanging out in places like rue Jeane-Pierre Timbaud, where I was in the 11th arondisement. They talk more quickly than your average Australian, being in general a bit more stressed. I can’t vouch for the men, but the women are very stylish, often with muted colours, interestingly cut skirts and comfortable, dark, flat-soled shoes.

These are my friends Solene and Julie in the 11th, a scene not found in the guidebooks.

parisianes.jpg

My Knighthood in Stockholm

August 2nd, 2007

My baggage hasn’t made it here yet, but I at least am in Sweden.

After flying over Germany and seeing an endless patchwork of fields (as well as plenty of wind turbines by the way), I was glad to look down on Sweden and see forest cover being a more dominant element of the landscape. Clearly I had left the more hyper civilized parts of Western Europe behind me.

sweden.jpg

Upon arrival in Stockholm on Tuesday I ambled around downtown by myself, without a map and with the eyes of a stranger recording the scene. There are immigrants from Iraq and Iran and other places, but most people have the traditional Swedish features: thin faces with slightly pointy noses and blond or light coloured hair. I’d heard the Swedish were very fashionable, but I can’t agree: the guys are very often to be seen in a pair of jeans which hang off their arse and then become really tight around their legs. To top this off they often sport a tight, light coloured t-shirt and a cap sitting on their head at a wild angle. Sorry guys, but I’m not digging it.

The architecture seems to be full of straight edges after the curved embellishments of Parisian apartment buildings. Like German towns, and unlike English or French ones, the buildings are painted bright colours. I prefer the unpainted stone and the more intricate facades of further south in Europe.

stockholm.jpg

The streets of Stockholm’s downtown are strangely either shopping streets, full of commerce and people, or not shopping streets, and if you make a turn all of a sudden there is nobody around and no shops to be seen. There are many waterways running through Stockholm, and the presence of the Baltic sea never far away is nice. The sound of Swedish in my ears is a kind of honest, charming sing-song which proceeds ‘da-da-da‘ with an emphasis on the last syllable.

From the moment I arrived, looked at the airport and talked to a polite, intelligent, friendly and articulately Anglophone Swedish woman at Scandanavian Airlines, I knew I was in an organised country. This place is full of clean public places and fast and easy to use public transport. Maybe one of the reasons I have encountered happy and smart people in the service industry here is that these guys actually have a robustly supported Society. Think tax funded child care, parental leave (for both the mother and the father), a ceiling on health care costs, free education up to and including university, extra taxes for the very rich, and proportional representation. With all that no wonder you don’t encounter too many bitter underdogs, or outright criminals, as you walk around the place. If you look after the whole society, and not just the abstract Me of right wing politics, then a trip down to buy some milk from the shop will be a better experience.

In my final bit of praise for the Swedish nation state, I am pleased to see that the Royal Swedish Academy of Sciences agrees that global oil supplies are peaking and that Sweden should get itself off the oil addiction. It isn’t impossible that Sweden will be oil free by 2020 as the government has promised. They already get most of their electricity from hydro and nuclear and biomass. It is so heartening to see a national government well on the road to doing the only sane thing when it comes to dealing with the environment: preferential taxation to encourage environmentally benign patterns of consumption (for example, the more polluting your car is, the more you pay to own it). The feeling that the people upstairs are actually moving forward on sustainability is refreshing.

My next photo from Stockholm was inspired by Miguel de Cervantes Saavedra, author of Don Quixote.  My little poem below isn’t just about traveling.

donq.jpg

Dub Me a Knight

 

I’d rather be tilting at windmills, than pronouncing life a known factor.

 

I’d rather be questing over the horizon, than ticking boxes at the desk.

 

I’d rather have an imagination, than a BMW.

 

To the giants!

Pastoral Scenes from the Novels of John Fowles

August 3rd, 2007

Yesterday I visited Skansen, the world’s first outdoor museum, situated on an island next to Stockholm.  The idea of an outdoor museum is here intended to show you what the trappings of life looked like for those people living in the Swedish countryside in centuries past.  As I walked around a couple of the things I saw reminded me of scenes from John Fowles’s books.

The first was from the first chapter of Daniel Martin.  It is harvest time in the south-west of England, and the villagers are stooking the wheat.  This sheaf of wheat below shows how the principal grain to nourish humanity was collected into a bundle.

stooks.jpg

The next few photos are not directly related to Fowles’s novels, but they are interesting nonetheless.

inside1.jpg

As you walk around there are people in the farm houses doing various things.  Here a girl was knitting some wrist warmers.  They talk in their strong Swedish accents and you really feel like you’re in the Swedish countryside.

knitting.jpg

Lactose intolerance is the normal state of humanity.  A few European groups have developed a genetic trait that lets them keep drinking mammalian milk after infancy.  The Swedes as a population have one of the lowest levels of lactose intolerance in the world.  To me that says that these people have been pastoralists for longer than nearly anybody else in the world.  Here is a scene from a northern pasture.  Traditional sheep hang out around a byre.

byre.jpg

The earth roof was often seen…

earthroof.jpg

The idea of using whole logs to make a dwelling is so simple and so obvious.  They are cut so that the logs simply sit on top of each other, locking into each other at the corners.

simple.jpg

And now another scene from a novel by Fowles.  In The Magus the character of Maurice Conchis recounts the story of his time journeying through the wilds of northern Scandanavia.  He tells of coming upon a small farm in the remote north.  Up the river from the farm lived the blind brother of the farmer.  This brother believed that he communed with God on a nightly basis, and lived a bare and ascetic existence.  When I saw this old Swedish man in this tiny wood cabin, my memory went back to this powerfully narrated tale from The Magus.

oldman.jpg

The smoke in the cabin sits under the ceiling before leaving through the door, and radiates heat down into the rest of the cabin.

This next picture is of a tradtional bookbinders shop.  I took it for Sam, my brother, as he used to do bookbinding.  Now he’s creating digital books of a kind in cyberspace.  There seems to be some kind of continuity there.

bookbinding.jpg

The final chapter of my journey East.

August 5th, 2007

I’m sitting in a Starbucks outside Gare St. Lazare in Paris.  Yes, Paris, nowhere else have so many gone about their daily grind with so much ancient and beautiful masonry towering above their shoulders.   It is hot and sunny outside and I was forced into this chain as the classic Parisian cafe does not deign to offer wireless internet to its patrons.  Yesterday I sat on a boulder with a couple of friends in the evening sun on an island in the Swedish archipelago.  Today I’m en route to Normandy.

In just over a week – 15 August – I’ll be back in Australia.  I’m looking forward to the banksia trees and the peppermints, to seeing a few good friends and feeling the sand under my feet as I jog along Leighton beach.  I won’t have much internet access in Normandy, so this blog may have to recommence in a little over a week.  Then I’ll have time to reflect on more of the journey.

I’m hoping to visit St. Mont Michel in the coming days.  Let Providence make Luck be on my side.

Sweden in Retrospect

August 9th, 2007

Well the digital book that is my blog opens up its pages for the world once more…

book.jpg

This is actually me in the Nobel Museum in Stockholm a few days ago.  Alfred Nobel was, like myself, a man with a keen interest in both science and literature.  Thanks to him we have the Nobel Prize awarded in five categories, which include science and literature.  I knew that Jean-Paul Sartre had rejected his Nobel Prize, but I didn’t know that each one came with 1.5 million U.S. dollars.  Ah the folly of sitting too high on the existentialist’s moral high horse!

I’m in a small coastal town in the north of Normandy, Fecamp.  I’ve found a little bar/cafe with wireless.  To my right is the bar’s counter, with a handful of French men standing and chatting over their morning’s cafe.

Before I mention Normandy, I thought I’d share a few of my photographs of the archipelago off Stockholm.  Four hours on a big ferry winding our way through pretty waterways, and finally we made it to the island of Moja.

sweden1.jpg

Granite is everywhere on these islands…

sweden2.jpg

The runic alphabet of life…

sweden3.jpg

The forests of these islands are full of pines and birches.  They don’t seem to grow very tall though, maybe because of the underlying soils not being deep.  The Swedes often have little cabins, painted red, to retreat to for summer holidays.  This path led to the cabin of my friend Robert.  Lucky soul that he is, he is living there till September, amid the silence and the water and the trees.

sweden4.jpg

Speaking of Swedish retrospectives, Ingmar Bergman, Woody Allen’s favourite director died a few weeks ago.  I have never seen a Bergman film, and Robert suggested I watch two films from the 1950s that aren’t quite as bleak as many of his works: Wild Strawberries and Smiles of a Summer Night.

Normandy

August 9th, 2007

This is not a photo of Normandy.

opera1.jpg

I have started an entry on Normandy with a picture of the opulent shadows of the inside of Opera Garnier in the middle of Paris as I want to highlight the difference between city and country. The zenith of traditional European architectural grandeur: red velvet, towering statues and candelabras. Then I stepped off the train into the countryside of Normandy…

fagus.jpg

Paris is not all beautiful interiors. All of a sudden I’ve left the heat and the noise and the tourists of the streets of Paris behind.

Fagus silvatica, or the European Beech tree. It has been interesting to see the same symmetrical veins on beech leaves on species in New York, Canada, England, France, New Zealand and Tasmania. Veins of continuity which cross the planet, as I travel eastwards. Beech leaves linking the continents with their slanted striations.

eu.jpg

This is Eu, a small town in the north of Normandy. Half-timbered houses are common  around here, with their black beams and wattle and daub walls painted white.  Many of the coastal towns with their old stone buildings, gulls crying, green and rolling hills around and cool and often rainy sky remind me that I am in the France that is so well known and evoked by English literature over the decades and the centuries. This is the France that is just on the other side of the channel from England, a big stone’s throw away. So the landscape is just the same. It is the first foreign bit of land generations of English men and women have seen down through history. Julian Barnes’ ‘Flaubert’s Parrot’ springs to mind. It is much easier to feel at home here than if you were English and you’d gone down to Avignon or the south of Europe.

normandy.jpg

Just outside of Eu…

leferme.jpg

The first couple of nights I stayed at the house of the parents of a friend. It was an old farm house in a valley with green woods and fields around. Lovely. Waking in the morning and sticking my head out of the window it was beautiful to be surrounded by green hills and forests and fields and no other houses or people. I’d look out after having just woken up, still feeling groggy, and have the invigorating vista of green and outdoor life below and before me, with Austan the Breton Spaniel running across some field to the right, and the cool air brushing against my face. The house still has its exposed oak beams, hundreds of years old, in the kitchen.

Chateaus in Normandy

August 9th, 2007

I recently visited a chateau in Normandy from the late medieval period, apparently a classic instance of the military architecture of the era. My visit lead to this little poem:

The Unguided Tour of Chateau Rambure

Chateau Rambure,
a place where the recreated castle atmosphere evoked the epoch of French chevaliers to all of us on our guided tour,
but made me imagine the explorations that were still waiting to be made in jungles and deserts all over the planet,
as a French lord sat down to eat dinner in the dining room,
or a nineteenth century gentleman padded down the stairwell with pigeons cooing outside,
then the lady in her long dress going down the wide stone stair case past the worthy oil ancestors while the sun fell outside,
as it did year after year on the villages of Normandy in summer,
the immemorial peace of the oak leaves still there to the east, century after century.

And the still mysterious Amazon standing entire,
the unphotographed highlands of Papua New Guinea, still bursting with tongues,
the massive shoals of cod still swimming off the coast of Canada,
the thylacine savaging a frog on the bank of a Tasmanian marsh,
the albatross sailing and falling, unthreatened through the smooth blues of the South Pacific,
blank spaces on the map,
dark spaces in the mind of a chevalier.

A rustle of breeze in the green oak leaves beyond the window,
the murmur of Europe’s twenty-first century as I turn and rejoin my companions on our guided tour.
rambure.jpg

We also visited the Chateau de Digeon, a much smaller nineteenth century chateau. My friend’s cousin has ownership of this place. We stopped and talked with them. Both in their sixties, grey hair, animated and friendly. Bruno Goisque-Thienpont showed us his gardin potager. It is a formal garden in the Italian style, but with a very important twist: all of the formal hedges are there to accentuate the beauty of the flourishing vegetable garden that lies within the borders. Bruno talked of how vegetables are beautiful plants, and how he likes to display them, having cucumbers climbing along a little fence on the borders for example, or laying down seeds in horizontal lines. He and his family eat mainly vegetables, and little meat. It was refreshing to find the owner of such an apparently aristocratic house so in touch with the earth. Beneath his finger nails was a thick layer of black soil, and beneath his ownership of part of Frances cultural patrimony lay a green political agenda. They actually have a couple of rooms for people to stay in a bed and breakfast setting, and I’m going to recommend to my friends to stay at this place. If William Morris’s dictum to have nothing in your house which isn’t beautiful or necessary is true indoors, then Bruno has shown how to take this idea into the garden. The ‘jardin potager’ (kitchen garden) is a masterpiece, constantly maintained by Bruno and his wife, a masterpiece of garden design. Beauty for the eye and nourishment for the body sit quietly and synonymously within the old garden walls. In a well looked after garden in the middle of the Normandy countryside grow tastes for the plate and the gourmet’s palette and pleasing shapes for the aesthetic idler. That evening we ate salad leaves and beans and other produce from the garden for dinner around a long table in the kitchen, and drank a kind of pear cider Bruno’s son had brewed in an old wooden cider press earlier in the year from pear trees in the garden. Slow food movement devotees eat your heart out. What is more, these guys have been doing a kind of French aristocratic permaculture from before Bill Morrison even published a handbook. Not much English here – to hear Bruno talk about it in his enthusiast and articulate French you’ll have to learn a decent amount of the native tongue.

bruno.jpg

Here is Bruno searching for something he was going to show me.

digeon.jpg

Beauty and utility…

silverbeet.jpg

Life in Fecamp – La France et Les Anglais

August 11th, 2007

I’m in Fecamp and the air feels fresh and the gulls are crying. I wish Australian sea gulls sounded so nice.

Sitting up on the cliffs just outside Fecamp a couple of nights ago… It was like the allied forces were just over the water, and could disembark on the pebble beach sixty metres below our feet at any moment.

falaise.jpg

With the white cliffs of Dover not far away France and England will stand forever face to face against each other. The gulls banked and slid across the upwellings of air. One sat a few metres from me on the precipitous ledge of white chalky rock. Below the gulls the odd bit of grass clinging to a hollow or dimple in the sheer surface. It was good to sit up there and eat baguette with pate and salad, and enjoy the feeling of height above Fecamp away to the east and the sun dazzled Atlantic below to the left. Those are wind turbines on the far horizon.  I really don’t think that they ‘spoil the view’.

Fecamp is known in France as the home of the liquor Benedictine.  This horror movie style bit of Rennaisance Gothic architecture contains the distillery, and the big boxes of spices from all around the world that go into the drink.

benedictine.jpg

Speaking of drinks, last night I sat in a creperie by the port, looking out on all bobbing masts, ate sea food galletes, and drank local cidre Normande, apple cider, from ceramic bowls, and spoke French.  I talked with my mum on the phone recently and she told me that my English grandfather once drank plenty of cider in Normandy in this region, along with a fair amount of Calvados, and danced with street signs on his merry way home.  Those are tall precedents to live up to!

The Return to Australia

August 19th, 2007

I’ve done the final hop down to the southern hemisphere and to Perth. For what its worth, Singapore is the best airline I’ve flown with: friendly, helpful people, and hundreds of things to watch on the screen in front of you. On the plane over I read the French newspaper. The Figaro’s front page is about the success of the Velolib program in Paris. Ten thousand bikes, and twenty thousand by the end of the year, are being hired out to people for a Euro or something equally cheap for short distant rides. As I caught the Roissy bus to the airport I saw a besuited and fattening old business exec glide past in front of some salubrious, shiny golden gates. It seems everybody is coming onboard with this initiative of the Green and gay mayor of Paris. They need to as the air in Paris smelt and looked bad after the fresh sea air of Normandy.

Speaking of the Figaro, I’d like to publicly congratulate the French for producing newspapers, such as this one, which devote only two pages to sport (and plenty of that goes to sailing at that) and plenty of pages to culture and the arts. They also have many international stories and put them up in the front of the paper, as well as having in depth environmental coverage. The chronic geographical ignorance, both statistically verified (in a recent survey by National Geographic) and well lampooned from a British perspective by Ali G, of the majority of the American people is well known. It is not to be found in the pages of one of France’s major newspapers.

Continuing the pro-French note, I hear Michael Moore’s new film Sicko praises the French health care system. Then there is the extensive and very cheap train network: the SNCF. And little bit of gallantry I’d not noticed in the past that I noticed last week and that I like a lot: when French people leave a restaurant they will sometimes say (in French of course, and not in a loud voice) ‘Goodbye ladies and gentlemen’ to all the assembled people in the eatery, not just thanking the waiter they’ve just paid. I’m not uncritical of France: among other things they have a problem with criminality on the streets (although Normandy didn’t seem to have this problem to the extent of Paris or the south), and they can often be over-stressed. They often talk too fast and seem to need to take a deep breath and get a massage – although here they beat us Ango-saxons on a systemic, if not cultural, level in that they introduced the 35 hour work week a while ago. My praise for French dress sense can’t be extended to Normandy: the understated cool turns out to be a Parisian thing, as well as a few of the cities in the south.

I’ve experienced a lot on this trip around the world. I haven’t written about all of my travails with different airlines: for example, turning up at Charled de Gaulle to fly to Stockholm and being told that it is impossible because of my ticket guidelines and arguing with the staff for an hour and half and then running to catch the plane just before take off, or spending literally days and days on the phone in Geneva or Montreal trying to change dates or routings, or having my luggage lost twice, flights cancelled twice and flights delayed tens of times. I’m not joking when I say that anybody contemplating a trip around the world should get an extensive briefing before departure on the complex rules and regulations of contemporary airline ticket structures and codes. Apart from the well known environmental evils of air travel there is another reason not to do it: at some stage it will result in a plentitude of teeth-grinding frustration.

But there is something special about a circumnavigation of the globe. To have traveled around the world makes the planet seem more tractable as an entity. Although I can’t compare this trip to Charles Darwin’s in the nineteenth century on his wooden sailing ship The Beagle, I can say that this circumnavigation increases my sense of intimacy and ownership over the whole biosphere. Then there is the simple fact of having become a lot better as a traveler – knowing when is the right time to change currency, or how to master a new public transport system in a new city, for example. The more one travels, the more one has confidence to travel. And I’ve also often had the feeling that, yes, sure it is exciting to be in this place right now, say South Carolina on the beech one evening, but this time in four days I’ll be in a country I’ve never visited, say Canada. This feeling of the journey onwards has been invigorating. My travel in the past has been to one place for a few months usually. Often early on, say in Samoa, thinking of the trip to come was like thinking of the attic full of suprises I was soon to burst on into. Those moments of full attics to come are some of the best in a strange way. The road to come… The stairs to climb up…

My views of the nations and landscapes of the world has altered. I see that Australia and North America are some of the only first world places that have large amounts of wilderness left. My love of the tropics has been slightly decreased due to potentially dangerous mosquitoes and their maraudings. My other value-laden rantings on various nation states are obvious from previous entries over the last three months.

One of the best things about this trip around the world though has been staying with friends – you are never alone when staying with friends. (I hope they all come and stay with me!) In fact although I’m back in Perth now, for the first couple of nights I’ve stayed at a friends place – until my place in Fremantle was available again. Camaraderie once more. And there lies my suitcase on the bedroom floor again, lid open, full of clothes. There sits my camera bag and my black day pack next to it. And looking at the suitcase with its well known collection of shirts and the like, I wish it would go on like this. I wish that this would keep on being all I have. Having this set up makes you feel like you’re dynamic and en route, and not sunk in a domestic, possession-encumbered situation. I wonder if I can camp out, as it were, in my old bedroom in Fremantle?

Impressions of Perth, Australia… It is a bit like being in California, except that the cars aren’t quite as big, there isn’t much crime, the people are friendlier, and the night life isn’t as good. The culture is a kind of re-textured British working class culture with an legacy of egalitarian sentiment (recently marred by a creeping economic growth fetishism and its status symbol race). The sport-obsessed, working-class tenor to Australian culture is redeemed by jazz groups like The Necks, poets like Michael Leunig and witty cultural critics like Clive James. The weather is excellent, and the city is very dispersed, so that everybody has room in their house, not to mention their back garden, to move around. But most people are addicted to using a car and burning off fossil fuels on a daily basis. And because of the dispersed suburban living in Perth – the amount of medium and high-density living being very small here – the critical mass of people living together doesn’t get generated which ultimately achieves a downtown ‘city’ vibe. The trees and plants here aren’t green. They are olive coloured. And it is generally very flat. A few hours ago I arrived back to live in the port city of Fremantle and there is a bit more of an atmosphere generated here, with plenty of nineteenth century architecture, lovely proximity to the sparkling Indian ocean and a few artistic types loitering around. Fremantle is an oasis backed by the banal aggregations of materialistic suburbia lying to the east of it. But I will still admit that it is, as part of Perth, very isolated from other cultures and metropolitan centres. I think if I didn’t have the appreciation, intimacy and knowledge of the natural world that I do, I’d probably get sick of this ‘isolation’, and leave town. But I do have that link with nature, so rather than feeling isolation, I feel connected to the landscapes and life forms of this huge Western half of the oldest continent. Lucky for me. And of course I also have some interesting, cultured and cosmopolitan friends here, and fast internet.

According to the Australian Bureau of Meteorology the Aboriginal categories for the seasons of the year are much more appropriate for use in this country than the four seasons we are accustomed to use as transplanted-Europeans. At this time of year in the south-west of Australia it is Meerningal. Many birds are singing in the forests at the moment. Soon there will be a vast coming forth of wild flowers across hundreds of kms of land north of Perth. The world will take on a multi-hued coat that I will be witnessing with my camera in hand. For the moment I’ve walked out into a small bit of local woodland and broken a eucalyptus leaf and put it to my nose to smell the scent of this country. I think that is more appropriately symbolic than the fact that I can plug my computer lead into the power socket here without using an adapter plug.

Red and green bursts of the Australian existential…

September 3rd, 2007

I live in an ancient land. The oldest rocks on earth, over four billion years old, are some diamonds that were recently found in the north-west of W.A. For the last 250 million years the south-west corner of Australia hasn’t been doing much, geologically speaking. It has been getting worn down and leached of minerals. The plant species have been quietly diversifying. If you drawn a line from Shark Bay in the north to Esperance in the south, then within that triangle you’ll find nearly seven thousand plant species. Four hundred or so are threatened with a very uncertain future because of the things white folk have done over the last hundred years, but there is still plenty to celebrate.

While winds blew through foliage a hundred thousand years ago on a spring morning on the ground above which I now write there was already a veritable coral reef of land-based colour to be seen. The year has rolled around and colour has come again to the land in Perth. This afternoon I was in Kings Park and these are some of the hues that entered my lens…

wax.jpg

Geraldton Wax (Chamelaucium unciatum).

kangaroo.jpg

Kangaroo Paw (Anigozanthos manglessi). In case you don’t know, this is one of the things our state is most famous for. The soft, downy texture of the flower, its vivid red and green colours, and its splayed open ‘fingers’ make a great emblem for Western Australia.

everlasting.jpg

Everlasting flower (Rhodanthe chlorocephala ssp. rosea). Millions of these paper-like petals are starting to light up our semi-arid lands for hundreds of kms north and east of Perth right now.

Spring in the old southern place

Ancient land,

Lambent September,

Syllables of youth come floating out of the ground,

Light and colour for your existence.

It doesn’t matter where we are, e. e. cummings was right all along:

‘yes is a pleasant country’.

The System of Nature: An Art Exhibition at the University of Western Australia

September 22nd, 2007

 Last night I went to an art exhibition at the Lawrence Wilson at UWA which I enjoyed, called ‘The System of Nature’.  If you’re living in Perth then this exhibition is worth a look.  My friend Holly Story invited me along, and she has a number of works in the exhibition, works which, like many of the pieces in the show, comment on the scientific urge to catalogue and organize.  One of the most interesting pieces is by Gregory Pryor, and is a number of European herbarium catalogue slips with dried specimens of Western Australian flora lying on them.  Pryor hasn’t just laid out these slips, but has placed a rusty old ball and chain over the top of them all, with the names of Aboriginal prisoners along the chain.  The urge to imprison and coerce through the act of naming by colonial newcomers is vividly suggested through this overlaying of human history on natural history.

Another interesting piece is by Janet Laurence and is called Cellular Gardens.  It is a number of Western Australian plants growing in small dishes of soil on long metallic bases, within glass cells.  Laurence reflects that it is evocative of the care and support that our fragile environment needs to survive, but I took it another way.  I immediately thought of the way in which human hubris thinks it possible to take species out of their biological context and have them live in fragmented, artificially supported environments.  The work made me reflect on the impossibility of ever truly doing what Laurence does in this art work.  The ecological matrix that ever species originates in can never be done away with.  That goes for us bipedal mammals as well as little banksia plants.
cellular.jpg

The System of Nature is on till 7 November at the Lawrence Wilson Art Gallery.

Put Your Signature on the Landscape

September 25th, 2007

This afternoon I saw this sign in a suburb of Perth sur Swan. The real estate agents were offering me up the dream opportunity of stamping my personal signature on the Western Australian landscape. The signature would be made in angular concrete and two car garage luxury. What joy! In the background I saw that people all around this patch of bare and soon to be built upon earth had already taken up the opportunity to erase all sense of belonging with the land.

signature.jpg

As I looked at the sign I rememberd D. H. Lawrence. Lawrence wrote of the Etruscans (a society that had inhabited Italy prior to the Romans) with their wooden architecture and organic connection with the natural world and contrasted this vividly with the arrogant stone monuments of imperial Rome. The buildings of Rome are still there to be seen. The trace of the Etruscans on the landscape has faded leaving few remains.

I passed by this bit of coporate skull-duggery on barren ground, and found my way westwards, up onto Wireless Hill, an area of original woodland and heath. The kangaroo paws glowed up at me, and the Swan snaked by down to the north.
paws.jpg

This is what the landscape looks like around here. Idiosyncratic shapes that have evolved for millions of years in isolation from the rest of the green, leafy globe. The first Australians probably walked over this hill on a bright spring morning ten thousand years ago, and maybe their great grand children did so again 180 years ago. I can’t see the signature that they put on the landscape.

Two days ago I watched the film ‘The New World’, written and directed by Terence Malick and released at the start of 2006. This film follows the history of the English arrival on the east coast of the US, at Virginia, and their encounter with the local people of the land. I encourage you all to watch this film – it is one of the most beautiful meditations on the life-giving nature of the natural environment I’ve ever seen, and boasts some superb photography of the forests and waterways of Virginia. But what sprung to mind as I stood on Wireless Hill, is that the native American people leave no heavy and pompous architectural trace in their inhabitation of Virginia as portrayed in this film. Like the first Australians, their’s is an elegant ecological footprint, not a fat boot print.
‘Put your signature on the landscape.’

Would you ‘put your signature’ on your mother? The kind of message I saw on a billboard in the Perth suburbs could only come from a life-world that was blind to the beauty and life-giving qualities of nature. It could only come from a Roman-mentality of arrogance and bombastic immaturity.

Of course we need some kind of shelter, but this shelter should find accommodation within the matrix of a pre-existing landscape.

We need architecture that takes as its maxim: Being with the earth.

Feeling Nyungar Warmth

September 27th, 2007

Kia kia. That means hallo in the language that used to be spoken around here.

The following photo was taken near Fremantle in 1890. It is of a local Aboriginal woman standing outside her shelter, wearing a ‘buka’, a cloak of kangaroo skin turned inside out and hitched around one shoulder. She’s holding a long digging stick, or ‘wonna’, which was used to dig for root vegetables and small animals. Her hut is made of branches bent over a single frame in a semi-circle, and then covered in leaves.

nearfreo.jpg

Yesterday I was shown around Walyunga National Park by some Nyungar people. It was part of a field trip I got myself onto at the end of a conference I didn’t attend on National Parks in Australia. The day was cool and rainy, and having the ever so soft fur of kangaroo skins draped over our shoulders was useful in keeping warm.

The above photo has no colour. What if we add some colour to this way of life?

bukka.jpg

The fur of the bukka is such a soft feeling on the skin. Why can’t white people use this obvious clothing material somehow? Using place as a blanket, as it were.

Among other things, we were shown how to make knives with small sticks and bits of sharp quartz stuck into melted marri resin on the end of the sticks. I’ve now got a plan to go and collect some quandongs, a slightly sharp tasting but plentiful local fruit that will be available in the next two to three weeks, as well as the fruit of pigface, a coastal succulent flowering around now. This is the time of year when the first people of Perth would come down out of the hills to the coast and start to harvest frogs, turtles, quandongs and plenty of other bush tucker.

wadjala.jpg

The clay and ochre came from the local earth, and was smeared on my skin. It dries quickly and feels like a mask so that moving your skin in a facial expression pulls on the dried earth. Smearing ochre mud on another man’s face gives you a strange feeling, an atavistic and tribal intimacy. God, I’m sounding like a men’s encounter group devotee all of a sudden! Soon I’ll be wearing a tapestry waist coat and warming my legs over an open fire. Don’t worry, that will never happen.

Biological evolution has only had a few million years of trial and error experience to work out which species should be living on these soils. Aboriginal people have only had a few millenia to work out good ways to live off these species. I’m not suggesting that mums and dads from Cottesloe don arm bands of eucalyptus leaves, wear red-tipped black cockatoo feathers in their hair, and learn to throw a gidgee in the river (although I do love that image!). But white fellas around these parts certainly do need to leave the air-conditioned comfort of Coles and go out and wake up to wear they are standing.

Labour Candidate Feeling Awkward Over Climate Policy

October 30th, 2007

This evening I was at the Tropicana Cafe in Fremantle for a session introducing the candidates for the 2007 federal election for this area. During the question time a friend of mine asked Melissa Park, the Labour candidate, if her party was committed to cutting total greenhouse gas emissions in line with the aim of avoiding a two degree rise in global temperature (which amounts to 80% to 90% reductions compared to 1990 levels by 2050). Melissa throughout the evening had presented herself as an amiable, well intentioned, and highly intelligent individual. As she stepped to the microphone a shadow of awkwardness crossed her face for a moment. She obviously felt uncomfortable at having to say that no, her party’s target was 60% reductions by 2050. But, she said, it might look at changing this target later on. Here is her moment of weakness:

melissapark.jpg

Steve Walker, the Greens candidate then took the microphone. He said that no matter how nice and well intentioned a Labour candidate such as Melissa Park was, when it came to the hard and fast game of politics, she would be voted out by other less progressive elements in the Australian Labour Party.

stevewalker.jpg

He had a point, and he did not feel awkward when he said that the Greens had a set of climate change policies that were designed to help us stay below two degrees in rising temperature, and thus avoid run-away climate chaos.

Satis Arnold: A New Voice on Climate Change in Perth

November 2nd, 2007

satisarnold.jpg

Today at Murdoch University in Western Australia Satis Arnold, Director of Policy and Planning at Murdoch, gave a presentation on climate change to the assembled students and academics at the Institute of Sustainability and Technology Policy. Satis’ forceful and vibrant delivery, combined with his detailed knowledge of the science and politics around climate change, put many a more measured and boring academic to shame. Satis has recently been on a study tour of North America, meeting the people behind California’s inspirational Climate Action Team, and visiting the Earth Institute at Columbia in New York. Satis’ power point presentation is a whirl wind tour of climate science and a lesson on the greatest threat to humanity. We should all see it. Let me know if you are living in Perth and are interested in seeing the presentation and I’ll let you know next time he’s speaking. If you know of a public venue where you think he could appear, again, let me know. WA now has its own ambassador for the truth that the planet is heating up.

Australia: 2050

November 4th, 2007

A modified excerpt of the following article was published last weekend in The Perth Voice and will also be published this weekend in Fremantle’s local paper, The Herald.

Australia has warmed 0.9 Celcius since 1950, with most of that taking place in the last twenty years. This is because our species has used the atmosphere as a sewer for CO2.

future.jpg

What’s coming?

First let’s remind ourselves that life could be pretty great in 2050. If there is major action from governments in the next five years around the globe we will be fine. In fact there will be even cleaner air to breath than we have now. Joseph Romm in his book Hell and Highwater (2006) says the world needs to do a few things, including: starting to build 1 million large wind turbines, making buildings much more energy efficient, increasing the efficiency of power generation, building 700 large nuclear power plants (and no, he doesn’t say that Australia needs to build any nuclear plants), making the world’s cars much more energy efficient, and stopping all tropical deforestation. WWF suggests we have five years from now to act. Romm thinks we have ten years. James Hansen of NASA also says we have ten years to get it right.

There are and will be plenty of government initiatives around the globe to tackle climate change, of this I have no doubt. But considering that a rise in over two degrees will flip the earth into a (self-generated) hotter and hotter state, tackling climate change becomes an either/or question. Either we stop the earth getting over two degrees hotter, or we don’t. So the question becomes, will we get the aggressive government-led regulations and frameworks that are required to do the job?

In Australia the Labour government that is (probably) in power for the next three years, starting in a few weeks time, isn’t looking flash. Currently they have an aspirational target of 60 per cent reduction in emissions by 2050, but not enough policies on the table to get us on the track to reach that point. Going into the 2007 federal election in Australia on 24 November the Greens have a target of 80 per cent reductions by 2050, as well as a comprehensive set of policies to get us there, starting immediately.

But with all this talk of climate change, let’s be honest about what will happen if we don’t act.

If we don’t act, the world will continue to get hotter, probably getting 2 degrees warmer in Perth by roughly 2050. This is a conservative IPCC derived figure – it could be higher. In the south-west of Australia rainfall has already declined by 25 per cent since the mid 1970s. This decline is the most drastic in all of Australia. It will continue to be the most drastic. Already the crowns of Wandoo trees in the south-west are turning brown here and there because of water stress. Perth has built one desalination plant, and another one is planned (both getting their energy from wind turbines). But nobody is going to build a desalination plant for nature. There will be no efficient reticulation installed along the floors of the majestic karri forests. By 2050 the plants and trees, along with the animals that use them as habitat, will be dying everywhere in the south-west. I will be an old man in 2050, and soon to die myself. The land high up in the Stirling Ranges, a living museum of strange and beautiful endemic plant species, will be a mausoleum. Max Dupain’s ‘The Sunbaker’, that iconic black and white photograph of the bronzed man with his head on his arms lying on the sand, along with the beach itself that he lay on and that is such a part of Australia’s sense of itself as a nation, will soon be gone with rising sea levels. There will be no wheat production from the ‘wheat belt’. The WA Wheat Belt will be called the WA Dust Bowl. Because Australia is rich, people will not starve to death in Perth (like they will be starving in their millions in other less developed parts of the world), but food will be many times more expensive. An increasing number of people will die each year from heat stroke, their internal body temperature going over 41 degrees on frighteningly hot days in February, and putting them into a coma. Figures like John Howard will be considered, looking back on history, like Chamberlain, someone who delayed an inevitable confrontation and lost us time. I won’t hear much birdsong anymore.

newearth.jpg

Get it? No water.

I’m not sure I want to have children now, as they will be around in the 2070s, when the rise of three degrees celcius has triggered positive feedback systems in the global biosphere, and the earth is moving, decade by decade, into an unpleasant and largely uninhabitable state. In my darker moments I’m not even sure I want to stay living in Perth in the next few years because of the grief I’ll have to go through seeing the death of nature in the south-west through permanent water-scarcity and consequently rampant and fierce wild fires while I’m in the last years of my life.

If you open the pages of the newsletter of the Australian Greenhouse Office, the government publication that tells us what our leaders are doing about the problem, you’ll see large colour photographs of the minister for the environment smiling warmly. In his smiling face you can see no hint that he has bad dreams at night.

But then we might expect that from a government that for the past 11 years has been blatantly corrupted by the involvement of members of the fossil fuel industry in the writing of cabinet submissions and ministerial briefings (see Clive Hamilton, Scorcher, 2007 and Guy Pearse, High and Dry: John Howard, climate change and the selling of Australia’s future, 2007).

More importantly, do most university educated Australians know that we have five to ten years to stave off the slide towards the end of our country as we know it, a slide that will happen in a handful of decades? The answer is no. If you pick up a newspaper anywhere in Australia tomorrow morning, will the front page treat our predicament as tantamount to how America saw the bombing of Pearl Harbour in December of 1941? Have a look. You can get back to me. The earth goes into glacial periods every few thousand years and is quite a bit colder than it is now. We are in a warmer, inter-glacial period. It is sad that the species Homo sapiens is going to probably make its cradle and its only home, already pretty warm, just too hot to live in. Can we at least get the word out that this is starting to happen right now? Surely we can at least go some way to remedy this colossal ignorance, an ignorance still widely encountered among even educated, well-meaning, left-wing people?

You might ask why I don’t get apathetic? I’ve had a good think about this. As I write this in 2007, there will still be nature around for the rest of our life times, here and elsewhere. If we fail to convince governments to govern on climate change, and this struggle isn’t yet lost, then, even then, it isn’t all over. Although they will be diminished in their extent and diversity as the decades go on, there will still be forests and ecosystems there to inspire and invigorate us. Nature, in some form, will be there to give us solace for the rest of our lives. This is undeniable. What is more, it will always be part of the meaningful human life to engage in ethical action. It will always be part of the well lived life to engage in the defense of nature. To really understand this I encourage you to read How Should We Live? by the Australian philosopher Peter Singer.

In the last 11 years of the Howard government’s rule, there have been plenty of ministers and lobbyists who, as we’ve now found out through leaked minutes or insider reports, have been scared of the effects green lobbying can have on public opinion. Which brings me to another great reason to raise your voice against government inaction on preventing global heating. Against the background of the corrupt ties between the Australian mining lobby and the Australian federal government over the last decade I would say:

‘You know you’re not wasting your time when your activities are clearly making corrupt politicians uneasy’.

We should all contact our elected representative at a state and federal level and ask them what they are doing to make sure our country reduces its emissions by 80 per cent (compared to 1990 levels) by 2050, as it must to avoid run-away climate heating globally. The technology is there to make that change, from energy efficiency improvements, to wind farms, to halting the destruction of forests. California has taken the first step down this visionary path.

I used to think that letter writing to politicians was a waste of time. However I recently talked to a friend who has worked with members of parliament in Canberra. According to this person, when individually written, polite yet forceful letters start to arrive in their hundreds or thousands, politicians can get scared and then start to listen. I’m going to write one of these letters to Jim McGinty, my state representative for Fremantle, and Melissa Parks, the soon to be federal Labour representative for Fremantle. I am going to tell my local member that I will not vote for a government that allows Australian greenhouse gas pollution to keep rising. It is admirable and important that we all reduce our carbon footprint. However, it seems that at this late hour in world history writing this kind of letter is more important than reducing your personal carbon emissions.

The future has not arrived. We can help to make the future. But we need to understand the obstacles to change. George Marshall has said that “Climate change lends itself to a psychological phenomenon called the bystander effect… By and large people are conformist- they look to the wider values to set their own moral compass. People take the general lack of response to climate change as the norm and the basis for their own position. The individual bystander sees a lack of action by the other bystanders and feels that their own decision not to become involved has become validated. And so we all sit around and wait.”

But what if the individual bystander looked around and saw me or you contacting their elected representative to call for fast and deep cuts in overall greenhouse gas emissions?

What if they saw you or me at a protest rally?

Rapid and positive social change is not an impossibility. The drum beat of public outcry is building. It is getting louder and louder. Let’s start demanding real action from government.

I’ll be on the Esplanade of Fremantle at 1pm on 11 November, along with thousands of other Australians, at the ‘Walk against Warming‘.

In the words of the reggae band Fat Freddy’s Drop:

‘Hope for a generation. Just beyond my reach. Not beyond my sight.’

The Walk Against Warming in Western Australia

November 11th, 2007

Thousands of Western Australians marched down the main street in Fremantle today, despite the temperature going up into the high thirties.  They were calling for action from the federal government on climate change.  This jester shouted the key message…

fossilfool.jpg

I couldn’t help feeling some empathy for this little lad who can’t vote in the election in two weeks…

greenfuture.jpg

High Street in Fremantle was bursting to the brim with thousands of ordinary citizens who don’t want to see Australia dragging its heels when it comes to looking after the climate…

highstreet.jpg

Who put the coal in the Coalition?

It is all terribly confusing when you’re little.

who.jpg

Landscape for Learning: A Book Review

November 19th, 2007

The following is a review I recently wrote of A Landscape for Learning: A History of the Grounds of the University of Western Australia by George Seddon and Gillian Lilleyman (UWA Press, 2006). A much shorter version of this review will be published in the journal Studies in Western Australian History in mid 2008. Unless you have had some association with Perth and UWA you may not be intensely interested in what follows. For those who are interested: sorry UWA Press but I suggest that this is the kind of tightly synoptic review which makes reading the actual book redundant.

What makes a landscape for learning? In the opening pages of the book, Seddon calls UWA the most beautiful campus in Australia. He seems to think that this campus is what a site dedicated to the seeking of wisdom should look like. It does makes you relaxed to be in a pleasingly set out green environment such as this one, and a state of relaxed mental alertness is a perfect state to learn it. Perhaps Seddon is right to designate the grounds of UWA a ‘landscape for learning’.

palm.jpg

Above: Youth leans on age. I left the garden path and looked upwards in the ‘tropical grove’ in the Great Court.

Prior to learning about the legacy of Sir John Winthrop Hackett, we are taken back to the original state of the site. Before white settlement was felt there, the campus site was covered in marri and jarrah with big old trees dotted here and there of the kind you are hard pressed to find today in the metropolitan area. In the south the site was thickly timbered with sheoak. There were banksias, tuarts, paperbarks and Christmas trees. The site had a shallow water table and relatively fertile clay soils, like the property of the Bussell family, ‘Cattle Chosen’. The Swan used to flood regularly – it does not do so any more because of more recent human changes to the river. The Crawley site was often flooded prior to 1829, and over the millennia the floodwaters had dropped plenty of their sediment load in the area. Sand, silt and organic debris enriched the soil of the site. It was this that made it a more fertile location than is commonly encountered on the Swan coastal plain. For this reason UWA may be considered the closest Western Australia has to a traditional botanical garden.

Seddon notes the importance of the site as a gathering place for the Nyungar people. There was much native food on the site that could be gathered: in seasonal swamps there were frogs, marron, tortoises and snakes. In the waters of the shallow bay there were mullet, salmon, schnapper, cobbler, tailor, shellfish, turtles, crabs and prawns. In 1827 Charles Fraser remarks on the Swan River: ‘Without any exaggeration, I have seen a number of swans which could not have been estimated as less than 500 rise at once, exhibiting a spectacle which, if the size and colour of the birds is taken into account, and the noise and rustling occasioned by the flapping of their wings previous to their rising, is quite unique in its kind’(p.13). The Nyungar women dug for tubers. Zamia nuts were stored for use, and banksias flowers were soaked in water which was to be drunken. There would have been quokkas, quendas, bilbies and tiny honey possums scurrying about the place. It was the site’s plentiful food supply that made it a cultural gathering place for the Aboriginals. While today cricket is played today on James oval, hundreds of years ago boomerangs may have been thrown in the same spot, demonstrating a pleasing continuity of human usage.

The lands biodiversity was not noticed by early white society. In an epithet which prefaces the volume Adam Armstrong in an advertisement to sell nearby land at Dalkeith cottage writes: ‘As a goat run it is not surpassed by any in the Colony.’ (1838) Fruit trees adorned the site around a small farm, and plenty of melons were grown. Gillian Lilleyman traces the history of the site as a farm for goats, fruit and vegetables in the first decades of settlement.

Later, in the choosing of the site the senate were not all convinced. The site was five kms from the Perth town hall, and sand and bits of limestone were blown across it off the unsealed road running from Perth to Fremantle. Leslie Wilkinson advised on the layout of the campus in the 1920s. His preference was for a ‘wooded park’ of trees and grass. Especially mature marri trees (Corymbia calophylla), for example, were retained, but most of the flora was removed from the site. From 1922 gelignite was used to blow up the bigger and older marri and jarrah trees. Henry Campbell, superintendent of the grounds, went on to plant rows of palms in the Great Court at the end of the 1920s. In 1928 he planted the oaks of the Oak Court.

The book does not provide a broad-brushed botanical tour of the campus, as I would hoping it would. However, on pages 64 and 65 the book contains a plan and key of all the trees in the Great Court, which will be of interest to those who would like to know what they are looking at while they wander around the most immediately botanically impressive area of UWA. Indeed, for my own uses this is the most valuable part of the whole book. It is a great pity that the numbers 96 to 158 have been left off in the right hand margin in the printing of the book. Interestingly of the trees Campbell planted half, by species, come from the eastern seaboard of Australia. As the authors point out, so did half the human population of Perth at the time of their planting.

I don’t want to belittle the contribution of Seddon in this book. He and his coauthor have performed an accurate and detailed work of local history in this volume, and more generally Seddon’s books have taught me more than anybody else about my home place, the soils and plants of the Swan Plain around Perth. However, in discussing the trees of the campus Seddon never invites the reader into a lyrical and affectionate relationship. In discussing the trees of the Great Court he writes: ‘Some trees grow too well and are out of scale. Others struggle, even after the best care. Off with their heads!’(p.169). In my experience Seddon is more a historian and a scientist than a writer attuned to the poetics of the natural world. In my own view some of the most impressive trees on campus come from Queensland: the towering white and muscular trunks of the lemon-scented gums besides Reid Library, and the rod-like heights of the kauris. Seddon, in typical, taxonomically snobbish form, prefers the most rare specimens, for example the Karrir plum in the Tropical Grove (p.l67).

Some romance… Henry Campbell died in 1930, and his younger protégé, Oliver Dowell moved in to take his place. Dowell had an appreciation of the native flora. The karri in the north-west quadrant of the Great Court with the iron seat around known as the honeymoon tree is so called because Dowell collected its seed in the south-west on his honeymoon. In the early 1940s the US Navy established at base on Matilda Bay and used some of the University buildings to house the personnel. Because of the black-outs required at night Whitfield Court began to be used as a ‘trysting’ area, and complaints were made – the behaviour was said to be upsetting the caretaker’s sensibilities.

In the 1950s around fifty sheep grazed the lawns in place of mowers, and were even shorn for a profit by the grounds staff. The university would have been a much more peaceful place without noisy mowers and leaf blowers doing their job here and there.

munns.jpg

Carting hay in the early 1930s on campus. Horses were important members of the UWA work force till the 1950s. Although Seddon fails to mention it, there is no technical reason why they could not be so again in 2007, making the campus quieter and less polluting.

So, let’s return to the title of the book. What makes a Landscape for Learning? Despite the wonderful clay soils of UWA, and the enjoyment provided by floristic diversity, one wonders if native plants aren’t more appropriately planted in the grounds from now onwards considering declining rainfall in the south-west and CSIRO projections of continuing decline in precipitation due to climate warming. Western Australia is not eastern Queensland, despite the Umbrella tree being a feature in so many gardens of the Western suburbs. In the absence of such native plantings coming to dominate the UWA campus, as they did a hundred years ago, perhaps we will see another instance of a university not practicing sustainability while its courses increasingly preach it. The more university institutions perpetuate a radical disconnect between course content which stresses the importance of environmental sustainability, and buildings and grounds which do not enact this philosophy, the less seriously Perth’s young undergraduates will take the advice of the memorial besides Reid Library to: ‘Seek Wisdom’.

A New Government in Australia

November 26th, 2007

On Saturday Australia voted for a new federal government. For the first time in eleven years we have a government that is not worthy of contempt. Those educated, left-wing Australians in their late twenties or early thirties have had a mean shopkeeper, a man whose stunted ideology of materialism they detest, leading their nation for all of their adult lives. Now he is gone. We no longer have to cringe when we hear or see that cretin on tv or the radio. We no longer have to think about moving to New Zealand.

Millions of Australian men and women voted for the Liberals on Saturday. We live in a democracy, and they lost.

I was working at a polling booth in Fremantle. While we counted votes after the doors had closed and the sun was sinking the news came through that the Australian Labor Party had won and that a sad chapter in Australia’s history had come to an end. People started to cry out ‘Howard’s out!’, and ‘Labor’s won!’ and their were smiles everywhere among those assembled. Then I went down into Fremantle with some friends and people were shouting ‘Howard’s history’ in the streets, and yahooing to strangers (including me).

I’ll remember those moments for a while to come. John Howard is history. I repeat, John Howard is history.

The Greens have five senators which means they now have party status and will get increased funding (which means more research staff). So there was good news on that front as well. Interestingly while counting votes I found that the overwhelming majority of votes which had been made below the line on the senate ballot paper were made for the Greens. A suggested conclusion? Those who think reflect deeply about politics vote for the Greens.

I noticed a well known Australian academic voting on Saturday. He is an august looking man with grey hair, and his much older looking mother was there voting as well. He helped her into a seat where she could fill out the ballot papers in comfort. She was very frail and she asked her son politely how to make sure she was giving her vote to the Greens. These were not fringe-dwelling hippies with flowers in their hair. These were intelligent, educated, compassionate and respectable citizens.

There are real differences in personality among different individuals, reflected, for example in the differences we find in the ability of different people to recognize novel stimuli (political conservatives are not so good at this). Amongst the stream of wealthy, blank faced, and often impatient Liberal voters – the Liberals won the vote in this polling both – this respectable older man and his frail old mother stood out for me. For a moment I realized that even if the Greens never form a government at least we can know that they represent the opinions of those complex, well-rounded and compassionate individuals who have truly thought about what makes a good nation. Such people may always be a minority, but they exist.

Time to sound biblical… Whatever happens on this earth, and whatever happens to this earth, the righteous shall stand tall.

My Poetry Selection

December 2nd, 2007

route1.jpg

The other night I heard the Australian musician Xavier Rudd play a song called ‘The Mother’. I’m not normally a fan of folk-rock, but this song has stayed in my mind. The song is a tribute to Gaia, and the key line in the chorus is ‘Mother Earth breathes good luck’. This song doesn’t need a very deep level of analysis, but I appreciate its message and enjoy its rootsy, Australian feeling. It comes from a surfy kind of mileau and listening to it you can smell the spray of the surf in a campsite among old trees. See what you think. I expect its on iTunes and it is off the album ‘Food in the Belly’.

Colours for Christmas and the Extinction of Experience

December 23rd, 2007

melaleuca.jpg

The other day I was out in my garden in the sunshine and noticed that the paperbark tree in my garden has flowers on again.  It must be summer.

It is so easy to forget to renew our connections with the bit of the planet that we live on.  Life gets busy and time goes by.  It happens to most of us.

There are many environmental ills in the world that you and I can’t remedy.  But there is one extinction that we can stop, right now, each one of us.  That is the extinction of experience.  The extinction of the experience of intimacy with the land.

I have recently been reviewing Jules Pretty’s recent book The Earth Only Endures for an American journal Organization and Environment.   Discussing ecoliteracy, our ability to read the species of local life on the land, Pretty uses a range of statistics to show that  that ecoliteracy is lower in richer communities than poorer ones.  He visits the Innu in northern Canada and writes about the rapid extinction of experience their culture is going through with respect to nature.   Reading this I thought of Australia and the massive extinction of Aboriginal experience of the land.  So much knowledge and intimacy is forever gone all over this country.

Here is a test to see how ecoliterate you are.  Could you give a friend directions on how to get to your house using only natural features of the landscape?

Even if I can’t measure up to this level of literacy about my home place, at least I can stop the complete extinction of the experience of nature from my life.  The other day I did this.  Look how vibrantly yellow the banksia flowers are looking in King’s Park at the moment.

banksia.jpg

Happy Christmas one and all.

A Poem to Start 2008

January 3rd, 2008

“I could have told much by the way

But having reached this quiet place can say

Only that old joy and pain mean less

Than these green buds

The wind stirs gently.”

Time goes on and on and in spite of all the things I feel like I need to do this coming year, nature reminds me to forget New Year Resolutions and to return to the present.  Read, or listen to, the rest of this poem by the English poet Kathleen Raine here.

Finding Place in Fierce Australian Space

January 5th, 2008

pilaact5.jpg

I wrote the following article in response to seeing a series of photos by my Indonesian friend Pila.

The title of the above photo (which is available for sale I believe) is ‘act 05 of Hello And Goodbye series’
size: 60x100cm
2007

A neat, Asian girl is standing on the flat and dry expanse of the Western Australian wheat belt. Her clothes are contained and respectful. The nape of her neck, the intimate place only a lover would kiss, is all you can see of her skin as she turns to face the silver desolation of a salt lake. The land does not embrace her. It gives no gentle reciprocity to the newcomer. The sun light scours the horizon, showing no relief or refuge. The land has not received human love here, and it stares back at the visitor from under a layer of white scum. The anonymity of the earth’s face carries menace. The salty expanse holds no cherished niche or well known outlook. The only human stories to have past by here were those sealed behind the door of a moving ute. Once this land was briefly wheat for dollars. Now it is only erasure.

The girl cannot feel at home here. She comes from a land just across the narrow sea to the north. Seen from outer space the verdant greens of Indonesia’s mountains and islands create a vivid contrast with the ochre to scarlet reds of Western Australia. Now she stands here on the land down under and sees the flat line of the horizon. Before this moment lines meant only the vertical shapes of rising mahogany and teak. Now the line that rings the sky has been stripped of mountains and forests and is there before her.

Her name is Prilla Tania, or Pila for short. I visited her in the small farming town of Kellerberrin in south-western Australia, a few hundred kms from the coast, one Friday afternoon in dry December. I was there for the opening of an exhibition of photographs she had taken. In a series of six very large colour prints, the photos show her entering the hurt landscape and trying to feel at home. She steps over a doormat which sits at the bottom of each of the frames, picks up an English tea cup and drinks, standing in the living room of big sky and brown wheat. Her photos are a cycle that witness the degradation of the land. They start with the image of her stepping over the threshold into the original woodland of the area. Soon she is standing in a razed field, then in a field of wheat, and then, in one of her most powerful images, she is turning to confront the white plain of a salt lake. The inadequate tea cup of British settlement comes up again and again.

As I had made the three hour drive out into the area from the port city of Fremantle I had felt my mood sink a little. My eyes had searched for the biological wonders of diverse plant and animal life that have evolved to fit this arid corner of the planet, and come up with only horizon after horizon of ‘productive’ brown fields and the odd apologetic copse of trees. Now I had seen Pila’s photos I felt even more acutely the lack of welcome that this part of Australia held out to the visitor.

Even if white folk hadn’t knocked down the open woodland of this low rainfall country to make way for crops and sheep, the land still wouldn’t have been an easy one for most humans to embrace. This place was never lush or soft like the island of Britain or the rainforests of Pila’s home to the north. However in the past a fierce sun would have shone down on the lopsided antics of little Thorny Devils, the dark feathered flight of Black Cockatoos, the freckled trunks of Powderbark Wandoos, and the symmetrical crowns of gorgeous Salmon Gums. Now, with the clearing of millions of hectares of trees for agriculture the deep roots of the trees that kept the water table low have been replaced by the shallow roots of annual crops. The water table has risen, and millions of tons of salt in the soil has come to the surface, killing most things in its wake. With rising temperatures the future of this part of the world is looking even more squeezed.

After the exhibition was over we went back to the room next door to the gallery where Pila was staying. Me and another friend who had come along for the journey wanted to see some stars now that we were out of the city, so we walked down one of the few streets in the town. In two minutes we had left the lights of the suburban looking houses behind us and come to an old, wire fence. Beyond the fence lay a field. We climbed the old wire fence and walked forward into the night, hearing the crackle of our feet in the dry stubble. Darkness muffled the edge between the bright pattern of the milky way above and the emptiness of the field stretching out under our feet. Dark night and a cool wind blowing through the stubble of the wheat made me relax.

We paused and stood in silence. I squatted down and felt the blanket of rural darkness cover me. It was a comfort, and for the moment I felt an intimacy with this place. The endless blanks drawn by the sun were replaced with the smudged shapes of shadow and dark suggestion.

Now only night can bandage the wound.

pila5.jpg

Shall earth no more inspire thee?

January 7th, 2008

I offer the following poem by Emily Bronte to all of you who have ever felt discouraged by all the ugliness and destruction in the world…

Shall earth no more inspire thee,
Thou lonely dreamer now?
Since passion may not fire thee
Shall Nature cease to bow?

 

Thy mind is ever moving
In regions dark to thee;
Recall its useless roving
Come back and dwell with me.

 

I know my mountain breezes
Enchant and soothe thee still
I know my sunshine pleases
Despite thy wayward will.

 

When day with evening blending
Sinks from the summer sky,
Ive seen thy spirit bending
In fond idolatry.

 

Ive watched thee every hour;
I know my mighty sway,
I know my magic power
To drive thy griefs away.

 

Few hearts to mortals given
On earth so wildly pine;
Yet none would ask a heaven
More like this earth than thine.

 

Then let my winds caress thee;
Thy comrade let me be
Since nought beside can bless thee,
Return and dwell with me.

 

by Emily Jane Bronte

No white nor red was ever seen, so am’rous as this lovely green.

January 8th, 2008

I wrote the following short story while I was musing on the erotic in nature late last year. 

In the stone heart of an old city an elegant restaurant goes about its nightly buisiness. A couple are sitting down for dinner at a starched linen table cloth. Outside the windows of the sparesly adorned interior the street is mostly dark, apart from the lights of intermittently passing cars. The entree and the main course pass, and the candle light flickers forgivingly over the faces of the two lovers. That slice of papaya now on the woman’s perfectly white desert plate encases small, dark life forces. Weeks ago in a humid African orchard those glistening black ovaries were fertilzed by pollen. Now the woman’s tongue slides up against the sweet body of tropical nights. Her nourishment carries the sperm of aching trees. But in the dimness of the evening the woman does not remember.

The abiding taste of papaya is good. Ahh, yes, good. Her eyes meet those of the man across the table. For a moment their pupils dilate in collusion. The woman pauses, feeling a seed on her tongue. She moves it over her tongue and plays with it on her lips. While bringing the sweetness of promise across their tongues the lovers are intent on the beauty of dark eyes across the table. They smile to each other. Outside the old city walls a breeze glances through leaves in a grove of trees.

It is a few days later, in the country. A small forest of trees borders an enclosed space of lawn. The young woman walks, alone, into the middle of the sheltered scene. Civilization fits tightly. She undoes its clutching grasp, and lets it fall softly from her body. She lies down on a rug, there in the middle of the lawn. Leaning low she feels the warmth of the sun on her brown, now naked skin. The roughness of the grass through the rug under her thighs. She savours the sensation of the warm air caressing her free breasts. Time passes. A bird calls out. Green shadows shift and fall languidly over the grass.

Looking sideways into the trees the woman notices a seed case hanging from a bough. What is this shape? Slowly, she gets to her feet and walks over to the hanging seed case. The outer skin has already started to come off, making the object look naked, even brazen. She peels the casing further back and slips her whole hand around the large, heavy seeds within. She hefts their uneven texture, sensing a dense, weighted content.

The roundness of promise lies there in her hand. Her eyes see clearly in the day’s brilliant sunlight. Within an arch of wood seeds are gestating the future. All the trees seem to lean in from the edge of the garden around her. Stroking the pendant ovals with her fingers, she looks, and remembers all the love in the world.

Cutting Free from Port

January 11th, 2008

hookah.jpg

Last night I and a select group of acolytes gathered for a film night at my place.  This wasn’t any old film screening, this was a journey into light, accompanied by a mix of ambient acoustics that I’d put together.  While we soared over the peaks of the Himalayas the sounds of Aeroc pulsed through us, as flowers in the high mountains opened Triola came through the big sound system, and as we ventured into the dark caves of Borneo the echo of Bill Laswell’s dubs opened before us.  Many of the world’s best nature photographer’s were involved in the making of the BBC’s Planet Earth series (2006), and their superb work needs this kind of soundtrack, not the BBC intonations that the film was released with.  (Sadly the photographer’s involved are not even listed on the sleeve of the DVD, only ‘David Attenborough’ is mentioned.  And of course David didn’t do any of the photography that makes this film so sublime.  Come on BBC!)

That’s my friend Chris having a peaceful inhalation of his cinnamon hookah.  The tethers have now been cut.

The Lines of a Tree

January 19th, 2008

hanging.jpg

White Australia was born with the sweat and blood of poor British men and women dripping off it. 736 convicts came out on the First Fleet. The ‘First Fleet’ consisted of eleven ships full of people forced into exile from their homeland by a legal system that looked after the rich. The oldest female convict was Dorothy Handland, a dealer in rags and old clothes. She was 82. She had been given seven years for perjury, and in 1789 she hanged herself, in a fit of befuddled despair, from a gum tree at Sydney Cove. She became Australia’s first recorded suicide.

For me nature is a lifeline. My sense of my self as part of the natural world buffers me against depression. But when Dorothy’s body swung from the limb of a gum tree, like the one above, she clearly had no understanding of the lines of nature as lifelines.

Did the Aboriginal people ever record a suicide? I don’t know. As Australia Day approaches this year I’ll be looking back with sympathy not only on the Aboriginal people who suffered the invasion of their homeland, but also on those thousands of men and women who were slaves of the British Empire two hundred years ago.

highSurf

January 20th, 2008

liquiddawn.jpg

Real environmentalism isn’t just about acknowledgment of the problems of this world and the struggle to right them, it is also a regular, lived appreciation of nature. Try and live the first without doses of the second of these things and you’ll find it a rough path. People whose contact with ‘environmentalism’ goes only so far as a Greenpeace banner, or a newspaper headline, are understandably turned off by the whole movement. The other day I was running on the beach.  Afterwards I jumped in the waves and the warm water, played around, smiled and goofed off. It was like washing all the artifice of modern life off. Unclogging the arteries of my day from duty and chore and other heavy metals. We go to the ocean in Australia to wash off the urban. And we renew our selves. Surfers are more realistic than environmentalists in this respect in that they always balance the bad news of the day with real and regular experiences in the more than human world. Sitting in the city as the weeks and months go by and reading about the ills the natural world suffers again and again gives one a distorted picture of reality. Reality contains ugly destruction, but there is so much more beauty and extant landscape to enrich your days out there. Surfers know this as they don’t forget to pay regular visits to the swelling and swaying landscape of H20 that rings this country. I felt my body and soul profit from my afternoon flop, flail and foam-slide in the surf.

A participatory experience of cosmically generated aquatic waves makes you feel good. Let’s talk about health for a minute. Most of the time in the West doctors use a deficit model of health: that is, if you’re not sick, then you are healthy. But what if we had a more positive conception of human health?

My cousin, Tim Baker, is a freelance writer who lives in northern NSW and does plenty of surfing. He’s just published a book of interviews with surfers, High Surf, and flicking through it the other day I came across the words of Dorian Paskowitz:

‘When you come out of surfing, there is this euphoria, which is part of an actual physical sense of well-being. It’s not that you suddenly hear angels, its that you feel physically remade. You’re not only remade, but remade with refinement, exactness, so that things feel inside you to be gearing and meshing effortlessly. You feel lighter, you feel that you move with more agility. You have more positive feelings, you talk faster. How much more this is than not being sick; how much more this is than just being normal.’ (p.125)

I then read a comment by a surfer in Byron Bay, Rusty Miller:

‘When the surf is good in Byron Bay and a lot of people get a lot of surf, the vibe in the town is actually elevated by the spirit of what you bring in from the water.’ (p.220)

Moving through space in an unpredictable environment and reacting spontaneously to changes in that environment is what our bodies were evolved to do in the Pleistocene environment of our long-gone ancestors in Africa. It seems to me that catching waves triggers all the responses our body was evolved for. No wonder the activity can make you feel so good. Perhaps we should all be praying to liquid drainpipes.

Goodbye Australia

January 23rd, 2008

The act that founded the city of Perth, Western Australia, for white folks in 1829 was the cutting down of a tree on Mt. Eliza in today’s Kings Park, and the firing off of a volley of shots. Since then the transplanted British and their progeny have not done the best job of living well with nature around here.  Perth has a long way to go when it comes to cultivating the presence of wild nonhuman life within its suburbs.

Tomorrow I’m flying to Sydney and on Friday I’m flying to San Francisco. I’m going to be a work-study scholar at the Esalen Institute, studying massage for ten weeks there. The feeling of anticipation is building. I do like the landscape of Western Australia, but it is very flat here, and it is going to be a real pleasure to see some big hills in Big Sur, northern California. I’m not going to Esalen only to study massage, I’m also going to spend some time under a big starry sky, by the cold Pacific, far away from city life. Living in the suburbs dulls one’s perceptions to some degree, and I’m hoping that these coming few weeks will sharpen my senses and my appreciation of the natural world.

This morning I and my friend Yvonne went down to Bather’s Beach in Fremantle for a swim.  This is my last dip into the warm blue Indian Ocean before heading into the northern hemisphere winter.  As we swam two dolphins, a mother and her young one, came and played with us.  I and Yvonne gasped with surprise as the glistening fins surfaced a few metres away from us.  They circled around us, and I ducked under the water and swam alongside the large grey shape of the mother.  I couldn’t believe that just five minutes bike ride from my house I was playing around with a couple of huge, intelligent wild beings in the warm shallows of the sea.  They were so much larger than us, and so lithe in their liquid space.  What a benediction to receive just before I leave Australia.

I didn’t have my camera handy when the dolphins turned up, but this is where we met the strangers from the blue.  Look at the colours of the ocean today (and thanks for the photo Yve).

tom.jpg

There is still wildness to be found in the city.

An Australian Enters American Territory

January 27th, 2008

The longest Friday in my entire life started with walking through Surrey Hills in the morning in Sydney, and finished at midnight, tapping alone at my laptop, in Fairfax, a suburb of San Francisco. I left Friday afternoon and arrived Friday morning. While Australia had already moved into celebrating Australia Day I was still treading water back in Friday. In the Australian afternoon, as the plane moved out over Botany Bay I looked back and saw the white sandstone cliffs of NSW recede. A hot, dry land, yes, but at least a place where you can feel the sun on your skin. Thirteen hours later as I came into San Fran the turbulence of strong winds and heavy rains knocked the aircraft around. Upon emerging out of the car park with a debilitating mixture of nausea and sleep deprivation I found endless gray water sheeting the Californian sky. I’ve left summer and come to winter.

The feeling of having left the warm web of human associations back in Australia hit me about then and I felt sad on top of it all.  But don’t worry, after some sleep and food and drink I’ve revivified and today and feel ok again.

I’m an Australian in America.  I’ve come ambling out of the red centre…  A real man of the Australian wild doesn’t look like Crocodile Dundee, he looks like Jimmy Pike, brilliant Aboriginal hunter and tracker, pictured here with a Bilby (photo from Hunters and Trackers of the Australian Desert by Pat Lowe).

jimmypike.jpg

No, I’m clearly not a true Man of the Wild.

This isn’t me.  I’m more at home with the button on my Nikon, than the grip of a throwing spear, and the sound of a trumpet being blown at a party, than the sound of a dingo howling after dark.  But I am more in touch with the natural world than most people.

So when I arrived here in San Fran the first thing I wanted to do was see what the land looked like beyond the built walls of civilization.  It is green and wet, so different to the arid land and blasting sun of south-western Australia I’ve just come from.   The experience of coming from one season and land to another season and land in such a short time is jarring at first, but I’m already adjusting to a winter key.

moss.jpg

Moss and lichen coat the stones, and the waving arms of the oak trees in the valley.

fairfax1.jpg

The rain that fell yesterday and last night has created torrents where before there were just dribbles.

fairfax.jpg

This cataract, and former dribble, is in Fairfax, a small town about 45 minutes drive from the centre of San Francisco.  We’ve had some very serious rain here, with potential for dangerous flooding in the area.

This little house I noticed on my way out to this waterfall, on the side of the road in Fairfax.  The flag tells the true story as I see it.  I am an Australian entering American territory, but more importantly, I’m a human being entering another bioregion within the global biosphere.  This land is part of the common treasure and heritage that is the biosphere.

fairfaxhouse.jpg

Tomorrow morning I’m off to Esalen, Big Sur, to start my work-study program there.

To all my friends, I miss you!

Esalen – Part One

January 31st, 2008

Arrival…

wave.jpg

No, it hasn’t been that dramatic a crash. But I’m going to be honest about my experiences here, and you’ll see that it isn’t all flowing smoothly.
Esalen is a kind of retreat centre, which offers week long courses in yoga, meditation, photography, amongst other things. There are about three hundred people on this cliff-side property on the steep sides of Big Sur, central coast California. Some of the people are staff, and some of the staff are ‘work-study scholars’, that is people who pay less money to live and study here for a longer period, as well as who work for some of their week. I am one of these people. I’m staying on the main property, quite close to the lodge (the dining hall) which is the centre of activity here. I’m sharing a room with a Korean guy, an English guy, and a very young American guy. They are all nice, low key people. However the English guy is on the bunk bed below me and he snores and even with ear plugs it disrupts my sleep. Hopefully tonight the white noise machine somebody left in the room will help. However not having a private space to retreat to from all the people – and the experience of being at Esalen is of being thrown into a sea of talking heads – gets me down a bit.

dinner.jpg

In the dining hall one eats at a buffet, and the food here is so various and gourmet in a very healthy sense that I am eating the best meals I’ve ever eaten.

kitchen.jpg

Here is the kitchen. This is where I work six hours a day, five days a week. I am washing dishes or pots or chopping vegetables or taking salads out to the salad bar in the dining hall. I work quickly to alleviate the monotony of the jobs, and today I had the pleasure of having my iPod played on the stereo as the chef for the day didn’t have any music on him. What with work during the day and the two and a half hours of classes in the evenings I’m finding myself feeling overly controlled by outside forces (what with the additional factor of not having a private space of my own to retreat to after work or class).

But I want to give a balanced view of my experience here, so now it is time to turn to some of the positives of being at Esalen. At Esalen thermal hot springs are channeled into hot bathes which are perched on the edge of the cliffs. I generally try and have two trips down the hill each day to soak in the tubs. With sore muscles from scrubbing pots or running around the kitchen, it is just what one’s body needs.

bathes.jpg

I have yet to actually take my camera into the tubs – people are generally naked so they might not appreciate it if I did – but here is where I stand on the stones above the freezing cold Pacific ocean and have a hot shower before entering the baths.

shower.jpg

Yesterday I had a rare moment of solitude in the bathes before lunch, and as I rolled around in the water I watched an otter rolling around in the much colder water below me on his back. A pleasing analogue in recreation between me and the ocean swimmer. Lying in the hot tubs is clearly one of the best things about this place.

I have to go to bed now as I’m exhausted, but I’ll continue this blog about Esalen tomorrow.

sunset.jpg

Esalen – Part Two

February 3rd, 2008

Now for the place…

cliff.jpg

We are on the edge of some cliffs above the ocean. The days are cool, maybe 15 degrees? I can’t tell you what temperature it is with certainty as the Americans use Farenheit which I don’t understand.

Yesterday I walked up the canyon, and looked around and saw big trunks, dignified and ramified by thousands of years. Leaving the dining hall (to the right of this photo) and the society of this place, I was confronted by nature. A sudden lifting of the veil and I see that I am in a place, not just a sea of talking heads. Up the path I sat and watched the water shoot down the creek before me. Turning to my side I noticed shafts of sunlight catching and highlighting the green grass on the ground around me. The air is cool and humid here, and I can’t ignore that I am in a place not just a society.

canyon.jpg

In the mornings the ocean hits the rocks and creates a fine mist of spray along the coast as you look south from the dining hall (here I’m looking into a reflection from the window of the sun-room).

reflection.jpg

My ambivalence about the earnest and irony-deficient character of Esalen village life is not extended to this patch of the Big Sur coast. I love it.

The Big South

February 6th, 2008

As usual I don’t have enough time to do any writing here, but I thought I would share a few of my recent images.

Dinner in the lodge with John the piano man…

john.jpg

Frail barques set sail on the ocean of blue, their wings setting a faltering and delicate course outwards. These are Monarch butterflies over-wintering in Big Sur.  The ones further east in the US make their way down to Mexico for winter each year.

monarchs.jpg

Far from the chatter and the heat of the crowd…

whitewash.jpg

yurt.jpg

wav.jpg

The pulse of the sea on a Western frontier.

February 11th, 2008


More thoughts and images from El Sur Grande (The Big South)…  A word on history.  This part of the world has a Spanish name due to its Spanish history, which started a couple of hundred years ago.  In 1770, while James Cook was mapping the east coast of Australia, on the other side of the Pacific the Spaniard Gaspar de Portola was spear-heading the spreading of Catholic missions to this part of the world. The Esalen Indians, and other tribes of native Americans, were quickly converted to Christianity and lost their culture.  Until about seventy years ago this part of California didn’t even have a road going to it.  In 1938 Highway 1 opened it up to tourists, of which there were to be many.  Some of the interested travelers to have visited have included Ansel Adams, Jack London, Robert Louis Stevenson, and Jack Kerouac.  Short history lesson I know, but my sources here are sparse.

It is still winter as I sit here in Big Sur, with the Santa Lucia mountains to my back, but we have had a series of sunny days in the mid twenties so it doesn’t feel like it.   The other evening I was walking back up the hill from the hot tubs listening to the Californian reggae group Groundation on my headphones.  A couple of people walked down the path past me, carrying the smiles of those who have just come off the dance floor, as they had.  I looked out at the dark sky and the moon and thought I am glad to be here…

evensong.jpg

Greeting the sun in a rare moment of solitude.

paul.jpg

The pulse is strong.

w.jpg

The water is green and cold.

green.jpg

Sprawling coast live oak draped with lace-like lichen creates a dark, convoluted space.  The hills of Big Sur are a mosaic of grassland, oak woodland, redwood forest, and coastal shrub.

wicked.jpg

A Green Place By the Sea

February 24th, 2008

Look at my American gallery on this website to see recent sights to have met my eyes – my image editing software is broken, so I’m just putting unedited images straight into the gallery at the moment.

So, another epistle from the headquarters of credulous Californian hippydom. Rather than dwelling on the negatives of being here, like little time to one’s self and little privacy, I’ll throw down some vignettes of things I’ve enjoyed.

An early morning awakening rewarded with a pink sky, and a rainbow in the midst of the mellow splendor.

Stopping on the road and watching five condors swing and glide out of towering thermals. They were flying without needing to move their wings, as though they were using hang-gliders with fixed structures above their torsos.

At Point Lobos. Cold and windy, and towards the end of the day. Shadowy vistas, grass glades, wizened, wind-wracked zig-zagging boughs of Monterey Cypress, and ancient and tilted stone boulders above the loquacious Pacific. A philosophical location.

Here’s a photo of the front lawn of Esalen…  two young fellas watch the sun slip away.
imalaki.jpg

Finally feeling at home at Esalen.

March 11th, 2008

I’ve moved into a new cabin here at Esalen, (to remind you, Esalen is the expensive, new age, formerly avant-garde spa resort/ workshop centre/ seas-side community that clings to the unpeopled mountains here on the north-central Californian coast, where I’ve been residing for the past six weeks). I’ve also started a new job in the office. It has been a week of experiencing these new things, and thanks to these changes I’ve really started to get into the groove of being here. The new cabin is clean and nice and has a little deck. Up in my double bed with my photographs on the wall I feel like I have a little home here in America. I share the cabin with one other guy, rather than the three others of my previous cabin. It is simple, but it is all that is needed, and it is somewhere to call my base. Apparently having this aesthetically pleasing and comfortable little corner makes a difference to me – maybe its my personality type, I’m not sure. And what with this little home nook, and not disliking my job anymore now I’m away from the noise and clatter of the kitchen, I have come to a point where I find myself relaxing more and more often enjoying what is to be enjoyed at Esalen.

Last Saturday evening I DJed some reggae at a party in a yurt up the hill. There were the people from the new work-scholar group in attendance (work-scholars are people who work and study here in blocks of five weeks).  The new group is doing a month-long workshop in dance.  The party was low-key, with a pile of cushions in the centre of the yurt, on which lay strewn sundry limbs and torsos in various state’s of massage-induced relaxation. Here Johanna, a German lady, is enjoying a foot massage.

dsc_0073.JPG

The other day I visited Monterey, a town an hour’s drive north on the coast from here. It is famously associated with the novels of John Steinbeck, but the contemporary reality seems quite nondescript and unremarkable to me. Being in Monterey – my second time out of Esalen in six weeks – was a strange experience. I had left Planet Esalen and returned to the real world. Roads and tarmac and cars were one of the first things I noticed. They seemed to be everywhere. That was the first impression from leaving here. Most people live on an area of the planet’s surface that is relentlessly bisected by roads built for automobiles. I realize that I really love having just a little wooden cabin by the sea and walking to and fro. I like not seeing polluting cars en route all the time and being reminded of how unsustainably people live. As I walked around Monterey I started to think about some of the things I’ll miss when I leave Esalen. I counted them out. I realize that when I leave here I will miss being able to roll down to the lodge whenever I want and get a delicious, organic, healthy meal, with endless variety and freshness of produce. Or walk into a free Qui Gong class, or an improvisational dance class. Or talk to somebody I know in the lodge if I feel like a social interaction on the spur of the moment. Or roll down to the tubs for a soak in mineral hot waters while watching waves power themselves onto the rocks below me. Or go and take photos in the thousand year old redwood forest up the canyon. Or meet interesting people over a meal in the lodge. Or get a massage down in the tubs while hearing the Pacific rumble in my subconscious. Or get up in the morning, get out of my bunk bed and walk out a few paces and look at the waves and the mountains and the cypresses and smell clean air. I will miss these things.

As compensation I remind myself that when I do leave here I will be taking some good bodywork skills away, some knowledge of dance and Qui Gong, a Big Sur photographic portfolio, and some good contacts. And of course one part of the Californian coast can’t ever have a monopoly on dance, massage, nature and the like!

Now I can say that I feel connected to Big Sur and I can imagine happily living here in this part of America. I love this landscape. Finally after six weeks I feel like I’ve arrived.

dsc_0089.JPG

Here’s the lodge where we eat like healthykings:

dsc_0106.JPG

Here’s the front deck of my little cabin.  At the end of that row of cars is the cliffs and I walk and stand and look out on the coast of Big Sur each morning.  The white stone I found down on the pebble beach here.

dsc_0055.JPG

Big Sur Vision and Occlusion: Looking out at the land and gazing in at the navel.

April 2nd, 2008

The other morning I sat in a hot tub under the morning sun as it tipped over the Santa Lucia mountains from the east and cast it warmth down on the naked loungers in mineral hot water. I looked down on the rocks of the beach below, gray and catching the dragging surf in an immobile clasp. The foam collected and ruffled like white egg yokes, then retreated to the west. The water I was in was hot, and only with an intellectual effort did I remember that the blue sea I was looking at below was very, very cold.

All of a sudden a movement to my right on the steep rocky slope. Salt peter and olive coloured bushes clung to the near vertical scree, and from among them I made out the shape of a squirrel. The squirrel weaved a perilous and sure footed way down the slope. It came to a ledge further below me again, but still high up over the sea. It stopped and looked out, static on the ledge. It was looking at the waves powering themselves onto the stones below and the big blue immensity out beyond. I could see that the only reason for being were it was and doing what it was doing was to perceive the dramatic ocean scene in front of both of us. I looked at the waves. It looked at the waves also. And then in that moment I knew that other living beings can also appreciate aesthetics, or visual drama. I was witnessing it happen before my eyes. It is not just the struggle for survival that preoccupies other mammals. A different living reality was here with me soaking in the spectacular tumble of the Big Sur coast.

Here’s me later in the day soaking in the view.
dsc_0001.JPG

Green tea and sitting high above the ocean in an empty and quiet sunroom is the perfect combination for thought and reflection. That’s where I am right now. It feels good to use my brain again. With so much external engagement in the form of lots and lots of social interaction and massage and chores and meals and work in the office, my intellectual life has been dimmed somewhat. Good to reclaim it and sit here thinking and writing. I’m glad to be leaving Esalen in less than a week. Working and studying in this community/workshop centre/resort means constantly running from one thing to the next (I haven’t had time to update this blog or keep in touch with my friends). I need to slow down and focus on my own work more.

After experience in ‘process’ groups (group therapy), I have realized that many of the people here at Esalen want to find interpersonal psycho-drama when there doesn’t always need to be any. Many of them really want and expect that stuff. Rather than being attentive to the natural world, or discussing climate change, history or other such substantial and meaningful topics, many of them prefer to sit in a circle in a yurt and discuss the exact shape and colour of their respective navels. Let me make it clear that I am interested in the human drama, and I do believe in the importance of clear, constructive communication and an awareness of one’s inner emotional state, but sometimes these people can just go overboard. Get more upbeat, smile, get going on some bigger projects, and find a sense of humility through finding your place in the natural world, I often secretly think to myself. Many of these people don’t seem to understand the importance of normality, levity and humble simplicity. Instead they get swept up in the group delusion that earnest interpersonal psycho-drama is the most important thing in the world, when it is really something that will be remembered as much as yesterday’s weather.

But the land here still inspires me. Despite all the earnest, knotted-brow Californian errant knights of Esalen the land abides and stands tall. While people can bring you down, the reality of being here on the edge of this magnificent continent can still be touched. A diminutive squirrel still sits poised on a ledge, looking outwards to the sea.

Last weekend I was up the road a few miles north of here, walking on a trail through the redwoods which then wound up a valley through oaks and grassland, in Julia Pfeiffer state park. On the way up I and a friend sat on a rock high above the valley, surrounded by green, translucent leaves. The sun created highlights and dark patches on the tips of redwood trees on the opposite side of the valley and we dangled our legs over the rock and were silent. Sometimes a bird sang from below us or near beside us. There was so much peaceful, shadowy, empty space in the middle of the narrow valley before us. I had a moment of immersion in the wilderness, thinking that this place was always here, and always wild and unpeopled. This corner of California is far from the madding crowd, and due to a long distance from Big Sur to where most people in this state live, it will remain untrammeled by humanity. Days come and nights fall here, I thought as I sat on the granite boulder, with immemorial regularity and calm. This is why I come to nature – not to stride boldly through it, but to be still at places like this, to look outwards and sense the spirit of the place.

The human community can make a lot of noise, but there is another kind of community at Esalen, a community of non-human beings. Like these long-lived cypress trees standing on the edge of the cliff, the members of this other community are much quieter interlocutors.
dsc_0028.JPG

Leaving Esalen and mastering massage.

April 9th, 2008

nate1.jpg

This image was created by my friend Nate Bolt (rights reserved). It is of the Esalen hot tubs, and depicts the place as a planet.  Superb work Nate.

So I have now left planet Esalen (the retreat centre where I’ve been working and studying for the last ten weeks). Today I’m breathing a sigh of relief to have my own life back – to not be working for the machine and to not be constantly in the public eye. I am in control of my own days again. I have some privacy again. I can choose who I associate with again. Ahh.. at last. The sun is shining through the leaves of the oak trees in this quiet valley in Fairfax, just north of San Francisco.

What do I mean by ‘the machine’? On one of the feeback forms I took in the office from a guest at Esalen they had written ‘the machine is too well oiled’. And this is accurate – the selection process for becoming permanent staff at Esalen stresses organizational ability, punctuality, following orders without question (what they call ‘being a team player’), and the ability to give great significance to repetitious and banal work activities. Because of this the make-up of the Esalen staff is full of personalities that possess these traits. They run the machine of a workshop centre/ new age resort very efficiently. If this is the only litmus test of success then they succeed admirably. But could the machine possibly ‘be too well oiled’? Well the above mentioned personality traits do not often coincide with the relaxed, fun-loving, easy-going, jokey, creative, and charismatic aspects of human identity. In fact they can sometimes preclude these other aspects of human identity. The machine of a large new age hotel runs smoothly and efficiently at Esalen, but the people who live and work here permanently are often overly fastidious. Many of the people who work here are great at running to complete the next task, but they forget enjoy the journey en route. These people are great at making other plans, but they forget that life is what happens while you are making other plans. I’m sure many organizations in the modern Western world suffer from the same problem.

And I have to say that it is nice to be away from New Age discourse. This discourse, exemplified by many of the books in the bookshop, is full of slap dash poetic sentiment and nebulous and evidence-immune philosophical argument (more often plain assertion rather than argument). I have an image of Aldous Huxley come back from the dead. He is slumped at a table in the Esalen lodge, despondently listening to a zealot babble incoherently about the chakra system.

But of course there have been some great things about being at Esalen. The dance sessions for example…

dsc_0208.JPG

And the hot tubs above the ocean fed by mineral hot springs…

dsc_0003.JPG

Esalen massage is unique. It is full of long ‘settling strokes’ which give you a feeling of whole body integration, as well as rotations of the joints, and an emphasis on the quality of touch and presence of the practitioner. Although I’ve not talked much about it here, after ten weeks of studying massage I am now confident with practicing massage. I have a good knowledge of anatomy and I have mastered a range of bodywork techniques. I am ready to practice on those who need it, so let me know.

dsc_0096.JPG

Leaving the Tribe

April 22nd, 2008

Having left Esalen I have had moments of missing the place. What I missed was the sense of being enmeshed in a small community of people. While staying at Esalen I sometimes found this overwhelming and without respite (and thought to myself that I wouldn’t want to live in an eco-village), but now away from it I realize that I also found it satisfying on a visceral level. For most of human history we, as a species, have lived in stable groups of between 20 and 200 people for just about our entire lives. With this in mind it comes as no surprise that after I’d slaked my thirst with a few days of peace and solitude, I started to miss the easy access to known characters that walking into the Esalen lodge (the dining area) always provided.

But there were things about that place that I had tired of. And although I’ve left the country and come to the city, I’ve not left nature behind. My path continues. Just to the west of the towns of Marin county is an area of woodland and hills. I’m regularly to be found up winding paths such as this one. As you can see, spring is here in this part of the northern hemisphere.

11.jpg

I’ve been into downtown San Francisco a couple of times. As you walk past Grace Cathedral into downtown proper the streets dip dramatically, and the ornate hotel facades, glimpses of the water through canyons of tall buildings, and well hallowed cable cars rattling up the incline, all make for an intriguing cityscape. I like it. The other day I and a friend visited a gallery downtown that exhibited the black and white photographs of the Californian photographer Brett Weston. I particularly like his photograph ‘Reeds, Japan, 1970‘. Abstract brush strokes from the creator.

I’ve visited Berkley across the bridge on the more polluted east side of the bay, and found that the energy level on the street there is far, far greater than over here in sedate and peaceful Marin County. As you walk into a pub it will be commonplace to hear a snatch of excited conversation about politics or philosophy from someone who is quite likely an academic or a student, or at least highly educated. I’ve also made a day trip down to Stanford University, south of here in Palo Alto (just around the corner from where Apple has its headquarters). The area Stanford is located in reminds me of quiet Canberra back in Australia, and doesn’t have the same rough vitality of Berkley street life. The architecture of the main quad is, strangely enough, just like the Byzantine style of the old buildings at the University of Western Australia (but UWA has a smaller and prettier campus).

But mainly I’m back in Marin, the area just north of the often fog-shrouded Golden Gate bridge. I lived here twelve years ago, but this time I’m more appreciative of the quiet valleys to be found in the hills around me.

reflections.jpg

Goodbye San Francisco

May 13th, 2008

Before flying back to Australia I wanted to make one final visit to the top of Mt. Tamalpais. Mt. Tam is the tallest mountain around San Francisco, and it has the most beautiful views from the ridge that leads to its summit.

The Pacific ocean is just so cold around San Francisco that even moderately warm temperatures create thick plumes of fog, plumes which curl over the hills of Marin and shroud the Golden Gate bridge and the city itself. Here I stand on the way up to the top of Tam, looking north as the fog drifts its way through the tops of the redwood trees.

The following photo was also taken from the way up to the top of Mt. Tam, but here I’m looking west, out to sea. I love the feeling of shelter this spot gives me each time I visit it. It is like a promise of sanctuary in the little wooded crease of valley below, a bonne vaux to use John Fowles’ term for such a sheltering and mysterious place.

Most of the past few weeks I’ve been based in the little town of Fairfax in Marin County. The walls of this little town have murals painted by the artist who created the album covers of the Grateful Dead, and there is a cadre of old school hippies that hang around on the main street. Apart from this though its a settled, Democrat-voting and children-raising demographic in Fairfax. It is not the most exciting place to be, but just up the end of the street I was staying on you step into the wilderness of the Marin hills, and walking and mountain biking up here, with just a couple of turkey vultures circling lazily overhead, was fantastic. Regularly getting into this kind of wooded and hilly country and leaving the trail made me determined to eventually settle in a place where I can do this again.

Of course I like the urban as well… Last Saturday night I was in the city, and walking down a lively street in Russia Hill was like a glass of stiff liquor after the diluted calm of downtown Fairfax. San Francisco is a beautiful city as new world cities go, and it is possible to exist here without driving a car. Just hit the wide and steep pavement, and go for a walk. You can also jump into a cable car or a bus. Bus stops have digital screens telling you how many minutes remain until the next bus arrives.

We walked over the hill and down for an Italian meal in North Beach, the traditional home of the beat writers in the 1950s. Later we ended up in City Lights bookstore, the literary capital of northern California. While I was there I took the following photo which I think nicely echoes the shop’s name.

I’ve enjoyed being in the Bay area. Culturally America has a lot of the same Anglo-saxon heritage that Australia has (prudery and a Protestant work ethic for example), but there is also more going on because of the sheer volume of people in this country, and there is not the distrust of cultural excellence here that Australian culture sometimes lets slip. I won’t miss some aspects of America – the tense atmosphere in some neighbourhoods after dark, the huge, polluting cars and the bland ethnocentrism of the country all come to mind – but I can say that San Francisco is one of the coolest cities I’ve ever had the pleasure of hanging out in.

Arriving back in Australia.

May 13th, 2008

I’ve made the journey over the Pacific and to Australia.  I arrived yesterday morning and caught a taxi to my friend’s Annie’s place on a quiet and leafy street of Bondi.  The streets here in Bondi are full of subtropical plants and trees.  Sydney gets a little bit of rain throughout the year, unlike the long dry summers of Perth, so these kinds of rainforest plants grow better here than in the west.  On the plane over I’d read Lost Worlds, a book on a naturalist’s experiences of the lowland and montane tropical rainforests of Papua New Guinea by Bruce Beehler of Conservation International.   Amazing to learn that the most remote place on earth is probably the Fojo Mountain range of western New Guinea – just north of Australia – a tropical forest fastness full of undescribed species that is truly worthy of being called a Lost World (unlike most rainforest wildernesses around the world even the indigenous land users haven’t been up there).  I feel great when I’m around the diversity, colour and fecundity of tropical rainforest ecosystems, and it is nice to have little intimations of them on the streets of Sydney.

Walking down to the beach at Bondi the blue of the water came as a welcome shock to my eyes.  Knowing that the water here is about 20 degrees celcius gives the place a different atmosphere to the shore of the frigid Pacific in Northern California.   Ah, welcome to Australia…

Walking around the cliffs by Bondi you see the wind-sculpted sandstone that hundreds of British men and women would have peered at as eleven wooden ships sailed into Sydney harbour 220 years ago.   It is good to be back.

When weeds, in wheels, shoot long and lovely and lush.

June 1st, 2008

Gary Snyder says that true affluence is not needing anything. But what we do need is the fertility of the land and the beauty of the more than human world. In his poem ‘Spring’ Gerald Manley Hopkins writes that nothing is so beautiful as that season. Reading his lines reminds me of the life in my garden right now in south-western Australia. The atmosphere here in Fremantle has shifted so much from the hot and arid place I left back in January. The rain has been falling here and the land is green and the little New Holland Honey Eaters, although they are quite different to the Thrush of England, sing as I write this. Here our ‘autumn’ is like the ‘spring’ of England. Let’s turn it over to Hopkins:

When weeds, in wheels, shoot long and lovely and lush

Thrush’s eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue

What delicious eloquence. I love the way Hopkins sees ‘low heavens’ in the delicate shells of Thrush’s eggs, and the way he depicts the victory of biological life over the inert wagon wheels of technology. Now is the time when weeds, in wheels, shoot long and lovely and lush.

Pirates, Surgeons, and Diving into the Indian Ocean.

June 24th, 2008

A bit of hyper-local comment today, which will hopefully be of interest even if you don’t live where I live.  I dwell on the west coast of Australia, in the port city of Fremantle.  The other day I was reading a report from the surgeon of the Fremantle prison from 1870.  In describing Fremantle he talks of the ‘excessive heat at times’, and the ‘sterile, uninteresting prospect’.  The Fremantle Attfield would have looked down on all those years ago was a small town of crushed limestone roads, limestone cottages, encroaching sand dunes, the odd grass tree dotted here and there, and a few ships masts off to the left of Arthur’s head (the limestone outcrop the Roundhouse sits on).  It was an extremely isolated fragment of Anglo-Saxon protestant society, sitting incongrusously in the wild lands of dark-skinned hunters and gatherers.  You could send a telegraph up to Perth, but you certainly couldn’t make a phone call to any other part of the British Empire (the telephone had only just been invented a couple of years ago in America at the time). 

 

Last weekend I was watching a pirate film set in the late 1600s and shot partially on the rainforested coast of the island nation of Dominica in the Carribean.  It was not a great bit of cinema by any means, but the visual landscapes made me dream of my own experiences of tropical coastlines.  I remembered being in a mouldering old port town on the southern coast of Reunion Island in the Indian ocean.  Then my daydream turned to pirates chasing well laden East Indiamen off the coast of Reunion in the early 1700s.  To boarding these wealthy British ships, looting them, and riding off to a remote coast of Zanzibar and careening there on the beach and drinking rum in the humid sunshine… the soiled leather hats, the scared cheeks, the well worn hemp ropes, the dirty canvas full of wind, the untramelled natural world now sliding by the ship’s rails as they pass another green isle.  

 

In 1859 three convicts broke out of the Convict Establishment at Fremantle, stole a long boat and some supplies, and headed up the coast, tacking their way into adventure.  I imagine these long dead men looking over the boat’s rails at the flat and arid Western Australian coastline slide by monotonously under the hot sun.  

 

In one sense Attfield, that surgeon from the nineteenth century, was right: the Western Australian landscape can exhibit a ‘sterile and uninteresting prospect’.  This is the oldest part of the planet geologically speaking, and the soil is eroded of nutrients for the most part.  And many white folks back in Attfield’s day would have stopped on Mauritius on their way to Australia from England, to get some more fresh water and food.  Mauritius, like Reunion, is tall hills and mountains and deep lagoons and black basalt tumbling into the sea.  To see such a place and then arrive on the other side of the Indian ocean after a month or two at sea might have been an anti-climax. 

 

But then maybe that long dead surgeon should have rambled down to the sea at Fremantle, taken off his clothes, stood on a rock, looked down at the shifting, clear blue waters below him, and dived head first in.  He would have surfaced, as I did last Sunday, gave a hoot at the fresh temperature of the water in late June, and then happily gone for a swim.  The coastline at Fremantle isn’t something that I really complain about.    

The Owl of Minerva Spreads its Wings at Sunset

July 2nd, 2008

In the old chaplain’s house along the front terrace of Fremantle Prison, an old Australian convict site, there is a wide Victorian balcony. As I walked through the front door of this building this morning I looked up at the jarrah rafters on the underside of the balcony and a pair of wide, dark brown eyes looked down into my own. In all his compact, downy splendour sat a Southern Boobook (Ninox novaeseelandiae ocellata). I was happy to see the little visitant from a wilder Australia.

Owls have been on earth since the time of the dinosaurs, proving that their model of body is a pretty good one in the game of evolutionary change. Owls are far-sighted, and are unable to see anything clearly within a few inches of their eyes. Their far vision, particularly in low light, is exceptionally good. Serrated edges on the leading edge of the owl’s flight feathers muffle the owl’s wingbeats, allowing its flight to be practically silent.

The property manager of Fremantle Prison told me that he had come upon an owl inside the prison grounds one night when looking for pigeons. The owl had been two metres above his head sitting on a fence. When the pigeons took off they made a loud noise, but when the owl took flight it was absolutely silent.

The Owl of Minerva was a symbol of wisdom for the Romans. The German philosopher Hegel once commented that the Owl of Minerva only gets going and spreads its wings just as the historical day is coming to a close. Let’s hope he wasn’t right in the context of our historical transition to an environmentally sustainable Australia. May the Owl of Minerva bring his wisdom into our lives before the close of day.

And I hope the little fellow at Number Eight sticks around as well.

I am Australia

July 6th, 2008

Witness a scene on a beach, in a bay around half way up the east coast of Australia.  It is 1770, and forty year old Yorkshire-bred fellow by the name of James Cook stands there with two or three other uniformed white gentlemen.  Cook is Captain of the bath-tubbed shaped British barque the Endeavour.  Cook and his men have just sailed across the Pacific Ocean in their 32 metre long wooden sailing ship, watching Venus transit over the sun while in Tahiti, and then mapping the coast of New Zealand for six months.  They are excited to be standing on the mythical Terra Australis Incognita, that land that the Greeks had surmised must exist in the southern hemisphere to balance the lands of the northern hemisphere.

Cook and the others look inland at another group of men further up the beach.  These men are very dark skinned, have no textiles hanging from their bodies, have very thick beards, less hair than the white fellows on other parts of their bodies, and are holding three metre long spears.

Two worlds stand, suspended in mutual incomprehension.

Let the two worlds stand there for a moment.

The old Australian is nomadic.  He enjoys the prospect of changing horizons and shifting skies.  He is part of a tightly bonded human community.  His community is by no means utopian, and its treatment of women is to be lamented.  But his people know no huge gap between rich and poor.  He uses his hands to make tools and to paint pictures.  When Cook throws down trinkets and ribbons at his feet as a sign of peace and amiability he is indifferent and shows no gratitude.  He is ecologically literate and he reads the shapes and patterns of the natural world with consummate finesse.  He hunts with his brothers and engages all his senses while moving with stealth through the leafy and shadowy present.  His language grew on this land, and its fault-lines fit the fault-lines of this land with an intimate clasp.  His forefathers and mothers have lived full and satisfying human lives here for around fifty thousand years.

The prudish interloper, swaddled in colourful wool and cotton, is loyal to king and country, to King George and to England.  He comes from a society that stopped being nomadic a long time ago, and settled down to agriculture.  His society grew in numbers, got itself a king, and became feudal.  He comes from a world of lamentable inequality.  A young boy has the noose placed around his neck on a scaffold in a London square for a minor theft, while aristorcrats dance to Mozart around the corner in an opulent ballroom.  Convicted British men work as shackled slaves on the banks of the Thames river.  Recently the light of science has started to shine in his land, and a public sphere is forming where people read newspapers in coffee houses, and debate the issues of the day.  Punishments are slowly becoming less inhumane.  Englishmen like the botanist Joseph Banks, the tall man back on the ship, are full of the wonder of science.  Cook comes from a land of ancient and small-scale mixed farms that do no harm to wildlife.  He comes from an economy with a rich diversity of skilled and non-polluting trades and professions, like wheelwrights and shipwrights.  This man speaks my mother tongue.

Two cultures, standing still in time, staring at each other.

Both cultures are deeply imperfect.  But both cultures have much to be remembered.  Both cultures have much to be celebrated.

I love both cultures because both cultures help to make me who I am.

I am Australia.

There is nothing lowly in the universe

July 17th, 2008

Literary critics always seem to have something to say. But sometimes they should keep quiet. Today all I want to do is share with you some lines from the poem ‘Still’ by the American poet A. R. Ammons:

I said what is more lowly than the grass?

Ah, underneath a brown crust of dried burnt moss

I looked at it closely and said this can be my habitat

but nestling in I found green mechanisms beyond intellect awaiting resurrection and rain

so I got up

And ran, saying ‘There is nothing lowly in the universe’

I found a beggar

He had stumps for legs

nobody was paying him any attention

everybody went on by

I nestled in and found his life

There, love shook his body like a devastation

I said, ‘Though I have looked everywhere, I can find nothing lowly in the universe.’

Gulliver the Boab and His Western Australian Travels

July 20th, 2008

I was passing through King’s Park, a park in the centre of the city of Perth, this afternoon. What should I see, but the fabled Gulliver lying prone. Brightly clothed Lilliputians crawled around and over him.

Gulliver was tied down firmly, and the people of Lilliput swarmed about. Gulliver was an old man from the north of Western Australia. The people of Perth saw Gulliver as part of their state, part of their identity. But these southern Lilliputians forgot that Western Australia is twice the size of Western Europe, and that Gulliver’s outlook for the past 750 years resembled nothing most of them had ever seen. Before the Enlightenment period of the eighteenth century that rocked Europe’s intellectual foundations, Gulliver was a seasoned elder. Before the Industrial Revolution of the late eighteenth century, Gulliver was a dignified pillar of the community of vertical beings. Before the great, great grandfathers and mothers of these present Lilliputians were born, this old boab had seen many generations of tribes of darker skinned Lilliputians wandering across the horizon, or maybe stopping to harvest some seeds beneath his boughs.

Adansonia gregorii, is Gulliver’s scientific name. He has six cousins in Madagascar, and one in Africa (yes we were one land far back in the mists of prehistory). Gulliver is cold from the drop in temperature in his new home in Perth, 3200 kms south of where he’d lived for the previous few centuries. He’s been translocated to King’s Park as they were going to build a road through his spot on the planet.  Hopefully he’ll be ok.

Ode to the Swan River

August 1st, 2008

[For those not from Western Australia, the Swan River is a broad and slow flowing river which winds through Perth and out to the sea at Fremantle.]

A SILENCE UNHEARD ON YOUR FURROWED CHANNELS

I throw down my bike, and I’m here.

The flowing Swan, soothing broth for my head.
Drinking in the cooler shadows, I look down on my pass, never fled.
High above the water, amongst the needles of the trees.
I pause for a moment and sigh, not being charged any fees.

Anger at Four Wheel Drivers slips out in a rasp.
Blood moves through me, the currents of flow yet out of my grasp.
Casuarina trees mat my ground with their flax,
This pause elongates, then disbands incremental emotional tax.

Nothing is demanded by the dimensions of my local river bank,
The palimpsest of the Paper-bark has only a history of evolution in its tussled flank.
The waving Zamia palm’s government is the risen sun,
The only land-lord of this Marri is the afternoon wind and its sometimes squalling run.

The slope of this sandy earth was not a grandstand in 1829,
And you can hear no querulous Wattlebird report upon those whose questing navy was of Lime.
Prior events were more cyclic, a thousand years contained the morning’s news.
The khaki colour of my sentinel’s leaves, a leached detail any day would not fear to lose.

The morning of this quiet, greener millennia is here.
I look around this river bank, now my Today has dispensed with fear.
I stand upon the grassy river’s edge and am complete,
Let us pray for others yet to rise to their feet.

How to explain the experience of riding a wave:

August 6th, 2008

This morning I was at Leighton for some clean, two foot barrels, all to myself.  I caught myself enjoying the moments on the face, and then being a word-hoarder, I wanted to verbalize why I like this experience. Read on…

Forward comes the scintillating bank of green water. You paddle and then, you are:

Free. Freed from the contraints of being a slow, land-dwelling mammal. Liquid. All motion buffered by gentle and forgiving silk. Effortless. Pollution-free, you float along the edge of one of nature’s rhythms. Moving. Hericlitus was right to say that stasis is death. Absorbed in the Now. Rousseau’s Noble Savages play on the Australian littoral. Out-racing the breaking lip. Tim Winton was pleased to see men do something pointless and elegant.

What have you accomplished?

Freedom-drenched liquid under the sun.

Book learnin.

August 10th, 2008

In case you’re interested, I’ve recently added short, paragraph-long reviews of Ronald Wright’s A Short History of Progress, of Lester R. Brown’s Plan B 3.0 and Michael Pollan’s In Defense of Food to the page on this website entitled ‘Wisdom’ (my suggested reading list).  It isn’t often that reading a book influences my view of the world.  All three of these books have managed to do just that.

The Thought of Something Else

August 11th, 2008

Half of humankind now lives in an urban environment, me included. Recently I’ve been pining for some more nature in my life. I’m sure I’m not alone in this.

I think these lines from a poem by Wendell Berry beautifully illuminate our predicament:

THE THOUGHT OF SOMETHING ELSE

By Wendell Berry

A spring wind blowing
the smell of the ground
through the intersections of traffic,
the mind turns, seeks a new
nativity-another place,
simpler, less weighted
by what has already been.
...
-a place where thought
can take its shape
as quietly in the mind
as water in a pitcher,
or a man can be
safely without thought
-see the day begin
and lean back,
a simple wakefulness filling
perfectly
the spaces among the leaves.

How to Win a Discussion about the Environment:

August 15th, 2008

We have all encountered political apathy and pessimism in those around us. Here I imagine a conversation between Citizen X and an environmentally unconcerned relative of his.  Let’s see what happens…

Wealthy relative [folding his arms across his chest proprietarily]: ‘Well, I’m not doing too badly [in fact he is rich], so I’m not too worried about all that doom-and-gloom talk.’

Citizen X: ‘Remember that you eat the same food and breathe the same air as the rest of us. Living disproportionately high on the food chain, where toxic substances become concentrated, you are at more, rather than less risk of reproductive impairment.’

Wealthy relative: ‘I’ll be dead by the time all these environmental problems become really serious.’

Citizen X: ‘I don’t see why you are paying through the nose for your kids private school education with the goal of helping them enjoy their lives 40 years from now, while simultaneously undermining the world they will be living in at that time. Surely you’ll want your kids to have a stable climate, living forests and living oceans to enjoy? It is a basic moral obligation to help pass on to your children a planet that is inhabitable.’

Wealthy relative: ‘Ok, but as an individual I can’t stop things going the way they are going. So I won’t do anything.’

Citizen X: ‘The second step in your argument doesn’t work. You are right to say that alone you can’t save the world. However, if you do your little bit to fight climate change you will be helping. It is like paying taxes – a small contribution multiplied millions of times becomes a large amount. And totally apart from this, altruistic action feels good, something which makes sense considering our species’ evolutionary history of living in small bands of hunter-gatherers who needed to co-operate. Only your hopelessness is an indulgence we cannot afford.’

Whenever somebody has the courage to disagree with a defender of the status quo, whenever somebody joins the Green movement for revolutionary change, whenever somebody stands up and speaks out, somewhere, in the background, horns of Victory are blowing.

Nature and the Breakfast Table in an Australian Garden

August 20th, 2008

[These are a few lines I wrote a little while back about the divide between culture and nature.]

NATURE AND THE BREAKFAST TABLE IN AN AUSTRALIAN GARDEN

I’m let free from my mooring in the night.
Stretch into the morning without a fight.
Step down the hall.

But then, sick to my stomach of flat, human crafted surfaces,
Tired of synthetic tables and silent curses.
I walk out into my garden.
No, I go out the back door, into a green then.

In my right hand I carry an old handsaw,
Used by my grandfather and disused a lot more.
I walk towards an offending trunk and leaves,
Non-native, invasive, bringer of luxuriant thieves.

Place the teeth to the bark,
Place my right foot to the ground among the twigs.
Then I move and find I’m dynamic among the verdure,
Far from that breakfast table.

A cat watches me from the distant grass,
His eyes glisten and
My spirit glistens.

Smokey the Bear Sutra

August 22nd, 2008

The year was 1969… the back to the land movement was underway. People were heading off to build little wooden cabins in forest clearings and Gary Snyder published his poem Smokey the Bear Sutra:

SMOKEY THE BEAR SUTRA

Wearing the broad-brimmed hat of the West, symbolic of forces that guard the Wilderness, which is the natural state of the Dharma and the True Path of man on earth; all true paths lead through mountains-


Trampling underfoot wasteful freeways and needless suburbs;

smashing the worms of capitalism and totalitarianism;


Indicating the Task: his followers, becoming free of cars, houses, canned food, universities, and shoes, master the Three Mysteries of their own Body, Speech, and Mind; and fearlessly chop down the rotten trees and prune out the sick limbs of this country.


Can you imagine such a politically spirited, slightly naive but powerful eco-manifesto having followers today? Where is Smokey the Bear in 2008?

I don’t know.

The Slow Fires Trailing of Stanley J. Kunitz

August 27th, 2008

The recently deceased American poet Stanley J. Kunitz once wrote a poem called ‘Layers’. I want to quote some lines from this poem, as they seem to me to perfectly capture the experience of loss that is part of being human. Despite the heart’s ‘feast of losses’, we mostly manage to continue onwards down the road. With poetry like this to bring into speech the reality of loss, somehow such experiences seem more tractable.  With his language Kunitz makes it easier for us to continue on down the road.  Here are a few lines from ‘Layers’:

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.

We’re Going to Shoot that Scene Again

September 1st, 2008

Take one.

Lights, camera, action.

You and your friends are unrelated in any meaningful sense to the birds in the trees that you occasionally see when driving to work in the morning. You and the people you know or see on television are Human. You and your human kin have created art, written love letters, driven cars, earned incomes, built houses, and voted in federal elections. And that vast gap between you and that dog barking down the road, or that cat sitting on the sofa over there, doesn’t need any commentary. It’s big. It isn’t just a matter of a difference in scale, but an absolute change in quality. We are the elect, we are spirits and minds, we are Human.

Take two.

Lights, camera, action!

You are an incredibly complex biological organism. Your mind is the flow of scenarios that presents itself through the workings of a neo-cortex situated in your head and is constantly interrelating with thousands of chemical reactions in the rest of your body. The emotions you feel, the things that make you bother getting up in the morning at all, have a physical presence and evolved with you over the millennia, on the savannas of tropical Africa, your ancestral home. Like every other organism, you prosper when you experience many of the things available in your native habitat. These include a wide range of unprocessed foods, water, shelter, the love provided by a lover and family, the community of your tribe, some sun light, physical exercise, purpose, sleep, and the habitat itself: an ecosystem with trees, grasslands, sun, wind, rain and other forms of life, scurrying, roaming and gliding about the place.

If you think you are a smooth, urban, go-getter, who can jump in the car, buy goods and services, find full time employment, watch commercial tv, drink a beer and then put your feet up on the sofa, all the while disregarding the state of the natural world, then I suggest you reconfigure the script.

Christianity was wrong to tell us that we are transcendent souls inconveniently clothed in flesh. That gap between you and the dog barking round the corner or the cat sitting across the way is not immeasurable. Like theirs, your body, mind and spirit have been evolved over many millenia as adaptations to living in nature. Nature gives us clean food, water and air, and its diversity of colours, shapes and motions can feed our sense of wonder and mystery. We are primates. If you start to think in this manner then you’ll agree that our ancestral home has more than marginal significance.

Yes, nature is more than a lawn briefly noticed on a bold walk towards concrete and glass.

The colours of home.

September 7th, 2008

The other morning I was in King’s Park.  There was a grey sky with a warm, soft breeze passing over the heathland around me.  I stood there amongst the light navy greens of the plants, studded with the vivid reds and yellows of blooming flowers.  My eye took in the spiky leaf of a hakea, and then moved right and outwards to notice kangaroo paws and acacia flowers and macrozamias and other lives.  I crouched down and took the time to pause and look.  I remembered where I’m from. I’m from this land, this sandy, spiky, colourful and warm part of the planet.  If I don’t come here to a bit of real, natural Australia at least once a week and pause and look around myself and see the ancient and constantly renewed colours and shapes of my home, then I, slowly but surely, become a deracinated and spiritually empty dupe of technologically bolstered globalization.

And who wants that?

This light, navy green ground, splashed with colour each spring, is my frame.  It is part of my identity.  In some ways I’m a colonial fellow, speaking English, owning a ninth edition Brittanica, a bespoken linen suit, appreciating the farming methodology of the Duke of Cornwall, drinking gin and tonic on the veranda in the heat of the southern hemisphere.  But like other southern gentlemen, such as, Edward O. Wilson wandering through the forests of Alabama and northern Florida in the 1940s, I have a deep interest in understanding and loving the wilds of a new world.  My cultural heritage comes from afar, but this land is my home.

What do I believe?

September 14th, 2008

Would you like to characterize my political position?

Here’s something to go on.  I believe that unions help out the workers and provide needed balance to the greed of the rich.  I believe in the supreme importance of education as a light to shine into a world of dangerous ignorance.  I believe that there is an important discrepancy between the probing and educated voices of academics in universities and the ambient noise made by the mainstream media each day.  I believe that you should not derive your system of values from the advertisers book of dreams.  I believe that, due to its political quietism, postmodernism is the handmaiden of consumerism. I believe that our natural urges to eat sugary food come from our ancestor’s lives on the African savannah and that today we have to discipline ourselves to avoid these foods.  I believe that through practice you can rearrange your neural networks and become good at most things, and this includes meditating on love and peace.  I believe that our sedentary Western lifestyle is not what our bodies were designed for, and that we have to disclipline ourselves to move our bodies more.  I believe that part of citizenship should involve bioregional consciousness of the place you call home.  I believe that if you are going to eat meat in Australia it is environmentally irresponsible to not buy kangaroo.  I believe that if you buy goods made in first world Western nations you are also buying built-in trade unions, health insurance for workers, and many of the other things we value in the West as part of the package (and if you buy them from elsewhere, like China, you’re not getting those built-in features).  I believe that social capital, trust between people, is the glue that keeps a society together.  I believe that, because of the link between caring adults and exposure to good attachment figures in early childhood, we need to pay workers in day care centres more money if we want to live in society with more compassionate voters and more social capital.  I believe that because of the human propensity to compare, there are more stress hormones eroding perfectly good nervous systems in more inegalitarian societies.  I believe that politicians and beurocrats in positions of power have a vested interest to perpetuate the impression that they are in control of the way society is going, but that the reality is that, on the major trends, they are not and that social inequality and environmental destruction is on the rise.  I believe that this is the make or break century for the human species.  I believe that global oil production will peak, food prices will spiral upwards, and that there will be a significant economic recession in the coming few years.  I believe that most of our environmental problems can be fixed easily by rearranging the taxation system to tax environmentally destructive activities while reducing income tax.  I believe that we must provide more slack (build more autonomous units of energy and food production) in global and domestic systems in order to avoid a seventy car pile up on the highway (a cascading catastrophe) if something goes badly wrong somewhere along the line.  I believe in the virtues of frugality, as practiced, for example, in the few years after the second world war in England.  I believe that politicians are human beings and that they are susceptible to being shamed and influenced, sometimes more and sometimes less, by the actions and words of those that protest in the name of the environment and social equality.  I believe that because of our ancestors living in information-poor environments where it was an advantage to have a herd mentality, today most people acquiece to commonly held beliefs.  I believe in the unforced force of the better argument.  I believe in the virtues of being a gentleman, being kind, educated, compassionate, aware of one’s cultural history, curious about the very different cultural histories of others and the natural histories of other species, and being measured in one’s criticisms.  I believe in the importance of family planning in the developing world to prevent the increase in the number of failed states.  I believe that the twentieth century Western world has brought some good things, for example less physical violence, modern medicine, libraries full of books, and the mobility of the bicycle spread to millions of people.  I believe that the twentieth century Western world has also brought bad things such as the legal position of a corporation as a legal person, the conversion of ancient sunlight frozen in the form of fossil fuels into greenhouse causing gases, the conversion of urban citizens into eco-illiterate feed-lot cattle in terms of the amount of knowledge they have of the origins and nature of the food, water and energy they rely on each day for life, and plenty of loneliness for all those people in their little boxes.  I believe in the importance of being grateful and giving thanks for the good things in life.  I believe in the importance of play and laughter for mental health.  I believe that play and laughter (not to mention wider reflection on society) need lacunaes of idleness in which to flourish, and that a society obsessed with material wealth and time urgency discounts the importance of these lacunaes of idleness.  I believe that the wonders of the ancient diversity of species of non-human life on planet earth, the Creation, are a great source of spiritual reverence.

What do you think?

Judith Wright’s Old Cry of Praise

September 21st, 2008

I recently wrote a review of The Littoral Zone: Australian Contexts and their Writers for an American journal called Organization and Environment. While reading the book – I wasn’t that impressed by the way – I came upon a poem by Judith Wright, and it sparked the following thoughts…

Often the state of the world gets me down. With habitat being cleared and pollution being belched from so many quarters one searches for a light at the end of the tunnel. This is where the Australian poet Judith Wright and her poem ‘Flame-tree in a Quarry’ come to the rescue. The flame tree is endemic to the rainforests of south-east Queensland (around half way up the east coast of the Australian continent). When a flame tree is in bloom it literally looks like it is aflame: its holds up a profusion of bright red flowers up into the sky. The flowers have an especial vividness of colour and density of coral-like petals. In Wright’s poem we are introduced to a flame tree growing in the middle of an abandoned quarry. But as we read the poem we see more than a tree in a quarry. In the eyes of the poet we see ‘the old cry of praise’ coming out of ‘the torn earth’s mouth’. Wright:

Out of the very wound
springs up this scarlet breath –
this fountain of hot joy,
the living ghost of death.
(1971: 62) (p.190)

In the midst of human-caused destruction of the planet, right in the earth’s ‘torn mouth’, up comes life. The key line of the whole poem is the last one from the above quotation: nature’s triumph is to be ‘the living ghost of death’. That is to say, nature’s triumph is to be the presence that taunts death with its return. While there might be much destruction of nature in the twenty-first century, with this image of the red flowers of the flame-tree standing boldly in a quarry, making themselves a ‘living ghost of death’, I am reminded of the regenerative power of the natural world. And with such an image planted boldly in my mind, I forget woeful introspections and am heartened by nature’s victorious beauty in the living present.

Following tracks from T. E. Lawrence to Robyn Davidson to the Darling Range.

September 30th, 2008

I recently watched Lawrence of Arabia projected onto a big screen for the first time.  I loved some of the early scenes in the film. To see camels and the Bedu, and the esthetic Englishman’s white robes high on the camel’s back, to hear the gentle roar of the ungulates early in the morning, and to sense the air of philosophical desolation over all… the sun’s anvil, the red rocky mountains rising from the sands.. It all made me want to know more. I then read Wilfred Thesiger’s Arabian Sands, a classic about travels through Saudi Arabia in the forties with the Bedu, but was unimpressed by Thesiger’s prose style and his lack of emotional affectivity and poeticism (of course the man is to be praised for his championing tradition modes of travel and for his great spirit of adventure). Still, give me white robes, a camel to ride, a desert and an mystic resolve and I’ll be happy, I mused. The scene where T. E. Lawrence walks into the English sergeant’s mess after traveling through the desert with his Bedu friends stayed in my mind, the stark contrast between the artificial and over-civilized Englishmen and their tedious customs, and the still grand, mobile, familial, looking-towards-the-land Bedu, made me much more impressed and interested by the traditional nomadic cultures of the middle east than I ever had been before.

Continuing this trajectory of interest, I’ve just read Tracks by Robyn Davidson. This young Australian woman walks from new Alice Springs across the Gibson desert to south of Carnarvon with four camels and her dog in 1977. It is an Australia my parents knew, not I. But Davidson goes truly into Australia. She walks across its sands with the company of her intimately known and loved animals, naked to the waist, dark brown, and having shed the routines of domestic life in the suburbs of Queensland. Australia was more ocker at that time, especially in some of the towns she went through, like Alice Springs, and it reminded me of those with a literary sensibility feeling alienated from this culture – almost as though Davidson is not Australian and is looking in on the ocker culture from outside of it (actually she was as she wrote the actual book while living in London). But the main thing is walking under the sun and sleeping in the freezing cold of the desert, and knowing the ways of camels, and meeting Aboriginal elders and speaking some of their languages, and being nomadic. It really is something to have done: unlike suburban modes of existence in Australia such months under the desert sun would truly teach an urban, white coastal dweller a thing or too about the ancient identity of this nation. So I was impressed by the book. It is not great literature by any means, but it recounts an original and quite deep acquaintance with a hitherto unsung landscape in my part of the world.

However, interestingly enough, I did notice that at one point in the narrative Davidson lets slip the following: ‘I wouldn’t want it getting around… but I’m just a weensy bit tired of this adventure. In fact, to be quite honest, fantasies are beginning to worm their way between the spinifex clumps, skeletons and rocks – fantasies pertaining to where I’d like to be right now. Somewhere cool clover comes almost to your crutch, where there are no stray meteors, camels, nasty night noises, blaring thrumming cancer-producing sun, no heat shimmer and raw rocks, no spinifex, no flies, somewhere where there’s lots of avocados, water, friendly people who bring cups of tea in the morning, pineapples, swaying palms, sea breezes, puffy little clouds and mirrored streamlets’ (p.203, 1980, Penguin). This made me think, Yes, the Western Australian deserts with a company of camels and a dog and some forward movement would be a profound experience, but ultimately I too dream of much more verdant places, a mossy granite shrine on a terraced hill in Bali, or a surf strewn bay in the Mentawai Islands off the West coast of Sumatra, or the green and undulating highlands of Papua New Guinea, for example. Reading Tracks was also refreshing in the sense that it is about my corner of the globe, and not the Oregon of Barry Lopez, or the mid-west of Scott Russell Sanders, or any number of other North American places the predominantly North American tradition of environmentally attuned writers usually write about and I have often read.

Much of Western Australia is desert and there are many hundreds of thousands of wild camels roaming about it. Lawrence of Arabia appears exotic to most Westerners, but there are tracks leading from that sandy and beautiful world to my own.

And so last weekend I went to unearth some of these tracks.  In the above photo you can see my left leg swinging along in the bottom of the frame.  I did indeed find some camels to ride through the Darling Ranges east of Perth.  These camels used to live in the wilds of Western Australia’s deserts, but these days they carry curious and paying folk such as myself and three of my friends along winding paths through jarrah forests near Kalamunda.  A camel is one part of an ancient ecological jigsaw puzzle that was assembled thousands of kms to my west.  As such, when I looked at these camels on the weekend I was looking into the sands of Arabia.  The male I was riding goes by the sobriquet Major.  Say hallo Major.

The experience of riding domesticated camels is surprisingly calming.  They are such large animals that compared to humans their walking gait is noticeably languid and smooth.  As the animal moves forward with you on its back the rhythmic swing of your body in the saddle is a long one, and easier to get accustomed to than the faster jolting backwards and forwards of riding horse-back.  The motion of the long stride, the slow turn of the head to make sure they’re still close to the single file of their fellows, the deep tones of their roar when they want to make themselves heard, the huge, nonchalant and dark brown eyes… these beings exude a sense of calming might and majesty.  I can see why they make good travelling companions.  What is more, when sitting on top of a full grown camel you find yourself a long way off the ground, and the good thing about this is that you get a really nice vantage point from which to survey the surrounding landscape.  Having a gentle, sensitive and quite intelligent mammal as your mode of transport, rather than an anoymous, inert, and metallic vehicle, is something hundreds of generations of humans have taken for granted.  It is something I can only wonder about.

Spring has come to south-western Australia.

October 6th, 2008

So its that time of the year again.  Finally… spring has come.

I recently watched a short film about the transcendent importance of our fixing the problem of global climate change – you can watch this important film here.  But as significant as the message of this film is – it couldn’t be more significant really – sometimes one needs to return to the concrete reality of a walk in the park.  This last weekend I was in King’s Park.  Here you can see some of the colours that have ignited the south-west of Australia this last week or two.

Climate change is a clear and present danger.  We should acknolwedge this and become politcally active in meeting it.  However, we would be foolish if we didn’t also leave plenty of space in our minds and our spirits to celebrate the glowing, living present.  Lets usher in the season of abundance with a deep appreciation for this land.

Lounging around in island waters

October 9th, 2008

Today I’ve been on Rottnest, an island 19 kms off the coast of Fremantle.  I and a friend were exploring some of the less frequented bays and points when we came across what looked to be, from the vantage point of the dirt track I was riding my bike along, a bed of waving kelp at low tide.  It wasn’t sea weed.  It was a bunch of New Zealand Fur-seals holding their flippers out of the water to warm them in the sun.  I went close and now and again one would stop rolling around and scratching its stomach and look at me.  The odd amiable yelp came from the pack.  My trip to Rottnest was about doing just what these peripatetic mammals were doing, lounging around in the much appreciated spring warmth.

I’ve added a new photo of Rottnest to my Western Australian gallery if you’re interested in seeing the island in colour.

We Who Need Wild Places

October 14th, 2008

“People need wild places.  Whether or not we think we do, we do.  We need to be able to taste grace and know once again that we desire it.  We need to experience a landscape that is timeless, whose agenda moves at the pace of speciation.. To be surrounded by a singing, mating, howling commotion of other species, all of which love their lives as much as we do ours, and none of which could possibly care less about our economic status or our running day calender.”

Barbara Kingsolver wrote these words in the book Small Wonder (2002).  I think they give a good partial explanation of the idea that we are only human in contact, and conviviality, with nonhuman lives (David Abram’s phrase).

I’m sure if I was living in a village in the highlands of Papua New Guinea then I would constantly be convivial with other species.  But I’d also be living in a world where the light of science doesn’t penetrate, where homophobia, violence, preventable disease and xenophobia are ugly spectres.  I don’t really want that.

After reading Tim Flannery’s book Throwim Way Leg recently I’ve been thinking a lot about living in a traditional human society as opposed to living in a modern Western society.  Is the answer to live in a Western city like Perth?  But what happens to all those urban denizens who think ‘contact with nature’ only needs to be a stroll in a park or a trip to the beach?  What happens to them?  Perhaps our sense of wonder is dampened down.

Our rural Papuan neighbours to our north know more about wild places, leisure and the warm clasp of the community than we materially rich, longer living and more peaceable Australians down here in the south.  They need to experience some development to reduce violence, disease and shine the light of education into their demon-haunted world where almost anything bad that happens is blamed on sorcery.  But does Ausaid, Australia’s aid agency, consider that those rural Papuans are doing many things much better than Australia, such as being, at least traditionally, ecoliterate, and alive to the nature of wild places?

Tim Flannery: The Great Australian Explorer

October 21st, 2008

Tim Flannery is an Australian expert on tree kangaroos.  In the 1980s he spend a lot of time in remote parts of Papua New Guinea.  I quite recently read the book that recounts his Papuan memoirs: Throwim Way Leg.  What follows are some hastily scribbled impressions of the book.

Tim goes to villages where people smell sicky sweet because of skin diseases, limbs are swollen, outbreaks of amoebic dysentery are regular… he himself records a frighteningly long list of diseases experienced over the course of his trips to the island: cerebral malaria, typhus, gardia, the list goes on.  He is almost killed by the people of one tribe he visits.  He meets people whose very high rate of infant mortality is only remedied by their irregular raids on nearby villages to kill the adult men for food and take the children to be raised as their own, and who accept this cultural norm without a qualm.  He goes to wild, wild places deep in the heart of the big tropics, and despite the sweat bees and mosquitoes swirling around him he manages to appreciate the beauty of the trees and the views and the animals.  He floats down a wild river on his inflatable mattress and circles through a log flotilla, looking up at the rainforest canopy rotate far above his head (later for find out that the river is infested with crocodiles).  He records this experience as one of the most magical afternoons of his entire life.  He meets people for whom their valley is the centre of the universe and for whom the outside world barely exists.  He meets great elder tribesman who are master hunters and perfectly imitate the sound and movement of a great eagle of their region catching its prey.  After everything what remains as a tension in my mind is the huge contrast between the dignity, ecological literacy, advanced cultural framework, and variety of the traditional peoples of PNG, and the atrocious and endemic violence, sexism, superstition, and crippling and painful disease that they also live with.  I would hate the outside world to impinge too much on some of the remaining ‘lost tribes’, and yet… how can I say this when their cultures also contain so much ignorance, violence and disease?  It is all very well my marveling at these people, but when their culture has such a paucity of scientific knowledge to lead to a belief in sorcery which can spark brutal murders of innocent human beings in the tribe next door, or to lead to people dying of things that might be remedied by some simple anti-biotics, then maybe my cultural curiosity should take a back seat and ‘development’ should take place using Australian aid money.  I don’t know.  It is a tension in my mind.

I do know that I have learnt an enormous amount about the identity of Australia’s closest neighbour through reading this book.  A salutary experience that I would recommend to all culturally curious Australians.  It was gratifying to read accounts of walking along a walking path thousands of years old through highland beech forest, or walking through an Aracaucia grove protected by custom as a sacred grove where birds of paradise sport with impunity, or stepping on a frog that gives a high pitched human-like scream and is then found to be new to science.  So much beauty and profusion of life seems to reside in the mountain forests of the island to my north.  It was also fascinating to learn about the cultural diversity of this island, for example to learn of an old woman weighing only thirty kilograms who suckled a particular pig in its infancy from her own breast and who still looks after the great beast in her old age.   And then to think about how much good a simple multi-vitamin or aspirin or mosquito net can do for many of these village people.  It made me want to take a trip up there with a load of these things and become a kind of regular benefactor of a village.  But then the tales of being constantly harassed by bugs and rats and being constantly wet, eating badly, and having no privacy, did not make me want to go there.  And having to fly to get around (with its attendant high financial costs).  The book has taught me that these people are terribly cruel to many non-human animals – cooking things alive often.  And sometimes terribly lacking in a spirit of conservation – felling a rainforest giant for some bark to make a roof for an overnight hut for example, or hunting species of mammal to local extinction.

However the bottom line is that this book is full of adventures in an amazing land which is just next door to Australia.  I was fascinated to read it.  I think Tim Flannery should be more widely recognized in Australia as a great naturalist and adventurer – if only on the merits of his memoirs in Throwim Way Leg alone.  He writes in a clear, and lucid English prose that does much to dissolve confusion and to express a humble and enquiring spirit.  He has shared some of his wonder at the great natural and cultural diversity of PNG with me, and for that I am thankful.

How to heal your soul in South-West Australia.

October 28th, 2008

Some Western Australian land and flora is hard to appreciate aesthetically if you’re a member of the species Homo sapiens which comes from high nutrient laden lands with greater rainfall.  However, if you understand how it is adapted to survive extremes here – as Barbara York Main illustrates so well in Between Wodjil and Tor (1967) – that is, if you understand how nature here works, then that will put you ahead in your effort to appreciate the natural world here.  If you look at the micro patterns of the flora here that will help.  If you look at the birds that will help.  And so on.. if you leave the coma of the concrete and if you open your eyes.  And if you stop seeing nature here as something out there hours car drive away, then you could ride your bike to the local park or area of bushland or river’s edge and take it into your life.  I’ve done these things myself, and it has changed me.  Made me more grounded, more appreciative of the world I wake up into every morning.   If you do all these things you will no longer have a Eurocentric outlook which sees the Swan River as drab and ugly, but will have gone a long way in learning to love this place.

We need a society which farms native and eats native, has native flowers on its tables, more native common plant names, grows natives in its gardens, has native frogs in its ponds…. And… then… one day, has visual and literary art which celebrates these things.  This is where Australian society must go if its people are to heal their souls and not be just materialistic and lost and drifting urbanites.

Prehensile Precursor

November 3rd, 2008

PREHENSILE PRECURSOR

Sun-down at Manning Park in Hamilton Hill.  The paperbarks are like palimpsests of what?  Themselves. Ragged sheaves of paper flapping in the breeze, stroked by warm evening light.  A tangle of twisting trunks dancing over the mirror of swamp water beneath.  I approach and my eyes are filled with dimensions and shadows.  Memories of an eight year old me, twisting agile limbs along half-submerged logs, over swampy fringe of Manning Lake, into adventure.  Memories of lighting out for the territory as an inquisitive clamberer.  The evening light pours rich tones into the well-watered, water-fowled ecosystem before me.

As a young boy in South Fremantle I swung my frame up the dark coloured bark of peppermint trees in our park, and found myself sitting in secret aeries, redolent of minty leaves, thick odour of the tree in my nose.  Relishing the smell, sitting up there, held by something.  The mystery of timber bigger than artifacts immutably solid beneath foot.

My great grandfather grew up speaking Ngarlooma

November 11th, 2008

This article was published in the Northem Times 9/12/1971.  It is about my great grandfather’s life, a life lived growing up with Aboriginal companions in the 1880s and 1890s in the north-west of Australia, and working on stations in the Pilbra region for many more decades.  If you speak a language regularly before you’re seven years old you’ll have a perfect accent for the rest of your life – that is a lesson from cognitive science.  It is amazing to me that Aubrey spoke Ngalooma as well as native speakers, and knew their culture intimately.  I can only just picture this plucky white gentleman leaning against a saddle perhaps, feet on the bright red earth, chatting away in the strange syllables of Ngarlooma with native fluency.  What a different picture of Australia he would have had to people like us.

A Life Well Lived.

November 17th, 2008

I don’t want to sound like another new age Far East-worshiper from the Far West, but earlier in the year when I was working in the Esalen bookshop in California I came upon some sage words from the Himalayas.

‘You see, we are all dying. It’s only a matter of time. Some of us just die sooner than others.’

-Dudjom Rinpoche

‘If one were truly aware of the value of human life, to waste it blithely on distractions and the pursuit of vulgar ambitions would be the height of confusion.’

-Dilgo Khyentse Rinpoche

Whatever you do with your life, wherever your path leans and leads, these are good guiding lights to start with.

A. E. Housman: An Aboriginal in England

November 24th, 2008

I feel that I belong in nature wherever and whenever I’m in it.  The English poet A. E. Housman, in his poem ‘Tell me not here…’ expresses my position nicely:


On russet floors, by waters idle,

The pine lets fall its cone;

The cuckoo shouts all day at nothing

In leafy dells alone;

And traveller’s joy beguiles in autumn

Hearts that have lost their own.


On acres of the seeded grasses

The changing  burnish heaves;

Or marshalled under moons of harvest

Stand still all night the Sheaves;

Or beeches strip in storms for winter

And stains the wind with leaves.


Possess, as I possessed a season,

The countries I resign,

Where over elmy plains the highway

Would mount the hills and shine,

And full of shade the pillared forest

Would murmur and be mine.


For nature, heartless, witless nature,

Will neither care nor know

What stranger’s feet may find the meadow

And trespass there and go,

Nor ask amid the dews of morning

If they are mine or no.

Since Housman’s time in the second half of the nineteenth century and the early twentieth century a few things have changed.  You can’t find ‘sheaves’ of wheat anymore, the bundles of the stuff that people used to sit upright while they were harvesting the fields by hand many years ago.  The ‘elmy plains’ aren’t as ‘elmy’ anymore due to the spread of Dutch elm disease in the late 1960s in England, and being made from dark tarmac the highways don’t shine under a harvest moon in the same way as when they were crushed limestone.  One thing that hasn’t changed, however, is that walking through a forest or a meadow is not a transgression of a tree’s right to private property.

But hang on, I’m an Australian living in Australia.  Housman’s wondering poet is an aboriginal in England, but here on the Swan coastal plain in south-west Australia the Nyngar people are the rightful owners of most of this land.  Most of the Aboriginal people in this area were wiped out by epidemics of measles and other imported diseases in the years leading up to the 1860s, but those that persisted and remained still have a claim on much of this land.

Hmm… I support Aboriginal land rights in Australia, but it doesn’t matter if I’m on a white fella’s wooded estate in England or a black fella’s coastal plain in Perth, I do not feel alienated from the living earth I walk over.  My position is that, wherever I am in the biosphere, I belong in field or forest.  Laws to do with private property, and the fences and guns that back them up, do not comprehend the deep sense in which ecosystems and landscapes operate irrespective of the cultural constructions of clever primates.  They do not comprehend the deep sense in which we are all interlinked organisms in a grand, million-year old biological fabric.  Wherever I am, when I leave the pavement and get back to the land, I’m coming home.

As Gil Scott Heron famously sang – much more recently than Housman’s poem – it’s your world!

Last Fragment

December 1st, 2008

There are those who don’t have a deep spiritual connection with nature.  Their lives will always be limited, despite how much meaning they may find in dressing well, in the arts and in social relations between solid walls.

And then there are those who will understand the following poem by Raymond Carver:

And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.

(from ‘Last Fragment’)

Travelling Inland into Australian History

December 3rd, 2008

Beach spinifex would have been one of the first thing British folk saw when they piled off their ships in 1829 in south-west Australia.  It is still growing in 2008 at Port beach.

Then as they stepped past the sand dunes and climbed up some of the hills they would have walked through old groves of Melaleuca lanceolata or Ti Tree.  These are harder to find in Fremantle in 2008 than beach spinifex, and I wonder why people don’t plant these beautiful trees in their gardens around town.  The trees above are actually growing in a corner of John Curtin High School, my old alma mater.

And then there were the locals to meet.  I don’t have any photos of the original people around Fremantle, but this is an image of some original peoples of the East Kimberley from 1910.

Last night I and a group of my friends watched ‘The Tracker’ (2002).  Aboriginal societies, of which there were hundreds over the continent were, like humans everywhere, not entirely guiltless of ecological destruction, for example causing the extinction of the marsupial lion.  Some societies had habits that appear very strange to modern, Western sensibilities, such as consuming the flesh of other humans in some circumstances.  None of them had soft beds to sleep on at night or antibiotics or an advanced culture of respect for the rights of women (women are forcably abducted in many of the Aboriginal myths and stories that I’ve read collected by Ronald M. Berndt).   However these first Australians did have much that we Westernized Australians lack.  For example: tightly bonded communities, plenty of free time, regular participation in the arts, and a deep bioregional consciousness.

In ‘The Tracker’, along with Rolf de Heer’s other great Aboriginal film ‘Ten Canoes’ (2006), the director represents human life in the Australian landscape as a passing subset of the greater natural world.  de Heer does this, for example, with camera shots which start focussing on the human protagonists and then slowly zooming out into a panaroma of wooded mountains until the humans dissapear into the grey-green distance.  And de Heer is right to represent the first Australians in this way.  For these people the Australian land is not there to be concreted over in globalized homogeneity and then mostly forgotten about, but is invested with stories and symbolic significance, intimately known and interacted with, and recognized as the abiding context of human life.

Last night, in the warm night’s air of Fremantle in early summer, I followed the Aboriginal actor David Gulpilil stepping along the woodland paths in a fictional 1922 and breathing life into the nomadic ways of the first Australians.  As I did this I found that I was passing over the littoral of this country, and travelling inland.

In the Prison of his Days

December 10th, 2008

At Fremantle Prison imprisoned men painted pictures of nature on thick walls.  That is tensioned razor wire at the top of the above limestone wall.  This mural was painted in 1991, just before the prison was closed as a functioning place of incarceration. Some of the paintings done by Aboriginal men remain, fading now as they are weathered by the elements, but still poignant.  Beneath the razor wire they dreamt of open eucalyptus woodland.

Scenes of natural landscapes have been shown by numerous researchers in the field of psychology to be good for our mental health.  E. O. Wilson has proposed a theory of biophilia to give an evolutionary explanation for this: we evolved along with a rich diversity of species in the rift valleys of east Africa and a propensity to find psychological comfort and aesthetic pleasure in a diversity of natural life is easily activated in our pathways of mental development.  Biophilia is a part of human nature.

Many of us who live in Fremantle but who aren’t locked up physically in Fremantle prison seem to forget to praise the earth.  This brings me to invoke the famous words of W. H. Auden from his elegy for W. B. Yeats:

In the prison of his days

Teach the free man how to praise.’

Auden was talking to the figure of the poet, and talking about the power of literature and poetry to raise our spirits and give us profound existential satisfactions.  But I want to use his words for my own present purposes.  Even as we are free to roam around the streets of our towns and cities we can suffer a kind of spiritual incarceration.  What do I mean by this?  I mean that the concrete nature of your every day environment can become the prison of your days.

But we can see through the walls.  We can remember the green fields behind and beyond.  Listen to the voice of the American poet W. S. Merwin:

GREEN FIELDS

By this part of the century few are left who believe
in the animals for they are not there in the carved parts
of them served on plates and the pleas from the slatted trucks
are sounds of shadows that possess no future
there is still game for the pleasure of killing
and there are pets for the children but the lives that followed
courses of their own other than ours and older
have been migrating before us some are already
far on the way and yet Peter with his gaunt cheeks
and point of white beard the face of an aged Lawrence
Peter who had lived on from another time and country
and who had seen so many things set out and vanish
still believed in heaven and said he had never once
doubted it since his childhood on the farm in the days
of the horses he had not doubted it in the worst
times of the Great War and afterward and he had come
to what he took to be a kind of earthly
model of it as he wandered south in his sixties
by that time speaking the language well enough
for them to make him out he took the smallest roads
into a world he thought was a thing of the past
with wildflowers he scarcely remembered and neighbors
working together scything the morning meadows
turning the hay before the noon meal bringing it in
by milking time husbandry and abundance
all the virtues he admired and their reward bounteous
in the eyes of a foreigner and there he remained
for the rest of his days seeing what he wanted to see
until the winter when he could no longer fork
the earth in his garden and then he gave away
his house land everything and committed himself
to a home to die in an old chateau where he lingered
for some time surrounded by those who had lost
the use of body or mind and as he lay there he told me
that the wall by his bed opened almost every day
and he saw what was really there and it was eternal life
as he recognized at once when he saw the gardens
he had made and the green fields where he had been
a child and his mother was standing there then the wall would close
and around him again were the last days of the world.

The walls close around us – we are cut of from the natural world.  The animals migrate before us – we no longer see wild animals in our lives.  For Merwin’s character Peter this means that the world is ending.  His life is ending, but more than this: the more-than-human world is ending.

Peter’s life in an old chateau becomes life lived in a benevolent prison. As the condemned man in Fremantle prison dreamt of a rolling Australian woodland, so Peter dreams of the gardens and green fields of France beyond the chateau’s walls.  Beyond and behind the walls lies the mother, the natural world.  And Peter has learnt how to see through the walls.  In an Australian prison an Aboriginal man projects his dreams of the open woodlands of his home through the medium of paint onto a limestone wall.

Most of us do not have our freedom denied in so literal a sense.  Most of us are not imprisoned.  Despite this it remains for us caught in a more metaphorical prison of concreted days to really learn how to praise.

Australian Government Gives Up on Climate Change

December 16th, 2008

The Australian federal government yesterday released its plans to reduce carbon pollution by 5% by 2020 (compared to 2000 levels).  I thought that after eleven years of conservatives in parliament house in Canberra, that this year, with a brand new government, would be a turning point.  I was wrong.  I, and many other Australians, have been let down.  Today in the centre of Perth the Greens Senator Scott Ludlum spoke on behalf of all us who feel frustrated by the news.  He was on the RTR program Understory this evening, and said that the governement may as well have done nothing as release this paltry 5% target.  With government inaction like this the time has come for the community to stand up and protest.

The truth is that physics does not do bargains with lobby groups or make fudges or compromises.  The climate does not care about us, or our our political arguments and discussions.

The climate crisis we are now facing is very simply explained.  If the melting ice in the Arctic is the canary in the coal mine, then the canary is dead.  It is time to evacuate the mine.

Fading Light Over the Swan

December 22nd, 2008

This is a map drawn by Captain James Stirling in 1827, when the captain was exploring the area prior to setting up the Swan River Settlement of British immigrants in 1829.  Click on the above map and it will enlarge so you can read it better.

Kallip is an old Nyungar word meaning ‘a knowledge of localities; familiar acquaintance with a range of country… also used to express property in land’ (Moore 1884b:39, from Sylvia J. Hallam, Fire and Hearth: A Study of Aboriginal Usage and European Usurpation in South-Western Australia, Canberra: Australian Institute of Aboriginal Studies, 1975, p.43).

Do you have kallip?  Captain Stirling had more kallip than many contemporary citizens of Perth, but he didn’t have as much kallip as the Aboriginal people with their ecologically attuned awareness of seasons, animal behaviours and landforms.  I try to have kallip.  Where I live is not just a street name and number: I live on a sandy, limestone hill close to the Indian ocean, south and near the mouth of the Swan river.  Stirling’s map is interesting to me as it captures many of the important aspects of the landscape, such as Mount Eliza, the prominence where today’s King’s Park stands, and most importantly, our river. Unlike most maps you will see today that depict the area on a north-south axis, this map makes the river a central point and a part of the landscape that streches out before, you, the viewer.  The Swan is the centre.  As it was for Aboriginal people here.

Come back to 1827.  You are more likely to bump into people on the Swan coastal plain than, for example, in the thick karri forests to the far south.  These people don’t live in tribes, but in what is more accurately described as large extended families of up to fifty people.  Single men camp away from the married men, women and children.  They are lean and walk with the ease of nomads.  Some have headbands with Emu or Cockatoo feathers stuck in the side, rising regally above their faces.  In winter they retreat to the area inland just below the Darling Range, away from the strong and chilly winds coming off the ocean.  They hunt yonga, or kangaroos, at this time.  The men leave the camp in the morning in groups of two or three and use the noise of the wind and the rain to provide cover as they stalk the yonga.  They wear bukas, or long cloaks made of kangaroo fur fastened with a bone pin in front.  Unlike out on uninhabited Rottnest island, the woodland here is full of huge, old djara, or jarrah trees, most with burn marks from past fires, and open green pasture underneath the trees.  The lack of undergrowth here on much of the Swan coastal plain is due to the habit of the locals of seasonally starting small fires.  It creates carpets of lush new growth the next year and good, green hunting pastures.

As the year progresses and summer approaches the people move westwards towards the coast and towards Fremantle.  Beach time!  More people get together.  They step over soft, sandy ground.  Banksia flowers start to glow yellow in the sun.  The people collect them and steep them in little fresh water springs to taste a sweet liquid.  Men climb trees by chipping foot holds in trunks with stone axes, and collect the eggs of parrots from holes in boughs far above the ground.  Sometimes they visit the lakes south of Fremantle, like Manning Lake in today’s Hamilton Hill, and dig for frogs and tortoises, or yargan, in the mud at their edges.  Women kill some norn, or snakes, to eat.  They eat yams and other roots the women of the family dig up with their wonnas, or digging sticks.  In the trunks of decaying balga, or grass trees, they find fat, white moth larvae to eat.  As summer comes on fishing starts to become their main source of protein.  The Swan river is alive and full of healthy shoals of big tailor, cobbler (Tandanus bostocki) and other fish.  The locals fish by herding fish into the shallows and spearing them.  Canoes and fishing hooks are not on the scene, but here and there weirs are used to trap fish.

Witness this land in 1827.  A kwenda ambles along through the understory.  A shy honey possums creeps through the leafy canopy above.  You can hear the sound of Casuarina’s needles soughing in the wind.  The day passes quietly, as it has for thousands of years.  Come to the water’s edge.  A tale is being told around a camp fire at the slow-flowing river’s shore.  Behind the dark face of the narrator the western sky is lighting up another tapestry of coloured cumulus.  A limb cracks and falls off an old Tuart tree further downstream.  All eyes turn in the direction of the splash.  The silence ripples outwards from the Tuart’s speech mark.  Then the other story is resumed.

Later steaming fish are lifted from the ground and unwrapped from paperbark coverings.  The aroma pervades the clearing and the humpies and brings appetite.  Young people laugh and crack jokes.

The evening lengthens.  As the light goes a huge flocks of black swans, hundreds and hundreds of them, suddenly take to the air.  Although it is dark now the rush from the surface of the water is loud.  They are taking off, just out of sight.  Old eyes look out over the barely lit waters.

Old eyes can fail.  Old eyes can flicker, and then close.

It is a deeper shade of black now.  But in the centre the Swan keeps flowing, slow and sure.  Not even forgetfullness can stop it.

myspace/bytomwilson

January 2nd, 2009

I’ve just created a myspace site.  In doing so I wanted to put together a little slideshow that hinted at my sense of place living as I do in south-western Australia.  The slideshow hints at my philosophy of anti-materialism, bioregionalism, E.O. Wilson-like wonder at the diversity of species of life on earth.

So… Happy New Year everybody!

www.myspace.com/bytomwilson

Wash the Mind of Foolishness

January 15th, 2009

Contented minutes.

Cloud-trafficked sky.

Mind rippled wind.

Face the blue lucidity.

Have a near-life experience in the ocean.

Wash the mind of foolishness.

Rottnest – Progress on a Beautiful Island

January 16th, 2009

Rottnest is an island offshore from Perth in Western Australia.  It is about 10kms long and at its widest about 4kms wide.  The island has never been a place of Aboriginal inhabitation.  It was wooded to the north and east before white people arrived. Some of the more windswept parts were originally heath however.  Quokkas (Setonix brachyurus), a nocturnal macropod that hops slowly about the place, nibbled meekly on pigface and drank brackish water.  The sound of the sea winds blowing across the canopies of melaleucas, acacias and native pines was heard by these little beings for thousands of years.  King skinks waddled over the crests of brilliantly white sand dunes to look down on the acquamarine waters, just as we do today, for countless centuries.

In the nineteenth century the island took on a darker face: it became a prison for original Australians.  Often the incarcerated men had comitted no offense at all.  Under their own law in their own land they had the right to kill large mammals that were wandering about in their hunting grounds.  Under their own law they were often obliged to spear a man in the leg who had comitted an offense of some kind.  And yet the white usurpers did not recognize the thousand-year old laws of Australia.  Those who followed their laws as they always had they renamed ‘criminals’.  Many of the original Australians – from the deserts of the north or the forests of the south – died on the island from illnesses such as pneumonia.

In the twentieth century the island became a holiday retreat for white people from Perth.  The land had deteriorated and by the 1930s native plants were being raised in nurseries and planted out across some parts of the island.  This reafforestation continues to this day in 2009.  You can help to plant trees on the island by joining a group with the Rottnest Society that heads out each winter.

These days quokkas are not shot at by ‘sporting’ white men.  They don’t have their skins made into rugs as sometimes happened in earlier times.  Now they are an endangered species of life on earth, like so many other furry Australians.  They are very hard to find on the mainland, where the bulk of their kin used to live.

In the water people still kill plenty of wildlife out on Rottnest.  The over-fishing has been going on for a while.  Personal accounts of long-term skin divers have suggested that what used to be an underwater fairy land in the 1950s had become comparitvely barren and empty by the 1980s (Rottnest Island: A Documentary History, Prue Joske, et. al., UWA Press, 1995).  Indeed the population of Perth really only becomes substantial after the 1950s, so this trend would make sense in terms of the increasing pressures of fishing on the waters around the island.

I helped out during a recent campaign of the Wilderness Society to get the amount of the waters around Rottnest turned into areas protected from fishing.  In doing so I talked to many members of the public about the issue.  Divers who had been diving on Rottnest from the 1970s till today told me that they had, over the years, watched a huge drop in the numbers of large fish around the island.  In July 2007 the amount of protected marine areas on Rottnest went from 3% to around 15%.  Conservation biologists told us that we need to put at least 30% in protected areas, but the government didn’t follow their guide and the waters of Rottnest are still underprotected from Perth’s weekend fishermen.

Some people still camp on the beach around Rottnest, even though they’re not supposed to.  In doing so they are keeping up an old tradition of their white forefathers and mothers, who camped on Bather’s Beach in Fremantle for many weeks when they first arrived in Australia in 1829.  One praiseworthy development on the island is that, unlike their mosiquitoe-harrassed ancestors, contemporary littoral itinerants on Rottnest boast tight-fitting mosquito flys in their tents.

Some things at least get better with time.

Yatungka and Warri

January 24th, 2009

I live in the south-west corner of Australia.  The Nyungar people in this area spoke a mutually intelligible language, and unlike the people out in the more arid parts to the north and east, did not practice circumcision.  The bioregion in the south-west corner of Australia can be considered as fitting into a space on the map that correlates neatly with the cultural bloc that used to inhabit it.  But over the bulk of inland WA, east and north of Perth, is another bioregion, and lived another cultural bloc.  These were, and are, the Western Desert people.

This is Yarri and his friend Mujon.  Look at how straight Yarri’s spear is.  It used to be a small, thinly trunked tree, but Yarri has placed it over a fire and turned it in his bare hands – full of sand to insulate his skin against the heat – and created this marvel of outback symmetry.

But to continue…  Functioning Nyungar culture basically dissapeared many years ago, back at the end of the nineteenth century.  However, in 1984 a family of nine who constituted the last uncontacted nomadic Aboriginals in Australia were brought out of the Gibson Desert in the north-west.  It pleases me to think that during some of my time alive there have been traditional Australians living and hunting on the land exactly as their ancestors had done thousands of years before them.

However here I want to go back slightly earlier: to 1976.  In 1976 some more of the last of the truly traditional Australians walked out of the Western Gibon Desert.  They were an elderly Aboriginal couple, Warri Kyangu and Yatungka.

Many years ago this couple had married across blood groups and against the laws of their tribe.  They had sought refuge from the legal repercussions of this act (a spear flying at them) by retreating to the most remote parts of north-west Australia.  However there had been a severe drought and some of the Aboriginals in Wiluna feared for the survival of this couple, known to exist by some of the elders in Wiluna.  So a search party was sent out.  W. J. Peasley was a member of the search party, and wrote a book about his experience of being on the search party that finally made contact with the old Western Australians and brought them back to the white fellas world.  The book is called The Last of the Nomads (Fremantle Arts Centre Press, 1983).  It is a sad book.  The couple were very frail, having lived almost exclusively on quandongs – small, sour tasting berries – in recent times.  They knew their world: they knew the night’s sky, the warmth of their dingos as they lay close to the smouldering embers of their fire through cold and clear night’s in the desert.  She knew how to find quandongs and lizards and how to shell and grind acacia seeds.  He knew how to make almost three metre long spears that were as strait as an arrow, and how to throw them with pin point accuracy at fleeing kangaroos.  They knew how to find rocky pools and water holes in the middle of the baking desert sands.  They knew the laws of their tribe, long since left. Most of all they knew love for each other.

Like most of you I’m pretty helpless, hopeless and incapable when it comes to finding my own food, water, warmth and shelter outside the walls of cities and towns.  Like most of you reading this now, if I was to walk off into the world of Warri Kyangu and Yatungka I would be dead in about three days.

Through neuro-plasticity your environment and your culture has a role in shaping the patterns of connections in your brains.  Each day of their life this man and women interacted with Western Australia, with its textures, its ecology, its gait, its temperatures, its sands.  This old man and women knew Western Australia better than I will ever know it.  It humbles me to say that.

Before leaving their land they were told to leave their dingos behind as they would be classified as ‘vermin’ in station country.  You can imagine how it must have felt to have to leave some of your family behind.  Then when it came to climbing into the vehicle Warri became very frightened: ‘He was clearly terrified, making feeble efforts to climb up but he trembled so violently that he was forced to abandon each attempt’ (p.94).  Warri was a seasoned and proud old man.  In his world he had wisdom to offer.  But in front of a Range Rover in 1976 he was reduced to shaking uncontrollably.  What was going on here?

We can never know what is was like for Warri to climb into this vehicle.  But let’s imagine it was like a seven foot tall albino African reigning up a pulsating, glowing beast with the texture of firm jelly in front of your house, and then being asked by this bizarre stranger to immerse yourself inside this creature’s gut before going on a trip some place you’ve never heard of.  Would you do it?  Would you climb into the gut of the beast?  Would you perhaps start to shake uncontrollably because this was like something out of a bad dream, except that the sun was up there in the sky shining down on you, and your wife was there next to you, and it wasn’t a dream?

This moment, the moment that Warri tried to board a Range Rover in 1976, is one of the saddest and most poignant moments I know of in Australia’s photographic history.

On the trip back they made stops and every time the party got back into the vehicle Warri has difficulty getting onboard.  During the night on their trip back to Wiluna they were camped by a fire.  Although it was a cold night Warri and Yatungka shed the clothes they had been given by the party.  The Aboriginal man who was on the party reported that: ‘they felt uncomfortable waring the white man’s shirts and trousers and with their several small fires, were quite happy to sit naked as they had done throughout their years in the desert’ (p.109).

In the following months back in Wiluna the author writes that:  ‘Warri did not appear to comprehend what was happening to his people.  He saw that much of the ‘law’ was openly disregarded, especially by the young, the social organisation was disintergrating rapidly and the widespread abuse of alcohol was destroying the self-respect and self-reliance his people once possessed…

Warri and Yatungka seemed to be reasonably happy, never openly expressing any desire to return to Ngarinarri.  Warri rarely spoke, content to sit for long periods of time before his fire, whislt Yatungka, as she overcame her shyness and her fear of tribal retribution, took a more active part in the affairs of the people.  She never moved far from her husband’s side and when engaged in conversation with others would, from time to time, reach out to touch Warri as though to reassure him that she was near, that he was not forgotten’ (p.117).

Warri clearly had culture shock.  Through neuro-plasticity our brains change configuration to some extent in response to the particular culture we live in.  When we move rapidly from one culture to another one which is very different from the one we came from we can experience a palpable sense of disorientation that we call culture shock.

The couple lived for one more year after leaving the desert before they died.  On many night’s along during their years in the Gibson Desert Warri and Yatungka would have given huge solace to each other.  They loved each other, it must have been this that made them break tribal law and to chose to live with each other in exile.  In this bizarre and alien world away from their homeland Warri sat crossed legged on the sand, looking into the hot embers of his fire while others talked around him.  He clearly didn’t understand this new world and felt shut out.  The image of Yatungka reaching out to touch Warri while talking to somebody else, just to reassure him that she was still there, touches me.

From one ancient and sandy world in the Gibson Desert to a new and violently disorientating world in a hobbled together white fella’s brick and tin encampment one thing endured, one line of continuity ran strong:  The quiet love between an old man and an old women.

Fremantle Wildlife

February 13th, 2009

The last few days in Fremantle have been very, very hot – too hot!  The hot suburbs of a Perth suburb in February are enough to make anybody vapid.  The other night I rode my bike down to Bather’s Beach, a beach in the middle of Fremantle.  I was alone and I trod across the warm sand and then down into the area where the water laps the beach.   Although it was 7.30 it was a still and very hot evening.  I dropped my shoulders under the water and started to swim out towards the west.  I dove down and resurfaced.  After five minutes a dolphin suddenly slid its fin out of the water twenty metres away from me, further out to sea.  The fin glistened in the dying light, and then dropped below the surface again.  Without much thought I started to swim quickly out to sea towards it.  As I got towards it I started to swim underwater. There was a slight nebulous fear about transgressing the boundaries of personal space between our species – a not-knowing what happens when you quickly approach Bottle-nosed dolphins underwater in the dusk as a lone swimmer.  But pushing through and past this fear was part of the exhilaration of the experience.  I knew that I wanted to be close to this wild and beautiful Other under the water, and I made it happen.  In a split second I was swimming quickly out to sea and diving down a few metres below the surface.  And then, in the grey underwater light of late evening in Fremantle, without a mask on, I saw a lighter shape out in front of me towards the bottom and heard a high-pitched sequence of querulous sonar beeps.  “Hallo, who are you?”  Seemed to say the sentient Other in the misty atmosphere before me.  There were no other dolphins in the area as far as I could see, so why would this fellow be making vocal signals just as he came into proximity with me?  But the piquancy of this sudden burst of cryptic and alien communication came to me like fresh air.  It was like fresh air coming into a room made stale by human breath.  I started to swim with the large being, dropping down to the bottom and stroking my way forward towards it and past it.  I popped up now and again with wide-eyed excitement.  All day I had been reading about the slow but steady depredations on nature in south-west Australia by white people over the previous century, and to finish this hot summer day with a sudden and unexpected encounter with a large, wild mammal in the sea, five minutes bike ride from where I live was a joy, a needed joy.  I came home to my house feeling revived by an encounter with slippery, muscular extra-human reality.  I came home to my house feeling reassured by the continuing presence of the wild.

Bagarap Empire

February 18th, 2009

Bagarap Empire is a phrase I have borrowed from Fred Smith, a Canberra-based musician who I met last weekend at KULCHA in Fremantle.  Fred has worked in Papua New Guinea and knows that in pidgin ‘bagarap’ means ‘to go wrong’ (i.e. the root in English would be to bugger up).  My reason for choosing these words to begin will become clear soon enough.

In the 1920s in Western Australia the British government and the Australian government cooperated to create the Group Settlement Scheme.  This scheme saw hundreds of British men and women immigrate to south-west Australia where they were given a bit of land in the forests of the south-west.  Usually they would start up in a location along with around 20 other families.  They were to clear the land – ‘improve it’ – and were given a plot of land to themselves to create a dairy farm. They were paid to clear the land and the government stocked their farms.  When the farm was successful they were to repay the Western Australian government for all the assistance they had been given.  They would often ringbark the karri and jarrah trees.  You can imagine the sight at a plot of land at say, Northcliffe, with a full moon shining down on a field of deathly white trunks and branches.  At the end of the square plot of land they’d cleared would be the wild, dark forest towering up.

A ghostly spectacle, isn’t it?  The British empire sending out unemployed men and women to a far flung land they’d taken in their name and then telling them to kill an ancient, beautiful and biodiverse ecosystem, one that till now had captured and sequestered carbon for nothing and filtered water and provide habitat and native foods.

The following photo is circa 1924.

Guess what?  You can still see that same image today.  With the difference that you would be further north and they are Indonesian men and women standing in a field cleared of lowland rainforest.  I am talking about West Papua.  In a part of Meganesia that is even more biodiverse and critical in preventing global warming through capturing and storing carbon than south-west Australia the Indonesian government has had the arrogance to claim the land as theirs.  And then to skin large sections of it clean.  Like in the Group Settlement Scheme of south-western Australia in the 1920s, the Indonesians now carve out chunks of beautiful forest and set down poor men and women from the homeland.  Like a British family standing in a denuded clearing in the 1920s, I can see an Indonesian family standing in a cleared patch of rainforest in 2009.  Empire-sanctioned violence against culture and nature put them both in new moonscapes.  Welcome to the world of Bagarap Empire.

This would be a sour note to end on.  Sometimes clearing forest is useful for dairy farming.  I mean, I do eat yoghurt after all.  You probably drink milk and eat vegetables.  Too much of the south-west has been cleared, and much of the food south-west Australia grows is exported and this is arguably far from ideal, but certainly not all land-clearing must be evil.  The last image I’m going to leave you with here was taken recently by a guy I know, Stuart Halse, flying low over Denmark, again in the south-west of Australia.  So…  Can you feel the love?

The Story of Perth

March 2nd, 2009

The sketch by Richard Ffarington was done along the edge of the Swan River in the 1840s (from Ffarington’s Folio: South West Australia 1843-1847, Art Gallery of Western Australia, 1986, p.26).  It is a very rare glimpse into what Perth has meant for humans for the vast majority of the time humans have been here.

It is wrong of one nation to go and claim a part of another nation as as part of their country.  Yet that is what the British did where I live in south-west Australia around a hundred and thirty years ago.

Langoulant, 1978.

Early white settlers in Perth dismantled fishing traps and weirs of the Aboriginals, shot their dogs, and took their most valuable hunting pastures.  They then flew the Union flag on the land, and told themselves that ‘the natives’ were a lower race of humans than ‘civilized’ members of the British Empire like themselves (‘civilized’ fellows were of course quite civilized enough to die from scurvy rather than eat nearby quandongs).  It all reminds one of the arrogance and madness of tiny troops of Spanish men clambering through South American jungles in the 1500s and proclaiming ‘all this’, as they surveyed another grand vista of beautiful, green forest canopies, as belonging to the Spanish crown.

The banks of the Swan are full of interesting plants like balgas, or grass trees.

The shapes of this country are many oceans of difference away from the hedges and oaks of English fields…

When Captain James Stirling was exploring the Swan River in 1827 he didn’t have an SLR hanging over his shoulder, but he did have a professional artist with him:  Frederick Garling.  This is Garling’s version of what the banks of the Swan looked like as Stirling and the men explored up it.  Here are the men rocking in their hammocks in the warm night’s air in a clearing, one that was probably used by Aboriginals as a campsite:

In 2009 the banks of the Swan look quite different.  Now people who can’t tell the difference between a tuart and a jarrah bed down for the night in surburban monstrosities that have erased the character of the Australian earth.

Ah… the green Sahara of the lawn.  The Perth metropolitan area has plenty of facilities for automobiles and demented suburban hubris, but not quite so many for ecological-niche dependant biodiversity.  As Irene Cunningham says, in Perth ‘green lawns and football are seen as more important than saving the land’ (The Land of Flowers, 2005, p.34).

Jarrah trees of immense size were once common around Perth (full of nesting holes for Twenty Eight Parrots and other local life).  This photo is of a Yanchep road scene from 1935:

Most of the big old patriarchs like this one were cut down for timber.  Although there are a couple of exceptions like Bold Park and King’s Park, you could basically summarise the environmental history of Perth by singing along with Joni Mitchell: ‘They paved paradise and put up a parking lot’.

Many people in Perth have gotten rich through investing in the mining of their state.  Many flaunt their material status symbols.  These same people might heed the words of Clive James from his recent ‘Point of View’ broadcast on the BBC (2 Jan, 2009):

‘Getting rich for its own sake looks as stupid as body building does at that point when the neck gets thicker than the head, and the thighs and biceps look like four plastic kit bags full of tofu.’

The Perth metropolitan area keeps growing outwards, knocking down the tiny patches of banksia woodland we have left on the Swan Coastal Plain. Today central Perth is an unremarkable, steel and concrete central business district with a non-residential core, surrounded by sprawling, car and fossil-fuel dependent suburbs.  But Perth wasn’t always this ugly or badly designed. Perth was a small town from the 1830s till the gold rush of the 1880s and 1890s turned it into a small city.  It was up until the 1940s that it had two and three story Victorian architecture lining long streets like St. Georges Terrace and Hay St.  This was the city of English values 13 thousand kms from England that my grandmother was a young woman in.  It looks much as the West End of nearby Fremantle looks today, except that it has lovely little trams rolling up and down the street.

It is fascinating to think that for my grandmother this was her experience of Perth as a young woman: genteel Victorian stone facades, expansive balconies, trams, bowler hats, bicycles, and generally a quite pretty little city situated on the banks of a healthy Swan river full of prawns and crabs and fish.  The ugly concrete high-rise buildings appeared in the 1950s and then really came into the streetscape in the 1960s and 1970s.  Busy roads and freeways crisscrossed the Esplanade between the city and the river and you could no longer stroll down to the river’s edge after alighting from a tram.  The old Perth went under.

Today in 2009 Perth is not a beautiful city in my eyes.  However the land abides where it hasn’t been skinned by chronically industrious wajelas or white fellas.  Even in the middle of the city, as Wendell Berry writes in his poem ‘In a Country Once Forested’, ‘under the pavement the soil is dreaming of grass’.  Let me rephrase that:  in Perth, under the pavement the soil is dreaming of grass trees.

Karakamia: Visiting Australia’s Past and Maybe its Future

March 12th, 2009

Karakamia….  275 hectares owned and managed by the conservation NGO the Australian Wildlife Conservancy.  One hour’s drive east of Perth in the Darling Ranges.  In Nyoongah, the original language around here:  Karak: cockatoo.  Mia: home.

Last night I was there.

After arriving we passed through an electronic gate, and past the electrified wire fence that extended for 9kms around the edge of the property.  As we drove through Karakamia towards the little hut that is the visitor’s centre I saw elder marri trees standly with an aged dignity uncommon in much of the Perth hills.  Not only that but there were huge trunks strewn about the earth here and there, left to decay and some of them suitably inhabited, no doubt, by furry little animals.

After a preliminary talk about the history of Karakamia I and my group of friends began our two hour guided walk through the property.  The moon was full and shone down through a gauze of cloud.  The air was warm and slightly humid.

It has been a long, dry summer, and the understorey was full of old leaves that crackled in the still night as you walked over them.  Making our way along the darkened path down a west-facing slope we heard a rustle in the dry leaves to our right.  Lisa, our guide, swung her spot-light in the direction of the noise and highlighted a furtive quenda, otherwise known as a southern-brown bandicoot.  The quenda doesn’t hop like the macropods, it does an ungainly trot through the undergrowth on all fours.  Its coat was sleek and shined in the torchlight, a sign of its good health.  Its brown nose was long, almost like an ant-eater, and pointed down to the soil where it foraged for insects in.  Its little black snout was wet and shined in the light.

We left the quenda to the peace of a summer’s night and continued on down the track.  The torch beam caught the silvery tracery of a spider web.  The torch sought its quarry and a frighteningly large Golden Orb Weaver was in the limelight.  The spider waved its arms in protest at the intruders.

Onwards.  Crackle, crackle, crackle.  Then Maria said stop, and pointed forward at the ground.  The light was shone, and at our feet stood the tiny figure of a woylie, or burrowing betong.  It looked up at us for a few moments, a fraction of our size and unsure of what was going on as it stood under this sudden downpour of intense light.  Then it bounced off into the jarrah understorey.  Bounced rather than bounded I should add.  As I’ll explain this later.

Walking through the bush on this balmy summer night I could almost feel myself walking through a historical drama.  I was appropriately attired for a colonial costume drama from the 1890s and after a dinner party late one night we’d decided to take a stroll out through the little known Australian bush under the full moon.  We had wandered down a cart-track under the full moon, through the jarrah trees and the banksias.  The place still echoed with the spirits of its Aboriginal companions.  The marsupials of the forest were still healthy and ever present.   If disturbed one bounced away or wandered off through the shrubs.  The place was still wild.  You could feel the pressure of wildness.  Back in 2009 reality, the spirits of the bush are still in residence.

The walk finished and we retired for a drink at the visitor’s centre.  As we were about to leave Karakamia, about ten o’clock, I made my way to the small gravel car park by myself.  A small brown shape appeared before me on the edge of the gravelled area.  I stopped.  It was a woylie.  I sat down on the ground.  The sound of the others from the verandah of the visitor’s centre came to me in snatches of laughter and talk, but I was mostly enveloped in the calm of the warm night in the forest.  The towering shapes of old marri trees in a long-disused field spread out to my west.  The little woylie eventually became used to my shape and started, slowly,  towards me.

How can I describe its movements?  It hopped forward in diminutive, elegant bobs.  As it hopped forward and moved past me to my right, incredibly close, I was entranced by the way in which its head pointed forward and down and it made its rapid jumps with a mixture of flowing confidence and touching smallness of motion.  I’m used to seeing Western Grey kangaroo’s bound, and compared to that easy, long roll, the gait of the woylie is entirely different.  It is like seeing a cougar run across a field in the mountains of California, and then later watching a chipmunk scramble along a rocky path.  And in fact that was the next thought that came into my mind: I’ve seen many squirrels and chipmunks in America, but not once while growing up in Australia did a woylie bounce past my family’s tent.

As beautiful as the little fellow was, something is wrong in this scene.  Here I was, thirty years old, sitting on the gravel in the carpark of Karakamia and seeing for the first time in my life the animal that should be so common to my forests and fields, the beautiful little creature that should be such a recognizable feature of the place I come from.  I have spend quite a bit of time in the natural environment in Australia, and I have never before seen a woylie.

To the WA government: Do whatever it takes to bring back our animals.  Don’t leave it to the efforts of private philanthropy.  Make the bush live.

On the Up Side We Have: Life

March 20th, 2009

The American poet Jane Hirshfield is the author of the following poem.

Optimism

More and more I have come to admire resilience,

Not the simple resistance of a pillow whose foam returns over and over to the same shape,

But the sinuous tenacity of a tree

Finding the light newly blocked on one side

It turns in another

A blind intelligence, true

But out of such persistence

Arose turtles, rivers, mitochondria, figs

All this resonace, unnretractable earth.

In her portrait of the rising sap of evolution the poet intimates something I feel when looking on the green, emergent life of a forest or woodland.  It is this unfolding, endlessly optimistic spirit in the wood, leaves and mitochondrial pulse of life that provokes a feeling of… you fill in the blank space.  I’m sure endless numbers of cliche-ridden poems have been written to fill that blank space in, many of them harping on spring time in the British Isles.  In the cliche-free language of Dylan Thomas it is ‘the force that through the green fuse drives the flower’.

Like Hirshfield I can’t help but admire the persistance of evolution: that meandering and long-flowing river that has brought us turtles, figs and mitochondria.

Walking Further into the Valley at Serpentine Falls

April 10th, 2009

This afternoon I organized a group of friends to go to Serpentine Falls in a national park south-east of Perth.  We were going to swim in the hot autumn weather.

It took about an hour to get there and, then, finally we entered a valley coming out of the Darling Scarp.  There was a dramatic granite face confronting us to the east further up the valley.  We were heading to a point where the water drops down over this steep rock into a deep pool.  Today is easter and a public holiday and, of course, the car park was disappointingly full.  But my dad had recently told me to climb up behind the falls to some swimming holes where you can escape the crowds.  That is exactly what we did.  There were eleven of us in total, and we made our way up the rock face indian file and then over the top.  There were a couple of pools in our high up aerie and the water was cool and refreshing.  It is a long time since I swam in fresh water – I’m always in the ocean – and so the silky feeling of having been in fresh water was a well received as I stood dripping in the sun.  Then I sat under the waterfall created where the water flowed out of a metal pipe from Serpentine Dam.  I sat in a small air pocket, beneath the water coming out above, with a friend and talked. Soon I needed to leave the group, and return to my home.  I was glad of the beautiful, wet bodies in the sun and the smiles and the presence of friendly people.  But the east was drawing me, up the twisting valley, through the trees, past the stones. I left the chatter and Das Man of the group, and moseyed along up the canyon floor.

It opened out into a valley as it went around the corner.  I looked back and saw the red stone and the blue sky and the unsullied eucalyptus canopy stretching up to the hill top horizons and felt good.  Here I was back in the dry, warm, Nyoongar haunted home of my childhood.  I could imagine a couple of first Western Australians walking around the corner with two or three gidgies (long, thin spears) over each shoulder, and their naked bodies shining with emu fat rubbed into their dark skin and a lizard tucked into a skein of possum fur wrapped around one of their waists as a belt.  This dream could have been only a handful of decades ago, and yet how very far from the brightly t-shirted and urbanized primates that lounged on the rocks back at the foot of the falls, far, far below me.  I walked forward, feeling my feet firmly on the rocks of the dry streambed.  Then I stopped, remembering that I had some new glasses in my backpack.  I got them out and put my glasses on.

All of a sudden my long-distance vision took on a clear-edged precision that made the world anew for me.  I was filled with wonder at the shapes of the valley I was walking up.  I couldn’t’ stop looking around myself in pleasure.  Soon I saw a blue-tailed bird through my binoculars, and I realized that this was a Splendid Fariy Wren.  It had a brown body, and was thus a female.  In the world of Splendid Fairy Wrens the females get a small share of aesthetic glory.  Much of the river was dry, with pools and mud here and there.  And I could smell the damp, musty clay and mud smell fill my nostrils as I stepped along stones above these areas.  I breathed it in and it was good.  Dragonflies swooped here and there.  Dragonflies are biomonitors in that their larvae are susceptible to pollutants in the environment.  If they are here it is a sign that this place is healthy.  Then bird song came shyly from the bushes to my right.  Two light green, tiny birds sped through their movements on a nearby limb.  They were Elegant Parrots, and because of how uncommon they are I was surprised to see them.  In fact I have never seen these birds before.

It took a while of walking, but finally the chatter of the group back at the pool no longer bounced along the rock surfaces to reach my ears.  A new peace and silence enveloped me.  I found a bulrush and tried to pull out the base of the stem.  Food.  It was hard work and I realized how much more useful a Nyoongar woman’s wonna, or digging stick, would have been than a Nikon SLR at that precise moment in time.  Afterwards I walked forward through bushes that had begun to crowd my path along the valley floor.  I came out of the bushes and the valley opened out and turned left.  A white-faced heron poked his sharp face into space above the boulder-filled reflections from a pool.  I walked past the pool, quietly observing him flap his wild, grey presence into the air.  I walked up along through the marri trees and over pebble beds of their nuts lying strewn on the earth.  I looked up at the western bank of the river bed: it rose up and up with two thousand million year old boulder surfaces giving way to jarrah trees and shrubs, and then like a white skeletal fenestration against the dull navy greens, a pocket of beautiful wandoo trees.  The wandoos waved their vividly white arms in the air.  Their crooked lines etched themselves into me.  I stood and looked at the king among these trees.  It was closest to me, just on the other side of the river and standing over me at the bottom of the slope.  My eyes raised up to meet its height.  Its boughs sprouted diverse angles, zigging and zagging in a frozen explosion of white wood, out into space, and with their… oh, the time. The National Park was closing its gates at five.  Five to five.  I pulled myself away from my immersion in this Australia.  I turned on my heel.  The intrusion of man-made timetables gave me an abrupt full stop.  I had to go.

It is evening now and I sit at home.  Looking back at this afternoon I see how over the past few months of reading and writing about the human and environmental history of south-western Australia, I have changed.  I walk through the arid, open, dry country of my home, past diverse lives, over the history haunted floor of the Swan coastal plan and over the granites of the Darling scarp, and I feel more and more like I belong here.  Sure, I was born here.  One of my grandfathers was one of a small handful of the first white-skinned people to be born in the western third of this southern continent.  I grew up visiting the non-urban world often with my mum and dad.  Yes, I am from Australia.  But only recently have I started to become Native.

What is the point in writing about nature?

April 14th, 2009

Some people write about nature in a way that goes beyond scientific observation.  These writers merge history, anthropology, ecology and personal emotional reactions and associations in their work.  This kind of thing constitutes a genre of creative nonfiction about the natural world.

But what is the point of such writing?  Why bother producing it?

Hmm…

Annie Lamont said that:

‘If you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little light house. Light houses don’t go running around all over an island looking for boats to save, they just stand there shining.’

Three men in a boat.

May 11th, 2009

This morning I, my friend Danny and my dad went out on my dad’s boat to Garden Island to do some snorkeling.  It was a calm, sunny May day on Cockburn Sound, and spirits were high. We piled our sundry gear into the bottom of the little wooden boat and lowered it into the water at Woodman’s Point, south of Fremantle.  My dad steered us out past the rocky groin: onto the ocean, sun high, eyes glinting with sea shine.  Three men in a boat.  Heading out.

The Indian Ocean spread out all around us.  Dolphins periodically slid their grey flanks out of the water in front of us, allaying any peripheral anxiety my dad’s talk of recent Great White sightings may have sparked.  Dophins don’t hang out with sharks, as a rule.

We made our way to the island, the skipper bumping and sliding us over the chaotic dimples of the sea with practiced ease.  The island has been an island for something like seven thousand years when the sea swelled and covered up most of the Swan coastal plain, leaving a few limestone lumps a far distance off our contemporary shore.  The Nyoongar people didn’t have boats, and this meant the island we were about to arrive at had not been burnt by humans with fire sticks in centuries past.  What we were seeing as we approached the sand beach of Garden Island’s north-eastern side was what the approach to Fremantle might have looked like a very long time ago.  Funny, although I live very close to it, I have never stepped onto Garden Island.

Arrival.  Stepping onto the sandy shore.  Walking into the forest.

There are hardly any places were you can see Melaleuca lanceolota (ti-tree) and Callitris preissi (native pine) growing in thick stands with closed canopies.  These trees haven’t been molested by fires and humans with axes or bulldozers.  In fact the state categorizes this vegetation type as a Threatened Ecological Community.  These almost unique remnant forests stand as a reminder of what parts of coastal Fremantle and Perth once looked like.

Looking up into the canopy the ti-tree’s sillouette looked slightly gothic.

But as I stood below amongst the trees, feeling the soft sand and brown moss beneath my bare feet, hearing the chuckle and crash of the surf beyond the dunes embroider the forest peace and stillness, I felt happy.  The shadows here didn’t hide any grief or pain in their depths.

Later I was snorkeling and floating above a glowing nudibranch.  My eyes were focused attentively on the iridescent aqumarine of its little body amongst the sea grass.  The colours of our local nudibranch are worthy of the most spectacular tropical reef ecosystems.  When we were on the boat at one point somebody spied a sea turtle from afar.  We approached, only to catch a few seconds of the old, barnacle encrusted voyager before he span and flapped his way down into the blue.

Later in the afternoon some wind had picked up from the south and we made our journey back. The boat shot forward.  Danny stood, leaning back and holding on steadfastly to his rope, grinning at the surging force beneath his feet.  My pa held the tiller and steered us onto the faces of waves we could ride, and over the crests of those we couldn’t.  I clung to the old, blue rail of the little craft and looked at the sea water slap and spray out to the side of the hull. The blue water shot beneath us.  Water shot out to the side.  Water shot into our faces.  I was still wearing my wet suit after the snorkeling earlier – not that the water was very cold today – and we were all catching plenty of sea spray onto our dripping and smiling mugs.  Close up and personal with the big blue.  Three men in an ocean-going little boat.  No insulation, no isolation.  I put my hand into the plumes of spray we were kicking up, and watched the tiny rainbows that sometimes appeared.

Stand Tall Fremantle

May 17th, 2009

This morning I got up, after plenty of partying last night, and the sun was shining on the town.  I rode my bike into Fremantle, wearing my Vote Greens t-shirt.  I didn’t have any reason to be downtown.  I just cruised along with a smile on my face, watching the pedestrians pass by on the pavement.  I went to my usual cafe and bumped into a few friends.

Yesterday the town where I grew up voted for the Greens to represent them in the Western Australian parliament.  For the first time in Australian history the Greens took a larger chunk of the primary vote than Labour.  For the first time in Western Australian history a Green politician has been elected to the Lower House of the state parliament.

The elected representative in parliament house in Perth for Freo is going to be a Green.  It is going to be somebody I support strongly.  This has never been part of my experience before.  This is something new.  I am so used to feeling oppositional to the mainstream political climate of where I live that it will take some getting used to.  Apart from the practical impacts that this election result will have there is something cultural and symbolic about this that has moved me.  The Greens stand for real, genuine commitment, not just talk and greenwash, to looking after nature, to an egalitarian society, to resisting corporate lobbying.  Now every time I pass the Freo library there will be an elected official in the office opposite who is a Green.  In this town I am no longer in the minority in my political persuasion.  The core member of the establishment in my town will, from today, be a person with whom I sympathize.  Suddenly I feel like I belong in my home town in a way I’ve never felt before.

Stand tall Fremantle.

White Australia

May 25th, 2009

This photo is of a cousin mine.  It was taken many years ago in Carnarvon in north-west Australia. I share it with the you because I find it symbolic of white Australians learning about the life of this land, and becoming native.  In becoming truly Australian we must know this land, and bring stewardship and care to that which we are knowing.

New Journal Article Out

June 5th, 2009

I’ve got a new journal article just out.  It is called ‘Introduction to the Post-Pastoral in Australian Poetry’.  It recounts my search for realistic and celebratory visions of us living with nature in Australia in Australian poetry.

As you’ll see I did have some luck finding such visions, but it took some searching.

Have a look here.

Photographs of the Known Unknown.

June 20th, 2009

A glimpse of a misty and mysterious paddy field in southern China, a place most of you will never visit.  This photograph, and the two that follow, were taken over the last few months by my mother.  She recently returned from a trip that wound through south-east Asia, China, Mongolia, Siberia, Russia, Scandinavia, western Europe, eastern Europe and finally to Turkey.  She traveled using trains and ferries.  Mainly just trains.

I wanted to share these photos as I find them to be full of mystery; they present the known unknown.

The waters of the Hebrides off the west coast of Scotland…

The evening deepens over the countryside of Umbria in Italy…

I like photography that says goodbye to the obdurate finite.

Wungong Gorge to Forrestdale Lake: Wanderings

July 5th, 2009

It has rained a lot recently, or so it seems to me.  And yet in fact the first half of 2009 has been much drier than average in Perth, in line with this corner of the world getting less and less rainfall as global climate change takes its toll. Political weather…  Now we’re moving into July, which is the wettest and coldest month of the year in Perth.  But with maximums of 18 degrees for July I shouldn’t really complain (although most people I know seem to do that)  It is true that I’ve been inside for the last few weeks more than I like to be.  Yesterday I bucked the trend.

Off to Wungong Gorge on the edge of the Darling Ranges with a few friends.  We walked up the gorge on the track, imprinted as it is with a few horses’s hoof marks, but not much else.  As we moved away from the road the green grass carpeting the hill that dropped away to our south came as a surprise to my eyes, so unaccustomed as I am to seeing such an intensity of the colour green in this part of Australia.  After twenty minutes or so we left the track and climbed up through some Marri trees, sheoaks, and grass trees on the southern side of the gorge.  This was steep terrain and little plants clung to the slope.  Small Drosera species, or sundews, were waving their vivid and alien arms down at ground level, bedecked with false nectar to entice insects in for a feed (once the carnivarous sundew has the insect on board the sundew is the only one to be doing the feeding).  We scrambled up some loose rocks and then climbed a granite dome.  There we sat and looked back down over the peaceful treasure trove of unsullied nature beneath us. The natural world…  The magna mater.

Valleys like this are like cantonments of biological diversity away from the strife of bulldozers and anti-nature shire councilors down on the Swan Coastal Plain.  Later, after returning to the valley floor we found a place to swim in Wungong brook.  The water was an icy shock to the system, but after getting out the grey July air suddenly seemed warm and relaxing.  There is something congruent in removing human-built artifacts from one’s sight, and removing other human-built artifacts, clothes, from one’s frame.  A journey up a stone gorge then becomes a trip back to primary elements.  Simplify, simplify, simplify, wrote Thoreau… and a day trip to the Darling Scarp becomes a balm to the over-perplexed urban iPodder.

I found the dead trunk of an old balga (grass tree) and, in my Nyoongar-taught enthusiasm to find white larvae to eat I kicked it in half.  A lizard, I think an ornate rock dragon, tumbled out, but no bush tucker.  I guess the old Australians would just eat the lizard, but I felt sorry for the poor fella.  He had been snug and thermally insulated in this old balga trunk, and ready to return to this beautiful hillside once things warmed up.  Some stupid ape out of Africa had disturbed his winter shut-eye.  I was repentant.

As the afternoon lengthened we returned to the Swan coastal plain to the west.  Stopping at the end of a suburban street by Forrestdale Lake, we planned to wander through some swamplands.  Forrestdale Lake used to be called Jandakot by the Nyoongar people.  Jandakot means ‘whistling eagle’ or ‘kite’ in the dialect of the area.  For them it was the place of the whistling eagle.  Today Jandakot is a place further east from here: one place name has been colonised by another.  A man with a long walking stick emerged from a wooden house.  It was Rod Gibblett, lecturer in communications at Edith Cowan University, author of Postmodern Wetlands, and long time resident beside and friend of Forrestdale Lake.  Rod took us on a little walk down the eastern side of the lake.

Hundreds of thousands of years ago the sand had been blown up on eastern side of the lake into a lunette (semi-circle of sand), and we were picking our way through the banksias woodland on top of this ridge.  This area seemed to be less biodiverse than the plethora of vegetation types we had encountered up in Wungong Gorge, but it was very beautiful, full of Banksia menziseii’s, flowering even in the middle of winter.  The purple Banksias stood glowing in the recently emerged sunshine, and New Holland Honeyeaters dodged and twittered in front of us erratically.  Down to the west was Forrestdale Lake, a great, flat oval, largely empty of water right now.  We found a Snake Bush (Hemiandra pungens), a delicate south-west endemic plant.

Rod has put his name to a collection of oral histories of this lake, and reading it I noticed how the older residents of the area had noticed a big drop in Long-necked tortoise numbers in the lake.  The little tortoises used to stick their inquisitive heads up above the lake’s surface in their dozens, but in the last handful of decades foxes have eaten them and left their shells as evidence at the scene of the crime.  They are still here – Rod found some in his swimming pool one summer’s night – but there are far fewer.  As we walked I noticed the shell of one such unlucky reptile.
While people used to denigrate swamps as places of darkness and malign diseases, the modern term wetlands, purged of pejoritive overtones, is closer to the reality of these heartlands of life.  In Rod’s book he quotes Thoreau on wetlands: ‘What’s the need of visiting far-off mountains and bogs, if half-hour’s walk will carry me into such wildness and novelty’ (Postmodern Wetlands, p.235).  I heed the prophet of hyper-local eco-tourism.

A Helicopter Over Suburbia

July 8th, 2009

In suburbia many aspire to brick and tile. Busy and benighted, donning the blindfold of activity
all the long day through.

Each night the citizens retire.  Recline.  Lift the blindfold for a moment, and then catch…

slant cant, on a screen.

What is this thing called life?

Silence.  No, wait, I can hear a noise approaching…

It is a helipcopter.
I can hear its blades cutting the air with powerful precision.

Again and again.

We are living in the developed world, but below the wisdom poverty-line.

And nobody is dropping down a first-world aid package from the craft that is passing in the dark night’s sky above.

The land was ours before we were the land’s.

July 9th, 2009

This flower from a Banksia ilicifolia tree, endemic to south-west Australia, was something I noticed in the woodland around North Lake.  It is the flower of one of Perth’s most special trees.  This flower will soon turn pink and then red.  The Western Spinebill, one of my favourite birds in Perth, likes to come and drink the nectar from it when it is yellow.  This tree doesn’t look like the other banksia trees around Perth, and it reminds me of the sacred live oaks in southern Europe.  The Western Australian state government is planning on putting a six-lane highway (an extension of Roe Highway) through here, and if it goes ahead this tree would be knocked down (find out more here).  We will never see the beauty of its yellow, pink or red flowers again.  The Western Spinebill will lose its food source.  This should not happen.  There will be resistance.

At the start of George Seddon’s 1972 book Sense of Place he quotes Robert Frost’s poem ‘The gift outright’.  I’m going to quote from this poem as well, changing a few of the words as Seddon does to suit it to the Australian context:

The land was ours before we were the land’s.

She was our land more than a hundred years

Before we were her people.  She was ours

In Western Australia, and in Tasmania;

But we were England’s, still colonials,

Something we were withholding made us weak

Until we found out that it was ourselves

We were withholding from our land of living,

And forthwith found salvation in surrender.

It seems to me that many Western Australians, including myself, need to learn a lot more about the land in order that the people of Perth become truly indigenous, truly of this place.  When, for example, I see a Banksia ilicifolia tree in flower and learn what it is, or that I could steep bunches of it in fresh water and drink an energy-rich drink, then I feel like I’m getting closer.  Once Western Australians stop withholding ourselves from this place we will become stronger.  We will become the land’s people.

The Last of the Wild in Perth

July 27th, 2009

I have two long black feathers, one tipped with a streak of scarlet red and the other with a flag of pure white, near me as I write.  The Nyoongar people sometimes wore such feathers in their head bands or on their arms.  For me I will keep these near me as a symbol of the last of the wild in south-western Australia.

This afternoon I went up to visit Glenn Dewhurst in the hills directly east of Fremantle at the headquarters of the Black Cockatoo Preservation Society.  I interviewed Glenn on Understorey on RTR 92.1 FM earlier this week about the work of his organization, and had been invited by him to come up for a visit to his aviaries.  There are many well paid professionals in the area of environmental conservation, working for WWF for example, or for the Department of Environment and Conservation in government.  Don’t get me wrong, I am sure they do good work, but many don’t obviously shine with a light of passion or love for the ultimate end of their work.  Glenn Dewhurst does.  He is not well paid.  He is not a bureaucrat.  He is not career-focused.  He is an honest champion of the birds he loves.

Glenn lives with his wife and three young children on 12 acres in Martin, covered in marri trees.  It is quite green out there at the moment after weeks of rain.  Glenn has a large number of aviaries for Carnaby’s, Baudin’s and Naso (red-tailed) cockatoos that he is rehabilitating and preparing for release back into the wild.  He can even find the original flock of the injured bird and return it to the original family – something which would bring great joy to parents who probably thought their child dead.  He took me and a friend into one of the aviaries down the hill where two Naso’s are being rehabilitated.  We entered the aviary and looked around us.  One of them he had spent countless hours with nursing it back to life after it had been hit by a car.  This fella, by the name of Retep, was quite curious and affectionate.  Generally Glenn doesn’t encourage this kind of human intimacy with the birds as they will ultimately be released into the wild when they are fit and ready and such behaviour won’t help them later on.  However for Retep so much care had been necessary to keep him alive that it was to late to completely cut out his familiarity with humans.  He came over and landed on my arm, then walked up and sat on my shoulder (I now more easily understand how mariners in centuries past managed to end up with pet parrots from the tropics sitting up along side).  Parrots are very social and highly intelligent animals, I’ve known this intellectually at least for a while.  But to have a very large black cockatoo sitting with me this afternoon, on my shoulder, looking for a bit of warmth and interaction, was touching.  Retep bobbed and huddled closer in the winter’s air.  A bit of inter-species communication was taking place on a cool afternoon in July.


Watching some videos of the couple who helped set the Black Cockatoo Preservation Society up during the week I was reminded of how much of a symbol of the last of the wild in Perth these large and beautiful birds are (the red-tailed birds are declining thanks to shooting by farmers, poaching and other threats in their jarrah forests, but Carnaby’s is more of the woodland dweller).  If we can save the Carnaby’s cockatoo, then we will have to save a lot more of the land around Perth on the Swan Coastal Plain from developments such as the one planned by Bells Rapids (where the Swan river enters the hills) or the one planned by a Japanese corporation up at Yanchep.  And if we can do that we will have saved the habitat of hundreds of species of reptiles, invertebrates and other biodiversity.  In this way Carnaby’s black cockatoo is the best symbol that we have of the last of the wild in Perth.  As ugly housing developments are built, they lose their homes. As the wild goes, they are going.
Glenn told me that a flock of 150 came into his area in the last month.  He watched them fly down to the coastal plain, but very soon they were back in the marri trees of the Darling Ranges where he lives, looking for marri and jarrah nuts.  Glenn thinks it is likely that they didn’t find the woodland habitat they were looking for down on the plain because of all the new housing developments.  This year is the first time he has seen this happen.

Wee-loooo, wee-loooo, wee-looo.  Endangered sounds from above.  Suddenly the large group passed across above us, and the birds in the aviaries called out in excitement to their cousins.

These birds are such proud, complex and beautiful beings.  Their tall heads, graceful wing lines, lustrous black body set off by white or glowing red tail-feathers, and most of all, their curious and emotionally-nuanced personalities, make them the best symbols of the old, wild Australia that we have around here.  Being with them today inspired me. I was looking right into the face of the last of the wild in Perth.  Those dark eyes made me want to protest the destruction of nature at this cities boundaries more than ever.

Down on the Farm

August 7th, 2009

As I left the south-west highway the feeling became much more rural. It is the middle of winter and all the rain has turned the fields a beautiful green. I’d driven for forty five minutes south-east of Fremantle. The sun was shining from a blue sky, and as I got out of the car to unlock the gate onto the property the bird song came from the trees around me.

I was visiting a small organic farm south of Armadale. My friend Ben was working here.

I rolled slowly up the track and parked my car under some gum trees. In front of me was a large area of vegetable beds running parallel to each other. Ben is a softly spoken and extremely tall guy. With his wilderness sage-style beard, Finnish ancestry and copy of the poems of John Keats tucked in his pocket, he is well attuned to the quiet rhythms of this farm. Ben and his two fellow workers were out in front of me, working the field. The area was bounded by trees on all sides, and also by the Wungong Brook on one side, and it had the feeling of a sheltered glade of… food. The greens, reds and purples of cabbages, silver beet and egg plants coloured the ground.

The earth around here is naturally more fertile than further east towards the coast as for millions of years rain has washed sediments down off the Darling Ranges onto this area near the base of the hills. Ben showed me the earth he’d helped create and it was dark and rich, perfect for growing vegetables. There are no pesticides here and the soil is alive. The insects aren’t all killed so the birds have food and I could see with my own eyes plenty of birds on the property. A kind of compost tea is poured onto the little seedlings by Ulli, a German student of organic farming.

I’m glad I visited Ben on the farm yesterday. Wendell Berry is famous for writing that ‘eating is an agricultural act’. But until I’d visited this garden on a sunny winter’s afternoon in August, I’d not known deep down what this meant. Every day I eat carrots and lettuces and spring onions that were put in the ground by people I know in a patch of earth I know. Now when I see the vegetables in the tray at the bottom of my fridge I don’t just see items that magically appeared for sale in a city shop. I see plants that grew in dark, rich soil in a quiet glade south-east of Fremantle. I know that Ben looked after these plants for the past few weeks as they grew. I close my eyes and instantly I can see a picture of the place my food comes from, and the people who grew it. Most of us are city folk and the water or the electricity that we use each day, comes from… well, where? We don’t think too much about it. We get used to a feeling of disconnection.

Unlike from other people’s farms, there are no clouds of pesticides drifting off this farm to poison people living along side. Instead of what you’ll find on most farms around Perth, monocultures and machines, here you find diversity and humans. But it isn’t just that these vegetables are better for people, insects and birds. It is more than that: I know the people that grow my food. I know the place where they grew. This pushes back the some of the undefined feelings of disconnection that you get from living your life in a city. In supporting this farm financially and knowing Ben and going to the farm, I have joined the dots and understand the ecology of my life a bit better.

Woolworth’s and Coles have 80 per cent of the retail food market in Australia.  The farmer’s they buy from cut-corners by laying on the pesticides and getting rid of diversity of crops and getting rid of human labour.  Keep cutting corners and keep making money, that’s the approach.  Woolworth’s and Coles keep making huge yearly profits.  So do the pesticide companies.  But agriculture isn’t a business like any other.  If you treat it like one, as you do every time you buy conventionally produced vegetables, then you’re voting for an ugly and damaging future.

It is time to let Coles and Woolworth’s wither on the vine.

John Seed Drops into Kulcha

August 22nd, 2009

The rain kept coming in thin misty sheets, but the air wasn’t cold. Walking through the woodland of flooded gums along the river a multitude of bird and frog songs came to our ears. The birds were clearly excited at the changing conditions of rain and then sun. A pair of Shelducks with orange-chests and widely spread wings flapped noisily down their flight way of the river’s surface. A mother yonga, or kangaroo, licked her daughter’s wet grey coat affectionately and then stood tall and stared at us, the furless intruders. The earth sprang wet and fresh to my eyes. Angular Babylon was merely a memory.

John Seed is a well known Australian environmentalist and spokesperson for deep ecology. Since the late seventies he has been involved in rainforest activism, most famously for Australians at Terania Creek in north-east New South Wales. He has run many workshops over the years teaching people to move beyond having just ecological ideas, to having an ecological identity. What is more we need to go beyond having merely social self, to having ecological self.  John thinks that we have a tendency to forget who we really are and to wander off into socially constructed identities. His group process workshops, known as the ‘council of all beings’, have helped to restore a sense of the human being implicated in the web of life for many people, at places as far away as New England. The other night John Seed spoke at Kulcha, the world music performance venue in the centre of Fremantle. Earlier in the day I had the pleasure of showing him some of the flooded floor of the Avon Valley.  Here is the sight that greeted our eyes as we entered the Darling Ranges…

I kept looking around me with a sense of curiousity as I and John walked along a path through Walyunga National Park. I’m used to living in a dry and crackling place, and I couldn’t get used to all this water… I couldn’t get used to this feeling of gurgling surfeit and softness that it gave my home.

In winter the Nyoongar went inland, to places like this sheltered river valley. The rain has been falling frequently over the last few weeks in south-western Australia and the Swan River, called the Avon where we walked along its banks, has swollen and flooded its edges. The water, brown from the soil it flows over through the wheat belt, roared over the rapids, and chuckled in the feet of the melaleucas, and then flowed with a quiet lapping sound in the broader streches of the river’s path. Most of the rivers coming out of the Darling Ranges were dammed for Perth’s water use before I was born. Here it is big winter flow.

And then the flow returns to where I live most of my days, to Fremantle…

John is a stout white-beared elder of deep ecology.  Hanging out with him you get a sense that unless you’re tapping into some kind of spirituality in your life then you’re really just mucking around.  The sky darkened over Fremantle, and the lights of Kulcha shone from its balcony.  Sitting in the crowd and listening to John that evening, it was refreshing to hear from someone who experiences ecology and spirituality as so deeply intertwined.  So often you hear environmentalists, or professional ‘natural resource managers’ talking about the ‘environment’ as something out there.  For John ecological self is the water that falls from the sky and flows through our veins, it is the plants that come from the earth and then make up our body.  Gaia, the mother, exists before us and will exist after us, and this is something to sing praise for.  As John spoke, and showed some of his films, his sense of confidence in his view of the universe, and happiness about that view, shone through.  After all these years Australia’s premier deep ecologist is still smiling.

These words come from John’ song ‘Water, fire and smoke’:

‘I’ve pondered and worried/ I’ve tightened the rope/ I’ve feasted on sorrow and starved out my hope/ Now I come like a lover/ my heart in my throat/ give me water, fire and smoke.


Water for planting/ my eyes and my ears/ fire the transformer of sorrows and fears/ smoke for the ancestors, drawing them near/ with the water, fire and smoke.


So run from the church yard, the work and the cross/ run to the forest, the rivers and the rocks/ you will find a green alter deep in the moss/ you’ll find water, fire and smoke.’

Brad Pettitt: The Next Mayor of Fremantle

August 22nd, 2009

Brad Pettitt

Today Brad Pettitt launched his campaign to become the next mayor of Fremantle.  I like a guy who launches his political campaign on a bike.

When I was growing up in Freo in the 1980s the place was full of artists and bohemian types.  During the late 1990s and the 2000s I watched property prices in the town sky rocket.  Many of the locals left or moved to Hilton or Hamilton Hill in response to this and the place started to fill up with rich white baby-boomers.  Today it is in danger of becoming a wealthy dormitory suburb and losing its special character.

Brad believes in a vibrant and inclusive Freo that doesn’t go down this path.  He wants more high density in the east end of the centre of town to bring people back into the city to work and live.  He is behind plenty of renewable energy projects and environmentally sound building standards.

Yep, he’s got my vote.

Understorey Now Available as a Podcast

September 1st, 2009

Outspoken in the West….

To mark the start of spring in 2009, Understorey, the environmental radio show I help to host on RTR 92.1 FM, is now available as a podcast.  Just follow this link to subscribe.

The only environmental radio show in Western Australia, we regularly speak out for some of the inhabitants of this state who don’t get a vote in democratic elections.

Small Beginnings

September 26th, 2009

jewel

This month I’ve started to prepare a series of lesson plans on Western Australia’s environmental history for local high schools.  The sustainability NGO HotRock has commissioned me to do this.  So much bioregional awareness is missing from the minds of urban Australians, and it is a pleasure to be helping to restore some of it in the lives of young people.

The Jewel beetle above is one member of the ecological community in which I move.  It is a small creature, but its story is one thread in the billion year-old narrative of a once glorious landscape.  To uncover this greater picture takes us far through both space and time.  Once we have completed the journey our sense of place in Perth is changed forever.  With a new perspective on our world, with a new story in our minds, we move closer to becoming truly Western Australian, truly of this land.

I am happy to start with small beginnings.

The Spider Orchid and the Road

October 4th, 2009

spiderorchid

A Swamp Spider Orchid, or Caladenia paludosa.

This morning I went to walk around some damplands vegetation in Forrestdale (south-east of Fremantle near Armadale) with the folks from Perth’s Wetlands Conservation Society. This Spider Orchid is beautiful, but its kind isn’t as safe around Perth as they used to be. This is the second most floristically diverse Bush Forever site (place of conservation significance) on the Swan Coastal Plain but none of it is looked after by the Conservation Commission of WA.  The damplands that are the home of this Spider Orchid are under threat from a planned Keane Road extension – to service a new bit of sprawling Perth – which would split the regional park.  What is the Armadale council thinking?  As we amiable thirty of so amateur botanists wandered in the morning’s sunshine along the sandy fire breaks, this was something many of us must have asked ourselves.  One minute healthy stands of kangaroo paws were raising spears of red aloft, the next orange Swamp Pea was smoldering fierce orange in the undergrowth, and the next a Purple Enamel Orchid was spied shining from the shadows of a shrub.  This is beautiful and biodiverse land, full of elaborate and fascinating plant lives.  A road slicing through its heart will spread more destructive weeds and kill more animals.  How would you like a road built between your kitchen and your sitting room?  The Environmental Review, required by the WA government, of the road to go through this area is due out in February.  I’m sure everybody who walked with me this morning will be ready to protect it for the public good.

Some of these old fellas were a well of knowledge to draw from when it comes to the nomenclature of the different species of flowering plant that are glowing in the sunshine around here at the moment.
AcaciaPuchellaTomWilson

Yellow everywhere.

This is Acacia pulchella, or Prickly Moses, something which covers the land soon after fire has passed through.  Unlike this one, many species of plant around these parts currently have no common name, and a double-barreled Latin name isn’t always an endearing epithet in their absence. Thanks to the gregarious David James I know a whole lot more local plant species than I did yesterday, including many common names.

I got more out of the walk this morning than botanical knowledge.  It is refreshing to be around people with enthusiasm for the world they live in.  Thanks to everybody who shared their love of this rainbow-hued land with me as we move out of winter and into a new season.

DSC_0024

Look down and then stand up

October 19th, 2009

MattTMWilson

Fremantle just elected Brad Pettitt as mayor, a man who means what he says when he talks environmental protection.  I got to shake his hand on Saturday night and pay my respects.  But for those of us who care about the natural world, most of Fremantle is urban (which is not to say that the green revolution shouldn’t take place in cities).  The third largest area of native vegetation in Perth, and the closest one to Freo, is surrounding Jandakot airport, a little further south-east.  Yesterday I wandered through some banksia woodlands not too far from Jandakot airport with my friend Matt.  In this photo Matt surveys the prospect.

We parked in a suburban street nearby, and then proceeded on foot.  Soon the footpath ran out and we were forced to walk along the side of the road.  To the left and the right the angular shapes of suburban roofs with square air conditioning units atop and plenty of exotic palms rising up amongst them all.

Then Matt and I left a road and entered a woodland.  It wasn’t one on land owned by Jandakot Airport – that would be trespass and that is something we would not do.  But we did leave a road and enter bush on the sandy soils not too far from the airport.  It is still the end of spring and plenty of flowers are out.  The banksia woodlands of the Swan coastal plain make up a natural scene which is not breathtaking considered standing up, looking out.  You have to stop walking, and pause…

Now look down to your feet.  Squat down.  Look amongst the plants.  You are faced with tens of beautiful plants species with their own unique flower and leaf.  It is here that the surprises lie.  Most people are too impatient for the onwards march of a bush walk to really stop and look down.  But if you do, you will be rewarded with much more than you’ll ever find with the stride-over-the-hill approach.

StarsTMWilson

These little purple stars gleaming like jewels in the undergrowth are the flowers of perennial shrub called Calectasia narragara, or Star of Behlehem.

A few footfalls later.  And then…

tmwilson

This flower of passion amongst rich green stems, richer green than I’m used to seeing on this sandy soil, doesn’t have a common name, but is called Daviesia hakeoides.

For me the star of the morning was from the Proteaceae family: Petrophile linearis flowers have a kind of alien-like charm with their furry pink petals low down amongst the chaos of leaf and stem…

ProtTMWilson

What an amazingly funky looking plant and flower.

Then we walked along the road south into Jandakot airport.  From the road I could see what the airport guys have already done to the native vegetation in this area.  Destruction…

jandakot8

Why do they need another runway and more money?  They’ve already wrecked enough land around here.  Look for yourself.  This land was cleared a while back for a ‘commercial precinct’, a place for big wharehouse sized shops to sell plasma screen tvs and the like, but months have past and its still empty.

jandakot7

What we are talking about is the third largest area of native vegetation in Perth.  This is the largest area of woodland close to Fremantle.  And the Jandakot Airport people have already ripped into it with bulldozers, leaving the empty earth you see in the above photo.  According to the WA Native Orchid society ‘there is some dispute whether the 79 ha that was cleared (and the 53 ha remaining to be cleared [for this one commerical precint]) was done with appropriate authority and permission’.  Across the whole site, the airport people want to knock down another 167 ha, and the federal government is considering their proposal right now.  I and Matt know how intricate and wonderful the thousands of plant and animal lives existing in this kind of banksia woodland are.  Imagine going into an ancient library full of illuminated texts from centuries past and pulling books from shelves and tearing them up.  This is the kind of thing that  Jandakot Airport Holdings wants to do with thousands of Western Australian works of nature.  Fremantle people should at least know that a private enterprise is trying to get more money by diminishing the largest treasure trove of nature left close to them.

On our way out of Jandakot airport we walked across a highway intersection.  It seemed to go on for a long time, reminding us of what a surprisingly large amount of physical space a highway junction or bridge can take up on a landscape.  Soon Roe highway is going to be pushed through North Lake’s bush for a vast concrete intersection, not totally unlike this one.  This is just around the corner from Jandakot airport.

Don’t feel that you can’t do anything about the loss of nature in Perth.  You can step up to the plate.  Protest this destruction of nature by coming to a rally at North Lake on 31 October.

Nature in Perth right now needs you.  Come and support the preservation of one of the last remaining wetlands in the metropolitan area. There will be speakers and entertainment.  More details at: www.savebeeliarwetlands.com

See you at:

Bibra Lake Reserve, Progress Drive
(between Hope Rd & Gwilliam Drive)
Bibra Lake

11am – 1pm Saturday
31 October 2009

350 in Perth

October 24th, 2009

Well the whole world has been making the numbers 350 in various ways today.  Here’s what we did in Perth, Australia…

350PerthTMWilson
This morning we first formed a critical mass of bikes riding through the centre of our city, causing cars to stop and make way for our smiling bicycle gang.

TimTMWilson

That’s Tim Hemsley, the brains behind the Perth critical mass today.

TonyTMWilson

The centre of the business district had never seen so many free-wheeling environmentalists.

JessTMWilson

I’d never been in a critical mass before.  There was a sense of solidarity between the riders.  We were taking back the street from the dirty and polluting cars.  But it was also really fun.  A fresh and refreshing experience to be riding through the centre of Perth without any fear of getting hit by a speeding automobile.

SatisArnoldThe ride stopped at Western Australia’s parliament house where well known climate change activist Satis Arnold opened proceedings.  He reminded us all that today is about getting the current level of carbon dioxide pollution down from 385 parts per million to below 350 parts per million in the atmosphere.  350 is the most important number in the world as it is the number that everybody on earth needs to be aiming for right now.  The rise above 350 ppm at the current rate of about 2 ppm/year is leaving behind the conditions that allowed the development of human agriculture and civilisation from about eight thousand years ago.  If we don’t want to see billions dead, human and nonhuman, through floods, droughts and fires, then we must get things down below 350 ppm.  We can do this through a war-time effort to increase renewable energy generation, stop land clearing and start a massive global reforestation campaign.

Oh, and I forgot to mention the humble bike.  Nice riding with you my friends.

Cabane des Naturels

November 3rd, 2009

DSC_0061Yesterday I and my friend Gilliane left Western civilization in our dust.  We drove south along the foothills of the Darling Range.  Around a 100kms south we veered left up into the scarp and the granite and the jarrah.  We stopped at a view point and we were here, soon standing on a titanic and prostrate jarrah log, looking out through a vale of foliage on the curve of the green hills and the wide plain beyond.  Pea-flowered shrubs glowed orange in the understorey, and vined their way through the lattice work of an exuberant macrozamia leaf.  The little buggy had got us quickly deep into the natural world.  Far, far behind, yes, left far behind were the cars and the tarmac and the people.  Here it was just Gilliane and I and wallabies and grey kangaroos and scarlet robins and thousands of other nonhuman others.

We camped beside the Murray River.  A grey, slightly muddy area was the only place I could see that was flat enough.  But we scooped up lots of sand from up the hill and dropped it on the area and we had a camping spot.  We found ourselves beside a big pool fringed by towering jarrah trees and vocal frogs.  That night the frogs chorused in three dimensions through the dark space, while the fire flickered over our faces.  We sat on granite stones I had carried there from a river bed nearby and drank a bottle of red wine and ate sandwichs.  And talked. It was good to be there with my friend and the fire and the dark and the thumping on the other bank of roos in the wilderness and intimate conversations about our loves and losses and our hopes and fears.  With the flat pan of the river before us smoking with mist and the trees and bushes sheltering us behind and to our sides and the fire there on the sandy edge of the river, just as it would have been for the white explorers like Dale and Wilson of this river in the 1830s.  And our little mia, our little cabane des naturels, behind us, into which we would later crawl and relax and sleep. That night I slept covered by my buka, the soft downy press of kangaroo fur on my cheek.

Today we ventured through the private property of a beef-farming couple in a salubrious farmhouse further west of this point on the Murray, with the auspices of the owners (they even gave us a map), and took my little car on perilous journey over high hill.  We parked eventually and walked.  After an hour of walking we neared the summit of the tallest hill on the edge of the Darling Scarp where the Murray exits the hills.  It was hot and Gilliane was tired from the very steep ascent.  Down, far down, in a crook of the valley behind us, a wide and fast flowing Murray River glinted and accentuated the romantic nature of this already green and beautiful place.  It encouraged us backwards.  I encouraged her forward.

gilliane4

Soon we reached the top, clapping our hands loudly as we waded through tall grass to scare off errant dugites.  A large granite boulder crowned the bald head of the hill.  That was it.  We climbed on top of it and stood, finally, looking out on the vast table-cloth of paddocks and trees stretching out beneath us to the west, fringed by a lagoon, Lake Clifton, and then sand hills and then the Indian Ocean in the distance.  The well earned thrill of topping out and having big perspective on the world was ours.

gillianeettomLater we walked back down the red gravel track to the bottom of the valley.  A big black tree monitor  shot off its basking place on a granite boulder, and scurried out of potential danger.  Soon we were naked and swimming in the cool and fast flowing Murray.  My feet touched the bottom of a deep section in the bend of the river.  I wondered which other human feet had touched the bottom of the river at this exact point.  I clung to the edge of a rock while Gilliane enjoyed the sun on her skin.  Feeling the bottom with my feet and seeing the slopes of the valley, full of granite boulders and balgas and jarrah and marri and not even the memory of a footprint of a tourist, feeling the fast flowing water on my body…

Go forth with your eyes wide open.  Shadows sway.  Surfaces are real.  You are human.

Go up into those hills.  They are waiting.  They are always waiting.

Searching for Simplicity

November 28th, 2009

South west blog-10For the past two weeks I have been wandering around the south-west of Australia searching for moments of wildness, beauty and simplicity.  I found them.

Sitting by the fire with the firelight glowing on the lower trunk of an old leaning peppermint above, with my book on my lap, and the entrance to my mia-shaped tent at my back, no phone or email or facebook in the vicinity, not to mention no street full of people, no hard walls, no town around… this has been my life recently.  Checking facebook and emails in Margaret River the other day I scanned through, realizing how much scatter and trivia fills my days via these channels.  I agree with Scott Russell Sanders, ‘the opposite of simplicity is not complexity, but scatter, clutter, weight’.  While in Margaret River the other day I also visited a friend’s place, and walking into her admittedly very new and tasteful house felt odd.  Walls were there and there was the comfort of sofas and the ease of showers and cook tops in the area.  But it all felt too tame, too insulated, too much like life away from the white-chested wrens and the peppermint blossom on the ground and the flames of the fire at night and the DEC picnique benches standing square for another one-pot dinner.  I like camping.  I like the feeling of being in the midst of the wilderness with my capacious dome tent.  I don’t pay rent to a land lord, I don’t see the same scene every day I wake up.  I am self-sufficient, lord of my own manor.  I am nomadic and mobile.  I feel my buka on my check when I curl up for deep rest after dark.  Bird and tree and weather surround me.  The movements of the sun determine my waking hours.  At night when I feel tired I am bone tired and fall out of consciousness without query or qualms.  Quenda dig holes near me as I sleep.  Being in these wooded, wind-brushed, bird-loud places, I elect to experience Australia, not globalized, rented, tarmaced routine.

South west blog-0

My first night in the bush was in Dryanda.  This is the largest fragment of what much of the western side of the WA wheatbelt used to be like.  The wandoo woodland is open and easy to walk through.  We stopped earlier in the day and it was good to be in this open and dry woodland among the white colums under the blue sky, with tiny delicate white flowers that looked like stars in clusters on the ground.  That night I experience quiet with Bush Stone Curlews sometimes sending a haunting and delicate cry out from the sclerophyllous black, and brush tail possums scrabbling on the bark of wandoos near the camp site.  The Bush Stone Curlew has been driven out of most of the western wheatbelt through habitat loss and predation by foxes.  The sound I was hearing came from an earlier, wilder Australia.  Although I’ve never seen it I know from books that it is a tall, large-eyed, phantom-looking bird which feeds at night.  Believe me, its call sounds nothing like any other bird call you’ve ever heard, and is a signature note of darkness that should be widely known as such on this part of the planet.

South west blog-1

Traveling through the rolling wheatbelt you watch dry, weedy road verges giving onto kilometre after kilometre of wheat and sheep fields with the coral-like foliage of york gums stretching up like lone survivors of an earlier Australia here and there.  Sometimes you pass ugly 1960s brick and tile suburban houses with depressing little rose gardens out the front sitting incongruously at the centre of these many-thousand-acre properties.  Always flies buzzing around one’s lips and eyes if one stops and leaves the car interior.  Sometimes lone mesas standing on hills, with laterite capping breaking away into tumbling iron stone down their sides, with delicate grevillea flowers, like the ones above, fanning their petals against the lichen splotched sides of the rocks.  Old railway carriages standing useless on the Perth to Albany line at occasional sidings.  Large Victorian balconies on the hotels in depopulated towns like Wagin and Katanning.  Most of all hundreds of kilometres of tarmac winding through hundreds of kilometres of fields, denuded of nature.

field

When salt is whipped up off the Indian Ocean by ocean winds it is eventually carried in clouds over this part of the world, falling in the rain and accumulating in the soil over millions of years.  In the past the trees sucked up all the water, but now most of the trees have been cut down the water table rises, washes into valleys and depressions and brings the toxic salt to the surface.  This deathly scene, rarely observed by city folk in Perth, combines the footprints of a highly destructive feral fox with the landscape footprint of highly destructive farmers.  Stormy tidings from the West.

South west blog-3

But not all hope was lost.  At one point we stop and harvest some quandongs from a couple of healthy bushes, with lambent red balls glowing like Christmas decorations amongst the leaves.

South west blog-2

Some people think quandongs are better used to make jam than eaten raw.  I personally love these  fruits which taste like young apricots with a hint of lemon in them.  Tasting their flesh connects me with thousands of generations of earlier Australians.

Later in the journey the mountains suddenly rear up.  The road shoots at them like a runway.  The mountains, clothed in vegetation, sit like a solid mystery in our sites.  Eventually after hundreds and hundreds of kilometers of smashed natural heritage, we enter the Stirling Range National Park.  Suddenly all around is kwongan.  It is a dramatic transition.  Tout d’un coupe, Australia remembers who it is.

stirlings

The wild lands envelop us, and we pass along the road, deeper into the park.  The land we have left, looking back, now seems like an amnesia patient who has forgotten its identity.  Inside the boundaries of the park the vivid living reality of a unique part of planet earth abides.  We camp that night at the national park camping ground.  The next day rain falls in solid bursts.  We travel down the centre of the park, and stopping to take a photo of one plant’s flowers brings one face to face with an exciting host of species of plant jostling in the kwongan.  Srange patterned leaves of one member of the lily family brush shoulders with a elongated red flower petals that look like miniture fog horns.  And then when you look up the colourful kwongan rolls away and down into a valley above which on the other side rise the granite crenellations on a far-away peak. It is an exhilarating place to be: amongst mountains that look like they are the real thing, at least to somebody from this flat part of the world, and amongst plants that look like they come from another planet.

Later in the trip I visited the land of John Pate, former professor of botany at the University of Western Australia, now residing on a 60 hectare property on Mt. Shadforth by the town of Denmark.  John had organized an open garden event at his place, and this included opening the karri forest he owns to visitors.  This old fella has created an extensive network of trails through the forest, by hand, up granite outcrops and through wetlands.  Walking it I read some of the interpretive cards he’d written and placed along the trail for the day.  This one caught my attention…

South west blog-5

Later in the trip I walked through the giant karri trees of the Warren National Park and looked up at the victors of the struggle to eat photons.  This one is the height of a fifteen story building.  Remembering John Pate’s card, I noted that its siblings have long since passed into oblivion.

South west blog-8

Later still in the trip I spent some time in the Boronup karri forest south of Margaret River.  This forest was logged around a hundred years ago and all the trees are rising up together, racing to get to the light, shoulder to shoulder.

South west blog-6

If governments don’t stop global warming from going much further there will be decreased rainfall in south-western Australia, and among other things this means that this tall forest drama will not continue, and there will not be any eventually victorious karri giants for our grand children to look up at.  With less water the karri trees will grow smaller and branch lower down their trunks.

It has been a good trip.  I return to my opening themes of beauty, simplicity and wildness.  You can see some of the photos I’ve taken on the trip by clicking on the ‘gallery’ sidebar on this website.  Therein is suggested some of the beauty I’ve experienced.

South west blog-4

What of simplicity?  I counsel you to avoid caravan parks.  Prince Siddhartha did not journey through the countryside with an extra-large Cougar-model portable home.  Francis of Assisi did not start up a Yamaha generator at sundown each evening.  Ghandi did not motor around India in a V8 four-wheel drive.  Simplify, simplify, simplify.  And if you see a ‘no-caravans’ sign at the entrance to a campsite, advance with confidence.

South west blog-12

A Word from the Floor

December 17th, 2009

interview

That’s me practicing my interview technique with a youth contingent from the Perth hills.

This morning I met Scott Jones, part owner of Planet Video and volunteer wildlife carer, in Mt. Lawley.  We went to his house first of all, to pick up an injured Wattle Bird he’s been caring for in an aviary in his back garden.  Then we drove east to Martin under the hot December sun, with the little Wattlebird sitting in a darkened cage on my lap.  We were headed to the Darling Range Wildlife Shelter, a centre for the care and rehabilitation of injured wildlife.  Scott volunteers his time here every Saturday afternoon and had offered to show me around the place.  The shelter is a collection of low khaki buildings, aviaries and pens sitting against a background of native vegetation at the feet of the Darling Ranges (directly east from South Fremantle, just north of Armadale).  Western Australia has plenty of two ton lumps of metal hurtling along sealed surfaces at high speed.  The state also has plenty of animals unacquainted with the intricacies of road safety practices.  In sum we have many injured animals needing care and human attention.  The state Department of Environment and Conservation does provide a wildlife care hotline (ring it if you ever look and find a joey alive in the pouch of a dead female kangaroo lying on the side of the road), but generally the Department’s level of funding means that it must channel its money into the conservation of endangered animal species.  Volunteers take up the slack.  At places like the one I was visiting, such people do rewarding things like feeding helpless and swaddled joeys bottles of milk.

I and Scott walked around the shelter.  We walked through a series of large, grassy pens in which progressively older kangaroos were hanging out and doing some healing.  The first bunch of motely youngsters stood scratching their chests in endearingly unsteady style, sprawling lazily on their backs, or having a quick tussle in the shade.  When I approached one young grey came up to me immediately, wanting to interact.  This curious young dude was happy to be picked up.  Holding the little, gangly life in my arms I couldn’t help but smile at the way he tried to burrow closer.

tomandrooI’m accustomed to kangaroos being extremely fearful of human presence, perhaps a result of being hunted for many millennia and only the most-wary-of-humans surviving to pass on their genes.  Being surrounded by year old joeys, unsteady, big-eyed, and very friendly, was gratifying.  The wall dividing the species was down.  While these little guys just wanted to suck on your finger (some personalities admittedly being bolder than others), the red kangaroos in the next area we visited were even older and more boisterous.  Red kangaroos are naturally more bold and rowdy than grey kangaroos.  Two or three of these youngsters came up to me, heads up and nuzzled a strap on my camera.  Then one of them decided to grapple my leg, and have a bit of a playful wrestle.  It’s a bit like when you play with a dog, except that it isn’t a dog you’re knocking around with, it’s an ancient Australian marsupial lifeform.  Cool eh?  Lucky these reds are still half my size and can’t win too many points against me.

wrestlerI asked Scott Jones about his thoughts on the commercial harvesting of red and grey kangaroos in Australia for meat and skins.  Some of our discussion will be broadcast soon on RTR FM in Perth.  Soon I’ll also be talking with Michael Archer, author of the book Going Native, about this same subject.  They have very different opinions on the topic.  Surrounded by affable little joeys I thought it was an interesting context in which to do such an interview.  More about this later.

joey

Marsupium means pouch in Latin.  Hanging in a pouch, or a bag, is where these little marsupials are most relaxed in their first few months of life.

Kangaroos on the radio 30 December.  In the meantime, thanks Scott.  You’re doing a great job.

Higher for 2010

January 6th, 2010

2010

New Year’s greetings.  This is a bit belated, but I couldn’t write an entry in this blog at the time as I found myself many leagues from the good burghers of internet commerce.  I thought it would be an appropriate perspective to start two ten with: air that smells so good you want to gulp it down as it folds its way through a window in your tent, arabesques made by early morning silvereyes, the colour green and the sensation and reality of height.  In the 1970s film Rockers the character of Higher is the wise rasta who speaks from the hills of becoming irey and gaining coverage of I-heights, loveful heights.  This is the character I’m symbolizing with the red, green and gold in this photo.  This is the style in which I commence 2010.

My sense of height changes in karri forests. I stand and watch a karri tree leaf falling from far above in the canopy and spiralling down slowly through the cool, still air.  It is so small and falling for so, so long.   It is still falling in diminutive delicacy.  As I stand and watch the idea of a leaf falling from a tree gets reconfigured in my head.  Then this single leaf arrives on the ground

The ground crackles.  It has been about five weeks since I was last in the southern forests of Western Australia, and in this short time things have really dried out.  It feels like the middle of summer down there.

For some of the time I was in the south I was staying with botanist John Pate near Denmark.  I slept in an old 1920s settler’s cottage and one of the first pleasures of being there was the liberation of having so much space around me as I went to sleep at night, with paddock rolling off to the south and a copse of fifty year old karris partly obscuring a beautiful view of the southern ocean in the distance.  There aren’t many people you encounter these days who really know their local geography, and the names and history and dynamics of the nonhumans lives around them.  John Pate is one such guy.  His conversation as we walked his handmade trails through the karri forest was interesting.  At one point he told me that in the last ten years or so he’d noticed a drying of the climate which has resulted in some of the karris in front of his house thinning in their canopy.  His wife had once asked him to chop some down so that they could have a better view of Wilson’s Inlet, but now it isn’t necessary as the thinning in the canopy lets you glimpse the view between the trunks of the trees.  Turning to the latest news from Australia’s bureau of meteorology we see that average temperatures for the whole of this last decade we’ve just been through were 0.48 degrees above the 1961-1990 average, confirming that John’s observations of his forest are very pertinent.  On another subject John also expresses the view that, despite the noise made by forestry professionals, forests don’t need to be managed.  He does not burn his forest, and if a fire from a lightning strike went through his forest the ecosystem would just start up again as it has for thousands of years.  He does not feel like the owner of his forest, just somebody who walks through it and knows it intimately.

johnHe enjoys feeding the superb blue wrens on his verandah with meal worms.  They chirp in a high pitched, touchingly insubstantial way, and then hop onto his hand for a bite. The gaunt and affable guardian of the wrens.

To print today-5

I hope your resolutions for the twelve months to come hail from greener and higher places.  Happy New Year from an indolent garden guest.

To print today-3

The Virtue of Being a Savage in the Blue

January 21st, 2010

Cormorants

I live in the south-west of the Australian continent. Although if you look at an ariel photograph of the city of Perth you won’t see much wilderness, you could be mistaken.  The eleven year old boy, marvelling at the living creation, lives on.  The blue on the map hides something.

The other morning I was on Rottnest Island with a group of friends.  I clambered over the rocks.  Alone for this experience.   It is good to be alone in nature – after being in the human realm so much one needs a shot of the primal elements straight, no chaser.  One needs a face to face sensual interaction with air, water on skin, rocks under feet, other species looking indignantly at one and then backing away, sounds sifting under one’s membrane of hearing.  I dived down, using my body, feeling my body moving, and at the depth of three or so metres I grabbed hold of some brown, green sea weed, sloughing in the wave motions of the sea, and watched a well camaflouged brown fish back in and out of its covey of weed.  All the domesticities of washing up, putting clothes away, are washed clean from one’s screen with a trip to the ocean.  Blown away with the trip out.  The fresh air of going forth, taking only one’s body and a towel, and slipping into a wild biota.  Going down, the warm salty water slipping over the body.  And it enlivens the system.  The doctor should surely prescribe a regular interaction with the more than human world once per week.  Jacque Cousteau stands for more than a faded seventies tv fashion.  He stands for the virtue of being a savage in the blue.

fishThese photos were taken on a $45 underwater camera.  Steve Andrews, a PhD student at Curtin University, was exploring the idea of bring out people’s appreciation of the marine environment through giving them cameras and sending them forth to take photos of things that mean something to them.  Steve’s project is called Show Us Your Ocean, and if you’re in the Yallingup/Margaret River area of south-west Australia, where he’s normally based, then I suggest you get involved.

Kingfish

A school of kingfish, or yellow-tailed amberjacks, cruised past me, rays of sunlight dappling their pelagic muscles.  These big, fast pelagic predators used to be sometimes found in the Swan estuary in the nineteenth century, but no longer.  Their power is humbling to be around.

The heat has been far too much this last weekend in Fremantle and Perth – so hot that every few hours I would wake at night, unable to sleep because of the temperature in my room, go take a cold shower, then go back to sleep for a while before involuntarily waking up again.  But apart from the ocean there is another thing I like doing in this weather.  Projecting old, rare footage from Jamaica and its musical heritage in my garden.  Good friends, hot nights, good music.  With a couple of cold beers, some uplifting well amplified island riddims, and a mist of water now then sprayed over the grooving crowd… moments like those when you loose yourself in the music and the motion and you feel your spirit rising up… make everything seem worthwhile.

NuggetIain McCloud of the band Nugget, spotted at a big, underground party this last weekend in Fremantle.

The elements are in place.  Summer has finally arrived.

A Haul of Sea Grapes

February 1st, 2010

DSC_0027.JPGThis morning I woke up, post-party induced sleep still in my eyes, and after a short drive with my friend Steve, walked into the sea.  I was walking into the water at Cottesloe with around fifteen friends who were joining me and a friend, Rainbo Dixon, Murdoch University doctoral candidate and underwater botanist extraordinaire, for a tour of some of the species of sea vegetables you can munch on.  Rainbo is doing a PhD on sea plants and their taxonomy and genetics, and happens to have also studied which of these salty greens you can eat.  I convinced her to share some of her knowledge.

DSC_0034.JPG
It was good to walk down onto the sand by the limestone crags and drop our stuff, then walk over the hot sand into the cool blue with your mask and snorkel.  I went out a few hundred metres to a line of limestone reef where the water was clearer and, pulled down by my weight belt, I flew along through the water, just above the waving terraces of sea grass, brown, orange and green.  It was like a heath or a forest, now I looked at all this life for once as my prime focus.  Normally I’m more focused on fish or coral or shells, but today, passing above the sea bottom, my eyes were scanned the fans and threads of  underwater plant life.  Looking for sea grapes I discovered how hard it was to find a good, large stand of this plant to pick from.  The warm, mid-summer temperature water passed over my skin, cool under my arms, slipping and streaming off my swimming hands and fingers as I beat my way forward with my my fins.  Now I was more aware of the way in which the bottom of the sea changes with every metre passed.  Now a large kelp, now a calcified, bright green leaf, now a dense and faded purple bush…

I didn’t want to go back to the shore.  I was enjoying the search for new plants and the warm, sheltering, enveloping water too much.

Eventually I walked up onto the sand with a treasured haul.  We each took back a small sample of some of the more interesting plants we’d seen, and, on a bench in the shade of a picnic awning, spread out our various finds.

DSC_0057.JPG

These are some of the things the taxonomic wiz kid Rainbo told us we could happily toss into a salad.

These sea grapes are good…  Caulerpa racemosa

DSC_0039.JPG

But not these (Caulerpa cactoides).  Notice that these divide at the start of each stem…

DSC_0042.JPG

This is good…  Laurencia species (notice that the branch tips are swollen and end abruptly).

DSC_0049.JPG

And this is good…. Hypnea species with fine spiky ends.

DSC_0054.JPG

And this is good…

DSC_0047.JPG

A Philosophical Land

February 8th, 2010

darlingrange

Tonight I was walking through John Forrest National Park with a friend.  Do you know the jarrah and wandoo and dryandra clothed slopes of the Darling Scarp in late afternoon light towards midsummer?

This is not a gushing, romantic, sloppy land, I thought as I walked.  This land is spartan and dry and ancient and philosophical. Unlike rainforests or temperate forests, this land has an intense and stark lucidity and openness.  It is not a place of soft excrescences.  It is a philosophical land of dry open shrubs and light-shunning eucalyptus leaves that point down towards earth, and let the fantastic sunshine slip past them and onwards. Now evening light falls on the dry bark and white trunks of elder wandoo trees. It is a land searching for the memory of so many proud and forever gone Nyoongar hunters and gatherers.  Now granite monadnocks squat antiquely.  It is the 2.5 billion year old bones of the planet, sticking through the surface.

It is the land for those who love, or learn to love, the truth, the glaring, searing, the ancient truth.

Vulnerable Perth

February 27th, 2010

PerthThis map uses the colours of the traffic light to show which areas of Perth have good public transport (green) to average (yellow) to bad (red) to nonexistent (black).  If you live in an area in the black and the price of oil goes up too high, as it eventually will, you won’t be able to drive to work because filling up the tank costs more than your weekly budget can deal with.  Maybe you’ll try and catch the bus or the train.  What if your suburb is badly catered for by public transport?  Check the map.  Society in your oil-price-vulnerable area will start to fray.  To stop a wild west scenario developing we should all keep asking for more apartment buildings and more light rail in sprawling Perth, and faster.  In the meantime you can almost see Mad Max saddling up in the distance.

Nice map Jan.

Welcome to My Place

March 24th, 2010

tree

I’ve now completed a series of PowerPoint presentations on the environmental history of south-west Australia.  I gave the first presentation of this slideshow last Friday night.  The location for the projection was fitting: a clearing amongst marri and paperbark woodland ten minutes drive east of the small town of Yallingup, three hours drive south of Perth, and many thousand light years beneath a covering of stars.  There were around twenty people there for the projection, and it was well appreciated.  If you’d like to come to the next presentation send me an email and I’ll set it up: tom at tmwilson.org

When I arrived at the house of my friend Steve Andrews, the location for the projection, the first thing I did was climb a big old paperbark on his property.  At the very top of the tree I sat and looked out across the tops of the surrounding trees.  I could feel the limb I was sitting on move gently beneath me.  The tree was swaying in the wind and I enjoyed feeling this motion through my body.  The feeling helped me leave behind the monotonous rigidity of riding in a car and enter into the spirit of the place.  Then a Western Spinebill, a beautiful little brown collared bird with a long black beak endemic to the south-west, hopped out of the foliage into my field of vision.  I don’t think he was used to encountering humans at the top of trees before, and I felt welcomed to the place by his bold approach.

Laughing at the Male Ego

April 3rd, 2010

200px-DownbyLaw

Down By Law is a black and white film which came out nearly a quarter of a century ago in 1986.  This film memorably portrays the late night streets of a long past New Orleans.  But isn’t this blog about culture and the natural world?  Why am I writing about what most people would think of as a resolutely urban film?

I watched the film last night with a bunch of friends and one scene stayed in my mind.  I am talking about the moment in the film when Jack and Zack are walking by themselves through the Louisiana jungle-like forest at night and enacting their urban personas, Jack the slick New Orleans pimp who controls women, and Zack the smooth radio DJ making the world stable and controllable through his flow of interlinked sentences and words.  They have both escaped from jail, along with their friend Bob, and are fleeing through the swamplands.  The camera follows Jack gesturing and talking to himself, then cuts to Zack (played by Tom Waits) also walking alone in another part of the wet dim forest, also talking to himself.  These men are enacting their shark-like urban personas.  Yet as they walk by themselves through the dark jungle their lack of control of the real world about them is gloriously obvious.  Back by a camp fire their friend and fellow prison escapee, the at first apparently naïve Roberto Benigni, is happily cooking himself dinner.  In this part of the film the director Jim Jarmusch has brilliantly demonstrated how the urban, power-obsessed male ego becomes entirely helpless and neurotic when lifted out of the machinery of the metropolis and placed into the chaotic midst of the natural world.  The environment of cars and dealers and women and scams and sidewalks can be controlled by one kind of alpha male, but that apparently triumphant tough guy is shown to be divested of all control and power when he steps far outside the boundary of the city.  A classic moment in twentieth-century cinema is for me the world-weary Tom Waits doing his radio presenter voice while wandering through the tangled night of a southern forest.  We see the male ego desperately trying to reassert control.  Waits voice can’t keep back the night forever and this scene is an instructive and touchingly futile comedy.

Penelope Swales

April 9th, 2010

I met Penelope at Kulcha recently when she was performing there, over from the east coast.  She told me about her new video ‘Black Carrie’, about a German environmental activist she once knew.  Its finally been released and here it is: Black Carrie.

Wandering down to the Wolery

May 11th, 2010

South-west again-1

Last weekend I gave my environmental history presentation to a group of Notre Dame sustainability students on the south coast of WA.  I took a few friends with me for the ride, and along with a large dome tent and some red wine, we wound our way south.  Upon arriving in Denmark we rendezvoused with the others at the Centre for Sustainable Living.

South-west again-4

Part of the centre, ‘The Sanctuary’ is a small circular building with a living roof.  We walked to the entrance of the Sanctuary and looked, over the grass and over the river, out on Denmark in the still and cool autumn morning.  With the mosaic of trees and river and hills and grass it was a heart-lifting scene.  Talking with Louise Duxbury inside the centre she reminded us of some of the history of the town, including the wave of hippies who came to live in the town in the 1970s.  Such folk included my parents, and soon enough myself as a small baby back in 1978.  I knew the man who had made the mosaic tiles for the Sanctuary and the man who had made the stained glass.  It was a good feeling to be enmeshed back amongst some of my Denmark roots.

South-west again-5

And so to the location of my talk later that day: the Wolery.  The Wolery is an eco-village on 64 hectares close to the town of Denmark.

In this photograph John Piercy is showing us about passive solar design, his profession, with a tour through his own home at the Wolery.  The place felt light and open and good to be in.  In fact it was an inspiring house to be inside.  At the end of his talk I asked him how much it had cost him to build it.  He told me that if you discounted labour, of which he’s supplied all of it, then it had cost four thousand dollars.  Inspiring indeed.

South-west again-6

Here Louise Duxbury shows us her orchard, next to her house at the Wolery.  Those are many, many persimmons that you can see hanging on the tree behind her.  Louise also showed us around her large vegetable patch.  Afterwards I asked her if she would be able to manage to live on only her own produce for a year.   She said she could.

South-west again-8These are some of her pumpkins, sitting pretty for a meal some time in the future.  With peak oil and peak phosphorus causing global food scarcity around 2030, it is the kind of thing I’d like to see sitting on my veranda.

I will have excerpts from a couple of interviews I did at the Wolery on the radio 11.30am, 26 May – on Understorey, RTR 92.1FM in Perth.

South-west again-7

That’s the community centre at the Wolery, with my powerpoint presentation Digging in the Sand set up and ready to go.  Thanks for having us to all at the Wolery.  It was a pleasure to walk around the quiet, bird-frequented property, with its mud brick and wooden houses nestled amongst orchards and gardens.  This place used to just be a big paddock, and in three decades it has gone on to become a centre for sustainable, and enjoyable, living.

Oh yeah… I mentioned that I took a few friends along with me for the ride down to Denmark.  One was from Canada, one from Germany and one from France.  At one point we passed some emus in a field.  I told them that emus were particularly curious birds, and that if they wanted the emus to come close to them then they might do something bizarre in the middle of the field, like like lying on their backs with the hands and legs in the air.  Then hopefully the curiosity of these enormous birds would be piqued and they would approach the group.  Luckily everybody believed me.  I don’t know about my integrity or credibility as a tour guide, but the photo will live on.

South-west again-10

The Final Days of Warrup Forest?

May 13th, 2010

South-west again-12

This is Warrup, an area of jarrah and marri forest in the south-west of Australia, south-east of Bridgetown.  Much of it is scheduled to be chopped down this year.  I was there recently, and can report that it is a beautiful, healthy and biodiverse ecosystem, far from the madding crowds.

South-west again-17Walking through the forest I and my friends found fungus growing from the sides of fallen forest giants, glowing orange against the brown of the fallen jarrah leaves.

The jarrah forests of the south-west of Australia have been overcut for the majority of the twentieth century.  At Warrup there are two areas of old-growth jarrah forest, something very hard to find in 2010.  These areas will not be logged, but anything around these areas will be.  This will open up the old-growth left to the effects of heat, wind and invasive weeds, as well as quite probably spreading die-back into the area.  It will also impact on threatened animals such as the woylie that are not unknown around here.  At Warrup we had found an area of Australia that deserves to be part of the national park system, but that, unless the Department of Environment and Conservation gets its act together, is going to be basically clear-felled.

South-west again-16

Tune into RTR 92.1FM in Perth, or online, on 26 May, 11.30am, to hear me interviewing Russel Catomore, a representative from the Bridgetown-Greenbushes Friends of the Forest group, about the future of Warrup.

South-west again-15

This forest has only been logged once back in the 1940s and today it contains massive trees and a rich understorey.

South-west again-14The sounds of quiet bird song fluting in the canopy in the areas adjoining the old-growth were an elegy in my ears.  Soon we won’t hear song in this old forest if the Department of Environment and Conservation gets its way.

South-west again-13Logging this forest will be a serious environmental injustice in Western Australia.  To find out why check out me and Rus on Understorey, 26 May, RTR FM, or podcast the show later on.

Bioregional Revolution (Remixing Gary Snyder for Australian Conditions)

June 16th, 2010

An owl winks in the shadow

A lizard lifts on tiptoe

breathing hard.

A robot in a suit peddles a mineral-rich delusion called “Western Australia”.

The head-heavy, power-hungry Government shuffles papers

Does it speak for the green of the leaf?

Does it speak for the soil?

In the city of Perth the front line expands

A bulldozer side-slips over the skinned-up bodies of still-live banksia trees.

In the pay of a man

From town.

Woylie, honey possum and chuditch are gone.

Super-stores and brick and tile shining hard in the sun.

Now is the time for solidarity

Between four-legged, two-legged people.

Flying people.

The paper-shufflers lose their mandate

The people turn towards the ancient land of the Bibbulman.

An owl winks in the shadow

A lizard lifts on tiptoe

breathing hard.

(My re-edit of lines from Gary Snyder’s poems ‘Mother Earth’ and ‘Front Lines’, 1969)

Green Island Visions at Kulcha

August 8th, 2010

GIV1

Last Friday at Kulcha (the venue I work at in Fremantle) was a celebration of Jamaican Independence Day, ‘Roots of Reggae’.  The venue at Kulcha looked like a haven of greens, with huge branches of tropical foliage turning the downstairs entrance hallway into a jungle.  Upstairs at the bar were found real whole coconut cocktails, and if you turned right and walked across to the dance floor you would have looked up and seen projections of tropical landscapes, and tenement yards, above the DJs and MCs.  This was another Green Island Visions production, a result of my wiping away humidity from the glass of my lens in various tropical forests and coasts around the world and bringing the results back to venues in Australia.  Live Vjing is an art in itself, and what I do is more pre-edited video and photography montage production. The point is to bring to the people some of the beauty of tropical nature while mixing it into the musical heritage of Jamaica.  The next time Green Island Visions appears will probably be for another reggae party in September 2010.

GIV2

Walk Against Warming, Fremantle 2010

August 17th, 2010

TomWilsonFreo

Yesterday two or three thousand people converged on the Fremantle Esplanade to protest government inaction on climate change.  At the end of this week Australia will vote on our next federal government, and it was a good time for this national day of protest to take place (not to mention the climate change disaster events in Russia and Pakistan hot in the news).  In Perth we had a great day of sunshine, and as you’ll hear if you listen to my radio broadcast at 11.30am on Wednesday morning 18 August RTR 92.1 FM, there was some good music from the likes of John Butler to be heard.

Actually one of the highlights of the day for me was the righteous anger of John Butler as he told WA Premier Colin Barnett that you’re going the wrong way down a one way road.  In a finger pickin’ style, of course.

If you live in Perth and didn’t make it to the Esplanade, then listen to the radio on Wednesday.

TomWilsonProtest

Wildflower Country

August 30th, 2010

9781921361784_WILDFLOWERCOUNTRYI’ve just read this new book from Fremantle Press: Wildflower Country.  It is a large, folio-style book of macro colour photographs of wildflowers from the south-west of Australia.  The Western Australian flowers often reminded me of unearthly, alien-like organisms when seen in these beautifully photographed macro perspectives.  As the author of the text, Stanley Breeden, comments in the book, the study of these flowers combines the emotional impact of the aesthetics of the flowers with the intellectual pleasure of learning about the workings of their ecological identities.  I met and interviewed the authors – Stanely and his wife Kaisa – and you can hear this interview on Understorey, 11.30am 15 September, RTR 92.1FM.  The work is a fitting tribute to what is now acknowledged by ecologists as the area with the greatest wildflower show on earth: my home.  On this upcoming show I’ll also be talking with Dom McFarlane from CSIRO about the future drying up of the south-west because of global climate warming.  I leave it to you, the listener, to draw what connections you may between these different subjects.

Doing Time on Boyagin Rock

October 15th, 2010

boyaginTomWilson-2

Today I’ve returned from Boyagin Rock, a huge granite monolith 140kms east of here.  I camped there last night with some friends.  Going there is like slipping through the mosaic of environmental devastation in the wheatbelt into a land that has escaped whipping.  It is a journey into how much of southern Western Australia has looked for thousands and hundreds of thousands of years.  It is an arid and ancient land of crushingly cold night and punishingly hot days where life must be highly adapted to survive.

boyaginTomWilson-0

Last night we sat around the fire and talked, enjoying the warmth of the fire on my legs as the temperature started its nightly descent.

boyaginTomWilson-1

This morning I woke in my tent and got out into the sunshine and a cold southerly.  Bird song and scouringly bright light.  I walked behind the tent through a grove of sheoaks and up a large and tilting granite slab to the west.  On the top side of this slab the sheoaks began again and I walked into the trees, raising my legs here and there to pass over fallen trees and branches.  I came upon a clearing full of white and pink flowers, their petals having seen better days I concluded that they must be everlastings on the elegiac end of their season.  I stopped, turned around, and looked out through the trunks of the sheoaks on the valley beyond, over the wind-swept sheoak tops and the heaths to a granite face on the other side of the valley.  I felt good, having left the chatter of my friends behind me back at the campsite and able to concentrate fully on the spirit of this forgotten place.

An orchid brings a flicker of colour to the somber tones of the woodland…

boyaginTomWilson-4

The last time I was here was in 1986 when I came here with my parents and their friends to watch the passing of Halley’s Comet.  I was eight years old. I thought back past this time as I stood amongst the sheoaks to the time before that Halley’s Comet had passed by in 1910 – this view would have looked the same.  The same when it came close in 1835.  The same grey sheen of the sheoak’s foliage when the comet was recorded as being observed by humans in 1682.  And onwards backwards through human history at least.  This place is a refuge for biological species unknown to you or I.  On the top of the monolith I bumped into Grant Wardell-Johnson, who I happened to have interviewed on refugia for plant species in the south-west of Australia in the context of global climate heating (on RTR 92.1FM’s show Understorey, 17 March 2009).  What’s going to happen next?  Will this island of life weather the changing times the future brings?  Grant will be one of the first people to be able to answer these questions.  Maybe I’ll return to Boyagin Rock in 2061 when the famous comet next passes through the inner solar system.  What will live here then?

All kinds of folk were out enjoying the rock on this day.  Next I bumped into Ctenophorus ornatus, the ornate crevice-dragon, bobbing his head at me and then scattering frantically into shadowy hiding.  Deep time didn’t concern this feisty denizen of old stone.

lizardtomwilson

Visiting the Steve Irwin at Fremantle

October 28th, 2010

I’ve just walked around the Steve Irwin, interviewing a couple of the ship’s crew for the environmental radio show I host Understorey.  I left the humdrum hustle of Freo streets behind, walked across the train tracks, and as I approached the docks of Fremantle wharf, the black form of the Steve Irwin loomed from between buildings, solid and with the air of some very serious intentions.

SteveIrwinI’ve grown up in the port city of Fremantle but almost never have I been onboard one of the many ships that dock in our harbour. Today the cargo ships we mostly have visit us are vast commercial enterprises, anonymous and entirely sealed away from the residents of this port.   Wandering around to the ship today and talking with some of the crew it was refreshing to have a brush with the cosmopolitan, en-route atmosphere of travel and adventure you’d expect life lived a busy port to more often be like.  Here I and photographer Danny Cummings are chatting with some people in the galley.

shipGalley

Most of all it was heartening to be around people who have acted on their beliefs, and are standing up to protect mother earth, or mother ocean to be precise.  The crew are preparing the ship to travel to the ocean around Antarctica in a few weeks where they will intercept the Japanese whaling fleet and prevent them from illegally killing whales in an international whale sanctuary.  They’ve been doing this every year for the past seven years.

ShipBridge

You can hear some of crew talking about life onboard the Steve Irwin on the upcoming episode of Understorey, 3 November, 11.30am, RTR 92.1FM.  You can also visit the Steve Irwin yourself and go on a guided tour of the ship this coming weekend from 10am-5pm.  Many thanks to Catherine Mansart for showing us around today.

Freo Tweed Run, 2010: A Perfect Way to Start the Weekend.

November 14th, 2010

TMWilsonNeilWallace-6

This morning was the morning of the great Freo Tweed Run.  This was an event in which the two hundred or so registered riders would congregate on South Beach in Fremantle wearing their most dapper kit, generally tweed, and after a bout of leisurely chit chat, take a run up to the Fremantle Esplanade.  Henceforth we would proceed to X-Wray Café, where, photos would be taken and garlands bestowed upon the nattiest cyclists of the day.  Thanks for the photos Neil Wallace.

TMWilsonNeilWallace-0

This morning was one of the most enjoyable mornings Saturday mornings I’ve had in some time.  After a very late night at Kulcha the previous evening, I pulled myself out of bed, showered, and donned my linen suit, and boater-esque hat.  The silk pochette that I neatly folded and placed in the breast pocket of my bespoke linen suit jacket had been hand delivered by my friend Jess Berry the previous day as a gift, direct from Jim Thompson’s in Bangkok.

TMWilsonNeilWallace-1

That’s my friend Alice doing some impromptu lindey hop.  My friend James Clarkson had retrofitted his large cargo bike to carry a car stereo and battery well hidden within an old suitcase.  I had prepared a playlist that went from twenties jazz to lilting Haydn, with a bit of Hugh Laurie singing Jeeves and Wooster thrown in for good measure.  With Nagasaki playing you can see why they’re dancing.

TMWilsonNeilWallace-4

There were plenty of friends about the place, everybody looking greatly pleased with themselves and the general state of things in the world.  What a perfect way to begin the weekend.

TMWilsonNeilWallace-2

I interviewed one of the organizers of the event, Lachy Bridie.  You can hear that interview, as well as plenty of errant chin wagging from the day on an upcoming episode of Understorey on RTR 92.1 FM (11.30am 1 December).  As you’ll see from my chat with Lachy, there is more to all this than a love of well pressed trousers (visit www.dismantle.org.au for a taster).

TMWilsonNeilWallace-5

And then for the run…  along the ocean and into Fremantle.

TMWilsonNeilWallace-10

The sound of Minnie the Moocher and other classics of the pre-war era followed us thanks to the design efforts of James Clarkson, efforts for which he was later awarded a $150 voucher.

TMWilsonNeilWallace-7

Is that a tweed flask I see?

We adjourned to X-Wray. I asked the young lady at the counter for a couple of her establishment’s finest ales. She looked nonplussed.  We settled down with some clearly  specified Rogers.  Somebody raised a toast to Stephen Fry.

For now I salute you all my fellow cyclists and propose another toast: to taking back Fremantle from cars and turning every day into a Freo Tweed Run.

TMWilsonNeilWallace-8

Lizard

December 6th, 2010

lizard

I saw this guy wandering through the woods the other day and I thought I’d share him with the world.  No comment today, just tipping my hat to a fellow explorer.  Varanus gouldii, or Gould’s goanna.

John Seed Reads Robinson Jeffers

December 9th, 2010

TMWilsonJSeedOn 7 December John Seed appeared at Kulcha in Fremantle.  He spoke to us about deep ecology, as he had when he appeared at Kulcha last year.  John also read some of the poems of the American poet Robinson Jeffers.  His reading of Jeffers poetry was particularly memorable, and I invited him to record some of these poems for radio the next day.  To hear this recording tune into Understorey, RTR 92.1FM, 11.30am 5 January 2011.

Another Lizard

December 15th, 2010

TMWilson

Skinks running at me today on the West End of Rottnest, fearlessly seeking food.  Sleek scales move over hot limestone.  Millions of years of evolution slinking over sun kissed skeletons of sand, reading striations of past ages with clawed feet.

Return from the Kingdom

February 10th, 2011

I’m just back from three weeks wandering around Thailand, the Kingdom of Siam.  In the above photo I’m hanging on Ko Jum.  With plenty of head space I relaxed and took in that combination of elements: moisture filled balmy air, gentle breezes, large leaved trees and palms and green grass, wide sandy beach and an ocean so benign that it feels in temperature and texture like cool silk on the skin.  In the background was the Andaman sea, calm as a sleeping giant murmuring incoherently to himself now and again.  Over in the local Muslim fishing village I got over culture shock and was able to calmly take in the main street on which everybody lived, traded or scooted along in ad hoc, resource-poor, community-rich South-East Asian style.  Unlike in the West where large and anonymous retailers turn high streets into citadels of corporate power, here the little man on the street grabs his share of the market, even if its just in the form of a tiny road side stall.  Oranges are sold as they grew on the tree out back, rather than being trucked in and only sold if they fit a cosmetic and flavourless ideal.  On the down side foul odours of rubbish or raw sewage assault the nose on a regular basis.

Later I was in Khao Sok National Park further north and west.  This is one of the most significant refuges for nature in south-east Asia.  It also turned out to be one of the most beautiful places I have ever been.

The centre of the park has a huge lake in it.  One night I stayed on floating bamboo hut in a distant corner of this lake.  The journey on a longtail (traditional wooden fishing boat fitted out with an absurdly loud converted truck engine as a motor) wound through huge limestone crags covered in rainforest over endless and placid, deep green water.  I started to feel like one the conquistadores in Werner Herzog’s film Aguire the Wrath of God, taking a trip down an exotic tributary of the Amazon.

Arriving at our floating bamboo village I alighted and looked down through the floor boards at a large freshwater fish hanging motionless, suspended in clear, sunlit green water.  There was a feeling of makeshift honesty to the construction of the place.  If you stepped too heavily in the wrong place you might have fallen through one of the worn floor boards, but it didn’t matter.  It was uniquely beautiful and, like so much of the day to day life I encountered in Thailand, a thumb in the nose to safety-obsessed Australian bureaucracy.

Some images that came into my sight as I wandered through this part of the planet…

Floating in my little kayak one morning I make my way up a small tributary into the wilderness.  I hear a gibbon singing his long, plaintive song into the cool morning air from off to my right.  I stop paddling and listen.  Another gibbon replies from far off to the left…  A very special moment for me, alone with an ancient Thailand.

On the way back to civilization the boat passed through a bay of the lake which was ringed with towering green mountains.  White cumulous clouds topped the scene against a blue sky.  Looking out of this panorama I felt my spirit rising up.  Shangri-La if there ever was one.  One of the most uplifting landscapes I have ever seen.

Return from the Kingdom – Part Two

February 13th, 2011

Next the windows swung open to me on northern Thailand.  Wherever you are on the planet the temperature generally drops six degrees for every thousand metres you gain in altitude.  Getting off the train in Chiang Mai in north-west Thailand bleary eyed after a night of little sleep I felt the cooler air and gave thanks.  Chiang Mai has less air pollution than Bangkok, but still seemed, on first sight, polluted and overly tourist-orientated.  I was, however, a tourist.  As such I praise the tradition of ridiculously cheap traditional Thai massage available on every corner.

The above sign advertises massages for 150 baht which is less than five Australian dollars.  At such prices I was getting one per day. Another obvious pleasure in south-east Asia is to have one of these every day for less than a dollar…

A wat in the forest outside old Chiang Mai…

After Chiang Mai I wound my way four hours north west, further into the mountains, to Pai.  This small town is the perfect size to rent a scooter and not fear for your life while in Asia.  Zipping along the road out of Pai to a natural hot spring in the forest I saw scenes such as this…

After going further off the tourist route again, into Mae Hon Song, I found far less hassle from touts and more of the quiet and gracious rural Thais.

Walking around the hills of this area there was plenty of slash and burn agriculture.  Corn fields each had one of these little bamboo bungalows in – I suppose for resting in after work when it was harvest time.  Bamboo is used so inventively in rural Thailand as a building material that I am tempted to see it as one case of poverty giving birth to beauty.

After wandering in the north-west I spent time in Ayutthya where I took the following photos.

Looking Back at Managing Kulcha: 2009

June 6th, 2011

So here goes, I’m going to give you my view of the highlights from Kulcha over the last couple of years.  Its really a visual essay, images I took that create a portrait of each year in the venue.

And best gig of the year at Kulcha in 2009 goes to… Sirroco.  Australia’s greatest ‘world music’ outfit.  Before I heard them I never even knew what a shoon was.



Looking Back on Managing Kulcha: 2010

June 6th, 2011

Last year at Kulcha my personal highlight was, along with original Freo personality Danny Cummings, starting a jazz funk, disco house, deep house, afrobeat DJ night called WILDSTYLE.  We slowly built the night till the summer came around at the end of the year and the dance floor exploded during the Festival of Fremantle series.

Best gig of 2010 goes to… Chris Smithers!  Deep, ravaged, down home blues from the Delta.  An amazing performance.

Here is my visual portrait of the year that was.

Looking Back on Managing Kulcha: The First Half of 2011

June 6th, 2011

And so we come to this year.  We’ve already had some amazing musical performances in our 200 capacity venue above the rooftops of the port.  In April Tony McManus played a beautiful guitar concert in which I even heard Erick Satie being transposed at one point.  Then only a few weeks after the Egyptian oud player from Sydney, Joseph Tawadros, put us all under his spell in a night I will not forget.  It was the first time he played his piece ‘Freo’ in the town the number is dedicated to, and the audience loved ever minute.

However best gig for the first half of 2011 goes to an unexpected contender… Miriam Lieberman’s performance in May at Kulcha with Ziggy playing along on his suite of African drums was pure excellence.  Just the kind of thing that Kulcha does best.

But 2011 is only just getting into its stride.  At the end of the month the Gyuto Monks of Tibet will be in Western Australia at the same time as the Dalai Lama.  The monks are taking over Kulcha for a week, and the building will be open every day for chantings, teachings, meditations and the sand mandala creation process.  Zarm are ending the month of June with a reggae explosion, so come down for a dance.  And in July one of the biggest events of the Kulcha year takes place: Santiago de Cuba, a sell-out Cuban party to warm up winter.

I continue to ride a groove train overland, across country, and into culture.

What’s that music? Rest in Peace Gil Scott-Heron.

June 6th, 2011

The day after Gil died just over a week ago I put this picture of him behind the Kulcha bar.  At the time I wrote:

Gil Scott Heron died yesterday. For many years Gil has been a kind of mentor I never met, a figure who inspired me and gave me strength when I didn’t have any. I’m pretty upset that he has left us. Tonight I hope that everybody around the world plays his music and pauses to remember this giant of a man.

One of America’s greatest musicians has left us, aged only 62.  His music is not playing on the radio, but it is playing in my heart.

Sheltering Overnight in Freo

September 25th, 2011

This man is giving his vote of confidence to the Department of Housing and Works and their ability to provide shelter to those who need it.  The sad thing is that this political-cartoon-like image is a real scene, and was observed by myself on the streets of Fremantle around 1am last night.

Hallo Vietnam

October 12th, 2011

On the spur of the moment I booked a ticket to Hanoi, northern Vietnam, last week.  Tonight I sit on the balcony of a wooden stilt house by a lake with touring limestone peaks as a dimly made out sky line all around.  This laptop is about to run out of batteries, so I’ll keep this short and write more soon.  Last night I sat on the back of a scooter and crossed downtown Hanoi in peak hour traffic, in a tropical downpour.  I have to say that this one of the scariest experiences of my life and I loved it.  The traffic in Hanoi is a quivering and twitching organism of intricate give and take.  Amazing experience. Didn’t like the feeling in my lungs, but amazing.   The food here is the best I’ve ever eaten and leaves Thailand for dead.  I’m on the move with lovely local Vietnamese people.  Half of this countries 83 million people are under 30, and it seems like every single person here is a slim and good looking 25 year old.  A huge number of people still live in the country and they know more than us Westerners that eating is an agricultural act.  More soon.  Facebook is blocked in this Communist state by the way.

 

From the mountains…

October 15th, 2011

I’ve just been making a short film with a few people in Ba Be National Park in northern Vietnam.  I’m not going to write much now, just putting up a couple of photos.  From the land where the pith helmet is actually worn by millions of men on bicycles.

 

 

 

A Chap in Hanoi

October 17th, 2011

The Temple of Literature was built in 1070 as a conduit for the teachings of Confucius.  After ambling through this establishment this morning, I walked around the corner and sat myself down for a shave.  As I leaned back I saw above the leaves and branches of rainforest trees, and in the reflection in front of me, the messy tendrils of electricity wires and the general bustle of Hanoi.  My good fellow was charging me under five dollars for his work.  Surely there are few better and more affordable places in the world for a chap to lean back and sharpen up.  Afterwards it was time to don the pith helmet and hail a cyclo… 0ff for further adventures.

 

Bike Love

October 18th, 2011

I really liked the look of this guy’s bike workshop.  Its a street corner.  Good view eh?

 

 

Vietnam: From Hanoi to Ba Be National Park

October 26th, 2011

 

These are a few of the images that remained in my mind after visiting Hanoi and the rainforested mountains south of the Chinese border. The soundtrack comes from sitting around in a village hut in Ba Be with a couple of the women farmers singing in their local Tay language. At the start you can hear us clinking glasses filled to the brim with rice wine liquor.  Thanks to Hien Thi Hoang for letting me use this recording of her voice.

Goodbye

February 5th, 2012

This is my last blog post for a long time, maybe forever. I began this site in 2005, with help from my brother. Thanks for all your help Sam. That year I finished writing my PhD. In 2006 I started writing a blog, and for the next six years I regularly contributed images and words about the natural world that had inspired me and whose inspiration I had wanted to share.

Meeting and staying with John Fowles at his home in Dorset in 2002, had, it turns out, been a major influence on the rest of my life. I won’t explain this influence here, but the book I published in 2006, The Recurrent Green Universe of John Fowles, contains much of my philosophy of life. In 2002 I also spent time on a tall tropical island in the Indian Ocean and while I was there I read Consilience and The Diversity of Life by E. O. Wilson. These two books and an experience of tropical mountains and deep, cool chasm-like valleys also had a lasting influence on who I was to become. The optimism and curiosity I got from E. O. Wilson, a sense of awe for the Creation, the greater natural world, and my certainty about who I am through many readings in evolution, psychology and history, all combined to create a standpoint which, if not religious, was a strong and serene position.

With this background I wrote and recorded the more than 300 blog posts and radio shows that you can find archived below. Sometimes I was digging into what it meant to belong to this bioregion in south-west Australia, a land of sand, banksia trees, blue skies and Noongar history. For two years I researched and wrote an environmental history of south-west Australia, a manuscript that may be published in 2013, and this process influenced what I wrote about in some blogs. Sometimes I was commenting on a poem by Gary Snyder or Mary Oliver. For a while I travelled around the planet taking photos and discovering other countries. For a time I commented on my experiences working at the Esalen Institute on the Californian coast. For three years I made environmental radio shows in Perth, interviewing people who I felt had some wisdom to share, from Tim Flannery to Michael Archer.

If I have a spiritual core, it has much to do with the embrace of wild and fertile nature, a feeling of belonging with a people and in a place. There there is love and there is affection, there is a bird’s song, and a green shadow strokes my senses. I’m glad I have contributed all that I have over the last ten years. Now I fall quiet. I resettle my perspective amongst the leaves and smile. Thankyou for visiting.

Paleo Therapy

August 11th, 2012

Currently I’m interested in the evolutionary context of human movement and psychology. I believe that stress reduction in modern Western society can be achieved through moving for pleasure in wild natural environments for regular, if brief, periods. We are stone age children born to twentieth century mothers, and I believe that understanding our past can illuminate our present. For example Daniel Lieberman and others at Harvard University have studied the running biomechanics of barefoot populations and discovered that their forefoot style of running results in fewer running injuries. The advice that comes out of this research into how we used to get around as a species is that we should stop wearing shoes when possible, including when running on contemporary hard surfaces. I want to develop my own brand of ‘paleo-therapy’, an approach to physical therapy that encompasses an understanding of anatomy, evolutionary biomechanics, neuroscience, as well as eco-psychology, and regional environmental history. For now I’m going to leave you with a few images relevant to the path I’m exploring.

Early nineteenth century convict artist Joseph Lycett painted this canvas in eastern Australia, documenting an example of gatherer-hunters climbing (probably to harvest parrot eggs).  Climbing is a fundamental human action.

 

Young children will climb spontaneously for the pleasure of the activity, even before they have achieved upright, bipedal locomotion. For most adults this activity is not practiced unless in the specialized context of ‘rock climbing’.

The next image comes from early nineteenth century Australian landscape painter John Glover, and shows the Australians dancing, evincing pleasure in non-functional human movement, celebrating movement in nature.

Today in the West human movement has largely been marginalized, and put into the frame of ‘exercise’, something which often takes the form of the industrial drudgery of the gym with its repetitive movements which build cosmetic fitness.  Such ‘exercise’ does not enhance proprioception, facilitate pleasure through noncompetitive play, or enhance a connection with others or the natural world, as the activity in the above painting would have done.

This image comes from Frank Forencich, author of The Exuberant Animal, and advocate of a return to human movement that takes its cues from our pre-agricultural ancestors.  The form of representation combines the style of African cave paintings from a paleo environment with a sense of communion with non-human animals and a variety of playful human movements.

Many fundamental forms of human movement may have evolved in response to the challenges of hunting.  Here photographer Charles Mountford documents an Australian hunter in 1940’s Northern Territory returning home after a hunt.

Joseph Lycett provides us with a pictorial representation of the hunt from early nineteenth century Australia. Lycett’s painting is deficient in that he represents the men wearing a form of loin cloth (for the sensibilities of his colonial British audience), where in reality they would have been closer to naked during the summer months.

Movement here is functional in that it ultimately provides large and concentrated protein intakes for the tribe, however the challenges of this activity require high levels of muscle strength, cardiopulmonary endurance, sensory-motor control, bioregional knowledge, vision, social cooperation, confidence and mental focus, and it may have even been fun now and again.  The landscape is a human creation, the result of fine-grained patchwork burning practices which create a beautiful and useful Australian landscape.  Human movement in relationship with others and with the natural world that is our home.

This image is again from Frank Forencich, and illustrates the importance of developing a sense of human identity nested in the natural world that is our home.  We need to learn from the kinds and contexts of human movement of our human ancestors, gatherer-hunters who left north-east Africa around 70 thousand years ago and migrated around the world.  A simple maxim of physiotherapy is ‘use it or lose it’, and many of us urban citizens need rehabilitation in fundamental human movement and a relationship with natural environments.

Practicing such movement is great for your mental health.  As John Muir once wrote: ‘Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.’

I will leave it at that for now… more to follow.

 

Traveling Sri Lanka 2014, Part One

February 15th, 2014

 DSC_0031

I’ve been moving through Sri Lanka for a week now and thought I’d communicate some impressions.  Colombo is where travelers arrive.  Colombo, looking back, is not a charismatic city.  I saw more men than women on the streets during the day, and after sunset it was rare to see a single women on the street. Is this Indian and Sri Lankan habit of controlling their women, keeping them at home after dark, a response to a cultural norm of predatory men locally, or is it something else? I don’t know, but it felt like a strange situation. Thailand is also Buddhist, but women are much more publicly visible there, so it can’t be the religion that is the cause.  Colombo is a developing Asian capital and as such is chocked with traffic. The fumes weren’t as bad as other Asian capitals, I suppose as its much smaller than a city like Bangkok. I didn’t like Colombo though: it lacked charm and beauty.  The photo above obviously shows one of the more attractive, shaded streets of the city.

After Colombo we traveled north, and then cut inland to the east. Soon the countryside was apparent, and the road was lined with warm jungle, and occasional tanks. ‘Tanks’ are water reservoirs which were constructed many centuries ago by previous Sri Lankan kings. While driving over a particular tank on a raised road we noticed a wetland full of bird life to the right. I yelled out ‘lets stop!’. We slowed to a halt and got out. I asked him to shut off the engine, and all of a sudden silence marked by bird song filled our ears, for the first time since arriving in Sri Lanka. I got out the binoculars, and walked to the edge of the road and looked off the embankment out onto the wetland.

bird

Trees and copses of trees dotted the vista, with their ankles in a tea coloured water, while lillies grew on the shallows and up to my feet was a low ground cover with rows of purple flowers in bloom. The occaisonal three wheeler would pass disrupting the calm, but otherwise the sounds of exotic bird song came to my ears like a balm. I hadn’t slept much the previous night thanks to bombarding mosquitoes and a heat I had to endure as the doors and windows were kept in a vain attempt to keep the mosquitoes out (no nets or fly wire where I was sleeping). So I had been feeling particularly haggard. Then I raised the binoculars to my eyes. All of a sudden the great grey body of a Painted Stork came into razor sharp focus through the glass. I was immediately lost and absorbed into the slow, methodical lift of the Stork’s knees and feet and its careful placing of its next footsteps, surrounded by green life and beautiful lambent water. Its beak was prehistorically large and bulbar. The sounds coming through my ears were alien.  I felt as if I was in timeless Ceylon, plunged into an alien and calm watery world. I was lost, absorbed in the moment and the delicate visual and aural intimacy I was experiencing. My spirits rose. I no longer felt haggard. I privately congratulated myself on having got myself here, for such an epiphany through the glasses by a warm, sunny south Asian wetland. Finally I had arrived in Sri Lanka.

DSC_0227

Next we stopped, just out of idle curiosity at a place just before Anduradapura, called Forest Rock Garden Hotel (Andarawewa). It turned out to be a new eco-lodge constructed entirely on raised walkways and platforms running through the lowland woodland, covering a large area of many hectares, and done in the style of ancient kingdoms of the realm.

DSC_0121

Stone work had been done imitating previous temples and was well suited to the landscape dotted with large granite boulders and outcrops. The paths wound through large boulders and we were lead on a tour of the property by a charming and beautiful young Sri Lankan girl. She spoke to Satis in Singalese, and for the first time the rapid syllables of that language sounded elegant and soft to my ears. High high cheek bones and soft green tunic were refined, and she certainly seemed like the spirit of the place.

DSC_0211

As we walked over the walkways, we were at the level of the woodland canopy and above, so the bird life was close to us. Monkeys sometimes crashed through the understorey below, and apparently wild elephants often visit, and walk beneath the walkways. I felt as though I was truly in a green and wild lowland jungle of South Asia. It was drier and hotter than actual rainforest would be, and with the large granite boulders and variety of sun-repelling shiny leave in the canopy I could see the resemblance to some east African landscapes.

DSC_0108

 

We continued on to Anuradhapura and found a place to stay.  Our driver took us to see a sacred Buddhist place in the dying embers of the day, called Isurumuniya. It was two or three vast tall granite boulders, with two Buddhist grottoes built into it with image rooms and a large white dagoba to one side.

DSC_0238

The moon studded the pale egg shell coloured sky, and we walked to the top of one of the boulders.  The sound of Buddhist sutras being chanted came across the green landscape below us, rapidly thickening with shadows, and full of copses of trees, and rice fields. It was a warm night, and there were no white tourists to be seen, only the odd Sri Lankan pilgrim and their family, all wearing white. Finally we had come to the right place, and the ugly, chaotic, demeaned world of the city was only a memory. We walked into a temple with a giant wooden reclining Buddha painted in vibrant colours.

DSC_0260

In a grotto at the far end, to the left in the above photo, abutting the granite boulder above, an patchwork of swifts nests chirped and piped, and as I walked closer I could see one particular dark swallow threading its saliva gluing straw into the nest structure. Clearly the Buddhists think that such living beings should be allowed to build their home here, close to the Buddha. Could you ever imagine the bishops of Western Christianity allowing birds to build a home so close to the alter in a cathedral? I couldn’t.

DSC_0266

Next we visited Ruwanwelisaya, the most visited Buddhist stupa (called dagoba here) and circumambulated it bare foot amongst the white clad pilgrims.  This dagoba was built in 140 B.C., long before Christianity was even a twinkle in the eye of a young Jewish revolutionary.  Apart from a couple of monuments in ancient Egypt, this 103 metre tall dagoba and another one in the same Sri Lankan city, were the tallest human built structures in the ancient world for many centuries.  Incense lapped the warm nights air, and the vast white dome above us commanded reverence and hushed calm in a way I can’t imagine St. Peter’s in Rome doing. I felt like I was walking back more than two thousand years into Buddhist history, and it was a hallowed feeling.

DSC_0267

 

Traveling Sri Lanka 2014, Part Two

February 16th, 2014

DSC_0279

This morning we rose very early to visit Jetavanaramaya.  This stupa is the largest – by volume – of any structure from the ancient world.  It is 122 metres tall, and in the early morning light it was quite a sight. The lush green field was capped by the floating dome over the tree tops before us.

DSC_0290

It had been sacked by invaders, and its cone was broken, but this only made it more evocative.

DSC_0283

Ruins of an ancient city were spread over the surrounding area.  We walked through the early morning light, accompanied by no other humans, but lots of bird song.

DSC_0293

One of the King’s baths being considered by a stray dog…

DSC_0302

Smadhi Buddha Statue, enframed by the green forest that envelops this area of the ancient city. In this beautiful Buddha statue, the Buddha is said to attain nirvana.

DSC_0306

The best form of transport to see this rambling, ancient city is the bike.  This country has plenty of vintage classics.

DSC_0340

 

Then we made our way to see Sri Maha Bodhiya.  To visit this tree you pass into a walled courtyard, and then pass over one of these huge moonstones.

DSC_0347

Sri Maha Bodhiya is a tree.  It is the oldest planted and tended tree in the world (more than two thousand years), and was taken from a bit of the original tree in India under which the Buddha meditated and planted here. It is probably a calmer and quieter place than the Bodhi tree in India, and as such is, I’m going to take a stab at suggesting, the most sacred place devoted to a tree in the context of religion on the planet.

DSC_0360

This is the wall of the surrounding courtyard, not the tree itself.  Pilgrims sitting on the sand by the ancient wall, with the bird song filling the branches of the tree above us. Such is the beauty of this place that as I stood in the cool morning air listening to the various species of bird sing strangely in the canopy and noticing the worshippers leaning against the ancient stone walls of the tree compound, I thought to myself how Christianity never integrates the natural world so deeply as this place does into the consciousness.

DSC_0391

In the stone churches and cathedrals Christianity in its Roman Catholic, Eastern or reformed Protestant incarnations, only human babble and human images grace the walls and the ceiling. Being at Sri Maha Bodhi really impressed upon me how an atheist such as myself really does have more time for some aspects of Buddhist worship than Christian worship.

 

 

Travelling Sri Lanka 2014, Part Three

February 17th, 2014

DSC_0128As the afternoon lengthened we visited the Gal Viharaya Buddha stone sculptures at Polonnaruwa. The land around is so green and gentle in this region of the island: central, around 100 metres altitude, and generous rainfall. And to be by the giant reclining stone Buddha (14 m long) and the giant sitting Buddha just near it – carved from a vast solid granite seam of natural stone – with the gentle and green natural world, quiet and untouched by violent winds, made me think that Buddhism’s emphasis on quiet meditation could easily take hold and flourish in such a landscape, as it did more than two thousand years ago.

DSC_0151

After Polonnaruwa we stayed in north-central Sri Lanka, and travelled south.  As we drove through the dark, jungle on both sides of the road, the driver slowed to a stop.  A large wild elephant was standing by the side of the narrow road.  The driver accelerated past, clearly scared that the animal would do something unexpected like take a swipe at the vehicle.

The next morning as I was lying in the dark around five thirty I heard the cluck and cry of a peacock in the jungle near our cabin. After we rose and left for the mountain fortress called Sigiriya.  It was around six thirty and en route we stopped by a meadow illuminated by the sun tipping over the horizon in orange glow, and the driver turned off the engine.

grass

All around us a soundscape of bird song piped, called, sung and effused, in quiet worship of the rising sun. We were the only people around and this moment was more affecting than many tourist visited ‘sites’ on conventional itineraries.  I can’t reproduce in words what it was like standing by this tropical meadow in the early morning light with a strange dawn chorus, but if I tried I might resort to overused adjectives like ancient and untrammeled, sacred and delicate.

We continued onwards to the mountain and to Sigiriya.

DSC_0032

This is the moat around the palace, built in the sixth century A.D.

DSC_0047

We continued walking, and there it was, rising over the thick jungle, a vast pillar of stone capped with palace ruins, rising up into the sky with a majesty that rivals any other human monument.

We were there as it opened at seven, and I went ahead. I stepped on a bridge over the long and wide moat, perfectly designed and executed in large stone slabs. I was the only person there at that time, and I moved up the stone corridors and staircases with a sense of intrigue for what such a kingdom had constructed at the same time that Europe was in the Middle Ages.

DSC_0332

Further up huge boulders were strewn about and the stairs wound through them, fitting snugly with cut stones, stones worn by centuries of feet. And then the ascent began.

DSC_0257

The path cut directly across the massive face of the stone monolith, a 370 metres tall volcanic plug, a face which actually overhangs the landscape below at many points. Upon reaching the first ridge the stairs turned and opened out into a landing. And then they began again, but at this point flanked by two giants lion’s feet, heavily clawed, and cut from the rock itself.

feet

Coming to this palace in the sky as a denizen of Lanka would have been one of the most awe-inspiring experiences of any kingdom then or now. The stair case became extremely precipitous and I clung to the iron railings, looking down on a vividly green patchwork of primary rainforest and stone tanks. The horizon reared up here and there into mountains at the border of this bowl of deep green forest. Bird song floated up in snatches from the forest canopy far below.

DSC_0121

And then we reached the summit.

DSC_0168

Palace walls reached here and there, and we looked down on the plan and forest far into the distance, mostly uncut for agriculture.

DSC_0173

Sigiriya is, although I didn’t know this until today, clearly one of the greatest places on planet earth, a sublime blend of natural majesty and human civilization. I now add it in my mind to the pantheon of great natural or cultural sites on earth, along with things like Chartres cathedral, Stone Henge, Manchu Pichu and Milford Sound. I am surprised that I was unaware of this wonder of the world until coming to Sri Lanka a few days ago.

DSC_0215

This is one of the King’s baths in the sky.

On the way down I bumped into a friend from France who I hadn’t seen in years.  It’s always a surprise to see a familiar face half way up a cliff face on a tropical island in the Indian Ocean.

Further down I came to the famous frescoes of Sigiriya.

DSC_0291

This may have been one of the women from the King’s harem.  These frescoes are situated hundreds of metres up painted on ancient plaster stuck to a sheer stone face, and I wondered how many people had had actually seen them in the days when they were fresh.

Walking down I explored the ruins around the palace, cut out of, or into, the natural stone.

DSC_0308

Its hard to believe this place is real.  It is a palace in the sky which cascades down into green trees and gardens.  The morning I spent there will mark one of the high water marks in my travels.

 

Udawalawe National Park

February 18th, 2014

DSC_0031

A herd of wild buffalo relax in a waterhole as the sun came up yesterday morning in Udawalawe National Park, southern Sri Lanka.  They lolled, snorted and sighed, huge horns glistening in the sun.  In the centre and slightly to the left of this photo a lone jackal cruises looking for an unprotected calf.

DSC_0008

Udawalawe National Park is a large national park south of Sri Lanka’s central highlands, covered in savannah.  We arrived there about seven yesterday morning, and within minutes a herd of wild elephants were spotted quietly munching on their breakfast.

I’d always wondered if going ‘on safari’ was really such a life changing experience.  I can now see that witnessing large megafauna at peace in their natural habitat, without reference to humans, is salutary.  Its the first time I’d been in such a landscape.  There is a frisson of otherness and mystery from having such large animals around, from wandering through a savannah knowing that any minute something a lot bigger and stronger than you could come padding through the grass.  Its a feeling humans have mostly lost as they have exterminated the megafauna of the world (its a long time since we removed the moa from New Zealand, the marsupial lion from Australia and the woolly mammoth from America, but not so long since we took tigers out of much of south-east Asia).  Being in Udawalawe is like going back before these extinctions took place, to a time when then world still had beasts in that had power to inspire awe in us.

DSC_0059

Hornbills taking off from a dead tree.

DSC_0161

A kingfisher taking a break from some fishing.

DSC_0154

Painted Storks (Mycteria leucocephala) just minding their own business.

DSC_0103

A couple of bee-eaters didn’t mind me coming within a few metres of them.

Udawalawe has so many bird species living within it.  From what I’ve heard it is probably the best place in the world to go on a wildlife safari outside Kenya and Tanzania.

A note for shameless tea drinkers.

February 19th, 2014

DSC_0022

The British love of a cup of tea dates back to the 1600s among the aristocracy, but was widespread among the working class by the end of the nineteenth century. The humble cup of tea at an English vicarage can be analyzed as reshaping huge swathes of the earth, moving Tamil workers from India to Sri Lanka at the end of the nineteenth century, and clothing this country’s highlands in low, dark green bushes. Its a complex history, but its also a nice drink.

Yesterday I went to see Amba Estate, a tea plantation and artisanal maker of high quality teas. It was a half an hour drive through the rolling hills out of the upcountry town Ella.  When we arrived it looked like a farm in Umbria in Italy, lots of stone outbuildings, a tall green ridge to the right capped by rock outcrops, lounging dogs in the sunny yard, and panoramic views to other valleys and hills full of tea plants and trees.  Inside the first long row of rooms Sri Lankan women were roasting coffee beans by hand, cutting dried lemon grass, and wandering about. There is a guest house here – well planter’s lodge would be a more fitting title.  Is full of antique furniture and is one of the nicest places to stay in Sri Lanka (it costs around $50 for a room or $130 to have the whole house for the night).

The energetic English woman who runs the estate, Beverly, has taken on the task of converting this place into an ethical and sustainably run, high-end tea grower and producer. Here the tea is hand made. I’ve visited other, more conventional and much larger tea plantations and factories in Sri Lanka and there the workers earn only $140 a month and the tea is prepared (withering, drying, etc) by large steel machines in a big warehouse, and results in much lower quality cups of tea. At Amba it is much more like William Morris’s ideal community of workers sharing in the fruits of their labour and investing their energies and intelligence in making something worthwhile from plucking the green leaves of the tea plant all the way to packaging the tea ready for sale.  They also grow a few spices, for example cinnamon, which is native to Sri Lanka.  Here one of the workers peels cinnamon, which comes not from the trees bark, but from the layer just beneath the bark.

DSC_0025

Beverley’s tour of the estate was the most intelligent and interesting tour I’ve been on in ages, and if you get to Sri Lanka, and have ever enjoyed drinking tea, I recommend doing it. I’ve rekindled my love of high-end hand-made tea, particularly green tea as I’m fond of the connection with ancient China and Japan and the fact that the tea leaves are not oxidized (that’s what makes the tea leaves black, and makes black tea – anti-oxidants from green tea may boost longevity slightly, although the scientists still haven’t produced exact epidemiological evidence for this).  Amba sell their tea to places like Claridge’s in England for about forty three pounds a packet at the retail end, but I was able to buy some of their green tea for much less at the estate. This is considered by those who know to be the best green tea from outside of China.  Basically this stuff tastes better.

DSC_0071

I’ve been reminded that I should steep these high quality leaves in water that is three parts boiling to one part room temperature, for three minutes, and then empty the water from the kettle into cups. You can reuse these leaves for up to five times by refilling the pot, but don’t let the leaves sit in the water in between cups, rather make sure you empty the pot of tea entirely.  I’ll enjoy doing so knowing that I’ve visited the tea plants and drying racks where my leaves began life.

Samuel Johnson drank tea, and I know it his tea did not come from tea bags.  In the words of that long-dead Englishman:

I am “a hardened and shameless tea-drinker, who has, for twenty years, diluted his meals with only the infusion of this fascinating plant; whose kettle has scarcely time to cool; who with tea amuses the evening, with tea solaces the midnight, and, with tea, welcomes the morning.”

The man in the hills.

February 21st, 2014

DSC_0013

Ella is a small village, mainly catering to the tourist trade these days. It is in the high country but not as high or bleak at Nurwa Eliya. The landscape is green and fecund here, and the pace of life is slow. We’re staying in a family homestay place, upstairs in a clean and well lit building, looking over a deep valley full of trees to Ella Rock, a tall hill that looks like a ridge from the lower Alps. Life here is perfect – I walk everywhere or run. The countryside, like most of Sri Lanka, is full of people, many of them walking like myself. The air is cool and sunny, unlike the hot and humid plains below. I eat some of the best meals of my life at Waterfall View just down the track from here. This guest house is run by Martin and Karen Robertson.

It turns out that just before I left for Sri Lanka my dad told me that I had a cousin in Sri Lanka and I should go and visit him. That’s Martin, and he, it turns out, runs what is arguably the nicest guesthouse in all of Sri Lanka.

DSC_0044

The other evening I was looking at some of their family photos on the wall, and found an old black and white photo of my great-grandmother. It is, I think you’ll agree, an odd sensation to be in the middle of the jungle on a tropical island and find a photo of your great-grandmother on the wall.

Martin and Karen have built a beautiful house over looking a waterfall across the valley, in the midst of tall trees. The furnishings inside the house are artistic and well chosen and being there feels like a very welcome sanctuary in the middle of a country where guesthouses are usually furnished with less than sophisticated taste.

DSC_0015

The civil war really got going in the early 80s and only finished in 2009. While places like Vietnam and Thailand were steadily adapting and evolving their range of cafes, resteraunts, hotels and guesthouses to suit the demands of Western travellers wanting options that are a little bit charming or funky, rather than large, anonymous and glitzy, Sri Lanka’s tourism industry was more or less in stasis. Now things have kicked off again and places like Waterfall View that really get it exactly right are very few and far between. Travellers used to the well priced and stylish places that you can easily bump into wandering around Thailand or Vietnam, will find that Sri Lanka operates differently. Thus the value of knowing about places like Waterfall View and Amba Estate.

DSC_0373

This is a waterfall around the corner from where I’ve been staying.

From my journal the other day: I’ve just had a massage at Waterfall View. Its the middle of the day. The massage table room looks out over the wooded valley, and as you lie on the table you can hear birds calling, and the stream at the bottom of the valley splashing. As my body was wrung and pressed, I could feel something inside letting go. Afterwards I came upstairs and lay in the colourful hammock under the verandah. I closed my eyes. I could hear the soft coo of doves, and the calls of other birds, sometimes the voice of a child playing, the sough of the soft wind high above in the tree tops, a cow mooing from far away, the distant fall of the water at the waterfall, I could smell occaisional woodsmoke. The air is a perfect temperature, neither too cool nor too hot. No engines are to be heard. Laying here in this gently rocking hammock, with my eyes greeted by far views through lush trees, and my senses stroked by soft, rural life, I realized why I come to south and south-east Asia. It’s to escape rich westerners roaring about in their machines, closeted off from one another in their large houses, far from natural ecosystems. It’s to turn back the clock to when people walked, to when they were in easy relation with nonhuman nature, it is to be lying in hammocks, or on massage tables with the gentle sensorium of country life encircling me. Something inside me stops holding on in these places, something lets go.

There are other reasons as well of course. I also come to be sitting around convivial dinner tables at the end of the days with delicious food and new faces, as I’ve been doing at my cousins’ place Waterfall View in Ella, where the food is some of the most delicious I’ve eaten anywhere in the world, and it stays at that standard every night.  It helps to make good food if you start with good produce…

DSC_0080

This is the market where Kamal, the chef, buys his fruits and vegetables.

DSC_0070

I couldn’t help throwing a couple of photos in from the Bandawella markets, not far from Ella.  If only I could shop like this in Australia.

But back to Ella… What is more there is something special for me here in that Martin is actually both my cousin, and a really nice guy.

What else have I enjoyed about life in the hills?  I love running barefoot up mountains trails here, unmolested by health and safety paraphenalia. I would say that some good advice would be: go to a new country, get out into the countryside where people still live, and where nature still thrives, put some deep house on your headphones, take off your shoes, a start running. That’s what I’ve been doing here and it is more exhilerating than driving a scooter which I used to also enjoy in Asia. It makes one feel more intimate in the place, more firmly in place. It is also liberating as you feel like you can move through another part of the planet quickly and with nothing more than your own body.

I’ve also been enjoying walking on the railway track. The train track, here as in much of Sri Lanka, is the boulevard of village life. People walk on it to go to school, to go home, to go to work, or just to sit on a rail and chat. Dogs pass. The day goes on. The old iron rails wind through the lush green landscape, and the tracks provide a conduit for the people of Sri Lanka in a way that the British may never have foreseen when they designed them.

In summary, Ella is a good place to be. I return to Australia soon.  The hammock waits for others, swinging gently in the breeze.

 

 

 

A Journey Across Sri Lanka.

February 23rd, 2014

I’ve spend the day hanging out of the door way of a train travelling across the mountains, hills and plains of Sri Lanka. This morning we got on the station at Ella in the highlands and this afternoon we will be in Colombo.

Many English poets have written poems about passing moments on train platforms, and it was from views such as this one. Such poems are written from the vantage point of small stations in rural settings, they are not penned while sitting in the cafeterias of modern British rail and they do not speak of today’s speed, contemporary fittings, and over-priced, plasticky ambience.

Enter Sri Lanka.

train

 

Sri Lanka has some very old railway stations. This morning at six am I sat on the Ella platform. The station is the exact design of one built in 1920s Britain, except that its painted a pale apricot colour. The old levers to pull on at one end of the platform are greasy and were built in London with Industrial Revolution era solidity that has lasted. They are black with grease but still work well. Quiet bird song fills my ears with the mellifluous delicacy of an English meadow on a May morning. The light is dim. I am tired. The station master sits in his office, wearing a white shirt and black tie. He studies a large ledger spread on an old wooden desk. In my sleepiness I easily imagine myself in the English countryside of my grandparents. So this is what travel meant to them, I think to myself.

The hoot of the engine alerts us to an incoming train. The train arrives. A station attendant lifts a circular band up above his head, and the engine driver reaches out his window and grabs it as the train rolls in, with perfect precision (the train is still moving at quite a clip at this point). Its old red carriages look like they were built in the 1950s, perhaps earlier. The white epaulettes of the station guard, and the slowly moving carriages, red pressed metal well worn by the passing years, the early morning coolness. Then the blowing of the whistle, a pause, then the hoot of the train. It is off again. Then the return of the quiet bird song from the green trees and bushes on the other side of the track.

Surely such a morning is about as close to an authentic experience of train travel in the English countryside of the 1930s or 40s as you can find today. This is not a historical theme park, this is real life in 2014 in the Sri Lankan highlands on an early morning in February. Everything is functional, everything works. And yet everything has a continuity with an old Britain, a world that has sunk forever back in the country that invented the Industrial Revolution and the railway system.

DSC_0004

We left a little before seven. This morning we rolled through misty highlands, softly enwombed in cloud and dripping moisture. We were only travelling about 40Km/hour. When I leaned out the door I felt a cool, freshness on my skin and sucked it into my lungs, breath of a thousand trees and a million leaves. I look down as we pass over a bridge to a stream flowing below my feet, ten metres down to glistening green foliage and cool wet stone.

DSC_0057

I duck in as the train rattles into a stone tunnel through a mountain ridge. Ferns and forest, empty of people. A nice feeling.

DSC_0077

 

In a few hours all would be different, the world would be altered.  But for now everything was dim and misty.

DSC_0042

As you can see, in some place eucalyptus has a foothold.

DSC_0111

The forest then gives way to tea plantations, with what are probably Tamil teak pluckers at work amongst the bushes.

DSC_0182

Kandy station.

 

DSC_0045

 

Then we drop in altitude as we come out of Kandy, and descend along a steep winding valley.  The vegetation becomes more tropical and the temperature rises.

DSC_0015

A few minutes ago: Hanging out the door is is like a roller coaster travelling slowly through an exotic warm tropical landscape. People pass talking in groups, a woman is pulling up water from a well, a buffalo grazes in tall grass, a river passes, smells of wood smoke, of burning rubbish, of flowers, air tense and expectant of rain, warm and exciting, the faces of young Sri Lankan men further back along the train lean out too, smiling wildly. The floor rattles underneath. The carriage shakes from side to side. The sounds of the tracks beat a perfect rhythm, clicker clack, clicker clack, clicker clack… I want to soak all this all into my pores.

 

I lean out further. A banana leaf sails past, centimetres from my face. I dodge an in leaning branch. I must stay alert, second by second. So many lives fly by my travelling self. So many personal histories per square hectare pass me in this patchwork of forest, houses, fields, roads and gardens. There is so much to take in that it would be hard to become bored or jaded.

 

Now we’re on the plains, and the train speeds up. I’m flying through the heart of Sri Lanka, uninsulated by barriers of ‘Health and Safety’. The air blows against me with more force. An errant drop of rain wets my cheek. A kid runs across the tracks, just in time to avoid the onrushing train. This been done by many backpackers before me I’m sure, but I know instinctively that what I am doing rightly deserves the title of Travel. Although I would pay more, eight hours of this costs nothing more than $11 for the fare (yes, that’s first class). Smoke from track-side burning brushes my face. An egret flaps overhead. Coconut shells lay scattered along the line, then in an instant are gone.

 

I lean out further. I think to myself, this is Travel. I feel content, and grip the metal rail harder.

tom1

 

 

 

 

 

The Paleo Path on Rottnest

July 25th, 2014

I’ve just come back from Rottnest island, after staying in a little cottage in a small bay right on the water.  The cottage looks out over an arcing rocky limestone headland, and as a cold front moved over us, the headland protected us like a encircling arm from the winds and waves.  Our first night there a lighting show illuminated the scene.

DSC_0048

There was a white sand beach in front of our balcony.

DSC_0329

The sound of the water lapping the sand a few metres from where I slept made me think of Jack Aubrey, the character in Patrick O’Brian’s series of novels set on the high seas of the eighteenth century and his lust for the adventure that beckons beyond the weed wrack.  However more recently I’ve been reading the book in the photo, John Ratey’s Go Wild: How to Free Your Body and Mind from the Afflictions of Civilization (Little Brown, 2014).  It sums up a lot of the recent research on movement, sleep, diet and exposure to nature, and how the place these things had in the lives of our paleolithic progenitors can inform our efforts to be happier in the present.  Highly recommended.

DSC_0213

We’ve been swimming every day as the Leuwin current makes the ocean warmer out there, even in winter.  Swimming along in the fresh the ocean water, looking back at the land, I felt alive and we hooted to the sky, and I thought, this is touching my touchstone, adventures out in new wild nature with some good companions.

DSC_0176
Cycling around the island in winter is green and the sea breeze doesn’t knock you off your bike.  You look out over gently undulating green hills, with copses of trees here and there, and a lighthouse centering the scene on a far away hill in the middle of my vision.  In the middle ground are a series of lakes.  A freight of clouds travel through the sky over the empty hills.

DSC_0278

The island is empty of tourists at this time of year, and only sooty oyster catchers and errant quokkas share the landscape with you…  Oh, and fish in the sea.

DSC_0349

After this time on the island I feel revivified – partly being in a different environment – I feel alive, closer to nature, happier.

DSC_0413

Sometimes the ember dies down, sometimes it flames up again.  I watch a gull wheel with a back of cumulus cloud behind it, free, unemcumbered. My bike rolls on.

Angkor – The Lost Kingdom

December 10th, 2014

DSC_0680

Arrived in Siem Reap – flew over a vast delta of rivers and floating villages here and there amongst the glinting waters of the Cambodian plain. Into Siem Reap and immediately errant chickens on the side of the road and bicycles bring me back into South-East Asian life. Walked down the river into down town – photographic exhibition along the river, and French-style street lanterns and wide boulevards and thickly trunked rainforest trees. Loping Cambodian elders out taking the evening air. Young boys doing wheelies on their bikes. The traffic barking and stuttering forward. Finally out of the arid and empty streets of first world suburbia, and back into vibrant and energizing street scenes. Walked through the middle of town and it is widely spaced streets with arched entrances into open air restos and markets and sauntering Europeans in the warm nights air, and a feeling that, who would want to be in Europe when you could be here? Went for a massage and emerged from the spa a new and calmed being. So much for culture shock. It only lasted for about 30 mins.

This morning walking into Pra Thom – seeing the moss covered 1000 year old stone temple in the jungle, Indiana Jones-style, quiet and contemplative however, intriguing and mysterious… The old stones reared up with ineluctable beauty and dignity, framed by hundred year old thickly trunked trees. It came as a shock to the vision and the emotions: just how sacred this place feels. As soon as I arrived I felt like I wanted to savour every moment. Stop and hold and treasure each passing moment of time, with the moss and the quiet and the ancient stones, like I was walking into a cathedral and was suddenly a devout believer. The faces of the Buddha on the entrance towers as one passes over the threshold into the into the sanctuary, the secret revealed-feeling that one had as one stepped into the enclosure of the inner temple, vines and leaves and shadows and bird song embroidering the stones, some jumbled in piles, most standing tall and timeless. One wanted to feast on this experience of early morning calm and a secret of a green and sacred place, a place unfolding its petals to pupil-dilated eyes.

DSC_0343

Then walking around the Bayon yesterday afternoon amongst the tall face towers. Grey masonry, smiling faces that see all, contain all contentment and wisdom in their expressions, far above us in space, beyond us in time.

DSC_0743

Watched people are nice people.  If you don’t believe me read Ara Norenzayan’s book Big Gods: How Religion Transformed Cooperation and Conflict (2013).  Once hunter-gathers had gods but they did not have a large role in regulating moral behaviour.  Then came larger scale societies were for the first time people lived together with large numbers of strangers.  What would stop them stealing and robbing their neighours?  Certainly not modern police forces or courts of law.  Dire punishments for transgressions existed in ancient Angkor, but there were also Big Gods.  Powerful, omniscient deities have had a role in regulating moral behaviour in civilization over the past few thousand years.  People felt they were watched by Big Gods, even when nobody else was looking.  Watched people are nice people, as various experiments in social psychology have recently shown.  And it seems to me that the Bayan face towers of the Buddha at Angkor Thom are the perfect example of monuments to this aspect of human psychology and the history of civilization.

Another bit of history in stone at Angkor speaks to me powerfully.  It is this…

DSC_0970

This is the Buddha subduing Nalagiri the enraged elephant. American social psychologist Jonathan Haidt has a metaphor – which he elaborated in his 2006 book The Happiness Hypothesis – of human identity as made up of a rider and an elephant.  The rider is the conscious, linguistic, reasoning self, and the elephant is the unconscious, preverbal self made up of emotions and other aspects of the self that we fail to understand.  The elephant often leans one way or the other and the rider then gives a post-hoc justification for why they’ve ended up where they have.  The funny thing is that the rider (acting as a kind of inner lawyer) and the elephant don’t know that this is what is going on.  The rider honestly believes its post-hoc justifications most of the time.  When I looked at this stone frieze I knew that the ancient Khmer understood the divided self in a sophisticated way.  The rage of the elephant can only be tamed by emotional awareness and daily meditation on compassion and love.  This is what the Buddha represents to me when I look at this carving.  

The next morning Angkor Wat. Realized that this is the most awesome monument in Asia but much less delightful than some of the smaller and less visited temple ruins amongst the forest. Its grandiosity says, yes, I am the centre of the universe, worship here. Looking into the face of a Buddha at the centre of the temple at the top of a tower with further rooms and recesses above and behind it, you glimpse how overwhelmingly powerful the sense of significance and grandeur of this jewel of human civilization would have been to the people who lived here a millenium ago. And its nice to be reminded that the world has such high-water marks of human experience in it.

But my final word on Angkor Wat is that it does not beguile and enchant the visitor like some of the smaller and more jungle-wrapped temples of the Angkorian civilization.

Come to Siem Reap. (But don’t worry too much about Angkor Wat.) Explore this area. This is a base to see what was the largest city on earth before London grew big a couple of hundred years ago. If you live in the Asia-Pacific region and care about history and a sense of the sacred this is the place to be.

DSC_0550

DSC_0617

DSC_0575

DSC_0508

DSC_0362

DSC_0470

DSC_1236

DSC_1178

DSC_1260

DSC_1213

DSC_1155

The Present at Angkor

Shadows of the tower pass over the flagstones

Vines sway, stone warms, cicadas buzz

Dove lands on a stone ledge of the central tower of Ankgor Wat

Small green tendril unfolds on this ledge

A century passes

Dove lands on a stone ledge of the tower

At the centre of the Khmer universe

A human life grows up, thrives and tires and ages and passes

The sunrise falls across the earth

The sunset falls on the other side

The earth turns, into and out of the light of a star

Bathing its people, its personalities, its insects, its stones and rivers

Day, night, day, century, millenium

Humans stand up tall two million years ago and laugh and smile and cry and run

Ten thousand years ago the wandering tribes construct the story of civilization

While the earth turns into, and out of the light of a star

The Buddha at the top of the central tower of Angkor Wat smiles

Behind the smile

Darkness and mystery

The earth spins, the centuries pass,

all psycholgy repeated anew each day, each human story

Constructed and unwoven

A city thrives, ox heaves, lovers sigh, carvers carve

A millenium later I stand

And look up at a dove landing on a stone ledge

on the central tower of Angkor Wat

Behind the Buddha’s smile

The earth spins

Centuries pass

We all move into and out of the light of a star

And the towers of Ankgor Wat spin around

The smile of a stone God.

 

 

 

 

DSC_1272

 

 

 

Laos, The Road North

December 13th, 2014

 

DSC_0172

 

Got scooter but don’t want to drive it 12 hours north?  Not a problem.  We’ll get a couple of the guys from out back. Laotian ingenuity and cheerful disregard for health and safety are soon on display (why is that girl standing under the scooter?!).

 

Vang Vieng is the first stop on the main road north out of the capital.  Its a scruffy gold-rush-town esque place, full of hastily put together back-packer shop fronts. Its not a beautiful town, but the backdrop of towering karst peaks on the other side of a wide and fast flowing river does redeem it.

 

 

 

 

DSC_0210

 

On a morning’s caving expedition I and a friend walked through the Laotian countryside, through a small village redolent of cow dung, enlivened by chicken cackle and errant toddlers, and further, through a winding path over the valley floor. The bird song and the gentle sunshine put us at our ease. The peaks towered above us, and we both agreed that the serenity of this green and fertile place was worth the trip so far. 

When we approached our last cave of the day there was a river flowing out of the mountain side and we entered by floating in wearing only our boardshorts and a headtorch. Minutes later there we were, floating in the gloom, with humid air flowing over our skin, and cool water flowing over our legs. The light from head torches bounced and glanced off the dark ceiling of stone above us. Voices echoed down the tunnel. Humans are land-based mammals, and here we were floating in the fast flowing waters hundreds of metres underneath a mountain. We were, essentially, in an alternate reality. Our brains were not accustomed to such surroundings and there was the delicious pleasure of the unfamilar in the experience. After paddling in the dimness for a while I parked my black rubber tube, and continued on foot down a passageway by myself. I turned the light off. The passageway had branched back towards the river. I stopped, sat down and listened to the faint hiss and bubble of the stream further down the black passage.  I clambered on all fours over the stones through a small hole and back into the main river tunnel. Floating back out I realized that this was one of the most enjoyable bits of ‘paleo’-style fitness I’d ever done.

Later that day we took canoes 20kms up the river and came down to Vang Vieng through some light rapids. The towering limestone crags encrusted in fecund vegetation, the evening light like mercury floating beneath us on the powerful current of the Nam Song, the gentle warm air on the skin, the effortless forward flow of our little procession… the whole experience let me imagine what it would have been like to be in central south-east Asia centuries ago and go on a pilgrimage or adventure through the world, it was travel in a way I had not experienced before. The experience was addictive with its immensity of calm and beauty. We stopped at one point in a nook of the river, where it cut in slightly and there was a small wooden bungalow surrounded by tall groves of bamboo, coverd in thatch, backlight by the evening sun and a sillouetted horizon of jagged and painterly peaks. This was truly the world of the Mountains and Rivers school of ancient Chinese poetry. Here it would not be out of place for Han Shan to wander with a staff, perhaps settling himself comfortably on a boulder besides the waters to compose one of his masterful short nature poems.

Anyway, back to the road North.

 

DSC_0221

 

 

Village life en route to Luang Prabang…

The road was virtually empty of vehicles. It traversed through the centre of several small villages, complete with a menagerie of chickens, chicks, pigs and piglets, babies and children, axes and firewood, chilli and rice drying in the sun, thatched huts and bicycles.

 

DSC_0228

 

And finally, a bum-numbing day later, we arrived at Laos’ ancient northern capital.

 

DSC_0407

 

Immediately the colonial heritage of the French was evident in the tropical-French architecture from the nineteenth century, white and shuttered two storied houses cheek by jowl on elegantly laid out streets. Many of them these days inhabited by sophisticated restos and galleries. We sat in a river-side outdoors cafe  and a quick Beer Lao was ordered as the sun set over the Mekong to our left.  The mighty and muddy waters of this artery of Asia rolled swiftly along, with twilight gilding the water surface and jungle-clad hills lying distant on the opposite bank. Clearly one of the nicer towns in Asia.

 

 

DSC_0430

 

This sounds like a boringly touristy kind of thing to do, but we took a cooking class at The Bamboo Tree, a great place to eat on the river in the old quarter.

 

 

 

DSC_0388

 

Linda (above) introduced us to the essentials of the national cuisine.  I recommend the class – they’ve only been opened six months and it was excellent.  I’m going to start cooking with more fresh ginger, galagal, garlic, shallots, lemongrass, lime, fish sauce, oyster sauces, kaffir lime leaves, tamarind sauce and chilli when I return to Perth, that’s for sure.

 

DSC_0392

 

Of course we spent a morning watching the monk’s collect alms at sunrise.  We were staying a bit out of town so there were no other camera clicking tourists to detract from the experience.  As the monks processed in a line in the morning’s silence, the sibilant swish and slide of a dozen bare feet passing over the ground was all you could hear.  Sorry, no photos, but here’s a shot of the monks fixing up the temple.

 

DSC_0299

 

 

Country Living in Laos

December 20th, 2014

 

DSC_0117

After leaving Luang Prabang, we head further north, up a powerful and fast flowing river called the Nam Ou…

 

We’ve finally arrived in the agrarian Asia of mountainous Laos. Its a step back hundreds of years into a land of ducks quacking, chicks chirping, dogs playing, children crying and playing, river water mummuring, birds singing, wood being chopped, and a deep black sky above it all at night. I swear that there are more chickens in Laos than vehicles per head of population, by a very large margin.

DSC_0519

This evening we walked along a dirt track out of this village east through the mountains, and it wouldn’t have been out of place for a samurai to come loping around the corner with a sword slung over his shoulder. You could hear buffalo lowing in the meadow, and ducklings chirping on the pond, and a bamboo bridge being built in the stream below. It could have been 1700 not 2014. Its nice to have firmly left the bannana pancake trail and be properly in Asia.

 DSC_0509

 

Kayaking up here took us through some fun rapids.  But it was the quieter sections of the river that had the most impact. 

DSC_0339

As I let the boat spin lazily on the quiet sections of the Nam Ou, I heard bird song from the canopy in surround sound from the ampitheatre of mountains before me. The sun shone and now that the sound of dipping paddles had ceased, there was only the occaisonal drip from my hull, and the loquacious babble and murmur of the liquid all around. The kayak spun in slow motion, and I looked up hundreds of metres at the stone walls behind the jungle.

DSC_0360

Its like the Alps covered in tropical rainforest, with occaisonal groups of black pigs or herds of buffalo lounging on the river banks at water level. Liquid lap, loquacious loll, sibbilant slip… all so good for the ears. Then I started paddling. Pushed and tapped through eddy and whirl, current and upwelling. Got sucked through a shoot of frothing foam. Kayaking in northern Laos: vertiginous verdure, fast rolling H2O, 360 degree serenity; the perfect way to get tired arms.

DSC_0212

Stopping in a village along the river I felt like I was walking through  a feudal world with chickens, ducks, thatch, no roads, no vehicles, just the kind of place that my English and Australian ancestors lived in a little more than a 150 years ago.

DSC_0330

DSC_0281

In the shade of a tree to the left a gathering of men discuss something or other, while a duck, as usual in this country, steals the lime light.

DSC_0308

Here a young woman from the village brings in some river weed that has been drying in the sun.  Its a delicious snack in northern Laos – eaten with sesame seeds and garlic sprinkled over the top.

More soon from further up country…

 

 

 

River Guidance in Northern Laos

December 22nd, 2014

DSC_0601

 

On the way down I lay back in the kayak and looked up the valley cliff faces as the kayak span lazily and drifted downstream with the pull of the current. All I could see was wild forest canopy, creepers, epiphytes and vivid, chaotic, lush green life with a background of soaring cliff and mountain ridge. All of this slid to the left in my vision as I floated onwards.  All I could hear in the still air was silence accentuated by exotic bird song that glanced and bounced down the valley walls to my ears. Although I was in a wild and remote place on a big and powerful river, I leaned right back, not looking where I was floating. 

The sensation was one of complete surrender of control. Being there, slowly revolving, looking into a beautiful and alien place, and letting the immense silence and strange bird calls filter into my brain, was almost like taking a drug. It was a deeply immersive experience into a space and place.  There was the thrill of surrender of control, as my kayak was moving pretty quickly and I was, for a moment, not in control of it.

DSC_0261

I’d found my way along the river.

The Nam Ou is one of the royal roads of Laos, and has been so for thousands of years.  In the past people floated on bamboo rafts, not kayaks, but they still moved along it, mostly for more utilitarian reasons than my meditation in the wilderness. It flows south from the mountains of the Laos-China border for 450kms before joining the Mekong.  On my way north from Luang Prabang I had noticed a half-completed dam across a section of the Nam Ou further south.  It turns out that this is just one of seven dams that the Chinese government is building in the Nam Ou.  89 villages along this river will be displaced when the project is finished.  That’s 89 entire communities.  These people all have a strong sense of place.  In being forced to leave their villages it is inevitable that they will experience a sense of grief at losing their home grounds.

This process is losing one’s home ground to the building of a dam by outsiders is well narrated by the Australian-made 2013 film, The Rocket.  In the film a small boy’s village is forced to relocate because of the building of a vast dam in his river valley.  I saw the film a year before coming to Laos, and it was poignant how closely that fiction mirrors the reality here in the country.  Most us use electricity and the dams will generate electricity, but as far as the 89 villages along the Nam Ou are concerned they would be far better off by the development of small-scale renewable technologies.

DSC_0584

Drying chillies in the sun.

DSC_0556

Vegetable gardens planted along the banks of the river when it runs low in the dry season.

DSC_0635

The lifestyles and knowledge of the boatmen of the Nam Ou are about to end.

DSC_0533

Perhaps copies of Edward Abbey’s novel The Monkey Wrench Gang could be translated and quietly distributed to the villagers: at the end of that story the character of Seldom Seen Smith kneels on top of the huge concrete Glen Canyon Dam on the Colorado River and prays for a ‘pre-cision earthquake’ to remove the ‘temporary plug’ from a wild waterway.  If you know the novel you’ll know what kind of earthquake he’s talking about.  You can only dream.

 

 

Mountain Ministry

December 23rd, 2014

DSC_0210

 

The Buddha looks down on the inhabitants of a village in northern Laos. 

Lying in bed the other night I thought of about Western teenagers playing with their iPads while lying on sofas in brick houses on lonely streets, juxtaposed with the three boys I saw playing hop scotch by the river with their friends in Nong Khiaw, or the five girls jumping skipping rope in Mong Noi in the school playground. No wonder we Westerners are an anxious lot, I thought to myself.  We’re largely deprived of three key ingredients, nature, communal life and built-in daily movement. We’re educated, but in important ways we’re moulding minds and emotions that are like stunted plants in little pots. We’ve set up isolated compounds in rows with metalic chariots to move us between them. We’ve put ourselves in one, and put the natural world of rivers and mountains far away. We’ve created electronic boxes to entertain us, and we sit and sit and sit indoors. The village is gone from our streets and our heads and hearts. The animals are gone from the streets and our ears. The paths are paved, and the streets are tarmaced. The sound of laughter and play is not heard on the concrete along the road.

Things are otherwise in northern Laos.

DSC_0568

An iPad cannot replace a village. A laptop cannot replace a river. A tv cannot replace a friend. A car cannot replace the obligation to move one’s body.

The tradeoffs many of us in the West have made with our wealth have lead to millions of rich, fat, sick, and sad human beings. Why does Australia give aid money to Laos with the intention that they develop like us?

Laos as a nation is far from perfect.  They have one of the most corrupt governments on the planet, a disastrously high birth rate, a level of education so low it is frightening, no freedom of the press to tell things as they are (this morning the front page of the Vientiane Times told the populace that ‘China is a good neighbour to Laos’)… I am not suggesting that Laos is a realm of noble savages living life in Eden. But in the remote rural areas that I visited in the north many of the people maintain some essential ingredients for a full human life that we in the West have lost, ingredients that we mostly even forget to mourn having lost.  Until we make our way into this countryside that is…

DSC_0647

Streets are so empty of vehicles that children and animals and strolling pedestrians are usually free to wander on it.

DSC_0460

The sounds of rivers and streams are never far away.

DSC_0422

Objects such as this are not on the list of virtues.  Laos has been more heavily bombed than any other country on the planet.  The Vietnam War still casts its shadows in some parts of the countryside – although I didn’t see any amputees in the villages I visited, I’m sure there are many.

DSC_0572

However… Dogs, kids, chickens, river, trees, sky, silence, birdsong: its a different path to the one which I normally walk along.  Consider the implications of our recent knowledge of neuroplasticity: how are the brains of people living traditional lifestyles such as these different to ours?

DSC_0194

Thus ends my mountain ministry.

Luang Prabang – Farewell

December 24th, 2014

DSC_0262

Yes, this isn’t Luang Prabang itself, but rather a waterfall 30kms out of town.  But it got your attention.

I’m sure countless tourists have taken these photos, but I still love a good waterfall.  Especially when the water is this colour.

DSC_0313

 

Yesterday morning staying on the peninsula in the old quarter of Luang Prabang I really understood why people love this town. Up early to watch the procession of the monks receiving alms in the misty morning twilight.

DSC_0091

While I was watching them I started watching three old women who live on the street I’ve been staying on waiting patiently with their rice and their low bamboo stools. One of them had emerged from a dilapidated and elegant French-colonial residence opposite. Its one of my favourite buildings in Luang Prabang, easy to miss, not in any guide books, but sinking into tropical deliquescence while losing none of its original cool French classicism or charm. Its green and tangled garden seems to gather the house in its arms lovingly. After the monks had passed the old woman retreated back into her house, and I couldn’t help taking a photo.

DSC_0122

I thought of the different eras she has known, and of what an elegant urban ecology she is one small part of. What a changing and yet historically contiguous Indochinois world she has known for many, many years.

DSC_0222

DSC_0015

DSC_0212

Not all of this city is curated for the tourist gaze.

DSC_0207

DSC_0140

And a dog.

In Laos there is always a dog.

 

Acro Paleo

June 8th, 2015

 

IMG_5270

Flight, the Darling Scarp, Western Australia.

 

IMG_5244

 

An autumn afternoon and evening spend playing acro yoga with a bunch of friends.

 

 

TMwilsonorg1Copyright

 

Acro yoga is a good Paleo fitness activity: it brings together the tribe, pushes your proprioceptive ability, increases your muscular strength and power, loads the skeletal system with heavy forces, and can be done in a wild natural setting.  And notice I said ‘playing’ acro yoga… Its never too serious.

 

IMG_5273

 

The activity brings you into the moment.  Lying on your back looking up at the blue sky, focusing your strength to create a stable base, you can only think of the present instant or everything would come crashing down.

 

TMwilsonOrgCopyright

 

Contrast being here amongst trees and boulders and friends, with being amongst the dutiful masses, pushing heavy bits of metal in a loud and expensive gym full of “mirror athletes”…

Its an easy choice for me at least.

 

 

The Brethren of the Shore – Welcome to Rottnest

June 22nd, 2015

IMG_20150622_131257~2

 

Waking by the water. Shivers of wind crease the pelt of the sea. A black schooner floats in the sheltered arm of the bay, and upon the quarterdeck stands a lone figure. He is facing away but appears to be consulting a map. The morning is still. The wind has dropped and the smell of sea weed and salt fills the nostrils with a tang. The only sound is the liquid murmur of the waves collapsing on the sand, maintaining a calming rhythm. The limestone arm of bay out in front beyond the schooner and to my left is illuminated by a morning light that agrees with my still slightly tired and foggy headed state.

There is no schooner, there is only a novel, Master and Commander, on my bedside table. The eastern sun is tipping the sky’s freight of clouds with orange and gold. The encircling arm of craggy limestone wraps around the point to the left and protects myself and my friends from the wind and the waves. This soft, soughing sound has lulled me through one of my best night’s of sleep in recent times, until this morning where it has found me calm and collected. I thought of the Chinese poet Han Shan: I will sleep by the shore, and wash my spirit clean.

We arrived yesterday and swam at Fey’s Bay on the north side of the island. As I slipped into the shock of the blue, and kicked myself down into the sea I opened my eyes and saw the sun’s rays beaming in splendid columns down into the liquid, shifting and promising redemption. The future here is one of cutting one’s self free from the obligation and tension of Babylon back on the mainland. Of entering the swirl of the sea and letting go. Of falling backwards into no control and being held by the land and by one’s friends and by the massage table I packed, and by touch and music and sleep.

My mind is still and calm like the sea this morning. I love the still reverent atmosphere of the morning, washed clean from yesterday’s soiled emotions whatever they may have been. I dwell with the sea here, it sits almost under my balcony. It is my companion. It talks to me. It sits under my right arm. It eddies my consciousness with its weed wracks and its mutters of storms and warships and chaos and privateering. Of crabs and currents and horizons and mysteries. Of change and adventure and the unknown. It is a great swirling force to unthether me, morning after night, day after morning, evening after day. Untether me from the predicatble shapes and forms of landlubber life. Let me wade into its mummuring shallows, into its nomadic passages of captains and cutlasses and creaking timber.

To wake and look out of my window at the silver sea softly soughing on the beach below our house, a shoreline patched with brown weeds amongst which a sooty oyster catcher steps and wanders is good for my soul. It is quiet and the limestone ridge over the water is encircled with gliding birds. I am circled once again by elements and they keep infusing into my consciousness in ways I don’t entirely understand, but feel the better for.

Being on an island such as this one I feel outside the banality and the duty of the mainland. I am free of the morass of details of suburban life. And outside the geopolitical mainstream. Clear water flows into a limestone rock pool on the shore.  A chuckle.

I think of the Brethren of the Shore waking up on Tortuga in the 1660s. The sun burnished the platter of the sea gold, while still more gold glowed around the neck of a grizzled bucaneer. Brethren loitering in inter-imperial shadowlands.

An island is bounded, like a ship it has human sized boundaries and edges to which we can relate. The island is a haven in an inhuman and dangerous sea. My seafaring ancestors come from an island. I am drawn to them. I feel safe on this haven. It is a place outside of the mainstream and that means that here the future seems less predictable than in a country with a name and a culture. Small islands don’t seem tethered in or to history. Here you can write your own future, dance your own tomorrow, nominate your own meanings. Here I feel quiet, and free, and clear, and elevated.

I am on an island as I write, on Rottnest. Yes this island has its own history, some of it lamentable, but for now let me dream.  It is here and now, and this island’s romance keeps shifting away from the pen. I look out the window from my bed and heavy rain starts to fall. The sun is still shining though and the oyster catcher still wades through a world free of the human.

Patrick O’Brian’s novel Master and Commander sits on the balcony rail and calls me into the world of Menorca in 18th century maritime history. Menorca off the Spanish coast is another limestone island in a big blue sea. In O’Brian’s prose a close male friendship develops amongst sea farers while the world is painted with the colour and refinenment of a Georgian master stylist, deeply versed in eighteenth century literature and culture. At the same time I’ve also been reading George Meredith’s poetry. None of this can be taken too seriously.

“How often will those long links of foam

Cry to me in my English home,

To nerve me, whenever I hear them bellow,

Like the smack of the hand of a gallant

fellow!”

I look up. 

Down on the shore clear water chuckles in a rock pool.

IMG_20150622_081845~2

Sukhothai: The Dawn of Happiness

November 16th, 2016

img_20161116_070654-1

 

It is early morning in Sukhothai, the first capital of present day Thailand, in the north of the country.  From the Sanskrit, Sukhothai means ‘dawn of happiness’.  The air is still cool this morning, and the old city is empty of all but two or three tourists.  Doves coo gently from ancient stone rooftops.  After the tacky mess of modern day Suhothai, a concrete and tarmac town 12 kms behind me, I feel like I have stepped into another world.  Tall, thickly trunked trees stand in an open parkland and cast down cool shadows.  All around me is space, stillness, quiet and tranquility.  Behind the trees and the ruins rise hills clothed in dark green rainforest, the first topography we’ve seen on the edge of the long flat plain of central Thailand.

I walk under an old tree and along a moat full of water, dotted with lotus flowers.  I come into the presence of an ancient seated Buddha, leaning immemorially against a stupa, and look up into its face.  The sense of perfect serenity and acceptance of the Buddha, shines through a soft smile.  He looks out on an amphitheatre of quiet and green and space and water.  The land here is exceptionally fertile, almost luxurious, and early this morning I share what I imagine the Buddha feels.  The profound serenity, the acceptance and contentment that I feel in this place, seems perfectly embodied on the face above me.

img_20161116_070902-1

I realise that the experience of standing there gives me a better insight into the nature of Buddha than any book I’ve ever read from afar on the subject.  Sinhalese Buddhism from a thousand years ago, a religion that evolved in the midst of nature and calm and verdant life, and travelled north from present day Sri Lanka, seems so at home here.  This is such a different religion to Christianity or Judaism or Islam, religions that developed in much harsher and more arid lands to the West.  The desert fathers found hermitage in rocky caves by the Dead Sea.  Buddhist forest monks find hermitage in a more benevolent corner of the globe.

Hot, cramped bus journeys are forgotten, and I smile in the dawn.

img_20161116_070053-1

 

Thai Forest Buddhism

November 22nd, 2016

img_20161120_091710-1

 

The forests of Thailand have been retreat for, particularly since the 1980s.  Forest monks, who go to the forests to meditate, have seen their home get smaller and smaller.  In some cases this has prompted them to become defenders of the forest, for example performing tree ordination ceremonies, effectively ordaining a tree in saffron robes in order to make it sacred to the villagers and ensure its protection.  The Thai royal family endorsed tree ordinations in honour of the King’s fiftieth year of ascension to the throne. This royal patronage gave the forest’s and trees symbolic protection at the highest level. Sadly the king passed away recently.  Whether this will mean the Thai forest Buddhists have less legitimacy from the perspective of the state, I don’t know.

 

 

Karen Village Life

November 26th, 2016

img_20161125_151235006

The north-west corner of Thailand is the most sparsely populated corner of the country.  Mountains, forests and rivers, as far as the eye can see.  And sometimes a village.

img_20161125_114239927

This village is called Menora.  Its a Karen village, without electricity or running water.  Its very, very remote and not mapped on Google Maps.

img_20161125_154001966

Living out here is to live in a different world to the one most of us come from.

img_20161125_134025

Animal sounds are a constant, with the low grunts of black pigs syncopating with each other and the twitter of tiny chicks in the background.  This little puppy welcomed me to the homestead.

img_20161125_134353

In this village rice is hulled using human muscle power, not by a fossil fuel powered machine.

I spent some of the afternoon lying on my back on a wooden deck. The time pressures of life in the Thai highlands are unique.

img_20161125_140421219-2

Countryman – Retreating to North-West Thailand

November 29th, 2016

Made it to Cave Lodge in the small village of Tham Lot.  The last time I was here was seven years ago.

img_20161126_135231

I’m sitting on a hammock above the softly flowing river and the green valley. A deeply relaxing place. I arrived here a few days ago. We came on our motorbike taxis from the main road along winding green boulder strewn terrain, with cool air rushing over my face, and I felt exhilarated and deeply pleased to be in this landscape. A sense of congruence with my surroundings that I haven’t felt in ages. Then sitting on the wooden deck above the valley I felt pleased to be here – as if I finally didn’t have to fend off the ugliness or noise or crude commercialism of my surroundings. The ship had docked.

img_20161123_163343

It was as if I could open all pores and let everything in, guard down (except for the occasional mosquito to be struck). The bioacoustics of this place lull and sooth. Crickets, gently cooing birds, water running softly over pebbles in the river below. Silence for the most. Then the sound of food frying in the kitchen. The soft clink of glasses in the kitchen and sometimes voices commenting in Thai. More green silence. A voice calls down the river. Vague scooter noise from up at the road. A couple of people loll and read up on the wooden deck near where I sit. They too are quiet. I look out and various levels and shades of green leaves, and tree trunks, rise up from the steep slope below me to high above. This place is perfect for this particular traveller. I don’t want to leave. A place I can be in without reservation. 

img_20161126_145611

The Nam Lang is a small river which runs through the valley below this village.  The river passes through an enormous river tunnel called Tham Lot. Its one of the bigger caves you’re likely to encounter. I kayaked down the river yesterday and through the long, cavernous river tunnel.  As you near the exit to the river tunnel light trickles along the walls, illuminating stone relief.  Then you round the final corner and a cathedral of daylight shocks you out of a reverie in stalactite heavy darkness.

img_20161129_122330

Elsewhere I’ve done some caving, and the country up here in the mountains is riddled with caverns and chambers.

15253382_10157728296860543_8396342422739691698_n

One of the best things about being up here in the hill country is that most of the time you can make friends with a cheerful canine companion, who will most of the time be quite happy to accompany you on a walk through the valley.  Maybe even two of them.

img_20161127_105426

I swim in the river every day.  Dogs and rivers, forest walks through deep green stillness, good food and a Chang beer at the end of the day for a very low price… rural south-east Asia and north-west Thailand in particular, does life well.

img_20161127_155803

Forget travel guides.

November 30th, 2016

img_20161129_115506

Lonely Planet talks up every country in the world, and if you read their guides every city and area seems to have a virtue worth singing. But the fact is that we can’t be everywhere and are forced to choose where to be as individuals on the face of this earth. And some places are just nicer than others.

img_20161129_172219-1

I’m not talking about quality of medical care, schools and transport links – this kind of stuff is used by the Economist to rank cities around the world and Perth, where I live usually, is consistently in the top ten. I’m talking about my own unique perspective. Particularly if you’re not rich, some places are nicer and cheaper, and, as far as I can see, where I am is one of them. I’d rather walk down the streets of this little village Tham Lot through cool and quiet fresh air and look out on dramatic hills rising clothed in forest and wreathed by mist, than walk down the Champs Elyesses in Paris and look up at the Arc de Triomphe while feeling my wallet haemorrhaging money, sucking down icy cold, emission-laden air, and becoming inured to not knowing a thousand strange faces.

img_20161129_120503

Waking up refreshed. Sitting on the wooden deck in front of my bungalow with quiet embroidered by birdsong, and green lush plants and trees enriching my view in all directions.

img_20161129_082403-1

Quiet. No noise of cars. No people wizzing down tarmac streets. No brick walls.

All I need is this: a valley with a river running through it, lots of trees, not many people or houses, quiet, birdsong, deep greens, cool, fresh air, wooden structures, smiling neighbours, a communal area to go and eat $3 meals and chat with open minded-individuals.  John Donne wrote:  ‘Be thine own palace, or the world’s thy jail’.  This is true, but it helps if you’re in a place which encourages you to move your body and relax your spirit.  

All good dogs agree.

img_20161130_095127-1

img_20161130_094512-1

img_20161127_170216

Walking to the Mountain Monastery

December 4th, 2016

14639673_10210969985352473_7090664145885300832_n

That little dot in the north west of south-east Asia is Chiang Mai.  As you can see there is a lot of darkness around it.  Darkness equals lots of forest and mountains.

img_20161203_175346

I’ve recently returned from the mountains to Chiang Mai.  Its very much a busy and bustling city, but even here people try to bring some green into their lives.

I remember the first time I came to this place.  Walking down little sois (alleys) with trees leaning over them, past imaginative graffiti art, I noticed people chatting in groups on the steps of their house/shop, people sweeping, cooking, hanging out. I’m reminded of how porous the boundary is between the public and the private here and in many old quarters of historical Asian cities. People live cheek by jowl and the whole breathing neighbourhood is actually worthy of the title: Neighbour Hood. When I think back to rich suburbs in Australia, like Claremont for example, the boundary between the public and the private is a three foot concrete wall.

But enough about life in the Old City of Chiang Mai.  This morning I was heading out to the edge of the city.  En route I stopped in at Wat Suan Dok.  A modern temple, but a splendid structure.

psx_20161204_142048

Later, after winding up some steep roads I arrived at the edge of the city.  Thankfully this city ends abruptly where the mountains start.

I walked up the monk’s trail through the forest to Wat Pha Lat.  Unlike the temple at the very top of this mountain, Wat Pha Lat doesn’t receive thousands of Chinese tour groups.  In fact it gets hardly any outside visitors in comparison.

It was a steep and rocky path, and easy to work up a sweat.

Along the way ordained trees appeared along the path.

img_20161204_104947

Upon arriving at the temple I found many monks congregating for some kind of ceremony.

img_20161204_111041

There were several buddha statues amongst the vegetation which caught my eye.

img_20161204_110539

psx_20161204_130542

Monks chatting and relaxing…

img_20161204_110636

As I walked down to a mountain stream next to the temple I found a message on the path, a kind of commandment for all who enter here.

img_20161204_110013

Exactly.

Tropical Architecture – Visiting Geoffrey Bawa’s Place

December 6th, 2016

img_20161207_003148

I’ve arrived in Sri Lanka.

Let me be honest: first impressions of Colombo bring forth descriptors like pushy, moustache-wearing, women-dominating, smog-covered, coarse, opportunistic and disheveled. It is not a city that anybody should rush to visit.  However this morning I found my way through this city to a tiny pocket of beauty and calm – the private townhouse of the famed Sri Lankan architect Geoffrey Bawa.  He is a man who sought to answer the question: what should human accommodation in the tropics look like?  One of his answers is found at his own residence, Number 11 in Colombo.

img_20161207_002322

His idea of a tropical architecture, open to the warm air and natural vegetation, while also cool and light, feels good to be in.

img_20161207_002843

Throughout the house art works appear as little surprises, always inviting the eye to linger on a painting or a sculpture or an unusual chair. His house is almost like Sir John Soane’s house in London, redone by an early twentieth century denizen of equatorial climes.

img_20161207_002426

Most of all walking around the house it was nice to be reminded that some men treasure beauty and live for the dance of the imagination in space.

img_20161207_002516-1

 

Spices and Power in the Indian Ocean

December 12th, 2016

img_20161208_054635

I’m in Galle, on the south-east coast of Sri Lanka. From the rooftop terrace above the hotel room I’m sitting in the sound of surf gently crumbling on the reef beyond the Fort’s ramparts can be heard, and the breathing Indian ocean is glimpsed through tall coconut trees. The old city juts out into the tropical waters of the Indian Ocean, surrounded and held by thick ramparts and tall bastions built by the Dutch East Indian Company from around 1640. Its a calm enclave in the world of ugly and chaotic modern Sri Lanka. Dilapidated colonial mansions act as over-priced guesthouses, and tuk tuk drivers ply their trade where Moorish pedlars once worked on Pedlar Street. When you see brightly coloured sari-wearing women swish by, or Sri Lankan men stare intently and brazenly at a passing European female, you know you’re in Sri Lanka, but you’re also in what is the closest you’ll ever get to a seventeenth century fortified coastal port town on the Indian Ocean. Walking in an old Dutch church cemetery and reading the faded inscription on a tomb stone about the loss of an English sea captain’s daughter below a skull and cross-bones, made me remember that this could be a location in a Patrick O’Brian novel or a Pirates of the Caribbean movie.

dsc_0177

In the morning I watched fishermen come back from the ocean in spindly vessels.

dsc_0026

These vessels were laden with pelagic fish to be sold by the very beach where the boats and pulled up on the sand.

dsc_0073

A couple of cows grazed along a section of the fort’s ramparts.

dsc_0111

It is a bucolic atmosphere that also attracts wedding photographers.

dsc_0141

I walked under one of the Fort’s gates, and looked up at the insignia: VOC (Dutch for Dutch East India Company being VereenigdeOost-Indische Compagnie or VOC)).

dsc_0044

Because of course in Galle Fort you’re smack bang on the principal trading route of the world’s first corporation.

I am from Western Australia and have lived in Tasmania. The Dutch, through the VOC, dominated my part of the world – the rim of the Indian Ocean – more than any other European power. They had more than twice as many ships as the English East India Company, and made far, far more money over the course of history in this ocean and its islands. Tasmania is named after Dutchman Abel Tasman. Western Australia famously has the wreck of the Batavia a few hundred kms north of Perth, one of the VOC’s greatest ships. The Dutch had a big presence in present day Indonesia, as well as Formosa (present day Taiwan) and even as far up as Japan. Dutch merchantmen would sail from places like here in Sri Lanka back to Europe around Africa to Europe carrying spices. By forgoing allowing individual traders (which lowers the price for the consumer through force of market competition) and forming a monopoly, the VOC got very very rich.  Investors were issued paper certificates verifying their share ownership, and could trade these shares on the Amsterdam Stock Exchange.  As a corporation they had their own large and well trained military force and minted their own coins, things not even our most audacious corporations have managed today. By 1670 it was the richest corporation in the world, while being able to pay its shareholders a dividend of 40%.  The numbers were impressive: 50,000 employees, 30,000 fighting men and 200 ships.

img_20161209_023531

Galle Fort is beautiful.  

dsc_0164

But here is the irony.  I’m happy to be here wondering around its streets and its faded colonial verandahs, watching the sunset from the ramparts while the lighthouse stands tall over the calm Indian Ocean. But as well as being a beautiful place Galle Fort is a creation and symbol of power of the world’s first corporation. Today thousands of lawyers and administrators are negotiating international trade deals that can trump the edicts of nation states, while advertising and marketing executives cleverly push product through the destructive cycle of conspicuous consumption. With such a state of affairs it is not that difficult to argue that commercial corporations are increasingly unmoored from acting in the public interest, or to be frank, have wrecked and are wrecking most of the distinctive cultures and ecosystems of the planet. With this in mind Galle Fort has a faded beauty and romance, but its also a symbol of where human history took a very inauspicious step down a path that has lead to much of the killing of the planet we are witnessing.

Of course share holders back in Holland loved the VOC, as share holders love having a stake in the profit sheets of McDonald’s or Facebook today. Corporations can weather risk and achieve economies of scale in ways that individuals can’t manage. They have advantages. But corporate power purely pursuing profit maximization while employing the smartest accountants, lawyers and PR spinners, can, on a finite and unregulated planet, stuff things up. Its stuffs things up for people and animal and plant species who don’t have the same market capitalization, who can’t employ the same legions of professional retainers to pursue their cause.

dsc_0038

The stone insignia of the VOC above a gate in Galle Fort shows a cock and two lions, two clear symbols of power and virility. The headquarters of Apple will open in 2017 and are a giant glass circle to house 13 thousand employees, with orchards and parks. Corporations can leave gorgeous monuments, but increasingly they are taking on a sinister aspect as their thrusting young retainers help them to evade paying national taxes and speed up rates of conspicuous consumption.

The VOC was sending huge numbers of sailing ships south-west from here from the 1680s to 1720s, which is also the golden age of the pirate. Spices meant wealth if you had them in Europe at this time. The Mary Rose was an English ship that sank off the south coast of England in 1545.  In the 1980s it was raised from the ocean floor.  Just about ever sailor’s remains were found with a bunch of peppercorn on his person, illustrating the way in which spices were once a tangible and portable store of value.  Coins jangled around these parts.  Many of the VOC ships would have been targeted by pirates who would careen their vessels on the beaches of Reunion Island and Mauritius. Men and women who lived in these houses may well have had personal experience with the pillage of pirates on the high seas. The VOC itself was not unused to violence abroad – further east it imposed the death penalty on anyone caught growing, stealing or possessing nutmeg or clove plants without authorisation.  In the Banda Island of present day Indonesia the VOC killed thousands of men over the age of fifteen.  The VOC reduced the population of the isles from 15,000 to 600 within 15 years of arriving.  Spices are at the root of today’s global economy, but some of the spices were tainted by blood.  At Galle Fort the ramparts locals and tourists stroll along may look romantic, but they were built with a clear military intention, to safeguard a monopoly trade and its workers and sailors.

img_20161209_051212

So much for the shadowy history of this little peninsular in the warm waters of the Indian Ocean.  Time I went for a swim at the uncomplicated and sandy beach at the base of the ramparts.  Let the ocean wash away the dirt.

Sri Lanka: The Green Island

December 13th, 2016

dsc_0265

I just arrived in Tangalle.  What a journey… local bus from Galle Fort. Fast paced Hindi music, big buddha in the ceiling with flashing lights, another buddha on the dash board of the bus wrapped in plastic, a driver who swung the old 1970s Leyland bus around corners to the point where any more swing and it would have fallen on its side, so many passengers that people were literally pressing hard up against each others flesh while standing in the aisle… Sri Lankan men who look intently at you and don’t smile, a bus driver who kept breaking so hard that we were thrown forward, and then who would accelerate into oncoming traffic while overtaking and beeping his thunderously loud horn for the 13th hundred time (the driving in Sri Lanka seems to be an extension of the national habit of rudely shoving yourself to the front of a queue), scruffy and ugly ribbon development along the coast for hour after hour… it was tiring and as we drove I revised my intention to visit any more hot and developing tropical countries.

Don’t worry.  It didn’t last long.

srilanka-a2002140-0510-250m-1

Sri Lanka is a green island.

Here are some of its shades of green.

dsc_0219

 

dsc_0224

 

 

dsc_0228

 

 

dsc_0332

Washing the buffalo in the quiet of the countryside in the morning.  Buffalo curd is produced which is possibly even more delicious than good yoghurt.

dsc_0357

Fantastic food from the local market at Tangalle at very, very cheap prices.

dsc_0367

Bananas so good you almost don’t want to eat them back in Australia.

 

twenty-minutes-ago-i-just-missed-the-best-downward-dog-picture-1

 

The coast here is long and sandy and coconut tree fringed and the water is warm and soporific in its repeated murmuring on the sand. This morning I watched a German man do yoga on the sand while his girlfriend lazed in the shallows in a bikini. His salute to the rising sun really was a salute to the rising sun, and at the tip of the entire sub-continent and its jewel like extension, Sri Lanka, he faced south and clasped his hands in prayer position. A dog sat on the sand before him. The water sparkled in the early morning sun. His girlfriend lent back and let her hair drop into the water behind her. All seemed calm and well with the world.  And indeed it was.  

Arriving in Jordan

December 18th, 2016

img_20161217_153050

I’ve arrived in the Middle East, in Jordan.  It is winter here.  Yesterday afternoon I visited the Amman Citadel, a raised acropolis in the centre of the capital. It lies atop a prominent hill in the centre of the city, and as you walk around the ruins of Roman civilisation you look down on box-like limestone-coloured apartment buildings that huddle down steep hill sides. Flights of pigeons wheel about in the cold blue sky above. Looking down into the mini-panorama of a street below me I watched an old man walk along with a cane and a hatta, and two young boys were chased by an older man for some unknown reason. I felt like I was in the Middle East.

img_20161217_151017

Standing on the Citadel you are also in a place that once had a Roman temple to Hercules at its centre.  When the temple was intact it would have radiated civic pride over the surrounding city with its massive stone columns and lofty stone steps leading up to an elevated portico.

img_20161217_151831

Atop this acropolis there is also an Umayad (Islamic) palace.  The following photo was taken from within this palace.

img_20161217_161846

Amman is not an immediately charismatic city, but then I’m not a great lover of cities in general.

img_20161215_134319

The constant and impatient beeping of horns that I hear in Amman is for me an expression of the culture here in the Middle East.

Let me explain.  I’m in an Arabic culture, and people speak loudly here.  Even at the souk, the local market, the sellers shout about their wares more loudly than in South Asia or South-East Asia. People repeat what they’ve just said once or several times, not because they think you haven’t heard them, but just to add emphasis to their already urgent bursts of speech. There is a slightly aggressive edge to the speech of people – admittedly more in the case of men than women. What a different approach to the polite and deferential interlocution of the Anglo-Saxon chap. It turns out that the only way I can co-exist with Arabic cultural manners without getting irritable is to enter into the spirit of the thing and start using some of these speech patterns myself. Otherwise I don’t get a chance to talk. Still I’d not want to live forever in a place where I have to employ this heavy-traffic congestion tactic in my daily conversation.

A casual argument (for them a discussion) over the price of cucumbers ensues…

img_20161215_160129

Admittedly people seem to have fun with this style of communication.  There often seems to be an element of the mischievous amid the high volume.

As we passed a shop of Arabic sweets the man offered us one to try. In a local delhi the previous day the shop owner had, noticing we were foreigners, offered us a banana each – as we had been looking at fruit to buy. This kind of thing happened again and again.  People in Jordan genuinely are hospitable and friendly: the evidence is in the shops and in the homes of the locals.

Recently I spent the day at an old Roman fort and sixth century stylite tower south of Amman.  On the way we passed this wadi (valley).

img_20161216_110823

Driving out of Amman the hills were surprisingly populated for a desert landscape. Makeshift tent camps with dozens of brown-headed sheep and a scattering of trash blown by the wind were, I suppose, Bedouin residences. It was sad to see that some of today’s Bedu culture has a dilapidated and poverty-stricken appearance.

dsc_0193

A large flock of sheep being herded somewhere on the steppe.

img_20161216_083417

The air was cold and we were the only people visiting Umm ar Rasas, a Roman fort built 1600 years ago.

dsc_0061

A small white cat followed me through the tumble of old stones, purring softly.

dsc_0073

You could climb over the remains of the Roman world, cisterns and arches and walls and all, in a way that would never be permitted in a Western country.

dsc_0180

This is the interior of an early Christian church.  Jordan used to have lions roaming its wild places but they have been locally extinct since the nineteenth century because of hunting pressures.  You can still see them on the intricate floor mosaics on the church on top of Mt. Nebo that were made in the sixth century AD.

dsc_0244

Many Westerners think of the Middle East as the heart of Islam, however it was Christian before it was Muslim, and there are still many Christians living here.  This morning I went to a service at the Syriac Orthodox Church in Amman, the Cathedral of St. Ephrem.  Since the Council of Chalcedon in 451 AD in present day Turkey, Christians split in two over a semantic issue.  Most Christians we know in the West went the way of Rome and its descendants, however there are a variety of Eastern Christian denominations who still think they got it right after this schism, and are really the true Christian church.  I was intrigued to see what this alternative version of Christianity looked like.  Indeed it is very different.  As I walked into the cathedral a powerful aroma of incense came over me.  The priest faced away from the congregation and sang in a haunting and mournful Syriac language.

dsc_0002

Those long staffs have small bells on the end which are shaken as part of the liturgical music.  As the largely Iraqi and Syrian congregation (some refugees from Aleppo) joined in the singing I felt moved by the mystery and pathos of the moment.

Tomorrow, finally, I will see Petra.

Petra

December 27th, 2016

Mountains entered.

Size incalculable.

Mystical weight and folds of stone.

Still blue air.

img_20161219_163106

The first day in Petra we headed out to Little Petra, a few kms away from the more famous site, where a narrow canyon is filled with Nabatean caves, carved around 2000 years ago. On the way we took a dirt track down a valley through the ranges of stone mountains and passed Bedu tents in secluded niches, encircled by rock. Flocks of brown and white sheep and errant goats.

img_20161219_132710

Caves, several still inhabited, that have the vantage and vista of feudal fortresses.

Stepping into the shade of a cave in Little Petra I was impressed how this is a land both wild and yet accommodating of humans.

img_20161219_145624

The next day we entered the main site at Petra.

Standing inside the caves and looking out I imagined what, around 2000 years ago, the men and women who lived here saw and may have felt about their surroundings – the almost biblical scale of the mountain ranges and rocky canyons that were their daily backdrop.

img_20161220_093721

Such surroundings couldn’t but help elevate their days above the mundane.

img_20161220_152521

Water cisterns and carved channels in the rocks are evidence of how good the Nabateans were at harvesting water, water that would have made their desert fortress a garden paradise.

img_20161220_083041

Bedu people used to live in Petra and the Jordanian government moved them out, building free, if not very pretty, housing for them a couple of kms from Petra. For this reason nobody is very strict in regulating what rude and swaggering Bedu teenagers are doing inside this UNESCO listed world heritage site. Unfortunately they are detracting from the experience of visitors to the site (who have paid $100 AU to get in), as they offer to sell trinkets and donkey rides with a badgering insistence that mars the peace of Petra. Their makeshift stalls have spread even up to the foot the Royal Tombs. I only worked out how to escape the touts and vendors by the second day – you need to go after three pm in winter and go to areas of Petra that are not listed in guide books.

Fortunately I did this, and found peace amongst the old tombs of Petra.

img_20161219_152741

img_20161220_095833

img_20161220_113832

img_20161220_115755

img_20161220_091122

img_20161220_084356

img_20161220_093053

img_20161221_160806

 As I sat on a rock ledge and watched the sun set I saw Petra’s wide spaces and red sandstone cliffs and peaks, its warren of caves, its worn yet still glorious entrances into the mountain faces, and reflected on this place’s sense of having a mysterious history that we will never fully know or understand, but that which we will always feel awe in the presence of.

img_20161221_152801

As I sat on the stone ledge and looked down over the ancient valley I thought ‘this must be one of the most beautiful sights I will ever see’. Those few minutes by myself looking down over the valley in the quiet of the evening are up there with the first few minutes of silence after I entered Ta Prom in Angkor early one morning in the Cambodian jungle in terms of providing me with a deeply touching and uplifting experience of place. Both places showing humanity’s signature accommodated in and by wild nature.

img_20161221_163400

Later that evening around 5pm, almost all of the tourists had left the site.

img_20161220_155904

To exit the site we took camels and a donkey out through the siq (canyon). Dusk was turning to darkness. The towering walls of the valley narrow to a crack in the stone.  

We pass within.

I feel beneath me the long, loping gait of the camel. I see the camel in front of me flex its hindquarters with languid ease. The camels hold their heads tall and proud on long, mobile necks. I feel I am traveling into history. Pacing into a world that might have been an adventure undertaken 1000 years, or 2000 years, ago. I imagine in the darkening space, high above the ground, and yet far beneath the surface of the earth, that I am moving through the night to a nameless city. I am journeying on a camel train through a cleft in a stone mountain. The clop clop of the donkey beside us is all that can be heard in the gathering gloom. This experience made me more happy than many of the things I have done in my life.

Montreal Castle

December 27th, 2016

 

img_20161222_105445

I’ve been at Montreal (known Arabic as Shawbak) Castle, a crusader castle south of Wadi Musa. Standing behind the battlements I had looked through a slit in the stone.  Some of this stone had been built by Christians from Western Europe around 1115 AD in order to take back the Holy Land from Muslims.

Through this slit I saw an almost lunar landscape of barren hills, devoid of trees or refuge. I imagined what this place would have looked and felt like to an English knight from the leafy hills of Dorset or a French chevallier from the wooded valleys of Limousine. It would have been the edge of the known universe to those long dead men.  Looking out of a defensive slit in the heavy stone battlements, they would have seen fierce and alien sands. As I peered through this slit in the stone tower I felt like I was encountering a medieval Western view of the Levant.

img_20161222_104956

 

We Are Bedu

December 27th, 2016

While in Wadi Musa I had met our Bedu guide’s 92 year old mother. She was living in an apartment in the town. I asked her if she preferred life when she was a young woman and there was less access to Western conveniences, or if she preferred life in the town today. She told me that in former times life was harder work, but more peaceful. Today life is easier but less peaceful.

img_20161221_124918-effects

While having a picnic under a tree in the desert one morning while staying in the area of Wadi Musa a Bedu man recited a poem to me. The poem related the story of a young woman who a prince had showered gifts on to win her heart. At one point in the poem the young woman says ‘I prefer the Beit Shaer (goat hair house – the Bedu term for their large tents) to the castle you have given me’. The woman in the poem reminded me of the slight regret the 92 year old lady had at having left her earlier and more peaceful existence in exchange for town living.

After Wadi Musa we went south to Wadi Rum, the largest valley (wadi) in all of Jordan.

psx_20161223_182528

After Asia’s green abundance of foliage, Arabia’s lucid open spaces are a sharp contrast. There I was happy amongst the vivid green leaves and tall dipterocarp trunks. Around Amman the arid steppe didn’t really excite me. Now I’m down amongst stone hills and mountains in the clean desert, I am happy again.

psx_20161223_182028

The landscape here almost seems lifted from the deep past, from Earth in an earlier incarnation.

Walking through the desert on a camel’s back one evening, wearing white disdashi and white hatta, I looked away to my left at the sun sinking over a range of stone mountains and sending light across the desert sands. I thought how in this desert all excrescences, everything tangled, everything petty, is loped off and cast off. There is a purity in the desert. A spirit, a land, a state of being, unsullied by smallness or complications.

Riding camels through this landscape is part of properly inhabiting this place.

img_20161222_145758

Their slow and powerful gait, their wide and amply padded feet easily pressing firm against the slippery sands, their quiet and gentle natures.

psx_20161223_175413

As you ride a camel through this desert you feel connected with centuries and millenia of desert voyagers, people who have passed this way on camel back long before fwds existed, or before the modern nation state was dreamt up with its angular borders cutting through desert sands.

img_20161223_101200

Nabotean inscriptions on the rock…

We tethered our camels and I walked up a sand dune and stood watching the sun set behind a mountain. The whiteness of my robes felt part of the purity and elevation of the mountains of this Arabian desert.

img_20161222_162057

The next morning I reclined in our Bedu tent drinking Arabian coffee spiced with cardamon, and having my legs warmed by the quietly purring cat Bush Bush.

img_20161223_075054

The robes, the brightly coloured rugs, and cushions and hanging fabrics, the insubstantial nature of the tent-surroundings, the easy access to the open air, all this encourages a reclining indolence with a regal air to it.

It is hundreds of years since kings and princes were a meaningful and easily witnessed part of most Western societies. But the Bedu sheik, or at least his trapppings, are still just around the corner when you’re in southern Jordan. Being in this landscape, wearing these clothes, and relaxing in Bedu tents, I can’t help feeling like a man from a different era, an era when men weren’t constrained by domestic routines, by doing the shopping at a supermarket, doing the dishes, vacuuming the carpet, kow-towing to an obese and middle-aged administrator and tapping away at a Microsoft Office product. I couldn’t help but feel more like a dignified and free man.

Even wearing robes in the desert is part of being here. It is something which helps me enter the place more deeply. They are warm and relaxing, regal and loose. I feel restful in this attire.

img_20161222_144430

These aspects of daily surroundings – the stone mountains of Wadi Rum, the bright carpets and cushions of large woollen tents, the reclining around the fire with spiced coffee, the sumptuous and flowing robes and enfolding and protective hattas, are still the norm in Bedu culture today.

img_20161222_113838

This is what shocks me: these things are still part of daily life for thousands or hundreds of thousands of families – theses aspects are not just relics rolled out of storage for the incoming tourist crowd. Bedu culture is not dead. If you think it is dead, go for a drive out into the hills in the south of Jordan, walk up to a tent in the desert or at the foot of a mountain, and look inside. This is their world.

The Bedu people can be grasping and venal, they can be aggressive and unpredictable, they often don’t have access to good health care or good education, but they are also less bowed down by a lot of the clutter we put up with in the West. In short, there are still some princes and kings out there in the desert.

Sitting and eating with some Bedu in the desert north of Wadi Rum…

img_20161223_130426

img_20161223_131547

Jerash

December 30th, 2016

psx_20161229_091033

I have been travelling West from Asia.  When I was in Colombo I photographed a golden statue of the Buddha facing the Greco-Roman heritage embodied in Colombo’s Town Hall.  And now I’ve finally reached a real example of the Roman Empire’s built heritage – the city of Jerash in Jordan.  Jerash is one of the best preserved Roman cities in the world, certainly in the Middle East.

psx_20161229_091418

Straight roads are one thing that we take for granted, and which we roll along daily without a thought about their creation or worth.  The Roman roads were legendary for being well designed and durable.  In fact there are some Roman roads still visible in the deserts of Jordan, where sometimes farmers disrupt their shape by ploughing around them.   One of the most impressive Roman roads is at Jerash.  You can still see the grooves created by chariot wheels from two thousand years ago.

img_20161228_123007

Imagine, if you walked along this road 1000 years ago.  You would have been walking through a very old city – already many, many hundreds of years old.  Its hard to grasp the antiquity of the Roman Empire.

This is a concert hall – still perfectly preserved, even down to details such as the changing rooms.

img_20161228_125645

When you arrive at Jerash you first pass through Hadrian’s Arch.  This entrance impressed on me what the civic architecture and stone spaces of the Roman Empire were meant to impress on its own citizens: Glory and Grandeur.

img_20161228_112233

How could you fail to be feel a sense of pride in your society if you were moving through these public plazas, temples and bath houses; places of monumental scale and solidity.  Of course the Romans practiced slavery and blood sports that make us cringe today, but it is hard to deny them respect for having created such great civic spaces.

Modern day Amman, the capital of Jordan, doesn’t have much to boast about in terms of urban planning, or glory and grandeur for that matter.  Much of Jordan’s capital seems ad hoc and chaotic.  However I have now left Jordan to head to Israel and, despite its problems, I miss the brio and grit of Amman’s downtown quarter.  To take just one example, I love Amman’s herb and spices shops…

img_20161227_140857

The Middle East as a place of spice merchants is not just a note in the history books.

img_20161227_135103

Impressions of Jerusalem and Tel Aviv

January 3rd, 2017

img_20161229_154328

Arriving in Israel… Coming over the border from Jordan it was forbidding and stern – as though I was passing through a highly militarised zone, which indeed I was. Machine gun towers, arid, blasted dune landscape, and endless security checks and waiting about.

Then I was in the West Bank. The first thing I noticed was a woman working, alongside my bus, with her hair uncovered. It was a shock after not seeing women working in public places for weeks in South Asia and the Middle East. We rolled onwards. I saw the big concrete wall they have built to ring around the West Bank, and then I was in Jerusalem. The roads appeared better designed, and the traffic was more organised. Fewer people beeped their horn. Walking down the street in Jerusalem, outside the old city walls, I was surrounded by people walking along the pavement (yes there actually was proper pavement) and half of them were female – the shocks continued. People were smiling more as they talked, again a noticeable difference after the stern countenance and gruff utterances of male-dominated Jordan.  A new and stream-lined tram slid along metallic tracks, full of passengers. I had braced myself for rude behaviour judging from past personal experiences of Israeli travellers in Asia, but as I walked out onto a zebra crossing the cars actually stopped for me and waited for me to cross.

People were stylishly dressed, good looking and often young. I didn’t see any shady or menacing characters.  The buildings were not concrete boxes, many unfinished or dilapidated, as in central Amman, but many quite attractive. Walking up a street along the tram line I realised the entire wide street I was walking along was given over exclusively to pedestrians. This created a convivial and relaxed atmosphere to the street.

Walking into a shop I buy a SIM card. Having bought SIM cards in a few different countries the procedure turns out to be an interesting – if superficial – comparison point between nations. Here the procedure was done in fluent English and over in minutes, in an attractive and well-lit setting, however also more expensive than Sri Lanka (where I’d gestured in a chaotic and dimly lit nook in the wall and paid a quarter of the price). I checked the price of a meal in an average looking eatery as I walked – 50 shekels – $18 AU. Not far off Australian prices (which are astronomically over-inflated from my perspective). I walked around Jerusalem’s old city and found myself bobbing on a sea of Jewish-American tourists down charming old stone alleys.  Some of these alleys lead to souks (markets) selling vastly over-priced tourist trash.

Zion Gate is one of several old gates into this walled city.

img_20161229_145006

The old city of Jerusalem is beautiful and human scale – and clearly has been very well preserved by past generations. I walked into the Armenian cathedral of St. George, and heard an afternoon service.  The deep male voices joined together in a chorus that was both haunting and beautiful.  I lent back in my seat, looked up at the pendant incense holders and ancient paintings, and felt happy to have come to this city.

img_20161229_151215

img_20161229_151553

img_20161229_151419

A day later I arrived in Tel Aviv.  I soon realised that I’d left a human scale city of beautiful old architecture, to come to a modern, large city of boxy new apartment buildings by the beach full of busy capitalists. At least that was the first impression.  Tel Aviv is new – much built in the 1930s – and mostly made out of concrete. Back in 1909 most of this city was just sand dunes under the sun.  Still it was much warmer – similar to a winter’s day in Perth – and really not worthy of being seriously called cold. And it was Friday (their Saturday – the first day of the weekend).  People were out in droves, occupying cafes everywhere. I could hardly believe that there were enough stylishly dressed, sophisticated coffee sippers to occupy this number of hip cafes spilling out onto the pavements of Tel Aviv.

img_20161231_133817

Although Tel Aviv is not a very beautiful city (the apartment buildings are monotonously similar) there are lots of green-leafed trees in the streets; finally I was seeing green again after being in Amman. It seems a large city as it has a good level of density (everywhere is about six stories), but in reality there are less than half a million people here. So how on earth is Tel Aviv slightly larger than Canberra in Australia while having a number of cool cafes to rival Paris? The only answer I could come up with is that this city has a much higher percentage of stylish, gregarious people than most other places I’ve visited.

img_20161231_091744

One thing I’m noticing here is that these people are not focussed on displaying their private wealth in material status symbols – having a larger house and flashier car than the guy next door – so much as enjoying life while having a conversation in a cafe with a friend.  Again this is just an impression.  At least in the neighbourhood I’m staying in in North Tel Aviv the street is full of average looking cars – and each apartment building looks more or less the same as the next. The real estate is very expensive but its all similar looking concrete apartments and while that doesn’t make a visually fascinating streetscape, it prevents crass displays of materialism. 

img_20161230_145349

This city is so safe (if you exclude the odd Scud missile every few years).  In terms of street crime it is probably safer than any Australian city.  It has lots and lots of people riding electric bikes up and down dedicated bike lanes on the pavements.  

Oh, and there’s always a bar open.

img_20170101_214423

Big Tribes

January 6th, 2017

img_20170104_121717

In Jerusalem yesterday I encountered three of the most sacred sites of some of the biggest religions on earth.

First the Western Wall, the most sacred site for Jews worldwide.

Then after some serious security checks and long wait in a line we were allowed up a long wooden walkway, up to the Temple Mount.

 

img_20170104_132221

Here we saw the Dome on the Rock, the spot from which the prophet was supposed to ascend to heaven accompanied by the angel Gabriel, and the third most holy site in the world for Muslims.

And then, a short walk away, we entered the Church of the Holy Sepulchre, the place where Jesus Christ was entombed.

 

img_20170104_101228

The dimly lit mosaic ceilings in some of the chapels within the church were softly lambent.  The shadows and the hush, the cool and the old stone, the glitter of mosaic art far above on the domed ceilings – all combined to make me feel like I was visiting somewhere very special.

For such a concentration of religious pilgrimage sites, the old city of Jerusalem is remarkably uncrowded and peaceful.

This ancient graffiti inside the Church of the Holy Sepulchre was made by Crusaders almost a thousand years ago.  It reminds me that peace isn’t always assured around here (this should be obvious from the machine-gun carrying police in Jerusalem).

 

img_20170104_102140

 

A psychologist at Harvard, Joshua Green, has written that: “Our brains were designed for within-group cooperation and between-group competition. Cooperation between groups is thwarted by tribalism (group-level selfishness), commitments to local “proper nouns” (leaders, gods, holy books), a biased sense of fairness, and a biased perception of the facts.”  I sometimes wish everybody in the Middle East would read his book Moral Tribes.  Its a brilliant exploration of the old problem of Us versus Them in human affairs.  If you don’t have time to read his book you can at least listen to this radio interview.

 Jerusalem is a beautiful city – the old city in particular. It is full of white and cream coloured stone, stone blocks in walls and houses that has seen so many centuries of sun and heat, that has been made slippery by so many thousands of pilgrims footfalls, era upon era. While the world has changed, empires have risen and fallen, lives have been lived and left, old Jerusalem has endured.

But then so has tribalism.

In 1838 the English painter Robert Davids sat outside Damascus Gate on the northern side of Jerusalem’s walled fortifications and painted this picture.

 

img_20170101_132818

And this is what I saw standing in the same spot yesterday…

 

img_20170104_134503

Ok, some things around here have changed.

Running with the Masai

January 23rd, 2017

mother-africa-at-last

What are you going to do if you like tribal living and you’re in the cold winter of the Levant?  Head south to the Southern Hemisphere, and to the wilds of Africa.

After leaving Israel and Jordan that is exactly what I did.

I arrived in Nairobi and the first thing which struck me was that much more than in South-East Asia or South Asia or the Middle East people were walking.  Yes, there was a traffic problem, but there were also hundreds and thousands of people walking along the side of the road.

img_20170110_173110-1

I didn’t feel at ease in Nairobi.  The level of insecurity and shameless staring at passing white guy wasn’t relaxing.  So out of town I went.

img_20170112_093740

The edge escarpment where you look down into the Rift Valley…

After a few hours on the road in a hot bus, passing over drought-stricken landscapes we arrived.

img_20170114_124135

So I’ve finally made it to Africa, I thought to myself a few hours later. I’m sitting in my little mud hut with cow dung walls and stick ceiling, my Masai robe is lying on my bed beside me, and outside is silence with nothing but the odd distant tinkle of a cow bell, a child’s voice, or quiet birdsong. I’m in the middle of East Africa, in a Masai tribe, surrounded by many many kms of empty space and rolling rift valley, much of it semi-arid, some of it thinly wooded. I’m at Maji moto, a community run and supporting small scale cultural camp, just outside the large wildlife reserve Masai Mara in southern central Kenya. A minute ago I was walking down the hill to a natural hot spring, surrounded by large and elegantly limbed Yellow Fever trees, and dotted by local tribeswomen gathering water to be carried on donkeys towards home. Before that I was practicing spear throwing with a Masai man – Quala – aiming our hefty metal shafts at a tree trunk 10 metres away. Qasey’s aim was sure and true – and each time the spear would thud into the trunk and he would smile. Mine aim was not so assured. 

Maji moto is a collection of manyatas (compounds of a few mud and cow dung huts nestled amongst the acacia and cactus trees) at the base of the Loita hills. Salaton is the village chief, a tall and serious man with a soft voice. Women in Masaii culture are depedant on men for their livelihood, as women do not inherit land or herd livestock. When a wife loses her husband, the widow becomes destitute. His mother, the village medicine woman, had encouraged Salaton to remedy this situation and to construct a widow’s manyatta, which is a small collection of huts a few hundred metres up the hill from where I sit writing.

img_20170117_151635

You can see the enkung – the circular shaped thicket of thorn trees – that are mounded up around the perimeter to keep wild animals outside in the photo above.

img_20170113_122328

One morning I walked up into the Loita hills with Meeri, Fausti, and Qaula, some of the Masai who live at the camp. Like the others, I wear a bright red and blue shuka, the traditional Masai fabric than hangs from their necks. The two women where wearing their bright fabrics and the metal ear rings and decorations hanging from their necklaces tinkled in the light breeze as we walked up the hill. Apart from the guttural and fast paced Masai banter amongst themselves, the only other sound was sporadic birdsong to alter the immense silence of the Loita plains stretching out below us in the hot morning’s sun. We got to the top of the tallest hill and looked down on the light green and openly spaced vegetation that stretched into the further eastern hills, unlike the dry and barren Loita plain that could be seen behind and below us. We sat on stones and I chatted with Meeri, as Quala made wooden walking staffs for us all, whittling away with his knife in the sun.

img_20170113_113957-1

Meeri had, from the time we’d arrived at the manyatta, appeared to me a stern and unnecessarily serious young woman. As we walked our conversation – plus I suppose also the time I’d now been with the Masai – seemed to warm her to me. As we sat on top of the hill and talked she began to open up. The previous night I had marvelled at how our manyatta didn’t have a generator (thus no fridge) and had been totally silent at night, how I’d seen the moon and the stars like I was living under an ancient sky seen by my distant ancestors, how being and sleeping in my little mud hut felt safe and restful. I said to Meeri that most Australians are city folk, and that means we as a people are generally deprived of silence, freedom from light-pollution, space to move without bumping into each other, and an easy access to nature. I said that we even have to pay to experience quiet, as for example when we pay to enter a VIP lounge at an airport. I said people such as Meeri were rich in all of these resources. Meeri laughed at the idea of someone paying to experience silence: she could hardly believe it to be true. I asked her what she dreams for in life. She told me a family and some land. Since the Kenyan government has privatised land ownership a few years previously in this region and she was not given any land as she was a woman she felt landless. She just wanted an acre to build a manyatta on. She told me it could be bought for as little as around $1700 US dollars. Meeri told me that she could build a manyatta – find the wood in the hills, chop it, set the walls, make the roof, everything required to have a home – and she could do it all herself. Women build the manyattas in Masai culture, and I didn’t doubt the truth of what she was saying. She only has one cow and can’t see how she will ever have the money to buy even a quarter of an acre of land and admitted that she feels sadness for this. 

When I asked about whether her parents would arrange a husband for her, Meeri said no. She said women should be free to marry who they choose. As we sat on the top of the mountain looking down over the forests and the plains, Meeri said to me that all she wishes for are to be given some freedom and some peace in life.

Later, down the hill and back at the manyatta, I learned from another source that in fact Meeri had, a few years previously, been forced to leave her Masai village as she’s refused to follow through in an arranged marriage. She had escaped and journeyed on foot for three days – sleeping in the branches of trees – to Salaton’s community, where she’d heard he helped people like her. I was shocked.  It was a surprise to hear that Meeri’s professed love of freedom, as we sat on top of a stoney hill looking over the savannah earlier that morning, has such deep credence and real-life relevance. 

Senior elder Quala, husband of several wives and father of many children, looking down on the Loita Plains below us…

img_20170113_101251

Walking with my Masai friends here they spontaneously start singing. The Bedouin people out in the deserts of Arabia will also spontaneously start singing sometimes. It is a beautiful aspect of their cultures. However what I noticed that is different here is that often when signing the Masai will do call and response style singing, or inter-weave their voices so that different people sing different parts of the song.

Indeed when I’d asked Meeri what is the thing you are most proud of about Masai culture, she had said that all Masai were her brothers and sisters and fathers and mothers. In other words she was hinting at the strongly tribal frame of mind of the Masai. This way of seeing the world, where one’s tribe – an extended family of clan not always involving only blood relations – was primary, became more and more apparent to me as I stayed with the Masai. It was very different to my urban and Western background in Australia, full of atomized family units within fenced perimeters, and lone individuals in concrete apartments.

As I walked up into the stoney Loita Hills of Kenya with the Masai and they sang a song, where the different voices came together to create the harmony, where the different parts of the creation were integral to the whole, I knew that this way of singing was another manifestation of how Masai are not really Masai if they are taken away from their tribe. This song was another expression of how primary was tribal thinking and feeling to the identity of these people as men and women.

img_20170113_124011

Looking down on the red earth I see the leg of a zebra, casually strewn by a passing predator. I can hardly believe I’m here – walking with traditional tribal people through the birthplace of the human race. I can hardly believe I’m walking with vividly attired men and women up stoney mountains among alien flora. I’m walking, eating, sleeping, talking and sitting around the fire amongst strongly knit tribal Masai.

A Masai warrior sits guard outside our manyatta each night. I’m actually in Africa to a depth I’d not expected. I’m so glad I’ve come. Up till now my experience of Africa has been middle class professional African expats and nursing students in Perth – now in the Loita hills I walk and talk with men and women who are living much closer to thousands of years of this continent’s history. 

One evening they showed me how to make fire with two bits of wood.

16143744_10155140926192223_527896834845869205_o

The evening lengthened and we were mostly around the campfire.

img_20170113_193259

Its so good to sleep under a star-filled African sky, in silence and in peace, far from the strife of internet signals back in the city.

img_20170113_221006

The next morning…

img_20170114_124811

I am happy to report that I started 2017 by running every afternoon with Meerku, a 22 year old Masai man, up into the stoney Loita hills. I wore my Masai sandals, made out of strips of old tyre. These have very little sole, so running in them gives you a bare-foot style of running. The striding leg’s foot falls at the front of the foot, unlike large-heeled running shoes in the West which encourage runners to strike the ground with their heel and consequently suffer a large force impact on their knees. Meerku lopes away up the hill with slender limbed ease.

dsc_0366

I’ll never be such a good long-distance runner as many of the Masai men here naturally are.

At 5.30am 0ne morning we rose and walked through the darkness northwards through the thin acacia woodland. A cool wind whipped our shukas and we walked in silence, still full of sleep. By six god pulled open the curtains, and an orange sun tipped over the plains of Africa.

psx_20170116_091401

We walked for some time, to distance ourselves from any manyatas, and human habitations. We were looking for animals, preferably big ones. Binoculars were slung from our necks. After a while we saw a small herd of Thomson’s Gazelle, looking at us warily in the distance. We stepped carefully, avoiding the dagger-like thorns of the Whistling Acacia bushes. Flat-topped accias could be seen silouetted against the rising sun in the east. After some more time walking we crossed a mud-flat and came to a taller woodland. On the edge of the woodland I stood and looked through my binoculars at the razor-sharp image of Purple Grenadier (a small bird with purple and brown plumage) looking back at me from the branches of a nearby Fever Tree. We walked on and gradually came to accept that the dry conditions meant we were probably not going to see any African megafauna this morning. So we headed for home.

psx_20170116_091052

Twenty minutes later we neared a enkung – a circle of thorn bushes which deliniates a Masaii manyata or homestead. It was still a couple of hundred metres away from us. A loud noise like a horse’s whinny, but with more of a ‘haaaa’ sound came from out in the bushes in front. All of a sudden a wild zebra came galloping towards us. I raised my binoculars to my eyes, and instantly was up intimately close to a sight unlike anything I’ve ever seen before. The proud high head, and powerful muscular neck and shoulders of the zebra were in full motion and reminded me of a horse, but with a more ancient, powerful frame. The coat of the animal was a maze of vivid white and black zig-zags. I was stunned. The animal burst upon my sensorium like something galloping out of the pages of a fairy tale. It was throwing itself forward across the savannah, but my eyes, thanks to the binoculars, were up so close to its body that I could see its muscles ripple, and detect every striation in its brilliant black and white coat. After what can’t have been more than twenty or forty seconds, it was gone. I lowered the binoculars. Of course words can’t transmit what I experienced seeing that zebra gallop past me, only an experience of being in Kenya and seeing this happen with your own eyes can really explain what I’m talking about.

Most of the time you’re more likely to see these animals – the Masai are pastoralists after all.

img_20170114_080553

One night a fermented drink made from wild honey and aloe vera was passed around the campfire. My Masai friends were in good spirits, as an old friend of theirs was visiting, and soon they began to sing their call-and-response songs.

The crackling in this recording is from the camp fire.

The jovial Quala would often lead with a melody, and the others would underscore his calls with rythmic throat singing, heads being drawn back on the inhalation and chins jutted forward on the exhalation. Sometimes a wild ‘weehoo!’ would puncuate the singing, throw out into the night by some inspired singer. At the conclusion of the music someone spat some of the brew into the fire and it hissed.  Quala decided to stand and step away from the fire into the woodland around us. He stood a few metres away from the now standing group of Masai, all clad (including myself) in bright red shukas, and faced the east, with his back to us. Then began a rythmic prayer to Enkei, the Masai god. Quala would praise Enkei with a chant, and we would all echo him with the repeated word ‘Enkei’, in the manner of putting a full stop to his prayers. At this moment, standing under the big moon in the dark of a remote East African woodland, standing amongst traditional warrior-tribespeople, chanting to their god in the direction of the rising sun, I felt closer to the meaning of the word tribal than I’ve ever felt. I felt moved. This was not hippies play-acting – this was real. These were dignified and respected men, chanting together to their god, as their ancestors had for centuries if not thousands of years. At that wild moment of togetherness I felt very close to Africa.

Later in the night Quala and Meeri and Fausti and I decided to go and have a soak in the hot springs before bed. As we walked down the dark path I began to sing the rythmic throat song, like a rythmic animal growl, and Quala echoed over the top with the counter-point answer. As we walked down the hill through the dark, with my head moving back and forward and our voices rythmically melding in high and low counter-point, I again felt like I was getting some real experiential knowledge of what a Tribe is. You can read about tribes in anthropological ethnographies, and you can form your own group of tightly connected friends in the Western world. But to partake in call-and-answer throat singing as you and your Masai friends walk down a dark hill in the wilds of East Africa gives one an experiential intimacy with what it means to be part of a Tribe that cannot be communicated in words or images, and cannot be fully replicated elsewhere.

I had visited the Karen of north-west Thailand, the Buddhist villagers of Sri Lanka, the Bedu of southern Jordan, and the orthodox Jews of Israel. All had fascinated me, especially the mobile and regal Bedu in their goat hair tents, elevated by a landscape of unearthly grandeur. I felt a most familiar sense of what I thought of as a tribe at a friend’s Shabath ritual meal one Friday night in Jerusalem with his family swirled around his legs at the dinner table while he intoned a prayer over our meal. However as I look back on my journey one thing is clear. Africa was to be the place on my journey to the Holy Land where I was to get closest to understanding tribal living. Perhaps the Holy Land is really in East Africa, and not in the Levant after all.

Stepping Off Meets the Public

March 2nd, 2017

31833855773_33d00b3758_o

At the start of February I launched my new book, Stepping Off: Rewilding and Belonging in the South-West, at an event at Clancy’s in Fremantle.  On Tuesday evening this week I was talking about the book down at Albany Library.

 

img_20170228_180549

 

As I was in the area I decided to camp for a couple of nights close to the coast just west of Denmark.  The colours of the water struck me, as did the different stages water passes through as it moves through the watershed.

From the river…img_20170227_074745-1

To the inlet…

 

img_20170227_110908-1

To the sea…

 

img_20170227_113858-1

The publication process is a bit like that.  The water passes through roots and soil into a rivulet, and then into a creek, deep in the shadows of the forest.  Eventually it passes into a river, then pools in an inlet, and finally, passes the sand bar into the Southern Ocean.  The book is a secretive project for a long time, and takes all kinds of branching and dividing investigations and research.  Then eventually, after seemingly endless editorial revisions, it ultimately enters the great realm of public reception and opinion.

I’m looking forward to hearing what happens next.

 

 

China – Arrival in the Middle Kingdom

March 10th, 2017

screen-shot-2017-03-10-at-9-40-29-am

I’ve arrived in Kunming, the little red dot you can see on the map above.  I’m here to teach research skills to undergraduate students at Yunnan Normal University.  As you can see, I’ve come to a point where the foothills of the Himalayas fold up into a bunch of deep creases.  Yunnan province is the area of China with the deepest canyon on earth (2.5 kms deep Leaping Tiger Gorge).  My university is at 2000 metres altitude.

So I’ve arrived in China, and my first impression?  Everything is very, very big, and very, very new.  My university is about 40kms south of the main city, and is part of the city of Chenggong.  The university and surroundings were only built in 2006, and until then the area was rural land.  Here’s the university campus in the top of this image.

screen-shot-2017-03-09-at-4-34-39-pm

Those dark shadows at the bottom of the photo are very tall residential apartment blocks.  Here’s what they look like standing on the university campus and looking south.

17038782_10155293784517223_1732450506551315828_o

Chenggong was one of China’s famous ghost cities until the last couple of years when some life has emerged on the streets.  If you don’t know about China’s ghost cities, they are the result of massive construction of office and residential apartment buildings and roads, which propped up economic growth for the country, but which were eerily empty for years after construction had finished.  Production overshot demand.  Tumbleweed rolled down the main street.

Even today Chenggong has vast freeways and very little traffic.  Vast apartment blocks, but many dark windows at night.

I’d heard about the scale of China, but I wasn’t prepared for the shock of how incredibly big everything is.  Here’s the main library on the campus.  It houses over 3.2 million books.

17039241_10155293788967223_645719285872230797_o

The canteens on campus are three story affairs that hold thousands of students at a time.  I’ve never seen anything like them.

17039255_10155293788147223_764227274989900045_o

The food is delicious generally, even though I’m sometimes concerned about food safety in China.

There are 6 million people in Kunming and its one of the smaller cities in China. In Yunnan province there are 47 million, which means that this, one of the most sparsely populated provinces in all of China, is about twice the size of Australia. There is a cinematic quality to this place as I walk around the university campus of Yunnan Normal University at Chenggong – its sense of being slightly unreal – so new, no history, so planned, so gigantuan in scale and size.

17097388_10155293786147223_4653720331626437738_o

That’s the symbol of my university – I can’t help thinking that it seems vaguely corporate.

17097314_10155293788457223_3544120032775617883_o

Everything here is so new it shines.  One of the nicest aspects of the campus is the large stone boulders they have brought in and are seen dotting the landscape here and there.  But what a contrast between nature and history and human artifice and building in the above photo.  You can see which of the two sides – nature or culture – dominates this landscape.

17192238_10155293785372223_268912770124160489_o

There are sliced boulders set up as tables across the campus which is nice.

img-20170306-wa0007

This is the view from my apartment building, looking east to the mountains.  Everything is new and quiet, and the spring air isn’t too cold.

17097393_10155293785662223_3598865484139158813_o

I’m here to teach.

Funnily enough this was the view I had five minutes into my first lecture…

17158943_10155293787857223_720291194949386110_o

Apparently the students had been given the wrong room number and the problem was soon resolved.  But it was a rocky start.

I’ve already been struck of the different style of learning in China.

maxresdefault-1

This country has had thousands of years of memorising Confucian classics for the Imperial Examination, and although that was discontinued in 1905, even today rote learning rather than critical thinking is the order of the day. Part of my job teaching research skills to third year university students is to introduce them to some of the differences in academic culture between what they are used to, and norms in English speaking universities. I’ve even gone back to provide them with a little bit of history of how learning has developed with its origins in the Groves of Academe of classical antiquity.

download-1

Raphael’s School of Athens even made it onto one of my lecture slides.  

Hopefully next time I write here I’ll have seen more of Kunming and Yunnan.  For now a old woman sweeping leaves…

17211916_10155293771472223_3300096730403705326_o

Old woman sweeps leaves

On new stone in a new town

China’s past fallen

Now swept away by Progress

Lines in a face never erased

 

Remembering Another China in Kunming

March 29th, 2017

Last weekend I headed out for a rock climbing session with some locals and expats.  First I had to cross town, and while doing so I came across an old man doing water calligraphy by Green Lake.  I love the transience of this art: the beginning of the poem is starting to fade by the time he reaches the end.

img_20170325_093500

After getting out to a wooded valley north-west of the city we walked through a forest of pine trees, towards a tall face of karst limestone.

img_20170325_174048

 

To be honest I was more interested in the ecosystem around me than the vertical monkey business.  This red-flowering tree was growing in the understorey of the pines, especially towards the edge of the forest where there was more light coming down.

img_20170325_133200

My Bosnian friend Hanna stops and enjoys the quiet of the place after a too long immersion in the city.

img_20170325_135344

We climbed up to the top of the steep hill beyond the rock face, and half way up looked down on the valley…

 

img_20170325_140939

As we climbed up to the ridge behind the cliffs, several hundred metres, we passed through maple and oak and looked down on a sea of hazy ridges and hills covered in forest off to the west.  I felt free of the city.

You can see what kind of rock it is here – its similar to the stuff you find all the way down in the south of Thailand – karst limestone.

img_20170325_142643

Which makes me think of Auden strangely enough…

Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
A secret system of caves and conduits; hear the springs
That spurt out everywhere with a chuckle,
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places

-‘In Praise of Limestone’, by W. H. Auden

This week I’ve been back trying to teach critical thinking and academic skills to Chinese undergraduates.  Yesterday, after class, I needed a break.  I’d spotted an area of green vegetation to the east of a mountain near my campus on satellite imagery soon after arriving in China. I and a friend took a scooter taxi – and 20 minutes later we were up a valley, away from the new Babylon of semi-empty highrises and highways, and amongst trees and bird song.  So good to flee Modern Development, and in just an airy few minutes on the back of a motorbike find ourselves along the wooded banks of a large water body, with the bushes and acacias and trees full of blossom. There is another China, one that is not a product of human culture, and I could hear it in the voices of unknown birds around me in the evening sunshine.

img_20170328_191745

 

 

 

 

Shiny New History in China: Jianshui and Tuanshan

April 7th, 2017

17760877_10155389528657223_3251415111087698942_o

 

The stones in this bridge are not all in a perfect state of repair.  That’s part of its charm.  I’m just back from a couple of days down at Jianshui, a historic town a few hours south of Kunming with a large city wall and a towering city gate.  The trip has made me reflect on history and authenticity.

Getting to Jianshui on national tomb sweeping holiday meant braving the train station – a place which was overwhelmingly stuffed with thousands and thousands of domestic travellers, off somewhere or other. In 2015, Chinese tourists made four billion domestic trips, twice as many as in 2010. That number is a lot more than the 122 million trips they make overseas each year. (In 1976, 500 Chinese visitors came to Australia – approximately 10 per week on average. During 2016, more than 23,000 streamed through arrivals gates every seven days (http://www.sbs.com.au/news/article/2017/02/13/chinese-tourists-drive-tourism-record-more-two-arrivals-minute). So the Chinese are on the go. They have a ‘middle class’ of 400 million. They are mostly new to travel, and many bring a deep naive realism to their worldview. And its worth thinking about what this means. When I take the subway in Kunming a voice over loudspeaker tells me to not spit on the floor or talk loudly. A Chinese tourist walking into a Parisian cafe, sitting down, hacking loudly and then spitting on the floor, does not do China’s reputation any good, and the government is aware of that.  Beijing has recently created a list of nine sins that can earn transgressors 2-10 year travel bans.

Anyway, back to Jianshui. The streets are cobbled and there are several temples in the town. Wooden gates frame major streets. A thousand years ago this was a significant transport hub on the southern Silk Road.

img_20170403_201937

Hearing the ancient bronze bell resonate in the darkness at the base of the tall multi-tiered gate to the city, I imagined hearing this sound fifty years ago when it did not compete with traffic noises, and its resonant note would have spread out quietly but powerfully over the lives of the city.

As it was a national holiday weekend the place was packed with domestic Chinese tourists. The crowds were shuttling between Western style shops selling handbags and makeup and jeans, and historical monuments that looked suspiciously ‘renewed’ by enterprising Chinese builders in cohort with government authorities. Where was history to be found, I thought, despairingly?

As I wandered the town I saw shonkily completed ‘historical’ building jobs, many now peeling or fraying, and showing their modern concrete blocks beneath the facade. It was like walking through a Hollywood film set that was coming apart at the seams. The tourists didn’t seem to mind, happily snapping selfies with their phones against a background of such ancient ‘history’. What was real, and what was fake? The tourists seemed content to consume a simulacrum of history just as quickly and uncritically as they would consume the shiny products in the shops that lined the roads.  

img_20170404_112147

What’s going on here? Sure we all know that China is the world’s biggest producer of fake handbags, phones, clothes and other consumer items. Some people estimate that 30% of alcohol sold in China is fake (often containing antifreeze and other highly toxic ingredients). China is also the world’s biggest producer of forged antiques. They have their own Eiffel Tower in China – seeing photos of it leaves me feeling queerly sick. It turns out that several museums in China have been shut down after discovery that many of the items on display were fakes.

As I walked around the large and imposing city wall of Jianshui, I realized that its perfectly finished stone work and lack of missing stones or signs of age indicated that it was actually not ancient at all.  This city is a commercialized tourist site, full of replica buildings, and that includes its imposing city walls. That would shock most UNESCO experts, and rightly so. China recently turned a beautiful ageing section of the Great Wall of China into what looks like a modern elevated bike path with a smooth top. This is history dating back to 220 BC. Giving facelifts to national treasures doesn’t seem to shock the average strolling, camera-totting, domestic tourist however. It certainly doesn’t shock government officials who like the idea of increasing tourist dollars spent, and who orchestrate such civic-scale fakery. Western tourists are bound to find the inauthenticity of such places off-putting, and I’m sure many Chinese who care about the conservation of their built heritage are also dismayed. Imagine Ankor or Petra ‘cleaned up’ and rebuilt. It would instantly be the death of these places. 

China was a great empire at the time of Christ’s birth. Its a place with plenty of human history. However Mao Zedong’s Cultural Revolution in the 1960s and 70s aimed to wipe out the “Four Olds” (old customs, old habits, old ideas and old culture), and during the period much was lost. 

img_20170404_155239

Next I went to Tuanshan, a small village from the Qing Dynasty, near Jianshui.  Here I saw a more authentic version of history. It included the old, but also evidence of the way in which Mao’s Red Guards had wanted to smash that legacy.

img_20170404_161712

This old village was a palimpsest of propaganda slogans of crusading workers painted onto ancient wooden walls, and sitting alongside laughing Buddhas, and statues of Taoist deities.

Not all of the architecture was Han style…

img_20170404_154829

img_20170404_163810

Family mansions with secretive and intimate courtyards in traditional Han style, stood next to mud brick Yi ethnic minority constructions.

It really wasn’t a living village –  you had to pay $8 to get into the village in the first place.  There had been some reconstruction, but at least the wood work here seemed fitting and less garish.

img_20170404_153241

A moongate has a beautiful sense of transition from one space to another – somehow bringing a greater sense of threshold and transformation than a regular rectangular door.

img_20170404_154001

This building was originally a shrine, but was turned into a primary school during the Cultural Revolution.

I noticed an old man walking with his grandson.  Child-rearing by the grandparents is a common habit in today’s China where everybody who is able is working to make money.

img_20170404_163441

Elsewhere I entered domestic architecture.

img_20170404_160801

The enclosed courtyards gave me a feeling of peace and quiet.  As many were empty of tourists, and I was able to sit and imagine that I was in an older China, looking up at the blue sky above the green oasis of the quiet courtyard.  

img_20170404_151203

As I sat in this courtyard, for the first time since being in the country, I felt like I was actually close to China’s human history.  I felt at ease, sitting by myself in a stone courtyard with a small garden in its centre, with thick wooden posts dovetailing into stone bases, and a patina of great age and long use over everything. I could imagine that such places were perfect for meditation or drinking green tea and reflecting on the world.  

Elsewhere I entered another family home…

img_20170404_151933

There is nothing more classically Chinese – architecturally – than an inner courtyard for the family to meet in. There are no windows on the outside walls. Two-courtyard houses were for the wealthier families.

img_20170404_150830

You can see in this home Mao’s statute still sits in pride of place on the family shrine.

img_20170404_150734

Wandering into a temple in the village I noticed the following…

img_20170404_162255

Is that Monkey Magic? 

Monkey is based on a 16th century Chinese novel Journey to the West, which is based on the pilgrimage of the Tang dynasty Buddhist monk Xuanzang who traveled through Afghanistan and other regions to India, to obtain Buddhist sacred sutras and bring them back to China.  Xuanzang – called Tripitaka in English versions – had disciples, and they included Monkey, an intelligent and violent sage; Pigsy, a reliable fighter with a large appetite for food and women; and Sandy, a dependable and hard working fellow. As they travel through mountains and gorges, the companions battle monsters of all kinds, many of which turn out to be escaped celestial beasts belonging to bodhisattvas or Taoist deities.  Monkey was made into a tv show, filmed in north-west China and dubbed into English, which was popular amongst Australians kids who watched it when it aired on the ABC in the 1980s. It was strange to see old sculptures of figures that inhabited my childhood imagination here in a traditional Chinese village.

Monkey was born from a stone egg that forms from an ancient rock created by the coupling of Heaven and Earth. He is immortal and has an impish, forceful personality. His primary weapon is a staff that he can transform into any proportion. He is a trickster hero, on a journey into the unknown, and his violence is tempered by the pacifist approach of Tripitaka. So odd that motifs from ancient Chinese folk mythology should enter the imagination of young Australian children through the vehicle of a tv show, and that they should resurface in my mind as I wandered through the village of Tuanshan.

In the same temple I found old sculptures of the Buddha…

img_20170404_161945

And yet not far away in the same temple there are statues of Taoist deities.

img_20170403_185925

Much of the basis of Taoism is found in a philosophical text, the Tao Te Ching, which dates back to the fourth century BC.  The Three Treasures, the basic virtues of Taoism, are outlined in the Tao Te Ching: compassion, frugality and humility.  In the Tao Te Ching we hear that: He who knows he has enough is rich (chap. 33, tr. Feng and English).  Perhaps this Taoist figure is illustrating this by holding a simple branch with green leaves on it.  Certainly the figure is illustrating the importance of naturalness and simplicity for Taoist belief.

Back in Jianshui I had found a traditional home, now turned into a boutique hotel, which had a classical Chinese garden in. In the garden, twisting and warped stone boulders represented the mountains of China’s landscape.

img_20170403_182202

The viewers eyes never sees all of the garden at one time, but rather artful obstructions lead the eye further into the scene, revealing beauties not seen at first glance. Concealment and surprise gratifies the visitor to such gardens. The Chinese garden usually has a pond, the softness of the water and its translucency contrasting with the hardness and solidity of the rocks.

img_20170403_182332

All of this was perfected centuries before the Italians and the French developed their formal landscape gardens, and many centuries before the English took a more organic form of landscape gardening into the realms of art.

Bamboo lined the entrance corridor.

img_20170403_182428

Bamboo has the structure of a hollow straw, and in the Chinese garden it represented a wise man who was modest and sought knowledge.  Bamboo being flexible can weather a storm without breaking. Being a lover of bamboo I liked the symbolism.

I’m glad I’m finally experiencing some of China’s human history away from the sound of the cash register.

17814243_10155389508957223_1815598414188111589_o

 

 


Why do I write environmental history?

October 8th, 2017

Why bother to tell the history of the plants and animals that make up my home in Western Australia?  Partly its about reminding us of what was here on the land before, and in some ways, could be here again.

In answering this question I’d like to quote the full text of Henry David Thoreau’s March 23, 1856, journal entry:

“I spend a considerable portion of my time observing the habits of the wild animals, my brute neighbors. By their various movements and migrations they fetch the year about to me. Very significant are the flight of geese and the migration of suckers, etc. But when I consider that the nobler animals have been exterminated here, the cougar, panther, lynx, wolverene, wolf, bear, moose, deer, beaver, turkey, etc., etc., I cannot but feel as if I lived in a tamed and, as it were, emasculated country. Would not the motions of those larger and wilder animals have been more significant still? Is it not a maimed and imperfect nature that I am conversant with? As if I were to study a tribe of Indians that had lost all its warriors. Do not the forest and the meadow now lack expression? now that I never see nor think of the moose with a lesser forest on his head in the one, nor of the beaver in the other? When I think what were the various sounds and notes, the migrations and works, and changes of fur and plumage which ushered in the spring, and marked the other seasons of the year, I am reminded that this my life in nature, this particular round of natural phenomena which I call a year, is lamentably incomplete. I listen to a concert in which so many parts are wanting. The whole civilized country is, to some extent, turned into a city, and I am that citizen whom I pity. Many of those animal migrations and other phenomena by which the Indians marked the season are no longer to be observed. I seek acquaintance with nature to know her moods and manners.

Primitive nature is the most interesting to me. I take infinite pains to know all the phenomena of the spring, for instance, thinking that I have here the entire poem, and then, to my chagrin, I learn that it is but an imperfect copy that I possess and have read, that my ancestors have torn out many of the first leaves and grandest passages, and mutilated it in many places. I should not like to think that some demigod had come before me and picked out some of the best of the stars. I wish to know an entire heaven and an entire earth. All the great trees and beasts, fishes and fowl are gone; the streams perchance are somewhat shrunk.”

My best books of 2017

November 26th, 2017

My best books of 2017… Deeply insightful works from Yale University Press on geopolitics today, a history of consumerism in the West, a wave making read on the Anthropocene as a new era, a powerful explanation of the nature/nurture question for human identity by a very funny Californian, and a charming meander through the English love of dogs.

I’ve only included books published in 2017 in this list, but elsewhere this year was very rich for me in discovering poets such as Carl Dennis and May Sarton, not to mention the journals of Joseph Banks from the late eighteenth century.

Conference at UWA – Home 2018

February 26th, 2018

I’ll be presenting a paper at the following conference in July 2018.  It will be looking at the theme of aspirations for home ownership from the perspective of Big History.  Hope to see you there.


Talk at Clarkson Library – The Paleo Prescription for Personal and Planetary Health

July 17th, 2018

This Thursday evening I’ll be giving a talk about what we modern Westerners can learn from hunter-gatherer societies, and about the cultural history of our attempts to rewild ourselves.

Register for the event here.  The talk goes from 6-7pm and I’ll stick around for questions afterwards.  Hope to see you there.

Also the following week I’ll be talking about the intersection of hunter-gather conceptions of home and portrayals of our belonging on the earth in modern literature.  That’s at 9am, Friday, 27 July, St. Catherine’s College, UWA, as part of the Limina Home conference.

Talk at Quite Frankly: It’s a Monster Conference, 17 October 2018

October 7th, 2018

I’ll be giving a talk on Friday 19 October as part of the Quite Frankly conference, 17 – 19 October 2018, at the University Club of UWA.    Further information on the conference is available here.  Specifically I’ll be talking about the history of movement for our species, from a movement-rich big history, to the rise of metropolitan, sedentary bodies in eighteenth century Europe, to the mostly inactive and sometimes gym-bound body of the Anthropocene era.  I’ll be putting forward barefoot, cross-country running as a way of rewilding ourselves.  Hope to see you there.

Buddhism in the Forests of Sri Lanka

December 10th, 2018

A few days ago I was standing at the feet of this Buddha statue, carved from a stone mountain around 300 AD.  I looked up at the quiet and serene face of the mountain in the midst of the forest and the midst of the countryside.  Only elephants, birds, insects and the odd monk for company many, many centuries.  The gentle smile of the Buddha’s face.

This Buddha had been carved to express a different look from different angles and when standing at its feet and looking up the expression was of utter contentment.

2018 has been the year in which I read Why Buddhism is True by Robert Wright, the Yale based philosopher.  It has allowed me to see the ways in which the process of biological evolution did not set us humans up to be happy, and shown me the ways in which Buddhist practices can, in a way, ‘cheat’ evolution and allow more calm and contentment in one’s days.

Wright talks about the different cognitive modules that our minds work with, for example sexual jealousy or violent rage.  Sometimes an emotion of this kind will arise with the dynamics of its particular cognitive module, and a practiced Buddhist will be able to watch it arise and not identify with it or get swept up into it, and it will fizzle out rather than hijack one’s psychology.  Wright does a good job of taking an admittedly secular and naturalistic version of Buddhism (yes, a very selective and Western reading of Buddhist traditions) and showing how it has some very useful psychological tools in its psychological toolkit.

So as I looked up into the calm smile of the Buddha on this granite mountain in the middle of the forests of tropical Sri Lanka I had this appreciation of Buddhist philosophy in the back of my consciousness.  On the other hand I also had a purely momentary and subjective sense of well being and pleasure at the way in which the ancient stone carving spoke to me.  And this was as if the land was speaking to me.  The smile, for me, was the smile of utter ease and acceptance of the greater natural world of which we are a part.  The sense of the mountain smiling.  The face of the Buddha above me was the face of man in nature, calm and untroubled, far from the city, far from the contemporary and the babble of the street, deep and triumphant in the ancient and yet every young world of leaves and bird song and drifting herds of elephants and tree-time.  So it was an important moment for me, making it to this little visited statue of the Buddha and, more generally, making it north-central Sri Lanka where there is a significant connection between the life and iconography of the Buddha and the natural world.

Ascending up into the clouds on an early morning visit to the sacred mountain of Mihnitale in north-central Sri Lanka.  Ascension to contentment and calm is something we can all join Buddhist pilgrims in wanting more of.

 

And finally, just a couple of other travel photos…

 

Two men sat by the side of the road under a big old tree which cast deep shade and provided refuge from the powerful heat of the tropical sun. I stood in the field behind them and pretended to be interested in the view in the opposite direction, but really I was just interested in the prospect of two men relaxing under a tree in the middle of the day by the side of the road, something not seen very often in workaholic Australian capital cities.

 

 

As far as I know Sri Lankans haven’t built a single kilometre of new railway line since the British left the island, and the tracks are not in great condition.  But on the other hand that is part of the charm of the place – it hasn’t been relentlessly modernised like say, homogenised and concrete-clad China in the late twentieth century.  There are still to be seen, hanging as I was out of the side of the slowly moving train carriage over fields of low cut and bright green tea plantations, little rural hamlets looking out of beautiful prospects of green mountains and valleys.  Village life is often poor, but also still cohesive and seemingly functioning as you roll through the highlands.  Its hard not to feel alive and adventurous on the Kandy-Ella train, rolling through mists and along mountain sides and past valleys where a thundering waterfall falls in the midst of indigenous alpine forest, the smell of the wet earth sucked deep into avid nostrils.

 

 

10 Best Books of 2018

December 17th, 2018

The end of the year approaches and I look back at the world of new books….

 


 

Each year about this time the newspaper and the commentariat is full of lists of ‘Best Books of 2018’.  I usually have very little overlap with the choices of the journalists and commentators who make these lists (this year the novel The Overstory was on many lists and on mine), so I thought I’d contribute my selection.  I’ve given myself a limit of ten books, and the books have to have been published for the first time in 2018.

Pinker’s book, along with Hans Rosling Factfulness (which was almost on this list and I urge you to read), has made me much more grateful for everything that has been going right in the world.  I read the reviews of Pinker’s book before reading the book and am shocked at how so many reviewers themselves seem prone to the negativity bias that Pinker diganoses amongst the left-leaning intelligentsia.  I don’t agree with every sentence in the book but its still worth attending to.

Hari’s Lost Connections is a good summary of why you might still feel a sense of emptiness even when you’re sitting amongst the fruits of what progress we have achieved in the developed world (or the Level 4 world to use Rosling’s terminology).

Tony Hoagland died this year and we have lost one of contemporary English language poetry’s greatest voices.  Thankfully he left us with this new collection.  Mark Halliday’s book of poems Losers Dream On is also more than worth the price of admission.  Both men speak candidly about love, loss, death and reveal the funnier side of the inanities of contemporary life.

Damasio’s The Strange Order of Things: The closest I’ve read to a theory of life and everything in a while. Damasio demonstrates how feelings are mental representations of how close the inner environment of the viscera and the endocrine system is to the ideal of homeostasis. If the organism is in a state conducive to homeostasis then the feelings are of a pleasant nature. If far then of an unpleasant nature. The interesting thing is that the nature of emotion and affect in accompanying the regulation of homeostasis is new in terms of evolutionary time. Single celled bacteria don’t have feelings, but they do exhibit many of the behaviours that our affect goes along with. Brilliant book – possibly revolutionary.

The Plant Messiah of the title is Carlos Magdalena.  He works at Kew, and this long haired Spaniard takes you into the world of botanical horticulture and critically endangered plants.  Imagine finding a tree on a mountain in Mauritius and realising that there are only two of them left on the planet.   This book along with Richard Powers The Overstory (a novel at which the tree and trees are at the very centre of many different lives) have done a good job at pushing back at the plant blindness to which humans are prone.

The one biography that made my list is about Bruno Manser, the closest that we’ve had in the late twentieth century to a person who has grown up as a Westerner and then completely stepped into the world of traditional hunter-gatherers and taken on their lifeways and their culture.  Powerful and illuminating book, set in Borneo mainly.

Rule Makers Rule Breakers is a summary of recent research in cross-cultural psychology about why some cultures are more socially conservative (tight) and why some are more liberal (loose).  Important book to read if you want to understand the Middle East, amongst other regions.

Jonathan Haidt’s latest is a manual you should have in your pocket if you want to venture onto a university campus today.  Many lessons to take from the book, for example we should be preparing the child for the road, not the road for the child.  This isn’t Haidt’s best book (mainly because some of it is derived from his previous work), but it still makes my list for the significance of its messages.

  1. Lost Connections: Uncovering the Real Causes of Depression – and the Unexpected Solutions.   Hari, Johann    (Bloomsbury USA 2018)
  2. Enlightenment Now: The Case for Reason, Science, Humanism, and Progress.  Pinker, Steven            (Viking 2018)
  3. Priest Turned Therapist Treats Fear of God: Poems.   Hoagland, Tony   Graywolf Press (2018)
  4. The Strange Order of Things: Life, Feeling, and the Making of Cultures.  Damasio, Antonio         Pantheon (2018)
  5. The Plant Messiah: Adventures in Search of the World’s Rarest Species.  Magdalena, Carlos              Penguin (2018)
  6. The Overstory.   Powers, Richard          William Heinemann (2018)
  7. Losers Dream On (Phoenix Poets).  Halliday, Mark University of Chicago Press (2018), 94 pages
  8. The Last Wild Men of Borneo: A True Story of Death and Treasure.  Hoffman, Carl William Morrow & Company (2018)
  9. Rule Makers, Rule Breakers: How Tight and Loose Cultures Wire Our World.  Gelfand, Michele   Scribner Book Company (2018)
  10. The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure.   Haidt, Jonathan, Allen Lane (2018)

 

And finally, here are the books that almost made my list of 10 Best Books published in 2018.  All of these have also made an impact on me.

Deep green forests and cultured towns: From north-east NSW to Castlemaine

March 30th, 2019

I’ve just finished travelling from Perth, to south-east Queensland and north-east NSW, exploring the subtropical landscape and visiting friends and family, and then down to the small but cultured Victorian country town of Castlemaine, to talk at a festival along with writers such as Bruce Pascoe.

Castlemaine takes my vote for nicest small country town in Australia.  I am truly impressed by the amount of art galleries, cafes, stylish and eclectic bars and beautifully renovated nineteenth century architecture in this town of only nine thousand people.  Its basically an extension of inner north Melbourne in a Gold Rush town 120kms north of the city.

Walking the streets at six o’clock the first night I arrived with a warm sun shining, I was so impressed by this place.  It’s a mid nineteenth century town full of wide streets, and stately, English facades of banks and hotels of stone and wrought iron balconies, and thick hedges with verandah fronted weather-board houses snugly situated behind.  Old European trees line the streets.

The place has various arty Melbourne retirees and a sprinkling of younger people who have colonised the town and add a sense of culture and intelligence to its beautiful and spacious streets.  The place also has the air of a wild West town, with so much intact English nineteenth-century architecture sitting serenely in the middle of arid, inland Ironbark country in Australia.  I have to say as I walked along its streets on my first night, amongst the thickly trunked London plane trees, across the wide streets and stone pavers, I almost envied Victorians with their much greater share of European history under the feet and before their eyes in daily life.  Much more historical atmosphere here than in Western Australian country towns.  On the down side one of these nice, ‘quaint’ wooden old houses costs $650k.

This morning I was on a panel with Inga Simpson and Jessie Cole, at the Castlemaine State Festival, talking about the literature of landscape.  I’d read Inga Simpson’s book Understory before coming east.  The book recounts her time living in a forest in the Sunshine coast hinterland in south-east Queensland.  Chapters of the book have the names of trees endemic to that area, for example Cedar, Brush Box, Spotted Gum, Flame Tree, Bunya, and Lilly Pilly.  Back in Perth as I read the book I looked at images of the different trees online and realised that at least some of these trees have been planted as streets trees in Perth (for example brush box) or ornamental trees at UWA (for example the Flame tree).  I’ve known some of these trees my whole life, despite living thousands of kms away from there endemic area.  Australia’s Coat of Arms has a kangaroo and an emu on, but as Australians we share more aspects of the natural world than these two animals.  To see a giant Brush Box in its native region of the country is a reminder of the trees that make up this country.

A friend of mine lives just north of Nimbin in north-east NSW and last weekend it was a pleasure and a privilege to stay on his property in a small wooden cabin.  Space and birdsong and subtropical sunshine.

Just out of Nimbin we found a little rainforest creek one day and lay down in the cool fresh water and looked up at the ficus and palm leaves in the canopy and forgot about everything else but the feeling of cool water flowing down from the mountains.

 

After a bit of a journey through the Border Ranges National Park the view from the edge of a 24 million year old volcanic caldera was tinted by the setting sun.

 

Later in the trip I was reminded of the beauty of the Byron Bay hinterland, a mosaic of green paddocks and avocado and macadamia orchards.

 

The land around here is orchards and old trees and rolling green hills – like what England would have been like a hundred years ago in the south-west, but with a subtropical feel.  I for one feel a concordance with this landscape.

 

 

Walking up through Nightcap National Park along a gorge full of mature lowland rainforest trees and palms, the soundscape changed subtly.

The sounds of the native doves softly booming now and again, with their low cooing calls, over the forest’s quiet, and the sound of the trickling water in the creek below.  I can almost close my eyes and recall this soundscape and feel a blessed tranquility descend over me.

This trip has reminded me of some of the things about Australia that I love.

I return to Perth tomorrow morning.

Rewilding the Anthropocene Body – 19 July 2019

June 13th, 2019

I’ll be presenting a talk at the Limina conference “Humanifesto” at the University of Western Australia, 19 July 2019.

Rewilding the Anthropocene Body

We can see that the Anthropocene human body is very different from the hunter-gatherer human body.  As we have increasingly designed our environments to facilitate physical ease we have created environments which result in chronic pathologies (for example, we now live in a sea of killer-chairs).  How can a rewilding manifesto for urbanised primates get us out of our shoes, chairs and buildings?  What treasury of cultural exhortations can we turn to to fuel this revolution?    

Literature and the Environment Course @Girrawheen Library

July 5th, 2019

Every 2nd Saturday: August 3rd, 17th, 31st.  September 14th, 28th.  October 12th, 26th 2019 // 10am – 12pm

Join a new discussion forum, looking at six books of imaginative literature which illuminate the human relationship with the natural world over the centuries. The range includes ancient China, 19th century England, 20th century North America and the tropical forests of today.  The course is facilitated by Dr. Tom Wilson, an experienced university tutor and author of Stepping Off: Rewilding and Belonging in the South-West (Fremantle Press, 2017).  Tom has a PhD in Literature and Environment. The University of The Third Age (U3A) is an international movement, which promotes and practices lifelong learning by providing low-cost educational opportunities in a relaxed and informal environment.

7 sessions //    Maximum 12 enrollments

Bookings essential

To book first join U3A at the following page:  https://u3auwa.org/home/join-u3a/ After you have joined U3A, enrol in the course “Literature and Environment” at the following page: http://https/www.ticketebo.com.au/city-courses-2019-semester-2

Or call Stephanie Mitchell on 0429133891.

The 10 Best Books of 2019

December 8th, 2019

Every December I provide an brief overview of my ten favourite books published over the course of the year. Its always very different to lists such as those put out by the editors of the New York Times and other big publications.

Night School (Penguin Poets) by Carl Dennis

The latest work from one of the best contemporary poets in the English-speaking world. As usual Dennis strikes the perfect balance between literary and historical allusions, and attention to the ordinary world of lived experience. A deeply philosophical and entertaining collection of poems.

Chasing the Sun: The New Science of Sunlight and How it Shapes Our Bodies and Minds by Linda Geddes

A must-read book for 2019. Linda Geddes’s book has changed the way I relate to the sun. After reading it I make sure I spend more of my days getting a high level of sunlight exposure because of its role in regulating my circadian rhythms, improving my mood and shielding myself from diseases such as rickets and multiple sclerosis.

From Microbes to Millipedes, Camel Crickets, and Honeybees, the Natural History of Where We Live by Rob Dunn

The best bit of nature writing I’ve read in the last year. Its about a previously mostly unknown world of microscopic organisms in your home. Don’t worry most of them have no effect on your health, or are actively benign. Some of the learnings from Dunn’s deep study on the spiders, insects and microbes in our home environments include the need to leave our windows open to let in beneficial microbes. We learn about the need to not use pesticides to eradicate things like cockroaches – by doing so we are speeding up evolutionary selection pressures and creating more resistant and hardy organisms. Better to allow, for example, spiders to live in our homes, as they will kill the smaller bugs we dislike. Rewild your house.

The Outlaw Ocean: Journeys Across the Last Untamed Frontier by Ian Urbina

A thriller that is all real, and all set in places you and I have never and probably will never visit. Welcome to the world of the high seas and international waters. First class journalism about something most of us know vanishingly little about. A must read for 2019. My runner up for the category of journalistic reporting (which actually hit the book shops at the end of 2018, although I read it in 2019) was Poached: Inside the Dark World of Wildlife Trafficking by Rachel Love Nuwer.  I live in Australia and work in an area of Perth inhabited by many Vietnamese people. I have an affection for Vietnam and its landscapes and cultures, but I was shocked to read about the long running cultural attitudes there towards the eating of endangered wildlife in the forests of south-east Asia. South-east Asia is heading towards – or has already arrived at in many areas – Silent forest syndrome.

Identity: The Demand for Dignity and the Politics of Resentment by Francis Fukuyama

If you’re confused about the place of national identity vs identity politics based on gender, race and other group characteristics in the contemporary West, then you can find fewer deeply learned guides than Fukuyama through this terrain. A call to develop a kind of inclusive nationalism, and a reminder of the dangers of ethno-nationalism from the right and diversity celebration without recognition of civic virtues by some on the left. Fukuyama reminds us of the importance of citizenship in a nation that is based on some common commitments such as the rule of law, speaking a common language and knowing something about the history of the country one is living in. (I admit that this was actually published at the end of 2018, but I’m sneaking it into my 2019 list as that’s when I had time to read it.)

The Goodness Paradox: The Strange Relationship Between Virtue and Violence in Human Evolution by Richard Wrangham

A powerful new vision of how morality evolved over the past tens of thousand years among humans. As small groups of hunter-gatherers ostracise and then in some cases execute overly domineering humans, the overall gene pool is altered so that we become a more peaceful species. In other words, Wrangham argues that we have domesticated ourselves. Entertainingly written and deeply learned – a must read for 2019.

Blueprint: The Evolutionary Origins of a Good Society by Nicholas A. Christakis

A cross-cultural account of friendship, love and social connections. One of the best books to be published in 2019 for its towering ambition and reach.

The Assault on American Excellence by Anthony T. Kronman

The image on the book cover is perfectly emblematic of the book’s content: the contemporary university’s soul has died. The relentless emphasis on diversity as well as the distrust of excellence (the canon is just an elitist notion entrenching power asymmetries of dead white men) has changed university culture in the twenty first century. And yet Kronman rightly argues that universities should be places where excellence – in the sense of more developed and cultured humans – can flourish and be respected. This book is a strong rallying cry for the immense value of universities as places where students can study the humanities and be exposed to greatness and complexity and wonder and grow as humans. The ivory tower can, and traditionally has, housed an aristocracy of the spirit.

The Meritocracy Trap: How America’s Foundational Myth Feed Inequality, Dismantles the Middle Class, and Devours the Elite by David Markovitz

Most of us have been taken in by the charisma of the concept of meritocracy, however as Professor of Law at Yale University Daniel Markovitz shows, behind the gloss of this idea lies a world of woe. The rich used to be leisured but now they’re working 65 hour weeks, while the middle class have been left increasingly without jobs and thus hollowed out. The rich pass their privilege onto their progeny through intense and expensive educations, and simply reproduce their ranks. Nobody is winning, and we should stop championing this idea. As Markovitz points out, progressives are unable to fully grasp what is going on in our world of increasing economic inequality as they are “under meritocracy’s thumb . . . captives who embrace their captor, through a sort of ideological Stockholm syndrome”. This book gives us a previously missing bit of the puzzle in understanding the growing gap between the haves and the have nots.

Living with Limericks by Garrison Keillor

Perhaps the most well known contemporary practitioner in literature of the great American virtue of cheerfulness. Keillor manages to weave a frank autobiography between fragments of poetry. I don’t know many literary characters who are so committed to moving their audience from sadness and despondency to exuberance and exhilaration. Thank you Garrison.

Runners up

Other books published for the first time in 2019 that I thought were of interest included The Madness of Crowds by Douglas Murray; White Shift by Eric Kaufman; Moneyland by Oliver Bullough; The Age of Addiction by David Courtwright; A Short History of Europe: From Pericles to Putin by Simon Jenkins; and Happy Ever After: Escaping the Myths of the Perfect Life by Paul Dolan.

Of course I’ve read much this year that has excited me that was published long before this year. Some of these books include: In Search of Civilization: Remaking a Tarnished Idea (2009) by John Armstrong, Ishi in Two Worlds: A Biography of the Last Wild Indian in North America (1961) by Theodora Kroeber, and Words of Mercury: Tales from a Lifetime of Travel (2003) by Patrick Leigh Fermor. Another rich year of reading.

Lectures on Ecocriticism, March 2020

January 31st, 2020

I’ll be giving two lectures on the history of pastoral in Fremantle in March this year. Come along to learn about how humans have imagined their relationship with the natural world in Western literature over the centuries. Enrol here.

[Painting by English landscape artist Benjamin Williams Leader, circa 1880s.]

Environment and Identity Talk

February 25th, 2020

I talked about my book, Stepping Off, for the Bibbulmun Track Foundation on Thursday 12 March 2020 at 6:30pm in Northbridge. A kind note afterwards from one of the people attending…

Rewilding the World – New Course

August 4th, 2020

I’ll be teaching a course on rewilding ourselves and the world at Wanneroo Library, starting in September. It’s supported by Wanneroo Libraries and University of the 3rd Age.

Books to be discussed include: Stepping Off: Rewilding and Belonging in the South-West, Wilson, Fremantle Press (2017); H is for Hawk, Macdonald, Grove Press (2014); Tribe: On Homecoming and Belonging, Junger, Harper Collins (2017); as well as the essay “An Orchard for my Father” by Jenny Sinclair, Griffith Review (2019).

Course dates: Sept 9, 23; Oct 7, 21; Nov 4, 18 2020 // 1pm – 2pm.

Book your place now at Rewilding the World

Ecological patriots

September 26th, 2020

I wrote a contribution to the debate on Australia’s citizenship test in The Conversation. Read the article here.

Rewilding Academia?

October 26th, 2020

What a pleasure and a privilege that we can gather in Western Australia at the moment without fear of coronavirus. I’ll be speaking at this symposium on the following subject…

Rewilding the Academic Body

We are children of the Holocene, yet far from well adapted to its successor, the Anthropocene.  Detailed experimental evidence continues to accumulate each year from research in a range of disciplines which demonstrates that an ancestral lifestyle has something to teach us about how to design a state of contemporary human flourishing. The rewilded Anthropocene human body is one that has made it to the comfortable sofa of a materially complex civilisation, but who has then decided to stand up and go outside.  To motivate such a move we need more than a compendium of scientific evidence for ‘mismatch diseases’.  In this paper I will argue that we also need to call on our cultural treasure trove of iconography and literature. 

Climbing East Mount Barren

December 5th, 2020

I just returned from Fitzgerald River National Park on the south coast of Western Australia. The other day I climbed to the top of East Mt Barren and saw this view. After walking over a saddle, a long wave of stone rose up before me. It’s titled schist and quartzite and has beautiful ochre colours and patterns. It felt like a Martian landscape walking among these stones.

Royal Hakea was named after Queen Victoria (Hakea victoria) but there’s nothing more alien to the softness of the British countryside than this deeply veined botanical apparition from the Antipodes.

Another day the clouds came over and the temperature dropped. I still swam in the ocean though – I needed to as I’d just walked down from the top of Mt Barren and although it doesn’t look that far, its a few hours down some pretty steep walking routes and then a road which winds around from the other side of the mountain.

The Best Books of 2020

December 14th, 2020

Every year more nonfiction books seem to be published, while at the same time there is less time to read them. Arguably the culture of the book is mostly gone, displaced by social media. As Michael Kimmage wrote this year: ‘the Euro-American textual community is no more because the because the relationship of even the most educated American readers to expository prose, to literature, history and philosophy, has melted into the blinking textual communities of the internet’ (The Abandonment of the West: The History of an Idea in American Foreign Policy, Basic Books, 2020, p.309). I completed a PhD in English the year before Facebook was made available to the world. I was lucky. I was not distracted by the flotsam and jetsam of the internet. In 2000 I bought a first edition of Saul Bellow’s last book Ravelstein, and admired the eponymous protagonist of that book. He is a Chicago University professor whose apartment is full of art and books and he wanders around in a silk dressing gown listening to baroque music. He talks and communicates constantly with a rich fabric of long dead writers and thinkers, from Plato to Rousseau. I wonder if someone like the fictional Ravelstein could exist as easily in 2020 as he was able to, at least imaginatively, in 2000? If we are infovores, constantly lured to the next information feeding ground by smartphones, updates, and newsfeeds, then ‘single-tasking’ by sitting down and reading a book for an hour or two without interruption is less common than it used to be. Over time this has consequences.

That said, it is still in reading entire books that I find some of my richest experiences. Here are some of the best I’ve encountered in 2020. (Most of these were published this year but to show I’m not entirely prey to the presentism of our contemporary culture I’ve included one from 1905 and one from 1960.)

1. The Power of Bad: How the Negativity Effect Rules Us and How We Can Rule It (2019) – Roy Baumeister and John Tierney

Human thinking is constantly skewed towards the negative. We are hurt more by insults and slights than we are elevated by praise, and we attend with more concentration to bad news than good. The authors do a good job of outlining the different realms of human life in which this all plays out, from relationships to work life to raising children and consuming media. In terms of one’s media diet the book suggests that we be more careful to curate a current affairs diet that includes a greater number of good news stories than bad – I would have thought this was almost impossible considering that most journalists and news organisations are both prey to the negativity bias, both naturally and in a financially incentivized way (they’ll get more eyes on the page by being ‘merchants of bad’). Not the heights of lapidary prose style, but deals with a very important facet of being human and the book is a therapeutic read for us all.

2. Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding (2020) – Daniel Lieberman 

The latest book from Harvard University’s barefoot professor of human evolutionary biology.  Lieberman is one of the few scientists who can write very well.  He shows that we evolved to run, yes, but we also evolved to rest whenever we could.  The best book I’ve ever read to take a big picture perspective on exercise. 

3. Spirit of Place: Artists, Writers and the British Landscape (2020) – Susan Owens

An enjoyable journey through visual culture of England over the past few hundred years as it pertains to representing the natural landscape. There are references to literature however the author’s strength is really her grasp of the artistic tradition in drawing and painting. Its only in the 1600s that things start to get really interesting culturally (at least from my reading and perspective), and from this point onwards I discovered many paintings and artists who I was unfamiliar with and enjoyed discovering.

4. The Weirdest People in the World: How the West Became Psychologically Peculiar and Particularly Prosperous (2020) – Joseph Henrich 

A landmark book advancing our understanding of how Western cultures developed, particularly in the last one thousand years, to make Westerners unusually patient, individualistic, impersonally prosocial and nonconforming.  Cross cultural surveys and experiments in psychology and behavioural economics have given us large amounts of empirical data to show that there really are consistent and deep differences between the psychology of Westerners and everybody else (no this isn’t a dichotomy, this is a spectrum with North-Western Europeans and their descendants at one extreme end of the spectrum).  This book shows how we became so wealthy and able to run relatively less corrupt nation states, but also how we have become lonely and unhappy in multiple ways.  A sweeping overview of modern civilisation, showing what we’ve gained and what we’ve lost as we modernised.

5. From Stonehenge to Samarkand: An Anthology of Archaeological Travel Writing (2006) – Brian Fagan

I love this book! It opened my eyes to the fact that at the start of the nineteenth century some English travellers were able to have an experience of ancient Greece and its remains that was evocative as the experience I had a few years ago in the ruins of Angkor. Vignettes from exploring Egyptians ruins at Luxor in the ninteenth century at midnight under a full moon transport the reader to times and places where remains of the ancient world had an ambience most of us will never be able to experience in our lifetimes. Thanks Brian Fagan. I’m glad there exist academic archaeologists to this day who understand the importance of appreciating the mystery and the spirit of the human past in certain silent and ancient places on the earth.

6. English Hours: A Portrait of a Country (1905) – Henry James

The most sensitive painter of affectionate verbal impressions of traditional England in all prose literature. At least in my reading history. James’ manner of writing about London or an old manor house in the countryside is so full of enthusiasm and reflective love. Reading his travel writing is like entering a time machine and peeping through the window into a different world.

7. The White Nile (1960) – Alan Moorehead

One of my favourite books by an Australian author is actually an extended narrative of mostly Englishmen exploring what is today Kenya, Uganda, South Sudan and Sudan more than 150 years ago. This was published in 1960 and the author travelled through these regions, starting in Zanzibar. A compelling and exciting work of narrative history.

Before I leave the subject of exploration…

2020 has been, of course, the year of a global pandemic which is, as I write, killing about one per cent of the many millions of people it is infecting.  I’ve been privileged to be in Western Australia where prompt closing of the borders meant life has continued largely unchanged.  I’ve had a lifelong love of exploring the cultural and natural heritage of the planet and despite not being able to travel I have done plenty of travelling in my mind.  Three resources have helped with this, the first is a book and the second two are lecture series.  Firstly, The Great Explorers (Hanbury-Tenison, Robin., Thames & Hudson, 2010). This book is a series of brief biographies of some of the most intrepid explorers from the last approximately 600 years of human history.  What makes this book so compelling is that many of the entries were written by contemporary explorers associated with London’s Royal Geographical Society, and who have more than an academic interest in their subjects.  Secondly, Plant Science: An Introduction to Botany by Kleier, Catherine (The Great Courses, 2018).  If you want to be an explorer of the planet you need to understand some basic botany. Although the presenter, Catherine Kleier, has a habit of being enthusiastic and happy on camera almost constantly (slightly exhausting), this course quickly covers some essential knowledge.  And finally, The World’s Greatest Geological Wonders: 36 Spectacular Sites (The Great Courses: 36 Lectures, 6 DVDs and the Course Guidebook 2013):  If you ever thought geology was boring you should take this journey through 36 different places, from acid lakes in Java, to huge tides in the Bay of Fundy, to the craters of the moon. If you’re going to be an explorer you need to know a little about the planet’s geology and Michael Wysession is a perfect guide.

8. Little Boy: A Novel (2019) – Lawrence Ferlinghetti 

A masterpiece of autobiography and breathless poetic free-form babbling. Thank you Monsieur Ferlinghetti for the wildest ride of philosophical and artistic musings I have encountered in 2020. A joy to read. A line runs from Emerson, to Thoreau, to Whitman to Ferlinghetti – they are not ‘poets of loss’ they are the great Yea-sayers.

Happy 100 years on the blue and green orb to an elder statesman of American letters!

9. Inside Story: A Novel (2020) – Martin Amis

This is, reportedly, Amis’ last book. He subtitles it ‘a novel’, but its basically his second volume of autobiography with a few novelistic twists thrown in. I first got into Amis’ novels in my early twenties. Years later and these days I sometimes now get the feeling that Amis’ perspective is limited for being so metropolitan and writerly. His world seems to have always and ever been urban and highly educated. I miss a sense that this planet is full of people and plants and animals who do not assume London or New York as the centre of the universe. Also I miss a sense of Billy Collins-like humility often – he seems sternly confident that his life has been a great success, and so have the lives of his coterie of highly articulate and well known buddies, such as ‘the Hitch’ and Saul Bellow. Its also quite a rambling and formless book – as is life of course, and very long at well over five hundred pages. Its as though we’re privy to his personal diaries with their recurrent obsession with the girlfriends of his past and with his dark interest in massacres in history. With these reservations in place, the author is also very often laugh-out-loud funny, highly eloquent and sometimes memorably wise. So good company more or less. Although I find that Amis lacks an earned reverence for the biosphere, he remains perhaps the greatest prose stylist in contemporary English letters, and one of the most probingly funny commentators on metropolitan human life.

Before I leave the book, a couple of quotes. In the first Amis is at an academic conference in Israel on the fiction of Saul Bellow: …”You know, Bellow calls himself a comic novelist. And this isn’t the setting for a comic novelist, is it. They’re all structuralists and semiologists and neo-Marxists. And dogged careerists. And they haven’t forced a smile in years” (p.72). The difference between career academics and writers rings true to me, having known a few of both. Elsewhere Amis makes a perspicacious comment on the theme that Baumeister’s earlier mentioned book The Power of Bad analyses at much greater length: He speaks of ‘the intellectual glamour of gloom. The idea that sullen pessimism is a mark of high seriousness has helped create an organic (perhaps now hereditary) resistance to the affirmative and a rivalrous attraction to its opposite – the snobbery of one-downmanship’ (p.99). I’m sure we’ve all witnessed conversations among clever people that devolve into games of one-downmanship.

Many of the author’s friends and family are lost in the course of this book. And as a reader you get a sense that, as Shakespeare said, ‘yellow leaves, or none, or few, do hang/ Upon those boughs’. And yet although you can see grey sky through bare ruined choirs, I can report that Amis’ half century-long war against cliche still bears fruit.

10. Together: Loneliness, Health & What Happens When We Find Connection (2020) – Vivek Murthy

The core of this book is the notion that humans evolved to live in social groups with rich, fulfilling human relationships, however in the developed West we often live in comparatively socially isolated situations, and loneliness is rife and destructive. Some of the solutions proffered include mayors who make ‘kindness contagious’ in their local towns through focusing on enhancing social networks, and Australian men’s sheds who create a space for comradeship as well as activity. Andrew Leigh’s 2020 book Reconnected: A Community builder’s handbook (LaTrobe University Press) is a good adjunct to this book to give a more Australian perspective, but Together is the better and more philosophical of the two books ultimately. Neither author writes memorably graceful prose, but the content is worth perusing at a time in history when we are suffering a loneliness crisis. Also worth a look on the same theme is The Lonely Century: Coming Together in a World That’s Pulling Apart (2020) by Noreena Hertz.

Rewilding Our Lives – New Course Coming March 2021

December 23rd, 2020

Every 2nd Wednesday // 1pm – 2pm // 3 March to 12 May

Location: Wanneroo Library

Rewilding the landscape means returning some of the plants and animals indigenous to a place to their home.  But what might ‘rewilding’ ourselves mean?  In this course we’ll look at a selection of authors who have thought about how modern life in the Western world has made us isolated, physically inactive, and obsessed with owning the earth.  We will learn, by turning to history and anthropology, how we might become more connected to our home places, more physically engaged, and ultimately, happier people.  In the final week of the course we will consider the case of Bruno Manser, a Swiss-German man who lived with the Penan hunter-gatherers of the Borneo rainforest for several years in the 1990s.

The course is supported by the University of The Third Age (U3A). Bookings can be made here.

Course reading schedule:

Week 1 – 3 March – Opening lecture and course overviewThomas M Wilson
Week 2  – 17 March- Stepping Off: Rewilding and Belonging in the South-WestThomas M Wilson
Week 3 – 31 March – Exercised: Why Something We Never Evolved to do is Healthy and RewardingDaniel Lieberman
Week 4 – 14 April – The WEIRDest People in the World: How the West Became Psychologically Peculiar and Particularly ProsperousJoseph Henrich
Week 5 – 28 April – Owning the Earth: The Transforming History of Land Ownership
Andro Linklater        
Week 6 – 12 May – The Last Wild Men of Borneo: A True Story of Death and TreasureCarl Hoffman

A Hitchhiker’s Guide to Nature and Literature – Two Part Lecture Series

May 6th, 2021

Two sessions: Friday 11 & Monday 14 June, 9.30 – 11.30am 

Humans have been telling stories about nature for millennia. We look at some of the most significant and imaginatively compelling books that do just this, in poetry, fiction and nonfiction. Discover, or re-discover, works of Wordsworth, Thoreau and Powers, and the poetry of Wang Wei, Mary Oliver and others. 

Location: 42 Glyde St. East Fremantle // Members $24 / $16 conc. Enrol here.

(The above image is an excerpt I’ve taken from ‘Home by the Lake’ by the Hudson School artist Frederic Edwin Church from 1852. I’ll be touching on the American essayist Thoreau in my talks and Church’s painting of a wooden cabin alongside a lake in New England was made around the same time that Thoreau immortalised such a vision in Walden – 1854.)

The Armchair Anthropologist Movie Night

June 15th, 2021

None of us can travel at the moment, but if you like travelling come and enjoy a series of documentaries on ways of life very far from suburban Australia. Come to the jungles of Sumatra, the steppes of Mongolia, the savannah of East Africa, and the ice of the Arctic, to witness ways of life of the traditional people of these places. Most of the documentaries were shot on 16mm in the 1970s, and even if you could visit the same places today many of the people you would meet would now own smartphones and in some cases have moved to cities. This will be a monthly series.

November’s film takes us to the world of the Yanomamo of the Amazon basin, and follows their relationships, socialising and storytelling, and hunting traditions.

Pizzas are available from 7pm.

Next event is 22 November 2021, 8-9pm.

Fremantle Fibonacci Centre

19 Blinco St, Fremantle, Western Australia

The Armchair Anthropologist Movie Night – The Penan

November 27th, 2021

MONDAY, 20 DECEMBER 2021 FROM 18:30-21:30

Fremantle Fibonacci Centre

Bruno Manser is a well-known figure in Switzerland but not so much elsewhere. He was a shepherd in the Swiss Alps who became a nomadic hunter among the Penan people of the Borneo rainforests. This film traces his life story. Only a few dozen Penan still live as hunter-gatherers today, but this film is set in the 80s and 90s when things were very different.

Pizza from 6.30pm
Film at 7.15pm

Cost: $8 / Pizza $10

(Before or after this film I really recommend reading The Last Wild Men of Borneo by Carl Hoffman, 2018. Its a biography of Bruno Manser and explores his time with the Penan – its also one of my favourite books.)

10 best books of 2021

December 13th, 2021

As usual each December I give you my favourite 10 books of the year.

The Aristocracy of Talent: How Meritocracy Made the Modern World Hardcover (2021) by Adrian Wooldridge 

A beautifully written history of the modern world of the last five hundred years as filtered through the lens of meritocracy as a way of organising society. Wooldridge writes with much more joie de vivre and wit than stolid academic writers usually do, which makes sense considering that his day job is that of journalist.

A very valuable companion volume to Daniel Markovits’ 2019 book The Meritocracy Trap. Wooldridge is championing meritocracy and Markovits is criticising it – at least on the face of it. But a closer reading shows that both authors are keen critics of the plutocratic perversions of what is sometimes touted as ‘meritocracy’ in today’s America and Britain. In this book Woolridge gives a better account of the idea of meritocracy through history that I’ve seen anywhere: from ancient Greece with Plato’s Republic of philosopher kings ruling society, the Jewish culture of the book, Chinese examination-based cultural history, and British exponents of the idea in the nineteenth century, and onwards.

Obviously Wooldridge frequently shows his sympathies for the idea that we should culturally celebrate brains rather than dollars – I happen to agree with him. (Although we should also celebrate those who have expertise working with their hands and those in the caring professions, as David Goodhart has argued recently.)

A very valuable book to understand the modern world, and that’s pretty high praise; but it is also an enjoyable reading experience.

T: The Story of Testosterone, the Hormone that Dominates and Divides Us by Carole Hooven (2021)

A good overview of the role that this hormone plays in the life of, mainly, men around the world. Many commentators have promoted the views recently that ‘toxic masculinity’ is purely the result of socialization but the evidence that is reviewed in this book suggests that elevated testosterone levels in dominant and impulsive men do have a consistent link with hostile behaviour. The book made me reflect on the way in which experiences of ‘winning’ result in sustained high levels of testosterone, whereas losing results in a sustained drop in the hormone, both in humans and many other animals. This made me think of Trump’s obsession with being a ‘winner’, and his obsession with praising what he calls ‘big men’. Testosterone is involved in many dark aspects of male behaviour, and yet the book demonstrates its morally neutral roles in building muscles mass, heightening sexual drive and ambition. As Hooven finishes the book, T is best consumed responsibly. At the Basilica of San Lorenzo, Florence, Italy, dating from the 16th and 17th centuries, you will find the Tomb of Lorenzo di Piero de’ Medici with a sculpture of Lorenzo carved by Michael Angelo. The figure is the warrior intellectual, a muscular man in a contemplative posture. This is perhaps the kind of testosterone influenced vision of man we should look favourably on, rather than the unreflectively violent status guarding man involved in a road rage incident (yes there is an irony in me saying this considering the Medici this sculpture celebrates was clearly wanting to elevate his social status through art).

Architecture: From Prehistory to Climate Emergency by Barnabas Calder (2021)

A good attempt at summing up the global history of architecture with reference to its use of energy. I’ve done Mark Zarzombek’s global history of architecture course from MIT and enjoy this genre of writing and material, blending ancient history with aesthetics and design. This book is worth reading even for those who know the path it will tread more or less. Calder has a bit of a focus on Liverpool when he’s illustrating architectural changes in the eighteenth and nineteenth century – as a case study – and I noticed that he teaches at Liverpool University so that makes sense. I have to admit I got a little bored after Corbusier and he repudiation of all ornament in the first decades of the twentieth century (interesting to hear that Calder thinks this modernism hangs over many architects to this day in a similar way in which classical vocabulary and style hung over architects for centuries after Greece and Rome were no more). The focus on the book is the energy required to create architecture in different societies at different times, and I found it admirable that Calder thinks we need to look, in our current age of climate emergency, to the examples of low energy agrarian societies like ancient Rome in a building for the future.

Henry James by Leon Edel (first published as five volumes that appeared between 1953 and 1972).

One of the best literary biographies that I know of in existence, period. James was nothing if not a highly sensitive observer and experiencer of old Europe, and Edel understands and shares this aspect of the expatriate’s rapture. I also enjoyed reading James’ short story The Passionate Pilgrim this year about a young man who goes to England from America and falls in love with the aged patina of English architecture, old taverns, country houses, and Oxford quads and lawns:

” It’s well there should be such places, shaped in the interest of factitious needs, invented to minister to the book-begotten longing for a medium in which one may dream unwaked and believe unconfuted; to foster the sweet illusion that all’s well in a world where so much is so damnable, all right and rounded, smooth and fair, in this sphere of the rough and ragged, the pitiful unachieved especially, and the dreadful uncommenced. The world’s made–work’s over. Now for leisure! England’s safe–now for Theocritus and Horace, for lawn and sky! “

These days very few university campuses seem to be full of scholars lounging on the lawn chatting about poetry, but rather are places of grimly aspiring meritocrats with their eyes on the dollar.

Oxford again: “The plain perpendicular of the so mildly conventual fronts, masking blest seraglios of culture and leisure, irritates the imagination scarce less than the harem-walls of Eastern towns. Within their arching portals, however, you discover more sacred and sunless courts, and the dark verdure soothing and cooling to bookish eyes. The grey-green quadrangles stand for ever open with a trustful hospitality. The seat of the humanities is stronger in her own good manners than in a marshalled host of wardens and beadles. “

When James wrote this short story, as Leon Edel tells us in his biography, he was back in the US after some time in England and Italy and felt like he was disinherited of the great European treasure house of culture and history. Interesting to transpose Australians like Peter Porter and Clive James into the place of James and his characters. Australians have often been passionate pilgrims to European cathedrals and manor houses, museums and galleries, piazzas and ruins. Australians too have sometimes felt dispossessed of European culture and history on their southern continent.

Interestingly James wrote the Passionate Pilgrim just 8 years after Thoreau had died just around the corner from where James was living. Henry James literary and cultural sensibility was superb, but he remained unresponsive to the inspiring ecology of New England. Thankfully this world is big enough for both a Henry James and a Henry Thoreau, and readers are richer for having both.

The biography I read in its two volume guise (both together make 1800 pages!). I often felt I empathised with James as he cared for his parents, and then experienced their passing away, and later his wanting to find an anchorage point in the world, and moving into a house in the country in Rhye. James missed his physically contiguity with the flux of urban life and drama as he departed London – and again I empathise with this having felt the thrill of arriving in an apartment in Paris years ago and feeling suddenly part of the world.

Selected Poems: Tennyson (Penguin Classics) by Alfred Lord Tennyson

It was thanks to reading Harold Bloom’s last book (Take Arms against a Sea of Troubles: The Power of the Reader’s Mind over a Universe of Death, 2020) that I revisited Tennyson’s poetry and discovered some of his importance as a poet. Alerting readers to important poetry should be part of the job of a literary critic, and Bloom’s book, written as he was dying in hospital in part, is thus a good example of this. Reading this tenor of Victorian poetry, its high-flown and lush character, is a strange but enjoyable experience for a twenty-first century person used to cynicism, irony and understatement.

To watch the crisping ripples on the beach,

And tender curving lines of creamy spray;

To lend our hearts and spirits wholly

To the influence of mild-minded melancholy;

To muse and brood and live again in memory,

With those old faces of our infancy

Heap’d over with a mound of grass,

Two handfuls of white dust, shut in an urn of brass!

As Bloom says in his aforementioned book:

“The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can.”

Burning the Books: A History of the Deliberate Destruction of Knowledge by Richard Ovenden (2020)

This book is essentially a global history of the library. Librarians in training should be prescribed this book in their studies to give them a grounding in the long history of preserving knowledge. From the sands of the Middle East to the port of Alexandria, to the monasteries of north-western Europe, and forwards to today, Ovenden moves at a brisk pace in recounting the long history of preserving knowledge from the deluge. Read it and feel a renewed sense of wonder and appreciation for the institution of the library in your life. In the age of distraction by digital flotsam and jetsam such a historical grounding, and renewed understanding of the importance of libraries, is needed more than ever before.  The burning of the beautiful and ancient library of the the University of Leuven during both world wars was a particularly poignant episode narrated by Ovenden. 

Vietnam: Rising Dragon by Bill Hayton (2020)

Bill Hayton wanders into the alleys of Hanoi, the suburbs of Saigon, into the huts of tea pickers, into the villages of rice growers, and reports what their health and wealth is like, and what their hopes and dreams might be. Greatly deepened my understanding of the people of Vietnam, as well as the reality of working the fields, and dreaming of making more money in the city.

These Are My Rivers: New & Selected Poems, 1955-1993 by Lawrence Ferlinghetti (1994)

In the year of his demise, 2021, I thought I should honour Ferlinghetti’s life and vision by reading a selected poems. So many of his poems have the lightness of the wings of fancy lifting off the pavement of pedestrian common sense. So often he reorientates me and reminds me of the spirit of play and freedom that can be crushed out of us by duty and suburbia. Thanks for your legacy, I treasure it.

The Devil Drives: A Life of Sir Richard Burton by Fawn M. Brodie (1984)

An engagingly written biography of one of the most interesting men in English history. Burton wrote so much and so little is published in easily available selections that having the guided tour of his long and eventful career by a biographer is crucial. Brodie writes well and has an appreciation and critical distance for and from her subject. What Burton had done, learned, seen and achieved by the age of 43 puts most of us shame. His thirst for the world’s variety and colour was immense and he slaked that thirst at a time – the mid nineteenth century – when the world was full of mysteries.

Four Thousand Weeks: Time and How to Use It by Oliver Burkeman (2021)

This book is a good little heir to the spirit of Henry David Thoreau’s Walden. His prose isn’t as lapidary, but Burkeman’s sense of humour and his concern to avoid distraction and spent more of our life in the present moment seem to continue Thoreau’s philosophy. This is my favourite philosophy book of 2021. Although it covers some of the same topics as self-help books on time management, it comes to more philosophical conclusions than the self-help gurus do. Yes we only have 4000 weeks in the average life. But this is not a cause to cram more into your efficiency obsessed, productivity glorifying life. Embrace our limitations as finite humans. Become a practitioner of the art of creative neglect, and accept that you are never going to win by becoming more busy.

Pro and Anti ‘Progress’ – New Course Coming March 2022

February 9th, 2022

What do we mean when we talk about ‘progress’, and is it always a good thing? In this course we’ll look at a selection of authors who have thought about how modern life in the Western world has made us richer, healthier and more comfortable, but also more lonely and, in some senses, stressed out. At the end of the course we will turn to ways in which kindness and optimism can lead us out of some of the dead ends of contemporary civilisation.

The course is presented thanks to a partnership between the Wanneroo Libraries and the University of The Third Age (U3A).

Every Wednesday for six weeks // 1pm – 2pm // 9 March to 13 April. We will assume that you attend all six weeks if possible.

Please note: Due to the ongoing impact of COVID-19 it may be necessary to amend the format, location and timing of this course in line with advice from State Government and WA Health Department. This course may be conducted via Zoom if there is a need and/or preference among participants.

Books to be discussed:

Week 1: Walden by Henry David Thoreau

Week 2: Lost Connections: Uncovering the Real Causes of Depression and the Unexpected Solutions by Johann Hari

Week 3: The Power of Bad: How the Negativity Effect Rules Us and How We Can Rule It by John Tierney and Roy F. Baumeister

Week 4: Enlightenment Now: The Case for Reason, Science, Humanism, and Progress by Steven Pinker

Week 5: Factfulness: Ten Reasons We’re Wrong About the World–and Why Things Are Better Than You Think by Hans Rosling

Week 6: Growing Young: How Friendship, Optimism and Kindness Can Help You Live to 100 by Marta Zaraska

Register at: https://progresswanneroo.eventbrite.com.au/

Classic Travel Writing Course

July 29th, 2022

Every Wednesday // 1pm – 2pm // 2 November to 7 December

In this course we’ll look at a selection of classic travel writers, from the letters of Lady Mary Montagu from Constantinople in the 1700s, to the multiple layers of history and intrigue described by literary visitors to Rome from across the centuries. We will finish with an anthology from Patrick “Paddy” Leigh Fermor, considered by many as the greatest travel writer of the twentieth century: tales from his sleeping in barns and grand country houses across Europe in the 1930s, to his growing love affair with the Greek landscape and people. We will think about what motivated such travel writers to leave the comforts and securities of home and set forth on a voyage of discovery and adventure.

More information, and Register here

Vietnam – Arriving in Hanoi

September 14th, 2022

I have just begun a Grand Tour. This one starts in Vietnam, before moving on to Greece, Italy and Turkey.

Five days ago I arrived in Hanoi’s French Quarter and met up with a couple of friends. After being in Australia for the last three years I was immediately struck by humidity, history, dark greens, and street life.

I was last here a decade ago and as the country has had very high economic growth every year since then (apart from the last couple of Covid years), I was expecting to see a different Vietnam. Despite this Hanoi seems very similar to my last trip. The large rainforest trees line the streets. People sit, talk, eat, nap and live on the street in a way that makes Western cities look like ghost towns.

Over in the Old Quarter we sat on little plastic stools and ate and drank like the locals – open air and part of the current of the street. If you are going to see international tourists in Vietnam, Hanoi’s Old Quarter would be a place to look. Despite this I didn’t seem many. In Vietnam at the moment the international tourist is not the dominant person on the street, unlike in many parts of Paris say.

In Hanoi people use so much less space than in Australia. They create beautiful balconies covered in pot plants above shop fronts, and manage to coexist cheek by jowl with an elegance that is surprising to see despite the size and density of the population.

Next I flew down to Hue in central Vietnam…

Central Vietnam – Hue to Hoi An

September 15th, 2022

Walking towards the imperial palace of the Nuygen dynasty which ruled Vietnam from the start of the nineteenth century until 1945.

On one of the 17 massive bronze urns inside the Hue imperial palace compound are all kinds of images. Elephants were a form of transport all over south-east Asia for many centuries, and had important ceremonial functions.

Walking around the architectural splendours of the royal palace I reflected on the death of a monarch. When Queen Victoria died Henry James felt that an era has ended and he felt sad to see it finish.  I feel the same today about our queen – an era has ended and it is hard to fathom how relentlessly time sweeps us all away, even those who have their heads on coins and stamps will be born away by time’s current. 

The world in which mandarins kow-towed in the grounds of the Hue imperial palace passed away much longer ago.

The old faded audience pavilions and temples were serene with their total lack of tourist bustle, and so quiet we could hear delicate bird call from the trees around us.  What a sanctuary of calm this old Vietnamese version of the Forbidden City is. 

The next day we got hold of a 1967 US military jeep – we’re not far from the historical DMZ after all – and drove south to Hoi An.

The trip took us to a waterfall in a valley of a big green mountain range along the sea.  We swam in the fresh cool waters and were brought delicious food to eat on the side of the pool. 

Then we drove to the beach and the water was a temperature I’ve rarely encountered – entirely tropical and warm.  So, so relaxing.  One of the best swims of my life.  We had the beach to ourselves. Then we drove over the Hai Van pass, and as our jeep wound up the sea side mountain range the temperature dropped as we gained altitude.  The change of temperature was a balm to the spirits. 

We gasped at the beauty of the view from curves of the road along Hai Van pass (Ocean Cloud Pass, as it is often fogged in), looking down at the mountain ridges covered in rainforest plunging into a still blue sea in row upon row.

When Paul Theroux was passing through Vietnam during his Great Railway Bazaar, in 1973, he wrote:

Of all the places the railway had taken me since London, this was the loveliest.

Beyond the leaping jade plates of the sea was an overhang of cliffs and the sight of a valley so large it contained sun, smoke, rain and cloud – all at once.

I had been unprepared for this beauty; it surprised and humbled me.

Who has mentioned the simple fact that the heights of Vietnam are places of unimaginable grandeur?

We were lucky and there was not a wisp of mist as we passed the same place visited by Theroux fifty years ago. As we descended the high pass I stood up in the back of the jeep and felt exhilarated by the movement, the height, the view, almost like when you’re sliding down the face of a wave.  Health and safety rules don’t apply here and I’m sure the sense of freedom is partly a result. 

Rome

October 10th, 2022

Looking up into one of the fountain’s in the forecourt Bernini designed for St Peter’s cathedral in Rome.

The cathedral and its cathedra is like a hallucination – too vast and over the top to be real. The next morning I was the third person admitted into St Peter’s and had it all to myself for at least a short while. The size and the height was hard to comprehend.

The piazza in front of St. Peter’s is more inspiring to me.  The afternoon I arrived in Italy I had walked into Bernini’s stone arms of the church by myself in the afternoon sunshine and almost gasped at the scale of the colonnade and the fountains and the freedom of space and maximum amplitude of grandeur in travertine stone.  A moment in time I won’t forget.  A moment where a human creation uplifts one in a direct and profound way.  

The best way to experience the most well known places in the world these days – St Peter’s in Rome included – is to arrive at them at first light. This is the time I took the below photo.

My first few hours in Italy, after seeing Bernini’s forecourt, I walked over the Ponte St Angelo and the angel’s stone wings hung in splendour over the cool and quiet Tiber below.  Then I ducked into a cobbled street full of antique shops to the left – Via dei Coronari – antique shops better than I had ever seen in my life. Rome in those first hours was a revelation to me. 

The American architect Louis Kahn understood that spaces can affect the quality of our very thinking: “In a small room one does not say what one would in a large room.” Research in the new field of embodied cognition tells us that Kahn was prescient when he said: “There’s something about a 150-foot ceiling that makes a man a different kind of man,” while visiting the Roman Baths of Caracalla. I would agree with Kahn. I would feel like a different kind of man bathing in such a space rather than having a shower in a cubicle in my gym.

But how can you enter such a space? In the below photo I’m standing in Santa Maria degli Angeli, which has been a church since the Renaissance, but is basically just a reused section of the ancient thermal Baths of Diocletian. So as I looked up at the red granite columns I was transporting myself back two thousand years to when this space was full of bathers soaking and splashing in huge granite tubs of hot, warm and cold water, surrounded by colossal statues and acres of space.

One of the best things I did in Rome was to go out to the Protestant Cemetery, and pay my respects at the grave of John Keats, one of England’s greatest poets.

The above photo is of a plaque affixed to the wall close to his grave. I was able to sit and consider the short life of Keats with just a ginger cat for company – what a balm after Roman crowds.

But I am equally glad I went to the cemetery as I then walked amongst the other grave stones there. So many expatriate painters and sculptors and writers from America, or Australia or England are buried there. The atmosphere is still and meditative. It is a blessed relief from the chatter and noise of Rome.

Below is the grave of a French artist…

One night I walked over a Roman bridge into Travestere, and wandered into an English language bookshop. This is a photo of some cards on the wall there… Try to guess the writers.

Another day I visited the Colloseum and the Forum. The crowds were a torrent of thousands entering the Colloseum. Then when they left they almost as a block walked straight past the Arch of Constantine, without pausing to glance at it, to enter the Forum. I couldn’t understand. The relief panels narrating a Roman victory in battle are more interesting than both for my money. It was one of many reminders on this trip that if its not famous then it isn’t worth seeing in the minds of the majority of tourists in Europe today. (This would be repeated when I was in Florence for example – the Bargello was empty while I avoided the Accademia knowing the presence of the David statue would guarantee hoards of hangers on.)

Below I’m looking out of the window of the Villa Farnesina – hardly anyone there – again, its not that famous.

I also walked around the Palazzo Collona during my time in the city, but probably my favourite gallery and museum was the Capitoline. Much of the Capitoline museum is arranged as Keats saw it, as Henry James saw it, as Goethe saw it, as George Eliot saw it, and so you feel like you are treading hallowed ground as you walk through the rooms. Below is the bronze Brutus there…

And below I am standing next to the original equestrienne statute of Emperor March Aurelius, the great philosopher. He used to stand in the middle of the Capitoline hill, and was only saved by being melted down after the fall of the Roman Empire by the fact that the Christians wrongly thought he was Constantine who had legalised Christianity – their misapprehension and ignorance saved a great work of art.

In a courtyard of the Capitoline is a vast 6 metre long statue from ancient Rome of the God of the Ocean, known today as Marforio. I leant against the fountain next to him and was amazed by his presence. This old Roman giant features in the 2013 film La Grande Bellezza by Paolo Sorrentino, but I didn’t know his presence would affect me so much in the flesh.

Before I left Rome I made it the Ara Pacis museum. Part of this alter to peace sits on the first story of the University of Western Australia Arts building balcony – a place I have spent a bit of time. Although not at UWA, I have always liked the below section of its relief panels. Tellus, mother earth, nourishes and protects her children. It was late in the day and I was one of only about five people in the museum. Outside the Tiber was visible, flowing past under trees in late summer leaf, through the glass walls of a museum first opened on this site by Benito Mussolini.

Naples

October 14th, 2022

Naples is full of very beautiful if haughty young women with dusky complexions and Roman noses, and surly waiters who barely acknowledge your existence when you’re trying to place an order, and dog faeces smeared on old cobble stoned pavements, and laundry hanging from balconies in need of a coat of paint, and little wicker baskets dropped form high up apartments for shop keepers to fill, and operatic hand gestures, and people throwing back espressos at the bar and talking quickly and loudly. 

The Neapolitan sassiness is fun, but from another angle it can also be very rude.  Naples is also full of atmosphere, narrow laneways, and after dark very cool bars and cafes. 

Naples also has MANN, possibly the best museum I have visited in my entire life, with the majesty and artistry of ancient Roman culture right in front of your nose. Below is the Farnese Hercules, a colossal statue that was found in the ancient Baths of Caracalla in Rome.

This is a huge figure – looking up at it is humbling.

Hercules symbolising strength in ancient Roman culture, this would have been a good inspiration to exercise in the gymnasium before a session in the hot or cold baths.

I was largely in Naples in order to visit Pompeii and Herculaneum – like many travellers.

Characters lounge on a triclinium and eat and drink and be merry. This fresco has been pulled off the wall at Pompeii and moved to MANN, as have the best and most beautiful of Pompeii’s art works.

Walking through the ruins of Pompeii that morning we had the entire ancient site to ourselves for the first hour of the day.  Even for an hour after that there weren’t many people around.  Then the hoards descended and it was over for atmosphere and serenity.  But what a thrill to walk around the House of the Faun, and so many other famous Roman domus, alone, and take in the mosaic floors, the faded wall paintings in golds and reds, the white marble impluvium in the atrium, the peristyle surrounded gardens behind, and other architectural elements I had read of and seen in photos but never experienced in the flesh. 

Bronze dancers found in one of the Roman houses in Pompeii… (Although now residing at MANN.)

The reader – Pompeii… Faded colours on the wall fresco all over the place reminds one of how this place was frozen in amber when the nearby volcano covered it in debris, killing those who had not fled and giving us a window into a wealthy Roman world in 79AD.

Peristyle gardens are a wonderful idea – the Greeks should really be thanked for inventing the stoa, but the Roman domus form feels good to walk around.

Vesuvius looming in the background above a peristyle garden in Pompeii.

I consider plunging my hands into the water when the space was was a bath house – at Herculaneum. Herculaneum is another Roman holiday town destroyed by the volcano two thousand years ago. If I’m honest it wasn’t as impressively extensive a site as Pompeii, but for someone like myself interested in ancient domestic architecture it was still intriguing. To lean on this basin in an ancient bath house for example, is a kind of somatic knowledge of a place and a long lost culture that only travel can bring. Photos and written communication are wonderful, but they are not enough.

A shallow impluvium at Herculaneum – water falls through a central hole in the ceiling of the large atrium and collects in this marble depressions. Water in domestic spaces in a Mediterranean climate is such a good idea.

Naples and Pompeii have Vesuvius looming over them, and just down the coast you find the elegance of seaside towns like Sorrento, high up on volcanic rock and graced by nineteenth century hotels.  As you make your way to these places south of Naples, so photographed by tourists from around the world, you see striking economic inequality, with poverty in ugly concrete apartment blocks on one train stop, and 800 Euro a night hotels at the next (Sorrento).  Tourists usually don’t photograph the poverty around the corner from their Amalfi coast clichéd and overpriced idea of a seaside idyll.  And yet the physical beauty of the coastline south of Naples is entirely undeniable (if crowded). 

Florence

October 14th, 2022

We took the high speed train from Naples to Florence. We had covered much of Italy in just 3.5 hours moving at almost 300kms an hour (at many billions of dollars expense to the Italian tax payer a few years ago). The Tuscan countryside looked so green – of anywhere this is where I would like to explore if I ever return to Italy.

Upon arrival it turned out that we were staying on the top floor of Palazzo Ramirez-Montalvo, a late Renaissance palace, built around 1568. In the above photo you see the view from my hotel room – the noise from the street below was a bit much at 4am but the proportions of the rooms were so large it was breathtaking.

I have never eaten breakfast in such a large room as this one. (By the way the price of the room I had was about the same price as one night on Rottnest Island’s cheapest single room accomodation – Kingston Barracks – an old army barracks. So Australia, if can stay in an Italian palace in an ancient city for the price of Kingston Barracks – something may have gone awry with our national economy.)

The bad news is that, of course, even in ‘shoulder season’, Florence is crowded to an unenjoyable level. You can enjoy the city however – by getting up early and having it to yourself before the crowds do, or simply by going to galleries and museums that are not that famous. The Uffizi gallery is famous, but I still went there. By going towards the end of the day I found that the last hour was tolerable.

I was even able to stand in front of Botticelli’s painting Primavera with only one other person at my side (earlier it had been a football scrum, and football scrums are not very good places to contemplate beauty). The above detail of the flowers strewn under her feet caught my eye.

The upper story sculpture gallery at the Uffizi must be one of the most justly famous spaces for art to be displayed in the world. With the river Arno flowing down below outside the windows, and light flooding in, and the Tuscan countryside showing behind pink and yellow and apricot facades on the other river bank, Lorenzo Medici really got it right when he placed so many beautiful sculptures here.

However I did have to work to avoid huge crowds here, and sometimes they were too much. It was at the Bargello that I found a place I was able to wander with quiet and peace. The below detail from some early embroidery caught my eye – traveller’s on the move.

While I am pretty sure there was a football scrum over at the Accademia taking smartphone shots of the David statue, I had Donatello’s David all to myself. This is one of the most important museums in the world, and one of the most famous statues in all of art history, and I was the only person there for about twenty minutes wandering around looking at it. Made in the 1430s from bronze, this is the earliest surviving full-scale nude sculpture from the Renaissance period. Nobody here.

The detail of his hand holding the heavy sword caught my eye.

The above detail from a wall relief – again from the Renaissance – also caught my attention.

The Palazzo Vecchio is the town hall of Florence, and apart from the Duomo, the most recognisable building in the city. I went up inside it one morning, again with hardly any crowds. Once again, to avoid the worst of mass tourism, go early, and if you know even a little bit about history beyond the ‘smash hits’, you will be rewarded.

In the apartments used by the Medici dukes at the top of the building this view out a window struck me.

There are many museums and churches in this city, and they almost all require payment to enter. One of the things I was happy to pay for was entry to the Medici chapel. I did indeed have an intake of breath when I saw the domed green marble room that is the Cappella dei Principi upon first entering, but it was when I got into the Sagrestia Nuova, or the Sacristy, that I was able to admire the beautiful marble sculptures by Michelangelo, from 1526–1531.

I was there to look at the figures of the two Medici dukes above – tomb monuments – but it was actually the representations of Night and Day – this man and woman above, that I found memorable to look at. Like all of these photos I will show you of sculpture, you can’t get it by looking at the 2D image. You need to walk around a sculpture, and even a video can’t allow you to do that. Only in person travel can allow you to experience so much of art history.

Florence is overcrowded. However if you are interested in European history it is a place that you should have understanding of. And if you go to the Piazza della Signoria and raise your eyes to the sky, as in the above and below photos, it is still memorable.

In case you think I don’t care about the pleasures of the table, here is a shot from the Mercato Centrale. Once again Australia – look at the price!

Venice

October 14th, 2022

Upon arriving in Venice and boarding a ferry down the Grand Canal I felt simultaneously excited and entranced by the place, and like there was a sheet of plate glass between me and it. This second sense was to do with its unreality – this was a place that has been seen too many times in images so that when you get there you scratch your head and think, can this be real?

The above image is one of the carved capitals along the Doge’s Palace. Its the kind of detail that art critic John Ruskin would have sat on a stool in front of drawn in pencil when he came here in the nineteenth century. A good practice of seeing.

Henry James was complaining about all the American voices he could here in the street below his hotel window in the late nineteenth century, and a long list of people have complained about crowds of tourists in this city since. I will join that long list. Although I won’t include photos of the masses of humans that amble and walk in Venice in this post-Covid lockdown travel boom, I can tell you that they are overwhelming. They are enough to make you want to not come to Venice.

In order to make the best of this situation I stayed over near Arsenale, the old ship building area of the city. In some of the backstreets and canals here it is entirely local people. Looking up I admired this local’s balcony railing.

And yet you will at some point want to go to the heart of Venice. If you do so early in the morning you can walk into St Mark’s square and the Piazzetta and experience what Napoleon once called ‘the drawing room of Europe’ in peace.

What I didn’t fully know until I was in Venice is that Venice isn’t an old town on a lagoon, it is a once mighty capital city on a vast marshland and lagoon. Most other urban spaces that are intimate with the sea are towns – where I grew up in Fremantle for example. However this was and still is a City. I don’t always like cities, and usually prefer smaller places that are more connected with the natural world, but again, if you’re interested in history you will be interested in Venice.

The long history of consumerism in Western civilisation can be given many starting dates. One you could argue for would be all of the luxury items traded by Venetian ships, and brought through this city. This detail comes from inside the Doge’s Palace. It is here that you get a real sense of the majesty of La Serenissima. The Republic of Venice used to be known as La Serenissima, being a sovereign republic that lasted for 1100 years. From 697 AD until Napoleon forced the last Doge to take off his robe in 1797 Venice was important, and for much of that time was a major force in global geopolitics.

Looking out of a window in the Doge’s Palace I saw the quayside below… All of this wealth and all of this architecture came from trade, from early capitalism. Today it comes from tourism, but the numbers of locals are dropping as they can’t afford to live on the island.

The powerhouse that was Venice was ruled by not so much the Doge himself, as the Maggior Consiglio, composed of 480 members taken from patrician families. In a painting I saw upstairs in the palace you see them process through the along the downstairs loggia in their long scarlet robes of state. See below.

Walking in the Ducal Palace that morning I reflected on how the art and sculpture of this 500 year old building teaches the lesson to all those who would look that the glorification of the individual must never take place, but rather the glorification of St Marks Lion, the Venetian Republic, must shine forth beyond all individuals, even the Doge himself.  Venice had a 1000 years of being the Serenissima, and then Napoleon burnt the Golden Books in which the Doge’s lineages were recorded and everything changed.   But although Venice has lessons in paint and stone to teach us about not letting strongmen dictators take power and rule unilaterally and make a cult of their personalities, Venice does not have lessons on how to run the world beyond this.   To be a member of the ruling patricians you had to have the right family, so it was nothing to do with ability, skill or talent.  In other words this great Republic was not a meritocracy.

The Venetian republic had the council of ten, its own private version of the CIA. Transgress and you could be tortured or locked up. There is a covered walkway to the prison next door. Byron visited and called this walkway the ‘Bridge of Sighs’ as you would sigh when seeing your last glimpse of freedom through the stone work – and so I like many people took a photo of what this last glimpse may have been.

When waiting to enter the Doge’s Palace I walked over to the corner of St Mark’s Basilica to look at the porphyry sculpture made around 300AD of the four Roman emperors, the Portrait of the Four Tetrarchs. This was taken as spoilia, as spoils, from Constantinople long after it was carved and placed here, as part of a Venetian religious building. But for me personally I take it as a symbol of power in union, reminding me that to be strong as humans we need to come together with others, in bonds of affection.

One of the most beautifully carved doors I have seen was upstairs in the Doge’s Palace…

I won’t include a photograph of it here, but to really understand Venice you must visit the largest room in the Ducal Palace. Walk into the room of the major council, one of the largest rooms I have ever walked into (and I have been to places like Versailles and Blenheim Palace) in my life, and gasp at the grandeur of the space and then really comprehend how major a force in global geopolitics Venice was five hundred years ago. 

It isn’t often that you wake up and look out of the window to see a fully rigged, three-masted, 80 metre sailing ship bobbing outside. Amerigo Vespucci was there one morning – she is a training ship for the Italian navy, almost a century old.

Lapped by water, colourful and atmospherically dilapidated facades, and no sound of cars, no need to be vigilant about cars whizzing by, coloured marbles, Gothic tracery in stone… Drinking a beer by the quayside as the sun sets behind Il Lido you can still enjoy Venice.

Beautiful doors continue to fascinate me, and ones that have been entered after stepping out of gondolas are even better.

The colours of the facades are one of the pleasures of Italy.

One of the wealthiest palazzos in the background, on the Grand Canal.

The lion of St Mark guards the entrance to Arsenale, the ship yards.

One of the most over-photographed perspectives in Venice – but here it is again…

A more typical back street of a local neighbourhood.

Even the nineteenth century street lamps are charming.

Below aqua alta, high water, in a palazzo.

And strolling in the back streets and along the canals.

The former British colonies are often not architectural gems – think of Penang in Malaysia for example, compared to what the French did in Hanoi’s French Quarter or the Spanish in Havana.  Although Britain has had some great architects and works of architecture, many of its former colonies could have been designed with more in the way of great public squares, churches and quayside walks.  In Fremantle we can’t even stroll much along our quaysides as for many decades the entire port has been hermetically sealed from its inhabitants by large fences which stop stowaways and criminals from making contact with the cargo carriers it serves.  Here in Venice the Cruise ships were banned from the lagoon in 2021, thank god.  And you can stroll along the lagoon and look at the beautiful facades ringing it up to the entrance to the Grand Canal with the dome of Santa Maria Salute in the centre, and feel like you are on the liminal edge of commerce for centuries past (even if all it is selling now is its past and its charm). What a difference all of this makes.

Cappadocia

October 15th, 2022

From Italy to Turkey, and to the centre. After our walk up Pigeon Valley in late afternoon light I felt wonderful and was very happy to be in Eastern Anatolia.  The first few moments in a special place can never quite be repeated.  My first few moments walking up Pigeon Valley in Cappadocia that recent afternoon in early October light and coolness, looking around at the stone towers catching the mellow sun, with their chiselled rooms and doors and windows, and dovecotes, and the winding sandy path among them, I felt like I was walking in a barely plausible and otherworldly land, I felt like I was a character in a strange film, I felt lifted up and exhilarated by the landscape around me like I have rarely felt in my life.  Such a wonderful place, such a blessing to be there.  Our guest house had a welcoming dog and cat, and errant and wild garden, travertine pavers and bathrooms and arched stone verandah.

The previous day sleep deprivation and too many crowds had made me want to go home. Travel can be horrendous, and then the next day travel can lift you up and make you deeply satisfied that you booked your aeroplane tickets. 

The next morning morning I did one of the best walks of my life.  It was down a tributary of the Rose Valley to the east of Goreme.  We walked up a road for some time, stopping for tea at a little tent outside a thousand year old rock cut church where we let the silence fall sweetly on our ears.  Later we walked on and turned left onto a dirt track, then onto a goat path, then we began a long and slippery decent into the gulley.  The white crumbly, dusty path was clearly a path for water to fall down during wetter times of year, not an official path. It was so steep it required you to stem one leg to the left and right bank of the furrow of a path to stop yourself from falling face first down the slope. 

When we got to the bottom we wound our way down the canyon, with green trees in leaf, standing straight and tall, against the white and skin toned erosion furrows of the gulley higher up.  Here and there we could see caves cut into the stone, high up on sheer rock faces.  Sometimes birds calling.  Otherwise total silence.  The path wound on, revealing surprise river tunnels, five metres tall at times, through which we walked enchanted.  We both agreed this was one of the most satisfying walks we had ever done in our lives.  Still twenty degree air, clear sunlight, no other humans to be seen, ancient human traces left on the stone, geological cathedrals of space and shadow coming into view around every bend of the canyon… Pure pleasure. 

The next morning we took a taxi out to Zelve, an ancient Christian community’s series of cave dwellings in a precipitous valley south of Goreme.  We walked without anyone else around for over an hour.  The bird songs echoed off the tall stone walls. I climbed up, hand hold over hand hold, into caves and up stairs, and turned and looked over the valley.  The hand holds everywhere are intentionally carved to shape a human hand and as you use them you get a kind of somatic knowledge of history that is impossible if you were to sit at home and read a book or look at a photo.  You are moving yourself through space in the same pattern as a man or woman 1200 years ago into the same carved stone room or church or chamber.  Inside an ancient Christian church, complete with apse, alter, nave and side aisles, even with separate baptistry, I stood and contemplated a carved cross on the stone wall as the light raked across it from a nearby window. 

Hand hold over ancient hand hold.

People lived in these caves until the early 1950s. That morning in the valley of Zelve, before many tourists has arrived, under a blue sky, with such a still and baited atmosphere in the air, was magical.  Standing inside a stone chamber and looking out through the door way, carved into the cliff face, at the stone dwellings on the vertical face of the valley wall opposite, with some green shrubs and trees below, I felt like I had come to one of the most beautiful places I had ever visited.  High, precipitous, uncanny, and full of faint echoes of human lives.  The place is almost like being in Mesa Verde in south-west America without all the tourists and park rangers and tarmac and signage.  Often in developed countries you feel distant from archeology with someone popping up if you even stood on an old stone and telling you to get down.  Here there are few barriers to experiencing the past directly and few things to stop you from venturing forth, taking your safety into your own hands rather than being shut out of places by fences. 

The town of Goreme where I stayed is like a wild west town with its free ranging dogs, its dirt roads, its make shift atmosphere, its on the take entrepreneurs, much more so than any town feels today in the United States where the term ‘wild west’ originates.  Zelve is just far enough out of this town that the tourist numbers are low – and it was easy to go in the morning when there were only about three other people in the entire valley (and not particularly early by any means).  The walk down the winding canyon towards Rose valley, and the walk through Zelve the next day morning, were two of my greatest travel experiences, up there with my first moments in Ta Prohm in Ankor, Cambodia, and an evening without tourists up in a valley of Petra in Jordan.  Transcendent, subtle, inspiring awe and grace in its colours and shapes and sounds in the heart and the eye. 

Konya

October 15th, 2022

The Persia-born Rumi — who was living in Konya, 700 years ago, the capital of the Turkish Seljuk Empire — told his followers, “There are many roads which lead to God. I have chosen the one of dance and music.” Last Saturday night I watched members of this Suffi sect move into transcendence.

As a teenager in Australia I had watched Ron Fricke’s documentary Baraka. Baraka is a sufi term meaning blessing, essence or breath. His images of the world, from Jerusalem to Kenya, to Bali to France, and to Turkey, had inspired me and stoked my sense of wanderlust. One image I always remember is the upwards turned hand of a whirling dervish, rotating with a sense of calm and praise among the spinning chaos of life. Being at a dervish ceremony myself in the home of Rumi himself reminded me of this impression from many years ago.

But I had another reason to go to the conservative city of Konya in central Turkey: Çatalhöyük.

Çatalhöyük, the first city in the world.  It is on a mound about 40 minutes drive out of Konya, on a mound amongst agricultural fields.  There is a small museum attached, a little ramshackle.  9000 years ago 8000 or so people lived in the mud brick houses I could see partly exposed at the site.  They buried their dead under the house floors to keep them close.  They painted animals that they hunted on their walls in two dimensional red ochre paintings.  The rooms were simple and entered through holes in the ceiling and sat cheek by jowl to the house next door.  Walking around the ruins of this city, exposed by archeologists in recent decades (there is a large covering structure which keeps the rain off the site), I tried to imagine meeting one of these long dead people in the marshy, biodiverse surrounding landscape, and being invited through sign language or perhaps grunting communication back to the city.  Walking there and seeing so many people going about their lives.  But then the imagination fails.  What did they think?  What did their language sound like?  What was their view of the universe like?  Who did they worship? How did they court the opposite sex?  What kind of hairstyles did they have? 

Today people write science fiction novels and set films in imagined future times, but why do they bother when we have such incredible gaps in human understanding of another lifeworld here on earth in our own archeological record?  As I stood their looking at the ruined mudbrick walls and trying to fathom what these people thought and felt a few metres from where I stood, 9000 years ago, I met a blank wall.  We can’t know. 

Below is a reproduction of what one of the houses looked like inside.

On the other hand, we can guess.  One feels as if these were hunter gatherers, who happened to live in built structures.  Here I get an inkling that this society and this culture was close to our hunter gatherer heritage, but that they had simultaneously added the first tentative steps towards urban life and agriculture to their repertoire.  One important thing about this city was that everyone seems to have been equal – not like seventeenth century Rome with its Palazzo Collona while there were peasants crouching in the ruins, or the high ceilinged domus of Pompeii, while most ancient Romans lived in crowded insula (apartment blocks).  Here you didn’t show off by having a mansion while the rest crowded in meagre shanties – rather everyone was on equal footings architecturally.   

It was humbling to have stood at the start of the journey from living in the wild natural world, to living in a city, and so recently walked through the apotheosis of the City, the Caput Mundi, Rome. From tentative beginnings to lavish fulfillments.

Istanbul

October 15th, 2022

The image above is what you expect from Istanbul. Its the terminus for the old Orient Express and the bridge from Europe to Asia.

The tourist numbers – seen in the queue to get into Topkali Palace below – are also part of the scene in 2022 post-Covid lockdowns.

But as usual I will follow Walt Whitman in this blog: “Keep your face always toward the sun and the shadows will fall behind you.” In other words I won’t be writing much about the downsides of travel, such as walking down a street with restaurants, even outside the tourists areas of Istanbul (and I have certainly gone far beyond them) and getting solicited by an unsmiling tout with an almost robotic tone of voice… and then immediately the exact same thing happening with the next young man outside of his establishment. Or laying in bed at at 6am and hearing the call to prayer, amplified in a dirge-like wail, dropping in descending tones, and often conflicting with another call to prayer coming from another nearby mosque.

A carved capital from inside Hagia Sophia. I entered Hagia Sophia early one morning, and went to the far right to find a corner of the space and sit down away from the crowds by myself with stillness and quiet. I was able to sink into the thick carpet and lean against the 1500 year old green marble panelled wall, and contemplate the vast dome of Justinian and the beautiful carved capitals above the marble columns and pilasters.  It felt so good to just lean against the wall and be still and quiet out of the vast noisy crowds that churn along the streets of Istanbul.  As this really is a city of noise and crowding – so many million people spread out in low and high rises. I relished the space to just be here and sense the elements of the architecture and the emptiness high above me, felt and sensed by members of the Roman empire one thousand five hundred years ago. 

The next morning earlier this week I had a wonderful start to the day – went to the Archaeology Museum next to Topkali – many Greek and Roman sculptures, and by far the most beautiful relief carving from ancient Roman civilisation I have ever seen on sarcophagi.  Much of it was found underground in a dark chamber in rural Lebanon in the late nineteenth century.  The reliefs are absolutely peerless – one with mourning women in shawls is a picture of grief. 

This figure stood out to me particularly as a picture of grief.

This is from around 350BC in Sidon in Lebanon, and was brought here in the late nineteenth century when the area was part of the Ottoman empire. Can you imagine peering a torch down into a burial chamber and seeing such huge marble sarcophagi when these were discovered back in the nineteenth century? What a sense of wonder this moment must have occasioned.

Another section of another relief, not so much for its carving but for the happier subject matter – a vision of the good life. Peace and plenitude and wine and company – and a dog.

Not to mention cats… I had seen the 2016 film Kedi, about the cats of Istanbul, when back in Australia. They certainly do get around and there are lots of them. Here I saw one cheeky ginger taking up a seat at a very busy tram stop.

I was on the way to the Prince’s islands – about an hour’s ferry ride from the mainland.

We got off on the second island stop and walked up the steep hill through tightly packed houses with locals going about their business. After a very steep climb we burst out into the trees at last.  I found my way out into the woods, and sat looking down on a bay, with the mountains of Gallipoli far away in a dark line on the horizon over many kms of sea.  The trees were pines and had a bonsai like twist and bend in many of their trunks, and the undergrowth was sparse enough that you could see and walk with a sense of openness.  It made me think of John Fowles’ opening scenes in The Magus, based on his time teaching at a school on a Greek island in the fifties and contemplating philosophy and the creative impulse of Apollo on lonely hill sides amongst such trees, high above the Aegean.  I was high above the Sea of Marmara, and I savoured those moments by myself amongst the pine trees, with the still sea below as wine dark as Homer’s Aegean. 

Walking on a quiet street on Heybeliada I found a decayed Ottoman era mansion.

Nature was engulfing this old home, but the carpenter’s skill is still to be seen, high up above in the sky.

The perspective down the hill is to the sea and on the other side, modern Istanbul, city of 15 million.

I could write more about history, commenting on Topkali Palace for example with its warren-like hareem. However I will leave you with a cliche of Turkey, food that still makes my mouth water.

Now I’m sitting in this hotel room, waiting for the final few moments to pass before I take a short taxi ride to Istanbul’s new airport, and then, all going well, lift off for Dubai, and hence to Bangkok.

I spend 100 dollars just to have a hotel room in the country near the airport today as I had had enough of crowds and noise and cities and movement.  It has been perfect to be solitary and silent and think and write my blog, looking back on the last three weeks. Here I am waiting for my plane to Asia. I have experienced so many cultures and countries these past few weeks. Voyages extraordinaires, and they aren’t over yet.

10 Best Books of 2022

November 17th, 2022

I will start with a few books that were favourites from my year of reading and then concentrate on notable books published in 2022. Biography, autobiography, poetry, philosophy, politics and travel writing are all genres that made my list this year.

Robert Richardson has read just about everything that Emerson read, so he’s able to contextualize periods and ideas in the author’s life and writings in a very helpful manner. He writes superbly, and he really gets Emerson’s impulse to praise and celebrate. Emerson distributed his literary largess in journal entries, letters, lectures and elsewhere, so by reading biography you get in effect a lovely ‘selected Emerson’. And Emerson at his best is, in my view, as good as imaginative prose ever gets in the English language. Having this book in my life for a few weeks was galvanizing, and a reminder of why I am passionate about literature.

(First published 1995.)

One of the great travelogues and adventure stories of autobiographical literature. After describing the manners and attributes of the locals from his decades living in 1670s Ceylon in the mountains, Robert Knox recounts his escape and journey north. The reader can imagine this journey, sleeping in the open where wild predators roamed, and making his way forward down river beds and along river banks and through rainforests. A glimpse of a truly lost world. Why hasn’t this true story and insight into ancient Sri Lanka been turned into a film?

(First published in 1681.)

Playing tennis with starched whites with the other English administrators and then chatting over gin and tonics in the tropical warm of the evening in an old Dutch fort on the north-east coast of Sri Lanka in the first decade of the twentieth century… Getting to know the Sinhalese of the Kandy region through hearing their complaints, intrigues, and travails in their own language as a defacto judge… As I read through this memoir I felt like I was sitting around the fire with Woolf in his last years (back in the sixties I think) and hearing stories from an educated, unconventional and honest English chap about a life lived in the twilight of the British Empire in Ceylon. And getting to know the Sri Lanka I’ve visited myself a few times better through hearing about the life and culture of people prior to much modernisation that took place over the twentieth century. Worth the price of admission for me.

(First published 1961.)

Some beautiful responses to the city of Rome, form Byron and Keats and Rilke to James Merrill, Derek Walcott and A. D. Hope. A. D. Hope’s ‘Letter from Rome’ is one Australian man’s encounter with the caput mundi, what was once thought the centre of the civilized world. This encounter unspools in humorous and digressive stanzas full of echoes of Byron’s Child Harolde’s Pilgrimage to this same city centuries earlier. I could quote any stanza but here is one that reminds me of my own trip to Rome this year:

Meanwhile I walk and gaze. For all its size,
Rome is a city one can see on foot,
And that’s the pace for such an enterprise.
Each morning we buy cheese and rolls and fruit
And stroll and stop to view whatever lies
Along a vague and ambulating route
I miss a lot of course, but what I see,
Because I found it, seems a part of me.

(First published 2018.)

Much of this book reads like chapters which hoard together the results of various scientific papers Paul has read in order to construct an argument. In other words it is heavily second order and derivative. However it is very worth reading the Conclusion. Here she summarises the ways in which we are well served by thinking of the mind as functioning not like a machine or a computer, but rather as an organ which is made smarter by its extensions in the physical and social contexts in which it is embedded. You are smarter in beautiful natural settings, you will think more clearly in your lovely wooden panelled office, you will be aided by writing a journal as a way of making your thinking an artifact in the outside world, teach face to face in a social setting as a way of learning…

This way of understanding the mind has an interesting corollary for me. Which is that the spaces we live in will motivate us more if they are beautiful and personally meaningful. Architecture and design are not just frills, as the ancient Romans and the English aristocracy knew. Louis Kahn the American architect said, “If you look at the Baths of Caracalla … we all know that we can bathe just as well under an eight-foot ceiling as we can under a 150-foot ceiling … [but] there’s something about a 150-foot ceiling that makes a different kind of man.” Its strange as recently I had been looking at images of the original Penn station in New York as it was modelled the bathes of Caracalla. Its an enobling space with its vast pillars and 50 metre tall coffered ceiling and it was a tragedy that they knocked it down in the sixties. I was having a shower at my gym in my little shower cubicle and closed my eyes and imagined being in a cauldarium (hot tub) in the Roman thermae instead, perhaps regarding a marble statue of Hercules as I soaked in the warm water and chatted with someone.

When I read the above quote by Kahn I thought: that’s it exactly – that ‘makes a different kind of man’. Taking the concept of the extended mind seriously will make us take the spaces we think and work and relax in more seriously and not just as interchangeable units and backdrops.

(First published 2021.)

I was by turns heartened by this book, and dissapointed. The first because it helped me revisit the world of natural history discovery, courtly and warm Southern charm of the man himself, and deep belief in the value of searching and reflective scholarship on both the little things of this planet such as ants and the big questions that encircle us existentially. The author Richard Rhodes has not written a biography that measure up to the man though – it seems plodding and pedestrian in parts. Enumerating his achievements for example towards the end. You feel a distance between Rhodes and Wilson. Still its better than not having any biography of Wilson. With Wilson’s passing this year – 2022 – I needed a way to honour his memory and significance in my life, and reading this book was better than nothing.

(First published 2021.)

Towards the end of Aldous Huxley’s Brave New World we read these lines: “But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin. “In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.” “All right then,” said the Savage defiantly, “I’m claiming the right to be unhappy.” This is the perfect coda for Paul Bloom’s book The Sweet Spot.

The book explores how it is that people so often pursue projects that involve suffering. In fact it comes down in part to the fact that humans don’t just want comfort and happiness in the purely hedonistic, momentary sense of floating in a swimming pool. They also want a sense of meaning, and often this comes from caring for others for example. Bloom sides with John Stuart Mill where he writes in Utilitarianism: It is better to be a human being dissatisfied than a pig satisfied; better to be Socrates dissatisfied than a fool satisfied. And if the fool, or the pig, is of a different opinion, it is only because they only know their own side of the question. If you have not watched ‘Moralities of Everyday Life’, Bloom’s lecture series he recorded from Yale for Coursera, you should do so. It is excellent. In this book as in his lectures Bloom continues his highly approachable and good humoured style of philosophy. He like, Johnathan Haidt does a kind of philosophy that circles back to the evidence-based realities of human psychology, which makes it much more relevant and interesting than other more hand waving styles of philosophizing. Not a must read book, but interesting nonetheless.

(First published 2021.)

Sometimes I wish that I could have the equivalent of the Economist magazine’s coverage of the world condensed and given to me once a year, including historical background I’m ignorant of about a region such as say, Turkey. This book is exactly that. Refreshing to have someone like Marshall call a spade a spade in the world of geopolitics, rather than hide behind elaborate and obfuscatory sentences in the ivory tower. I felt compelled to keep reading because of his bracing pace as he passed through Saudia Arabia and its politics and history, Iran, Turkey, the Sahel region, etc.

(First published 2022.)

First the reservations, then the praise. This is a work of ‘true crime’, and like most of that genre of popular writing does not reach the realms of memorable literature. It follows the life of Justin Alexander, an American born in 1981 who was a survival expert, and rootless wanderer, and who went missing in 2016 in a forested valley of the Indian Himalayas, probably murdered by a sham holy man he had befriended Justin documented his adventures on Instagram, and seemed self-obsessed and narcissitic, flexing his biceps while he wrote motorbikes up the West coast of the US, or climbing trees on Palawan in the Phillipines. He was not articulate or eloquent, and reviewers who liken this book to Somerset Maugham for the age of the hashtag miss that point entirely. Even the author Rustad is not a Bruce Chatwin or a Robert Louis Stevenson in terms of the quality of his prose, following this nomad.

Now the praise: Justin watched and was inspired by Baraka the film as a young man and his model of spiritually questing travel and attempts to live vividly speak, for me, of all the ‘seeker’ style travellers one has met over the years. They may not be eloquent or highly educated or particularly humble, but they have a fierce appreciation of wonder and adventure, and this is refreshing to be around. There are many travellers like Justin, and for me this book is interesting in that it puts one such man in the frame for the reader to contemplate. He has probably died and while he lived he may have sometimes or often felt lonely on his journey, but he did not allow life to become humdrum, tawdry, trivial and banal. He did not allow life to seep away in nine-to-five safe domesticity. For all of the people like him, who go forth and adventure to places like Thai villages or Brazilian forests, while never entering their accounts in the world of literature, and leaving a flotsam of social media posts at best, this book is a tribute. It was good to be reminded of such people at the end of two years when almost none of us in Australia had been travelling outside the country.

(First published 2022.)

In not much over 100 pages our modern master of succinct overviews of political structures manages to give us a manifesto for Liberalism. Thank you Fukuyama.

Both the extreme right (not prescriptive enough on common bonds) and the extreme left (too universalist in its presumptions) dislike liberalism, but the author demonstrates how both of these sides of politics exaggerate what can be valid points. Liberalism is still the best option around for modern national states like Australia and I can’t think of a better time to read such a precisely stated and strongly argued case for this version of ‘Progress’ through moderation.

(First published 2022.)

Classic Travel Writing – Starting 1 March 2023

February 6th, 2023

In this weekly course, we’ll look at a selection of classic travel writers, from an Australian scientist’s adventures in the mountains of Papua New Guinea, to a warts-and-all description of a journey from north to south over the African continent, and an errant Englishman’s trip down India’s most sacred river, Mother Ganga. We will finish by reading On the Trail of Genghis Khan by Tim Cope, an amazing account of travel through the Eurasian steppe, by one of Australia’s great adventurers. We will think about what motivated such travel writers to leave the security of home and set forth on a voyage of discovery and adventure.

For more information and to register for the course please follow this link to Eventbrite.

Delft, Netherlands

May 30th, 2023

Outside I hear the deep tolling of a church bell.  The canal water lies dank and quiet below the window.  The day is cool and still.  Throughout the night last night I heard church bells every hour or two.  Hearing this is a reminder that just as in most Muslim societies where the call to prayer is heard as you lay in bed, so too in Christendom until a century or so ago most people would hear church bells as a mellow accompaniment to their days. 

Walking through the Prinsenhof Museum the other day and looking at the 17th century oil paintings of Delft, I was reminded of how much of modern Western man and woman and society was born in towns like this.  The faces of the men and women looking out of the canvases are sallow from lack of sunshine (its northwestern Europe and the winter is long), but these are hard working and industrious folk.  The cloaks on the backs of the men are luxurious and the hats on their head are comfortable and broad brimmed.  They are made of beaver fur, killed in north-east America by fur trappers and shipped back to Europe.  The household goods in paintings are luxurious and you can see many of these people are greedy for high quality objects.  These are a materialistic people.  They want it, they want to own it, they want to show it off.  Some of this stuff is art.  Oil paintings with side lighting into domestic interior scenes from this town are world famous thanks to the paintings of Vermeer.  They are also a curious people.  Astronomers look to the stars, anatomists look to the cadaver under their scalpel, geographers look to their globes, and biologists look to their newly invented microscopes (Dutch scientist Antoine van Leeuwenhoek designed high-powered single lens microscopes in the 1670s, he is from this town).  Neighbourhood watch and local government takes the form of local militia staffed by men from wealthy families.  The facades of the town houses of Delft are beautifully decorated and various, with irregular shaped gables, and symmetrically arranged sash window ornamentation.  So Western Man is materialistic, greedy, curious, appreciative of beauty, well organised, and socially cooperative.  You can see it all in the 1600s of a town like Delft.  This is the kind of place where the modern West was born, with all of its positive and negative aspects.  You can see it being born when you wander these streets and look at these old oil paintings. 

Out in the countryside the next morning I could feel the touch of freshly cold air on my neck, a swan huddled in sleep by a ditch, green grass everywhere.  This Arcadia is, like much of England, often marred by electricity pylons, freeways, car dealerships, and traffic.  This not the Holland that Patrick Leigh Fermor walked through in 1933.  Once you leave the old town of Delft, the countryside is not all hayricks and thatch.  Still we found a little village off a road where the sound of traffic wasn’t as loud.  And I crouched down and observed a paddling coot.  The air was cold in my nostrils.  I could smell the grass, and the mud.  Earlier we had seen a heron in a ditch.  I thought of Tennyson: these wet, mellow landscapes were ‘haunts of coot and hern’.    

Vivian Stanshall’s words come to me sometimes here: “…changing yet changeless as canal-water, nestling in green nowhere….”

Looking down on the main market in Delft, from the New Church.

The quiet streets lined by trees and canals are made for people not cars, Oude Delft.

The sound of bells tolling in belfries accompanies your days and nights in this town, as it did most of my Christian ancestors all over Europe. The sound is a blessing.

The weather in the Netherlands in May can have a coldness to it that doesn’t make one immediately think of spring…

When did Westerners become so materialistic and individualistic? Part of the answer is in times and places like seventeenth century Delft. The middle class men and women of Delft in the 1600s loved high quality ceramics, rugs, clothes, and paintings such as those of Vermeer.

The muted tones of red and brown clinker brick town house facades in Delft are an architectural symphony, each one to be enjoyed.

In a small village outside of Delft ducks and coots paddle amongst the weed and green is the prevailing colour.

And there are always so many bikes. Wonderful, but I wish they would get off and walk when they go through crowded areas…

Arriving in Granada

June 2nd, 2023

First impressions of an old city in southern Spain…. getting cervezas and tapas in Castenedas, an old Spanish bodega with barrels and legs of ham hanging from the ceiling and old wooden bar and lively atmosphere.  That was after walking out of my first Spanish class on a Monday afternoon. Walking up to the Alhambra through the cool atmosphere of the chestnut trees and running water beneath them, to a fountain on top of the Alhambra amongst a symmetrical garden in the late evening light.  A cat lapping from the fountain before me, with one eye on intruders. On a sunny day splashing water from the fountain in the Plaza Nueva onto my hot arms and neck, and then sitting feeling refreshed and cool, and watching the bustle of people and faces and lives loiter and pass.  Walking down the pass between the Alhambra by myself one evening at 830pm towards the Rio Darro, and looking at the crumbling red rammed earth fortifications from centuries past, and hearing the water tumble downhill, in chorus with my downhill footfalls.

Alhambra, a treat for the eyes as you sit in a bar opposite with a cold drink.
Walking up a gorge of the Sierra Nevada, out of Monachil, 8kms from Granada (a short bus ride).
The belvedere of the Generalife, a Moorish architectural coup, where the windows were designed to be sat on the floor in front of.
The same location… This was actually my favourite location in the entire Alhambra…
The cathedral of Granada rears up when you turn down a narrow street…
After running up the mountains behind Granada I and a friend returned late one evening to see this.
Sitting by myself outside the Parador next to the Alhambra I pondered on why Western Australians don’t learn lessons in designing public spaces from southern Spain…
The water is taken from the Darro river several kms upstream and moved on channels to the Alhambra, where it flows through these and many other water features (you can drink it, its delicious water, as this cat knows).

Cordoba

June 2nd, 2023

Cordoba is one of those places that was full of Moorish culture and learning back in the 800s when my English ancestors were living in societies with less access to knowledge and cultural sophistication. These days of course its full of tourists. When you enter the Mezquita, built in the 800s and after, you are moved by the forest of granite and marble and the beautiful double arches with their alternating white and red brick patterns.  All seen in the dimness of a softly lit undercroft ambiance.  Endless beauty and magnificence is suggested by the sheer number of these precious columns of stone. As I moved through them I was bewitched.  You must move, the experience of this cultural achievement can’t be captured by photographic reproduction.  One of the high points of human architecture. 

Outside the Mezquita I saw women dressed up for feria…
Feria in Cordoba (its like the royal shows of Anglo tradition, but with more fun and flare).
The Mezquita of Cordoba
The double arches of this former mosque are one of highlights of the history of global architecture.
Seneca, the Stoic philosopher, was born in Cordoba, and this statue graces the city.

More scenes of Granada…

June 2nd, 2023

Some of my favourite places here… The gardens of the Carmen de los Martires: I am often found sitting here, feeling tranquil and serene amid the greenery and the water flowing from the fountain, and the absence of noisy crowds of tourists (they are over at the Alhambra). 

The day before I had discovered the Carmen Victoria – again I had sat and read and felt well and connected and grounded – all from a well designed and planted and built garden space, connected to history and with a view over the valley to the Alhambra on the other side. 

Carmen de los Mártires, donated to the city and now free to enter, has plenty of flowing water. Here the lambent orbs or oranges are reflected amongst the water lilly.
Carmens are traditional houses in Granada with orchard gardens. Here I stand in Carmen de la Victoria and look to the Alhambra.
Respecta el silencio – quiet and peace in the University of Granada’s library in the 16th century Hospital Real building.
I feel relief seeing some ageing beauty in Spain – in richer places like Australia anything old is instantly repaired.
Old doors, portals to something or other, surely significant.
Outside my window people eat, drink and socialise. Its not a visually beautiful part of the city, but there is so much social interaction in this Spanish barrio compared to Australian suburbs.
In the background you can see the way ugly high rises ring old European cities – on the plus side over seventy percent of Spanish people own their own home.
Looking upstream along the Rio Genil, which runs through Granada.
Shadows of the elaborate stone work of the Royal Chapel, shadows that have been falling for over 500 years old.

Yet More Views of Granada

June 2nd, 2023

I was at the Carmen de los Martires the other day and it was a reminder of how it is usually individuals who create beauty, not government committees.  This was, long ago, a convent, but the gardens are mainly nineteenth century and since more than half a century this has been for the people of the city to enjoy, not private property.  But the materials – marble, stone, water, tiles, etc – are gorgeous, the arrangement of passageways and of fountains and avenues and wooden benches on which to recline – is lovely.  For a hot and arid climate it is a space of reflection and retreat and renewal.  If only Perth had more such spaces.  Europe can do this kind of thing so much better than Australia.  And yet it is not contemporary Europe that I thank for this kind of thing.  It is Europe of a hundred years ago to a thousand years ago… (The contemporaries generally build thing just as ugly and money-saving as they do in Australia.)

In Carmen de los Martires… Simple wooden benches with this shape are so relaxing to sit on and would be cheap and easy to introduce into public spaces in Australia – why don’t we do it?
Sacromonte Abbey, a steep walk up the valley behind the town, leads to this beautiful cloister where you can catch your breath.
El Monasterio de San Jerónimo – In this monastery I found a stone basin where the monks would wash themselves to purify themselves – Wash me entirely, says the Latin motto.
The third monastic cloister in the city, La Cartuja (the charterhouse) was a Carthusian monastery. Again its beautiful cloister is graced by orange trees and make the perfect place to sit and reflect.
Spain had its driest April in recorded history, but May brought some rain. Glistening cobbles on old European streets are still charming to me…
Relaxing in the patio of the Hospital Real – you can see the river stones used to create flooring in Granada’s courtyards.
Cat on a warm tiled roof…

Guadix and Caminito del Rey

June 5th, 2023

Last week I was in Guadix: I and a friend took the train an hour to the east of Granada, to this small town.  The train passed on a high plateau, overlooking a vast valley bordered on either side by arid erosion canyons, and topped to small trees and shrubs.  It looked exactly like the Wild Western movies of the 60s looked.  These films were supposedly set in Arizona or Texas, but were often shot in this very area of southern Spain, arid and wild, and cheaper to film in. 

Badlands… Sometimes a train ride is worth the price of admission for the journey itself.
Coming back from Guadix – this country is gorgeous, despite its recent drought.

These landscapes I travelled through were ennobling.  I imagined Clint Eastwood on his horse standing on a ridge and looking out over the same valley I looked out over…  The rider shifting in his saddle, the leather creaking slightly, the sun smiling warmly down from the heavens, the adventure beckoning around the next corner.  A feeling of freedom, freedom from the tawdry rigmarole of twenty-first century domesticity, detail and disconnection.  Freedom to live or to die with a little more heroism and poetry.

And then yesterday I left Granada and headed to a place an hour north of Malaga called Caminito del Rey. An old hydro project had left a narrow walk way down a gorge which has since 2015 been a very successful and safe guided walk.

This is a 300 metre deep gorge of sandstone and limestone cliffs, with a little boardwalk drilled into the stone, so that we walked 100 metres above the raging river below, along a metre wide wooden plank path.  Along sheer cliffs sides.  When the valley opened up I left the tour group and walked by myself under the pines, along the dry path, looking down on aromatic herbs and flowers covering the valley bottom and sides.  The place has a genuine majesty.  I felt uplifted and deeply satisfied by this walk down the valley by myself.  The walk along the cliff faces was thrilling, but it was the walk by myself along the valley under the trees that was most special, with intimations of the majesty of these mountains surrounded me, connotations of Majorca, or the Gorge de Verdon..

It is my last evening in Spain and Granada.  Tomorrow I travel to Greece. I am excited for the next chapter.  But also will be slightly sad to leave this city with its wonderfully young population, connected inhabitations/inhabitants, general vivacity, aged and venerable architecture, towering Sierra Nevada frame, trickling fountains from which you can drink, and cosmopolitan downtown plazas. 

Arriving in Greece, Thessaloniki to Volos

June 12th, 2023

Almost a week ago I left Granada in the dead of the early morning. I love this city, but I needed some more contact with nature.

So to Greece I turned… However I flew through Dusseldorf – amazingly I was able to get into this bit of forest with the two and a half hours I had between flights.

Dusseldorf airport – or five minutes walk from its front entrance anyway.

Next to Thessaloniki. Turns out I booked an apartment right in the centre of the city, looking onto the Roman palace ruins.  This town is lively beyond belief – it’s a festival atmosphere on the street ever evening of the week, with crowds of twenty somethings hanging out drinking, talking, walking, chatting, playing instruments.  Graffiti more common than in Granada – and generally a slightly more grungy feeling.  The language sounds less European than Spanish – definitely a Balkan feeling to the place.  It was all burned down in 1917, and the city within the area of ancient Thessaloniki is mainly 1970s six story buildings, in an endless sea.  With just a few exceptions.  So not a beautiful city by any means.  But what a lively atmosphere.  And bookshops here and there, cheap food, and the sense of possibility and happiness that twenty-somethings can bring to a social scene. 

Thessaloniki was mostly demolished by a big fire in 1917 – today it looks like much of Europe – concrete and not very beautiful.
The Dervini Krater, 330-320 BC. Hammered from bronze, full of artistry and eroticism, it is a jewel of Thessaloniki.
Outside the Rotunda, a monumental Roman building in the centre of Thessaloniki.
It is possible to get a very cheap dinner in this town.
Thessaloniki has about 850k people but 100 thousand of them are students. It is a very vibrant street scene in the centre (Rotunda in background).
After a two and a half hour drive south past Mt Olympus, the mountain of the gods, still snow capped, a water side restaurant in Volos served me a glass of ouzo. As the quiet water lapped the quay and the Greek flag flapped in the wind, I felt I had arrived.
Soon enough a taxi was winding up the slopes of the Pelion, and Volos receded in the distance. The air became much cooler and more refreshing by the time we were a thousand metres above sea level.
And I had arrived at my home for the next couple of weeks… Kalikalos, Anilio.

Arriving on the Pelion Peninsula

June 12th, 2023

I’m staying at a retreat centre/ eco-village called Kalikalos. It is situated next to the tiny village of Anilio, on the eastern side of the mountains of the Pelion peninsula, about 300 metres altitude, and about 2kms inland from the sea. The place is a gorgeous combination of high mountains, deep luscious greens, and vibrant, deep blues in the sea below. 

Here you are high above the sea, and green and blue are the two colours which grace your eyes.
My first evening I walked down through the forest and stood entranced by the vibrancy of the tangle of life around myself.
The next afternoon I was immersing myself in blue. Warm, clear sea water. Surely this is like being on Hawaii without the expense!
Being high above blue sea, surrounded by green, it is hard not to feel ecstatic about this environment.
Schist with marble and quarze here and there..
The tortoises in Greece can live up to 125 years old – If I found an old one it could have met Queen Victoria.
The thick slate roofs of the Pelion give a vernacular touch to the architecture.
The lawns after I just mowed them – Kalikalos, Anilio.
Lunch – some of it grown in the gardens here.
Setting the table for lunch at Kalikalos.
Walking up to a taverna at Kissos I passed this old abandoned house. The jungle grows back. Soon after I saw this, I heard a nightingale sing, and then it was then joined by a peal of church bells from down the valley.
Kissos town square – the villages here usually have ancient plane trees in the centre, and a friendly dog is common.
Orchards grow delicious fruit on the Pelion.
There are few places in the world where the land swoops upwards to over a thousand metres in pure green, from such blue water below. Why isn’t the Pelion more famous around the world?

Leaving the Pelion and Kalikalos

June 20th, 2023

On one of my last days at Kalikalos I went down to Ntamouchari one afternoon and swam in the clear blue water. Then I went and found a table in Uncle Stergios’s taverna in the rocky harbour and ordered an orange cake. The small rocky bay is so perfectly proportioned and the human settlement that sits along its shore is so small scale and intimately fitted to its setting that one feels genuinely pleased to see such an accord between nature and culture.

My final afternoon I walked to Banika beach, and was taken at the beauty of the wild river splashing its way into the Aegean on a rocky beach, surrounded by vast sentinel like stone towers, thronged by drippingly, deliciously green foliage.  A snake sidled across my path, and a buzzard swayed through the heavens a few minutes later.  That evening I DJed an hour long set of uplifting deep ambient house music in the ‘long room’, a beautiful dance space on a long rectangular wooden platform that looks out on two sides into the trunks of a forest of chestnut trees with the ground falling away them into a valley below.  Henrik Schwarz ‘Please leave my head alone’ was a track, for example, with beautiful piano notes that people reacted really well to.  You could hear the bird song from the forest between the spacious beats so that the music seemed to be open to the spirit of the place, rather than ignoring it or over riding it entirely. I had also set up a poetry sharing circle for the Thursday morning before I left which went really well – I had read Auden’s Yeats poem and Yeats’ Byzantium poem for example. Sharing such poems reminded me of what poetry can be: it is one of the few things you could bring to the great events of this life such as a wedding or a funeral.  My secular church: poetry. 

I recommend you go to Kalikalos – you will all of a sudden have a human community, movement, sunlight, the sea, fresh food from the garden three times a day, and an amazing landscape around you.

A perfect rocky harbour, with a perfectly situated taverna nestled into it. I miss such harmonious accord between human culture and the natural world in Australia.
The geology of the Pelion, in miniature.
Wild rivers running out of the mountains have had plenty of rainfall to fill them up recently. On my way to the coast, a few metres from Banika Beach.
Where I swan after my walk thirty minutes down the hill from Kalikalos.
Where I DJed ambient deep house last Friday evening – what a place to dance.
Goodbye to Kalikalos (thanks for letting use your photo Marcel Baaijens).

Meteora

June 22nd, 2023

What could be better than an adventure exploring Meteora in north-central Greece by myself? Arriving here I started walking up a dirt trail by myself – puddles here and there after earlier heavy rain.  And then I looked up and caught and with an intake of breath saw the monastery far, far above on the granite face of the mountain hundreds of metres up, appearing in a parting of the green tree tops.  I walked on up winding switch back cobbled paths through a fairy green forest, now and then another monastery would appear from another angle, through a glow of mist, and float high above the canopy.  I couldn’t believe it – I was alone, just accompanied by bird song, and I realised I had come to one of the great places of this world, up there with Petra and Sigiriya.  As I strode down the path I stopped to look at an ancient and thickly trunked plane tree dancing with wildly outstretched branches in a forest grove.  Stillness and magic.  I walked on, church bells assailed my ears from high above somewhere.  This walk was the closest I have ever come to feeling like I was a hero in a quest story – a hero to whom significant and mystical events and places would unfold in sequence. Surely I was ascending towards some kind of meaningful culmination, a sacred place on top of the world. 

The next morning I woke early and showered and breakfasted and walked out into the world of stone and stillness and birdsong and water and green leaves.  I walked through the little village Kasakri and into a congregation of huge grey sandstone monoliths through which the frail path I was following wound.  Many places in the world – most places in the world – are experienced by looking around one’s self horizontally, more or less.  Here one had to look vertically, as high above were waterfalls, towering walls of stone, boulders tossed by Titans, hanging monasteries in the air.  Water glittered on curving sandstone flanks in rivulets here and there.  Sweet and gentle birdsong bounced off sheer faces in the breathless air.  The path rose and swerved through bushes, under ledges, over creeks, down abruptly.  I came upon a growing light as I walked through one tunnel of dim green undergrowth, more light up ahead.  Then my head broached the end of the tunnel of green, and I found myself standing at the top of the path dropping down into a trickling crevice onto the earth a couple of metres below.  I could see out into the distance.  The forest was green and quiet in the a wide valley before me, and high up on the other side of the valley was a monastery, standing ethereally on a towering pillar of stone, seeming to float above the forest.  Again I felt as if I was a hero in a medieval quest story.  Strange meetings, portentous symbols in trees and stones, the onwards journey through a world soaked in meaning.  As I walked I felt like I was doing exactly what I should be doing with my life.  I was engaged and stimulated, by movement, by beauty, by mystery, by exploration.  I walked up a ravine and marvelled at how green these leaves were, be they oak or beech or whichever other species I was seeing.  I walked fast and realized that this ‘walk’ was sometimes a clamber – all the better. Again and again I broached clearings and saw towering monasteries.   I saw not a soul on the path all morning. 

Later that afternoon I and a friend went up into a monastery and found long queues of tourists, talking and laughing in German and French and Russian and Greek.  A drone passing overhead.   Cars and buses in the carpark.  The magic evaporated.  But it amazed me that all of this crowd (and there were lots of people) were not interested in the paths through the forests of Meteora. It seems most people in this world cluster to physical ease and spectacle without challenge.  Thankfully that leaves the paths clear for those who prefer to walk there.   So many of the sacred places of this world are suffering from overtourism, but the problem is easy to avoid in Meteroa in 2023. 

So that morning was one of the best walks of my life.  Spots in time to treasure in the memory. 

At the end of the plain of Thessaly come the mountains…
Perfect weather for a walk…
Plane tree throwing out its arms in tree time.
These monasteries were built for Christian monks to evade the Ottomans. Rope baskets would lift monks up hundreds of metres through the air.
The path down…
A morning walk into the mysterious stones…
Looking up and beholding a monastery in the distance.
Who said Greece was always arid?

Germany – Into the Weld and to Heidelberg

July 3rd, 2023

Last week I was riding a bike through the forests and lakes of the countryside outside the small village of Steinhagen.  The fields of wheat stood tall and thick and ready to harvest, and were bounded by forests of oak, heavy with clambering wreaths of ivy.  A lowering sky of grey but lambent cloud hinted at rain to come, but a deep rural calm lay over everything. As my bikes wheels rolled along empty laneways and paths, I felt like I was deep in the heart of Europe.  Small German red brick farm houses with steeply pitched roofs and half timbered walls peaked out of the wheat or corn fields.  Occasional horses munched beside ancient stables.  Hardly a soul was seen.  It reminded me of a painting by Samuel Palmer, fields pregnant with significance, even if you weren’t sure what kind of significance it was. 

Then over the weekend I walked around Heidelberg.  The old city sits in a wooded and green valley of the hills that create the eastern side of a wide flat river basin through which the Rhine river runs north away from the Alps, far to the south.  In this wooded valley Heidelberg lays along the river. Where Heidelberg’s old town is located at the eastern end of the city the slopes of the valley out of which the River Necker flows (a tributary of the Rhine), become very steep.  The city can’t expand into modern suburbs here as there is no space, there are only old buildings, wooded slopes and the quietly rolling River Neckar.  Yes there are plenty of tourists on the old bridge, but many of the streets are still quiet with the occasional bicycle or passing university student.  Over tourism isn’t overwhelming here. The castle on the hill has been a partial ruin for most of the past two centuries, and was admired for its picturesque location high above the city and nestled among chestnut and oak trees by Mark Twain, J. M. W. Turner and other romantic visitors, painters and poets throughout the nineteenth century.  Walking up the hill to this castle I was reminded of walking up the hill to the Alhambra: a steep and heart quickening stride up a cobbled lane through deep green trees to an ancient fortress high up above you.  The red sandstone that the castle of the castle’s walls makes for an unusual sight.  And from the windows, arches and terraces of the castle you look down and over the River Neckar, over the arches of the old bridge crossing it, to the other side of the thickly wooded valley, with a few nineteenth and eighteenth century mansions lining its further bank.  Above the mansions is a line through the woods, and that is the Philosophenweg (the Philosopher’s Path), along which generations of university professors and philosophers have walked, cogitating loftily high above the waters and the city. 

The city’s university library is another building in red sandstone.  Walking through its front entrance is a lesson in dignity, gravitas and beauty.  If only all library’s imparted such lessons in stone to those passing through their portals.  (I should know – often they don’t!)  This is a university library that tells its students that you are in an important place, a hallowed place.  Heidelberg University, incidentally, was the model for the modern research university in the United States, first kicked off by John Hopkins in the late nineteenth century at its founding in the 1870s.  Earlier in the day I had entered the Jesuit Church of Heidelberg.  I have previously had little interest in baroque Catholic German church architecture – generally I find it overly artificial and it leaves me cold.  However this church, with its tall white nave and glass crystal chandeliers, and small touches of green and cold colour at the top of the capitals of the pilasters on the nave’s piers, did touch me.  The organ was playing beautiful descending notes, and the place was illuminated by a pure light everywhere, with only a small handful of worshipper and tourists wandering through.   

Tomorrow I leave Germany, but I’m glad to have come if only for a few days.

Near Externstiene, Westphalia
Some old growth mixed forest near Externstiene, Westphalia.
Surveying the forest from on top of a tall stone torr that medieval Christians had built a chapel on top in the 12th century.
Cycling through quiet farm land in Westphalia reminds you that Germans have more space than the English or the Dutch.
The dominant colour palette in Heidelberg and surrounding towns is this one – from a local red stone often quarried. A wall of the ruined castle in Heidelberg.
From a passageway in the castle at Heidelberg, looking down on the old bridge. On the other side of the valley is the philosophenweg, the Philosopher’s Path.
The Jesuit Church in Heidelberg – surprisingly uplifting to the visitor entering its front entrance.
Heidelberg University Library – a place of beauty and gravitas.
The entrance to Heidelberg’s library once you pass the first door just gets better.
Walking along the river in Heidelberg.
One of the entrances to the Mannheimer Rosengarten, a theatre in Mannheim (1903). What a wonderful tribute to Mozart.

Amsterdam and Oh Fortuna…

July 8th, 2023

Amsterdam…

Walking through Amsterdam taught me that no, its not enough to visit Delft and Leiden and the Hague if you go to the Netherlands.  There is no substitute for the wide canals and tall seventieth century town houses of Amsterdam.  You can walk from the train station of Amsterdam in many directions and keep walking through the ‘historic core’ of the city for street after street, after canal and canal, after block of beautiful brick town house facades, and onwards.  And you’re still in a ‘historic core’.  It is huge!  Other historic cities in the Netherlands have a surprisingly large size, but Amsterdam puts them all into perspective as little brothers and sisters.  This city is unique.  Its like a Protestant Venice.  You walk past a domed church, looking over canals lined with tall green trees, each side lined with beautiful town houses.  And the distance between the two sides of the canal, combined with the height of the six story town houses, gives you a feeling of spaciousness that some other historic cities don’t have.  Of course Venice has it with its lagoon and with its Grand Canal.  But Amsterdam has it as well in its largest concentric rings of inner canals.  I see why generations of tourists have made their way to Amsterdam now.  All the money made by the trading Dutch of four centuries ago had to go somewhere.  Much of it went into this city, in a manner that is most pleasing to the modern flaneur. 

I visited an eighteenth century sailing ship that was a reconstruction of a real East Indiaman made in the 1980s and moored outside the National Maritime Museum. This was different to other museum artefacts or reconstructions of its kind though, as here you can actually climb into a sailor’s hammock, and lay back rocking and considering the cannons lining the ships walls.  Here you can walk amongst cargo down in the vast and cavernous wooden hold of the ship.  Here you can peek through the door of the surgeon’s cabin and see his collection of plants and his surgical instruments beside his bed.  Here you can sit yourself down in the chair of the Master in the Master’s dining room.  The novels of Patrick O’Brian have been important to me over the years for their vivid portrayal of the Napoleonic wars and riding the seas of the globe around 1800 amongst seafarers in the British navy, novels full of humour, literary references, optimism and bravado.  O’Brian has such deft characterisations of people and places, admirals, storms and harbours, from Reunion Island to Mahon.  So to wander freely around this great leviathan of an eighteenth century sailing ship, the Amsterdam, complete with iron cannons, tall oak masts and fluttering flags, quietly moored besides the old Dutch arsenal, was special for me.  It helped me understand the novels more, to understand that long lost world of brothers in arms, making creaking oak castles forever ship shape as they made their way through the big blue world.

The “Amsterdam”, an East Indiaman, like some of the ships that were wrecked off the Western Australian coast (Het scheepvaart museum, Amsterdam)
Unlike much history in Europe, this is a vessel that you can interact with. Here I’m laying in a sailor’s hammock.
Walking the streets of Amsterdam you can’t help contemplate how much money went into building this city.
When I flew from Thessaloniki to Amsterdam a few days back I was shocked at the contrast in levels of material affluence. This map suggests that my impressions weren’t wrong.
Looking at doors and entrances is one of my favourite past times in the Netherlands.

The other thing every self respecting tourist does in Amsterdam is go to the Rijksmuseum, the national museum of the Netherlands dedicated to Dutch art. The previous night I had been at a wonderful performance of Carmina Burana, the choral work by Carl Orff that is based on thousand year old medieval Latin poems about love, lust, and the wheel of fortune.  This had made me a bit pensive about Fortuna. How the wheel of fortune lifts us sometimes and dashes us low at other times. 

Regnabo, Regno, Regnavi, Sum sine regno.

(I shall reign, I reign, I have reigned, I am without a realm).

O Fortuna!

Then today at the Rijksmuseum I saw the following painting.

Johann Stumm’s 1645 still life on the impermanence of life.

It made me think of the lyrics from the music last night, in Latin, but translated into English they would read:

On Fortune’s throne
I used to sit raised up,
crowned with
the many-colored flowers of prosperity;
though I may have flourished
happy and blessed,
now I fall from the peak
deprived of glory.
The wheel of Fortune turns:
I go down, demeaned;
another is raised up;
far too high up
sits the king at the summit –
let him fear ruin!

My favourite work at the museum is ‘Jeremiah Lamenting the Destruction of Jerusalem’ by Rembrandt van Rijn, 1630.

A photo can never reproduce the experience of the canvas in real life…
This is a painting that for me is a perfect representation of the retreat to inner contemplation.

Cambridge and Wimpole Estate

July 25th, 2023

Has England gone, as Philip Larkin thought it was going in his poem from 1972, Going Going?

“And that will be England gone,
The shadows, the meadows, the lanes,
The guildhalls, the carved choirs.
There’ll be books; it will linger on
In galleries; but all that remains
For us will be concrete and tyres.”

I was in England for the first time in 16 years a week ago.  Was Larkin’s prediction right?

Starting in Cambridge, a friend picked us up at Luton in a hire car and we drove to Wimpole Estate.  It was great to go straight into a country house estate from the airport – we walked around the grounds, walking to the stables which looked like a great architectural monument in itself crowned with statues of a rearing stag and lion. Then to the traditional farm, Home Farm, where the duke of the mid nineteenth century tried to advance agricultural techniques.  There were shire horses, and I stroked the neck of the 19 hands tall Stanley, a behemoth of a creature, deeply calm and nonchalant.  We then walked to a very large walled garden full of flowers and vegetables.  I quickly located the raspberry patch and plucked some succulent dark fruit.  The burst of deep flavour on the tongue made my day.  Standing in an ancient English walled garden, eating raspberries off the bush with friends on a Saturday morning, what a pleasure. We walked outside the walled garden and spotted the stately Wimpole Hall through the parkland of ancient oaks and green grass.  The house awaited, full of treasures.  We walked on and found the church next to the big house.  Inside and outside amongst the strewn and tilted old gravestones, green grass, silence and stillness reigned.  Inside I found a side chapel off the nave where the sepulchres of previous dukes and aristocrats lay in marble carvings.  There was a pleasure I found in being here that was magnified by not having been in England or such country churches with their ancient tombs for so long.  This was all unaccustomed to me. 

Then towards the front door of the house down the gravel drive, and past a row of carved marble urns atop a brick wall.  For once these were not cast concrete urns, but actual huge Italian marble urns, carved with skill.  In the house the room that really wooed me was the library.  Low lit and long with a call, arching ceiling, the room boasted two giant world globes on either side of the desk in the centre at the other end from where you enter.  Marble busts on plinths.  Serried rows of leather bound books in white wooden shelves.  A wonderful room.  A room to make you feel uplifted onto higher ground. A room I could write in.

Outside was a statue next to the house of Samson Slaying a Philistine, a copy of a sculpture by Giambologna, executed around 1562 in Florence for the Medici.  Charles I brought it to England and it became the most famous Italian sculpture in England in the 1600s.  I saw the original marble in the Victoria and Albert museum a few days later.  But what a pick for the front of your house.  Very welcoming (see below)!  Reminds me, and I would have thought anyone approaching the house, of how rapacious and martial English aristocracy has often been. 

We drove to Cambridge.  At 530pm we went to evensong at King’s College chapel.  Sitting in this chapel, one of the greatest pieces of ecclesiastical architecture in the world, where tall fan vaulting makes stone seem as light as air, and listening to the ethereal voices of the choir sing, is one of the quintessential English experiences.  Hundreds of millions of people around the Anglophone world listen to Carols from Kings each Christmas. Being there in the chapel as they lift up their voices you feel close to the heart of England, just as I did picking raspberries in the walled garden of Wimpole estate in the sunshine.  Later that evening we saw another choral performance in St. John’s college.  The students are gone at the moment for holidays so college chapels are often used for such concerts, and such chapels make wonderful settings for such music (even if they do have hard wooden pews). 

Wimpole church – tombs of the fallen
I’m sure I’m not the only one who likes to imagine myself living here and looking out of the window over ancestral acres…
One of the most delightful libraries I’ve seen – Wimpole Estate.
A welcoming sight? I’m not sure I’d pick such a martial statue for the front of my house…
The west entrance of King’s College chapel, Cambridge.
The same entrance of King’s College, seen from the other side of bridge over the river Cam.

A day in Suffolk

July 25th, 2023

The next day we drove out to Ickworth House in Suffolk to the east of Cambridge.  We parked outside the grounds of the estate by an old country church.  Walked through the grave stones of course, and into the church.  Visiting out of the way churches in the countryside is something I am quite happy to do (perhaps odd as I’m an atheist, but they are still great Houses of Seriousness) .  Then through the main gates into the estate, and veered left into the woods.  Green leaves and old oaks enveloped us immediately as we walked down the winding dirt path.  An eighteenth century stone’s carvings informed us that this was Adkin’s wood.  I could tell that we all felt refreshed by being in this forest with its ancient, tall trees and mysterious vistas.  Then we burst out of the forest onto the wide, open parkland, dotted with many century old oaks.  These oaks were lustily uttering green leaves to the heavens, thickly limbed and massively girthed.  Onwards, and closer to the house, although we couldn’t see much of it yet.  I knew of Ickworth’s great central rotunda, more at home in classical Rome than the Suffolk countryside, so I was looking forward to seeing it.  As we rounded the path along the east wing of the house the huge rotunda came into view, and we were suitably awed.  We walked closer and could see the bas reliefs of scenes of battles and other events from ancient Rome, ringing the rotunda.  A bold expression of the love of antiquity by the marquesses of Bath deep in the green and rural heart of Suffolk.  We entered the house after a coffee and cake in the National Trust café, and came into the presence of a huge atrium at the centre of which stood a big white marble sculpture taken from Italy long ago.  Walking inside the principal drawing room of the house I saw bookshelves atop which stood marbles busts.  Two of them I could identify as Alexander the Great and Homer.  The dining room had canvases on the walls with three metre tall members of the family looking down confidently – what colossal self-importance these aristocrats cultivated through art works commissioned of themselves.   

The Earl Bishop who had conceived this rotunda as a place to display his art collection from a grand tours of Italy lost all his booty to Napoleon’s troops.  His son managed to buy back during a four year grand tour of Italy with his family much later.  So at least the great sculpture which graces the entrance atrium, ‘The Fury of Athamas’ by John Flaxman RA (York 1755 – London 1826) is where it was intended to be.  Interestingly a descendent (who had been a jewel thief in Mayfair mansions among other things) gave the house to the state and thus the National Trust in 1956, and his son took heroin and lost a 21 million pound fortune on high living and, ultimately, lost his lease tenure in Ickworth (and then his life).  Five centuries of family association down the plug with this last scion in the late 1990s when he died from an overdose. 

We wound down on empty little country roads through Suffolk, over its gently rolling hills and quiet valleys.  Eventually arrived in the little village of Long Melford.  We were there to see Melford Hall, built in the 1400s and ransacked by the puritans in the civil war.  Added to by a few different families, it sits on its smooth green sward with stately red bricks, mellowed by the centuries and the weather.  What a different vision of a stately home to Ickworth.  This I much preferred.  This was a grand house in an earlier era, when ancient Rome wasn’t the fashion, and English red brick towers and medieval style halls were more common.  The interior of the house is full of remembrance of the family that lived here until not long ago – the chairs don’t have little ropes to stop you sitting on them (although you still shouldn’t), and family photos still sit on table tops.  The dark wood hall you enter first is the quintessential version of English country house style from the Tudor era.  The library is superb.  Upstairs the bedrooms are ones you could imagine sleeping in at a weekend party in the Edwardian period – comfortable and human sized and lived in, but still with touches of elegance and style.  The way the upstairs corridor kept unfolding more and more rooms reminded me that this was indeed a grand country residence, if still humble compared to Ickworth House, or the great (read bombastically gigantic) country houses of England such as Chatsworth and Blenheim.  Melford Hall is for me the essence of what I love about the soul of England – a mouldering old country house with layers of history and love and loss and art and wood, surrounded by quiet, green gardens and gently undulating parkland beyond.  And owned by the people through the aegis of the National Trust. Not a hint of the twentieth or twenty first century to be seen.  All that is gone.  What this trip to England taught me is that the old England I love is still there, and without too much effort, just getting out into the country side with a hire car and a National Trust pass, you can experience it still.  How nice it is to know that the England I love is not critically endangered or extinct.  Of course you need to skip the famous country houses such as Blenheim, and go to places like Melford Hall.  Go somewhere that is not famous, somewhere that doesn’t trip off the tour guides lips and is out in Northumberland or Essex or Dorset or Shropshire. But that’s easily done. 

Later that day we walked up to Kentwell House, pass the parish church, over a sty and through a green field.  As the others walked ahead I looked back over the hills of Suffolk stretching away below, church spire rising about the copse of trees in beyond the field and hills beyond that.  It was a long summer’s evening and the sun was still warm. And I imagined walking this same hill and seeing this same view in spring, and in autumn.  In winter and summer.  The poetry of this place, the soul of this place.  It made me feel deeply moved by the beauty of England. 

In case you were wondering…
I did actually play tennis here – what a location!
And then the great denouement!
An English marble, carved in Rome, captured by Napolean, bought back to England, gracing the entrance to Ickworth today.
Now if I was having a weekend party, inviting a few friends to dine and sleep at my country house, what a good spot to put a writing desk where you can catch up on your correspondence while still keeping warm and feeling part of things?
In the parkland of ancient estates is a good place to search for some of England’s grandest and oldest trees.
The rolling hills and back lanes of Suffolk, quiet and surprisingly unsullied.

And then to the village of Long Melford and to Melford Hall…

Melford Hall, nestles into the landscape.
Another candidate for favourite library…
A bedroom upstairs – Beatrix Potter spent time here
Tom and James
Delphiniums in the local church yard bloom
Kentwell Hall, just up the road from Melford
To build Jerusalem, on England’s green and pleasant lands…

A few things that caught my eye in England

July 26th, 2023

The next day I was in London.  First the Wallace Collection.  A good collection of Canelettos and other views of Venice.  Wonderful setting for a gallery in one of London’s grandest town houses.  Then onwards southwards, to look at hats at Locke and Co., the place where the king buys his headwear.  This shop was started in the same place it is now in the late 1600s. Then to the gates of Buckingham Palace, ground zero for many people’s vision of London.  I hadn’t taken in the majesty of the statue of Queen Victoria outside the front of the palace, and the great bronze statues around it.  Then onwards for a walk to the Victoria and Albert Museum, where refreshments were enjoyed in its wonderful indoors café full of mosaics and shimmering light.  I saw the Bed of Ware, perhaps the most interesting bit of English furniture, a great early modern wooden four poster bed, covered in superb carvings.  Then outside to enjoy the carvings on the Albert Memorial in front of the Royal Albert Hall.  The representations of Asia and Africa are my favourite bits here – such majesty and confidence. 

Onwards through Kensington gardens, to the Speke monument.  The Speke Monument is a red granite statue dedicated to John Hanning Speke – the first European to discover Lake Victoria and lead expeditions to locate the source of the Nile.  What a great man he was, dying soon after in what may have been suicide or an accident after getting back to England from discovering the source of the Nile in the nineteenth century.  I suspect many people who pass the Speke memorial have no idea who he was, and what wonders he witnessed in the wilds of Africa, and that is a shame. 

The Wallace Collection: To this day Bedouin people still sit on the ground and tell stories in some parts of Arabia.
The Wallace Collection: A reminder of how the night was once dark, even in the city.
Being a hat lover I had to make a pilgrimage to Lock and Co, one of the world’s best milliners (yes, those prices also reflect an old and much more lamentable English tradition: extreme economic inequality).
You can tell the King is home because the flag is up – Buckingham Palace.
The Bed of Ware, my favourite piece of English furniture (at the Victoria and Albert museum).
The Albert Memorial, perhaps England’s greatest public sculpture (this is the allegorical carving of Africa).
How many people know who Speke was who walk past here today?

The next day I was in Oxford.  I wandered around the Ashmolean museum and enjoyed the top floor where the nineteenth century English painters are shown.  The Pre-Raphaelite Brotherhood was formed in 1848 by a group of young painters who intended to restore to English art a freshness and close study of nature. Home from the Sea by Arthur Hughes (1862) is of a boy on the soft turf at his mother’s grave

Here we see pathos and grief, but I have always loved this paintings evocation of the softness of the earth in an English church yard, and the way the figures are intimate with it.

And then there is A Study in March by John William Inchbold (1855). The first flowers in March in an English wood come out amongst the hard features of the season… This painting by Inchbold was inspired by the lines from Wordsworth: “When the primrose peeped out to give an earnest of the spring…” Young lambs and a hard blue sky above. The fragility of new life in a harsh world. Ruskin thought this painting exceedingly beautiful.

These were mostly images I knew, but I had never seen the original paintings up close.  It was more of the England I love. 

Later still in Oxford, walking through New College, I noticed these gates. The motto of the founder of the college but perhaps also of the idea of the English gentleman…

Later walking around the Pitts River Museum collection of anthropological artefacts I was reminded how as an 18 year old I had walked here and been inspired to study Anthropology at the Australian National University.  The artefacts here also reminded me of that side of the English character that is the intrepid explorer, from Speke and Burton to Thesiger and Robert Byron.  The plucky and learned traveller who probes far distant tribal societies and their unique view of the cosmos, and brings back the evidence to the ordered world of English gentlemen waiting in their London clubs.  England has for a very long time had this strain of deeply cosmopolitan perspective, unfortunately usually just among the expensively educated.

Artefacts at the Pitt Rivers are shown in cabinets grouped by theme. Image all of the different ways small humans have been introduced to this planet by what their different mothers carried them in?

The next day I was in a village north of Oxford, and then on bicycles off through the villages and fields to visit Rousham Gardens.  These gardens are attached to a country house, and were designed by William Kent in the 1730s, and maintain the basic pattern he laid out then.  They have never looked better than today.  The owner is 87 and not terribly bothered to make the whole thing into a tourist money making machine, so it is low key and not all that famous.  However the section that is classic English landscape garden is gorgeous, particularly that part where a stone temple and two great stone urns, look down on a sinuous bend in the river Cherwell below, and out over tree tops to a green field on the other side of the river.  What a spot to sit and reflect and contemplate the world and one’s life. 

Rousham gardens
A favourite spot for retreat and reflection…

Summer in Stockholm

July 30th, 2023

I’m in Stockholm, staying in an apartment on Sodermalm, an island neighbourhood full of hipster cafes and vegan t-shirt shops in the centre of the city.  In 35 minutes bike ride I can get to a national reserve outside the city, and I love the granite covered in mixed forest alongside lakes and rivers full of fresh water. The Swedes are found swimming in this city even when it is only 20 degrees and grey outside.  The other morning I was walking into town along the water front. In the grey light of the cool morning I noticed the head of an elderly woman bobbing through the water to my right. Only in Stockholm…

My favourite building here is the city hall.  The hall and tower has a design influenced by the Doge’s Palace in Venice, but the columns are a massive, heavy carved granite, speaking of the rugged strength of the cold North.  The city in general has clean air and no tourist crush.  The place feels civilised, and has some beauty in its water side location on 14 islands connected by 50 bridges.  The side of the island I am on is brushed by fresh water, which is a relief after being accustomed to only ever swimming in salt water where I live in Perth.

Forest near Stockholm.
Gathering wild blue berries in the forest – a good snack.
The granite provides all kinds of interesting hills and terrain for walking and running.
Stockholm city hall, from the water.
On top of the tower, soon after it was built in 1923, the three crowns, symbol of Sweden.
Walking underneath the city hall you can understand the resemblance to the Doge’s Palace and columns with statues on outside in Venice.
I love the massive strength of the granite columns, speaking of the rugged north of Europe.
On the water in the evening, in the centre of town.
Company, absence…
After a dip near my apartment – fresh water as its mostly a lake here.
Architectural detail noticed in the city.
Inside Rosendals Slott, one of many royal houses. Outside sits a 6 ton urn made of Swedish porphory.
Sitting in the garden in front of that same urn which took 200 men to slide here on ice. What a different garden style and atmosphere to when I was sitting by a fountain in Granada by the Alhambra.

I went to see the Vasa the other morning.  Arrived early to be sure that there were not many people.  The ship rears out of the dimness like a black ghost ship in a fog, complete with grinning lions carved in the ancient timbers, slack shrouds on the decks, and a 600 tons of oak ship of the line from another century and another world.  This is one of the most impressive objects you can see in any museum in the world. A war ship from the 1600s, almost entirely intact and complete. Walking around the hull and looking up the intricacy and inventiveness of the dark oak carvings is a pleasure.  I walked to the back of the ship and looked up, imagined bobbing in a little row boat on the water as the Vasa, in 1628, moments before she sank to the bottom of Stockholm harbour on her maiden voyage, moved past me. I thought of how much the viewer would have been over-awed by the majesty of this royal ship of the line and her ornate carvings on her stern and taffrail: Nordic wildmen, roman emperors, snarling lions, and open jawed monsters, light glistening off the 700 carvings of the ship as she headed for the sea.  Or another image: imagine scuba diving on the wreck before it was raised in 1961 to a crowd of thousands, and seeing the grinning skull of a sailor in the dimness and grime of the darkened gun deck, submerged in 30 metres of fresh water.  As I say, this easily one of the most impressive objects in any museum on earth.  The Vasa, the world’s most complete ship wreck from the 1600s, has become a symbol of the low gone glory of Sweden’s seventeenth century empire around the Baltic. 

The Vasa, a ship from a dark and submerged past.
Imagine looking up at the majestic stern of the ship as it slid past you. 700 carvings grace her sides.

Goodbye to Stockholm

August 6th, 2023

In the last week or so in Stockholm I’ve explored Drottingholm Palace, a royal residence west of the city. In walking around the island I found a section of wild forest near the palace and remembered the splendours of wild ecosystems in the Scandinavian northern forests – mossy green boulders, beds of pine needles, birch and oak and cool air, and silence.  It felt like some kind of spiritual and emotional renewal just to have that little time by myself in that forest.  The palace, like most palaces, felt bombastic and lacked charm.  As if it wanted to be Versailles, and was trying hard. But still a place that one does feel enlarged and at least a bit elevated compared to the muddle of modern architecture – the formal gardens with their huge fountain and water side location to the main building are at least worth seeing. 

Also visited the National Museum – the sculpture courtyard was remarkable.  A well of limpid light falling from a glass ceiling high above onto the arrayed marbles below, life size and larger than life size, created a beautiful and entrancing experience.  A huge sculpture of a shirtless, long haired Adonis with, casual, nonchalant and powerful frame, arms and hands open to the world, communicated something accepting and positive. 

Another day I went to a tour of the City Hall – loved the carved granite in the banqueting hall for the Nobel prize ceremony – and the glittering gold mosaics in the golden hall.  The mosaic representation of Stockholm shows her personification as a maiden in the centre of the world, with all the West to the left (Eiffel tower, NYC, etc), and the Orient to the right (minuets of Instanbul, camel of the Arabs, etc).  Every city in the world lives under the illusion that its at the centre doesn’t it? 

Then I went and walked around the Medelhavsmuseet, which houses Sweden’s most important archaeological collections of ancient and historical relics from the Mediterranean countries.  The place is in a gorgeous bank from 1905, full of marble and light.  If you ever want a cafe in Stockhom please think Bagdad Café – it is the best café I have been to, with views over Strömmen (the stream), the Royal Palace and the Opera, and the chance to sip coffee among real Greek and Roman antiquities. 

Yesterday I went to see the main library in Stockholm – an old building but the reading room felt poorly ventilated and uninspiring.  But outside in the adjoining park a tall bronze statue of Carl Linneaus stood.  I looked up at his figure, and thought about John Fowles’s reflection in his book The Tree that so much our modern way of seeing nature comes from this old man’s reductive, analytic gaze, parsing complexity to the binomal species name, growing, budding complexity strangely hidden and ‘owned’ by attaching a two part Latin name to it.  And yet by caring and being attentive enough to parse the green tangle of a forest into species identifications one is at least looking.  One is at least paying attention.  The scientific gaze has its drawbacks, a loss of holistic and affective understanding, and a loss of mystery, but at least it is a better fate than the total oblivion of human neglect. 

The forest near Drottingholm Palace.
The library in Drottingholm Palace.
The grand staircase in Drottingholm is full of statues, such as this theatrical woman.
The sculpture courtyard of the National Gallery.
Imagine worshipping a god in the shape of baboon? Antiquities at the Medelhavsmuseet, Stockholm.
After your Nobel Prize has been awarded you feast in the banqueting hall below, then come upstairs here to dance. The Golden Hall, Stockholm City Hall.
With the West to the left and the Orient to the right, Stockholm sees itself as sitting at the centre of the world. Stockholm City Hall.
More beautiful granite quarried in the Stockholm archipelago, at Stockholm City Hall.
The most famous scientist in Sweden, the man who divided up the natural world into binomial species names, Carl Linneaus.

Hallo Berlin

August 11th, 2023

Arrived in Berlin last weekend. The other morning I walked alone to the Jewish cemetery near where I’m staying.  The place is full of illustrious marble graves, and stone columned mausoleums, sinking in green ivy and sprouting ferns.  The descendants of this nineteenth century Sachs or Lieberman or whoever else I was looking at were mostly killed during the second world war by the Nazis, and thus so many of these graves and tombs are untended and unkempt.  Walking in under grey sky and cloudy light this place was peaceful, with hardly a visitor, and also melancholy.  A rain shower made me run for shelter under a mausoleum, and sit, contemplating the slick stone and lush greenery around me.  Cold rain falling on cold grey stone. No one left to mourn the family tomb. 

To leaven proceedings, I went to Liquidrom the next day with a friend.  It’s a spa under a concrete dome with an oculus at its centre.  One floats in low light in warm water, head and legs buoyed by flotation devices, eyes closed, electronic music dimly heard through the water as your ears are also submerged.  It is deeply soporific.  It feels good to be held like this, floating, weightless, warm, quiet.  $34 Australian dollars for two hours entry.  Beautiful warm showers afterwards, and a locker where one can leave one’s worldly belongings and forget about them. 

The following day I went on a walking tour of the centre of the city. We started at the Brandenburg Gate, symbol of the city. It is a beautiful gate with classical architrave, triglyphs and elaborate metopes – and it gave it added depth knowing that the bronze statue of horses and chariot and rider had to be recast years after the city had been bombed to smithereens in WW2.  The gate stood triumphant throughout the war incredibly, as it does today. 

The car park where the Fuhrer’s bunker once stood underneath the ground was a place to reflect on what a crazed megolomanaic lead ‘Germania’ in those days.  As the last bit of Nazi architecture is the tax department building today – it does indeed look forboding and grim, square and grey slabs of stone, looming above.

The Berlin wall and Checkpoint Charlie brought to mind how long ago the 1960s and 70s feel these days – casting one’s mind and imagination into the gulf of all those years brings up a drab and constrained East Berlin and a sad shadow of Soviet style communism.  There is a flicker of glamour from having watched spy films in this setting but generally I think it must have been more depressing than anything else. 

Last night I went to see the film Oppenheimer at the old Soviet-era cinema Kino International on Karl Marx Allee.  The cinema is rectangular concrete with a large glass counter-leavered front first floor.  The room with the bar and candy store is a stunning recreation of life at its best in 1960s East Berlin – a time warp even down to the slightly musty smell mixed with popcorn, and huge glass wall looking out over the boulevard below.  The film leaves the viewer unsettled by the dawning of the age of the nuclear bomb, and I was not feeling entirely cheerful when I set out on my cycle home…

Cycling home along Karl Marx Allee by myself that night around midnight the grand boulevard – described as the last great street built in Europe by some – built by the Communists in the 50s, was an erie but impressive experience.  90 metres wide, flanked by ten story buildings in the style of Socialist Classicism, the buildings are ‘palaces for the people’ – apartment blocks covered in cream coloured tiles with tall windows.  A Soviet Empire feeling to the place but it was hard not, despite having misgivings about the police state nature of Communism at the time, to be very impressed by what a canyon of austere pomp they had created.  The whole street, even down to the names of the cafes, is now listed and has been refurbished (soon after many of these were built they were already losing tiles).  As I cycled along, ant like in the dark, by myself, I looked up at dimly the lit facades and entrance lobbies, and felt like I was in Gotham City, or Metropolis by Fritz Lang, or some other dark and futuristic vision of glory.  Or indeed in a sequel to the film I’d just watched, Oppenheimer.  “Man is the victim of an environment which refuses to understand his soul” says Charles Bukowski, in Tales of Ordinary Madness.  Socialist architecture is in general not something which I feel designs an emotional utopia – rather it is in general, like much twentieth century modernism at least for me, overly distant and dehumanising.  But here at least the classical elements, fused to the idiom of Soviet style, were grand if they were not charming.    

And as an absolute contrast…. This morning I and a friend went to Vabali, a day spa of countless relaxation rooms, outdoor pools, countless saunas and steam rooms and plunge pools and showers, and Buddha statues and wood and stone everywhere, and sprawling green grassed gardens full of deck chairs.  People walked around with a towel around them but otherwise were nude.  I don’t know how the Germans can do this kind of thing – they did it better than most of the day spas in Bali – larger, cleaner, cooler, more well run, and probably cheaper. This is a place with a sense of luxury and relaxation and conviviality – what the ancient Roman thermae were thousands of years before.  

One of the many untended graves in the Jewish cemetery in Berlin.
An allotment garden near the cemetery – spots rented by the middle classes – makes me wonder if I really am in a big city…
Can these prices really be correct? (Wonders someone from a country where alcohol is heavily taxed…)
Good solid bricks of German bread. Delicious.
Hanging out at Tempelhofer Feld, former airport now park, and the place where the West responded to the Berlin Blockade after WW2 by flying supplies in to West Berlin.
Another funky little Berlin cafe, Cafe Plume, run by some young French guys and stacked with French editions on the shelves.
Is Karl Marx Allee (once called Stalin Allee), the last great street in Europe?
The most interesting cinema I have visited, Kino International.
Drinks at the bar before the film begins (were were there to see Oppenheimer, appropriate film for a street built a few years after Hiroshima).
Cycling home along Karl Marx Allee at midnight, alone and ant-like.
The Berlin wall is what springs to mind when many people think of the city…
Another Berlin – at this spa you can lay in warm water and listen to electronic beats and relax to your hearts content. To me this architecture recalls the ancient Roman baths and the hammans that were their legacy in later centuries.
A summer’s morning at another day spa, Vabali, where I forgot you that I was in the middle of a busy city of 3.7 million people.

Berlin, Kingdom of Prussia

August 14th, 2023

In the 1700s Berlin was the capital of the Kingdom of Prussia, which was the nucleus of what eventually became Germany. In the mid to the late 1700s it was ruled by Frederick the Great, a great legal reformer, instigator of religious tolerance, military strategist, musician and friend of Voltaire.

The other morning I walked from the Brandenburg Gate to Museum Island.  I passed the Berlin State Library – a beautiful classical courtyard with tall pilasters rising around its entrance half covered in climbing ivy.  A statue of a scholar reading in a niche.  This is one of the best libraries in the world with over 11 million volumes distributed across its sites.  The old royal library is on the other side of the Unter de Linden boulevard I had walked along to get here and in front of that library the Nazi youth had burnt books they disapproved of such as the novels of Thomas Mann in 1933.  Barbarians at the gates were here. 

In front of the library in the middle of the boulevard is a giant equestrian statue in bronze of Frederick the Great, the philosopher King in eighteenth century Prussia (Germany did not exist yet).  On the pedestal of the statue, you can see reliefs telling the story of his life, and one of them shows him playing the flute.  He was such a good flautist that only accomplished players can play the works he wrote for flute today.  He expressed a full gamut of emotions in his music and his concerts – of course this was on top of being a successful military strategist and directing the realm. 

Then I stood in front of Humbolt University and looked up at the statue of Alexander von Humbolt.  He sit on a globe of the world, and this is appropriate for a man who travelled so much, up South American mountains for example, and who said that ‘”The most dangerous worldview is the view of those who have never looked at the world”. 

Walking on I stepped over the bridge to Museum Island, called the Schlossbrücke.  The statues on the balustrades of the bridge made me think of Charles Bridge in Prague of the Ponte Sant’ Angelo in Rome – a triumphant and majestic mode of arrival as you step to the island.  Of course they are much older in Rome, and the carrara marble here in Berlin was carved in the mid nineteenth century (much of the sculpture on the Ponte Sant’Angelo went up in the 1500s).    

Then I got myself an annual pass to the state museums of Berlin and proceeded to walk around the Pergamon Museum.  This contains one of the great marvels of the entire Middle East, the Ishtar Gate.  It was excavated by Germans in the first decade of the twentieth century what is now Iraq from ancient Babylon and moved here, brick by brick in barrels pretending to contain coal.  It was shipped to Berlin and carefully reconstructed.  It is a long processional way, walled on both sides with moulded tiles in blue depicting lions walking forward.  Then it culminates in a grand entrance to the city of Babylon.  Amazing to imagine this civilisation, so exotic and far from the present (it was put up in 575 BC).  Imagine finding this gate, deep under the sands.  Bringing it to light again after thousands of years.  The Bedouin people of the area would have found it just as exotic as us, so long had it been buried by the desert. 

The Lustgarten, the lawn area in the centre of Museum Island, is one of the great public spaces in Europe, surely.  The Berliner Dom, their cathedral, is so vast it is a little sibling to St. Peters in Rome. What glory old Prussia brought forth in this ensemble of spaces and buildings in this area of Berlin.

Berlin State Library, one of the best in the world.
A Roman scholar presides in the niche above you as you enter the building.
A reminder of the destruction to the museums of Berlin that allied bombers caused.
Humboldt, the man who invented ecology and looked globally.
The Ishtar Gate, jewel of Mesopotamia, now in the Pergamon Museum, Berlin.
Imagine being there in the first decade of the twentieth century when each spadeful uncovered more of this grandeur from almost three millenia ago.
The market gates from Miletus, reassembled in the Pergamon Museum, Berlin.
The Lion Fighter statue in front of the 1828 Altes Museum for the study of antiquities, Berlin.
Statue of Athena encouraging the young warrior on to victory, on the Schlössbrucke over the the river Spree. The pride of the GDR, the tv tower in the background, looks a somewhat incongruous in this setting (even though they thought it made them victorious in the eyes of the world).

The past and the present in Berlin

August 14th, 2023

This morning I visited the Treptower Park Soviet War Memorial, the largest war memorial in Germany and a place that honours the Soviet victory over the Nazis when they eventually took Berlin, and the more than 80 thousand Russian soldiers who were killed.  More than 5 thousand are buried under the grass here where I was walking.  This is the most impressive war memorial I have ever seen. 

Two giant flags made from red granite are lowered as a kind of gate to the space.  A huge rectangle greets you of grass, flanked by many large stone sarcophagi on either side of this long rectangle.  At the opposite end you see a hill on which stands a vast bronze statue of a victorious soldier.  The soldier carries a sword, and its blade bites down into a broken swastika.  Leaving aside the politics of all this for a moment, you could not design a more monumental and awe inspiring war memorial.  This was made about four years after Berlin had surrounded to the Soviet troops in mid 1945.  It took 3 years to build with 1200 workers and 200 sculptors.  As I walked around looking at the carved stone reliefs telling the story of the Russian struggle to defeat the Nazis I was reminded that at least symbolically the Russians had won the second world war.  They raised their flag over the Reichstag.

Note the blade cutting into the swastika.
Under this grass lay more than 5 thousand dead Russian soldiers.

Berlin can easily bring thoughts of sad and monumental European history to mind. 

But it can also easily lighten the load.  Ever since Christopher Isherwood can here in the twenties to live a bohemian life, or Nick Cave came here in the eighties to be debauched and compose music, or continuing with the electronica of the clubs of today, it has had a lighter side.

I walked around Freidrichshain yesterday evening as the sun was low and the warm summer glow filled the cafes and bars of this alternative, creative neighbourhood.  It felt like one of the coolest places to be in Europe.  Free thinking, young, international, open minded, artistic people walked and sat, chatted in parks with beers bought at corner stores, snacked at vegan Vietnamese or imbibed at Portuguese bars.  The light cast long rays down the street through the canopy of the many trees around Boxhagener Platz.  The buzz was palpable.  And it wasn’t marred, like it is in Rome or Paris or Florence by the hoards of American, Chinese, and other nations camera wielding tourists.  It seemed to be mainly people who lived in Berlin – although I’m sure there were people like me there for the fun. 

Boxhagener Platz, very social and aromatic with the smell of joints.
So many people out on the pavement enjoying the summer, finally here after weeks of grey weather in northern Europe.

Humbolt Forum

August 17th, 2023

The Humbolt Forum is a reconstruction of the baroque palace that was here in an earlier epoch. Afterwards an ugly socialist concrete rectangle took its place. But as of the last two and a half years you can sit in the Lustgarten and look in the direction of the Humbolt Forum and see an elegant stone building in every direction. Sometimes going forwards requires going back.

One of my favourite places in Berlin is the Museum für Asiatische Kunst, the Museum for Asian Art. This is on the top floor of the Humbolt Forum.

A new sculpture on a window pediment, on an inner courtyard of the Humbolt Forum, 2020. All the carvings required for this building caused a minor renaissance in these skills.

In one of the early sections of this museum you will find Buddhist sculpture and art from north-west Pakistan. Alexander the Great of Macedonia conquered the Gandhara civilisation here in 327 BC, and brought Hellenistic influences in the art. So much of what I saw here was Greco-Buddhist art and sculpture. You can see the robes or the poses or other aspects of the representations of the Buddha having strong Hellenistic influences as you walk around this section of the museum. West melds with East, East melts into West.

The relief carving below was one of my favourite works. A perfect example of the power of meditation to rise above negative emotions.

When assailed by the turbulent feelings of anger, fear and aggression, symbolised here as the ‘troops of Mara’, the Buddha could find serenity through meditation. Gandhara, Pakistan, 2-3rd century.

Seven months ago, at the end of 2022, the below stone gate was finished. It was only officially inaugurated four months, at the end of April. But it is one of the coolest things in Berlin: a 1:1 reproduction in beautiful red German sand stone of the Gate of Sanchi. The Gate of Sanchi is one of the high points in the history of world architecture. It is 10 metres tall, 6 metres wide, and weights 150 tons – and the original is one of the oldest stone structures in all of India. In the 1860s, British Lieutenant Henry Hardy Cole made a cast of the East Gate of Sanchi, the main portal of an ancient stupa, for the Victoria and Albert Museum in London. Imagine how hard it would be to make a plaster cast of something this big! When the British came upon this gate the site was neglected by the locals – no longer Buddhist – and lay in total ruin. What a testament to the curiosity about the world of the archeologists of England that they bothered to do this, and that Germany has just paid almost two million Euros to recreate this and put it in the heart of their city.

The Gate of Sanchi, outside the new Humbolt Forum building. These were actually milled with a CNC routing machine (a robot basically), based on scans of a nineteenth century cast made Germany had bought from Britain, and then hand finished by stone carvers. They used the Rhine land red sand stone I had seen in the castle at Heidelberg – so this is a testament to Germany’s love of archeology and art and technology and travel all together.
The goddess Shiva holds creation in his left hand, destruction in her right, and tramples on ignorance below. Natajara, the dancing shiva, from South India, 19th century (Humbolt Forum).

Perhaps my favourite works in the museum are the eighteenth century Chinese paintings on silk. Images to stand in front of and empty one’s mind. I slowed down and focused on the brush strokes that transported me to mists and space, silence and beauty.

Two figures contemplate the void. Two ships pass by in the distance. Are we forever alone, even as we are together? Wang Yun, 1715, ink and colour on silk (Humbolt Forum).
Wu Hong, 1723 (Hubolt Museum)

Altes Museum and Neus Museum

August 18th, 2023

One of the world’s great museum entrances has to be the Altes Museum in Berlin. Stone eagles sit in a row above the entablature, and 18 ionic columns line the portico. A huge granite basin sits in front. This was the king Friedrich Wilhelm the thirds idea, and his architect Schinkel realised it. Built by 1830, it was a relatively recent idea that the middle classes, newly confident, should have access to great culture.

The granite basin in front of the Altes Museum is 7 metres across. They were obviously looking to go to the level of the ancient Egyptians in scale for this one.
You then enter a great rotunda, inspired by the Pantheon in Rome, and ringed by statues of the Greek gods.
Next you would have walked through a doorway and are greeted by what is in my opinion the jewel of German archeology: the boy praying, an original Greek bronze.

The ‘boy praying’ statue is from around 300 BC, and was found in Rhodes. By 1503 it had ended up in Venice, and then cycled through the hands of aristocrats around Italy, was owned by Charles the first in England at one point, and by French royalty later. Eventually Fredrich the Great had it at his palace in Potsdam where he could see it from his desk in his study. Luckily in a more democratic century it is accessible to all of us plebs, if you make it to Berlin.

The Neus Museum next door was the idea of the next king, Wilhem the fourth. It was badly hit in the war, and rebuilt in part, leaving the bullet holes on the outside, in the early 2000s.

In the Neus Museum next door I was struck by the splendour of this marble statue of Helios, god of the sun. It had to be lowered by a helicopter through the ceiling! Its eyes are piercing.
The second of the great bronzes held by Germany, Xanten Boy. This figure would have carried a tray full of luxurious foods.

The sculpture above, Xanten Boy, was found by fishermen on the banks of the Rhine river near Xanten in southern Germany in 1858. He wears a crown of grapes, flowers, pomegranate and fruits of the field. He would have been present holding a tray at a Roman banquet. He probably comes from the first century AD. Perhaps he was dropped into the river when someone had stolen him and was making off. Imagining the bronze sculpture in place in a Roman banqueting room you start to get an idea of how old is the idea of presenting beautiful food and drink to one’s guests as a gesture of abundance and celebration.

Alte Nationalgallerie

August 19th, 2023

Another wonderful building on Museum Island is the old national gallery building. King Freidrich Wilhelm IV had the idea of a temple-like building raised on a plinth decorated with motifs from antiquity, and that is the Alte Nationalgalerie we have today.

I think the lawn in front of this temple to the arts must be one of the nicest spots to sit in Berlin (you can see WW2 bullet holes on the fluted column in the left foreground).
Abbey among Oak Trees
Caspar David Friedrich 1809/1810

Perhaps the most well known German painter in the world today is Caspar David Friedrich. His painting from the early nineteenth century ‘Abbey Among Oak Trees’ is in my opinion the best darkly Gothic painting of all time. Seeing it in the full size original you are struck by its ineffable force, its spiritually poised atmosphere of mortality and mystery. Monks gather under the ruins, and the early dawn light. My intuition is to not try to describe the painting too much as much of its pleasure is in one’s own individual reception of it.

Flute Concert with Frederick the Great in Sanssouci
Adolph Menzel 1850 – 1852

I have mentioned before that the man who is very central to the history of Germany and of Berlin, Frederick the Great, was an excellent composer of flute music, and player of the flute. In the audio guide to this painting they have helpfully included some eighteenth century flute music, and standing in front of this very large canvas and listening to the music the candle lit atmosphere of cultivation and good taste of that long lost world, conjured by Menzel so perfectly in this painting, comes through strongly. Gorgeous.

Balcony Room with a View of the Bay of Naples
Carl Gustav Carus circa 1829/1830

I for one can think of few better things than having a room that gives onto an old harbour town quay, with the sea beyond, and a guitar laying nearby. I’m clearly not the first person to love this ensemble.

‘Cherry tree in blossom’ by Auguste Renoir, 1881

This painting by Renoir took me by surprise. So much luminous colour and beauty. How could you not be lifted up by this if you saw it on your wall every day, showering you in colour and abundance? Possibly the painting that has startled me most with sheer pleasure and warmth.

After the Rain
Gustav Klimt 1898

Thanks to a special exhibition I was able to also see some of the paintings of Klimt, on loan from Vienna. The above painting really struck me with its lambent glow and strange beauty. Unfortunately that is hard to recognise on an electronic screen.

The Alte Nattional Gallery had a long line outside when I went. However if you really want to experience great art and you are in Berlin, I suggest heading to the Gemaldegalerie, which is what I did next…

Gemäldegalerie, Berlin

August 20th, 2023

This place is huge! And you won’t have any crowds to deal with, even in the highest of the high season. Personally I have found this to be my favourite gallery in Europe in terms of overall experience, of the range of artists and the quiet and spaciousness of the gallery context. The Uffizi Gallery in Florence is great, but it isn’t so enjoyable to visit if you are being jostled by a crowd of thousands.

Yesterday, mid summer, in what I think is Berlin’s greatest art gallery: the Gemäldegalerie. I stood in rooms full of Holbeins or Rembrandts or Vermeers or Claudes with hardly a soul to disrupt peaceful viewing.
Hans Holbein the Younger 
J., ‘The merchant Georg Gisze’, 1532.

The Birth of Bourgeois Man. From around 500 years ago in north-west Europe, in places like this and people like Holbein’s merchant, we get a gradual shift in psychology. Institutions like stock markets, banks, market towns, and universities affect Western psychology and that that psychology becomes more about acquisitions, hard work, deferring gratifications, bending over the desk and focussing on personal enrichment. The eyes of the individual become dull and joyless. In this painting by Holbein we have a perfect representation of this new kind of man. The middle class striver, and pen pusher. Money lays on the desk, keys hang in the top right – make the money, buy the stuff, lock it up. Keep good records. The slender poesie of flowers has but a moment before it will wilt. Our living moments are passing and fading away as we focus on the jingling coin. There are so many details in this painting that you can focus on when you see the large original canvas, for example the Turkish rug covering his table makes me think of global trade flows.

Bust of an Apostle, Anton van Dyck, Gemäldegalerie, Staatliche Museen zu Berlin.

The fire burns in this man, and his eyes tell you that. A ruggedly beautiful face from the brush and the imagination of van Dyck. He was court painter for Charles I in England but this is my favourite painting of his and its here in Berlin. He is an apostle for all passion and all certitude of conviction.

Carrying of the Cross
Pieter Brueghel the Younger circa 1605

So much is happening whenever you take the time to look at a large canvas by Brueghel. Here Christ is carrying the cross to the hill of Golgotha where he will be cruxified. It is a central moment in the religious imagination of the Western World. And yet…

A small section of the above painting that I photographed.

And yet… W. H. Auden was right in his poem about another painting by Brueghel. I will quote a few lines and you’ll see what I mean:

Musee des Beaux Arts

W. H. Auden

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.

Now look at the section of the above painting I’ve included. Look at the two men on horse back having a quiet chat on the way up the hill, and seemingly not galvanised by the magnitude of the moment and its cosmic significance. As Auden says, suffering takes place ‘while someone is eating or opening a window or just walking dully along’. In other words, part of emotional maturity in life is recognising that you or your preoccupation are not centre of the universe. You are not the protagonist in the mind of another person, as you are in your own. Perhaps not even Christ is, sometimes.

“So de Oude songen, so pypen de Jongen”. As the old sing, so pipe the young. Jan Steen, 1663.

This next painting by Jan Steen is a festival of bad behaviour. Boozing, and smoking, and gorging on cake. It was only in the 1500s that highly refined sugar got to Europe in large quantities. As the middle class grew in the 1600s in the Netherlands and north-west Europe more people could have sedentary professions and in combination with lots of alcohol, smoking, and refined sugar, we get more of the mismatch diseases endemic to the modern West. The arteries of these men and women, our ancestors in a sense, start to get more clogged, and their blood pressures start to rise. Diseases of affluence, the one’s that modern hospitals labour under the weight of today in the West, started long ago. In this painting by Jan Steen we see a world where they are really getting under way in earnest. The old are still singing this tune, and the young are still piping the refrain.

 The Duke of Choiseul (1719-1785) of St. Peter’s Square in Rome, 1754, by Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome).

This is a huge canvas, and you stand in front of it and are humbled by its size. The screen can’t communicate that to you. But it is a reminder of how much French and English and German aristocrats loved Rome and its glories. It is a reminder of how much I love the sheer scale and majesty of the piazza in front of St. Peters in Rome. It is one of the great human made spaces in the world, certainly one of the greatest public spaces in Europe. Here the world seems larger and the ceiling of cultural possibilities higher.

And what is another obvious choice for a great public space in Europe? Well just walk on through the Gemäldegalerie and come to the Canalettos…

The Molo looking West, with the Ducal Palace, Canaletto, 1730.

I cast my mind back to the Venice this painter knew, full of mouldering Gothic edifices and shimmering sunsets and pungent odours, and I am nostalgic for a world I have never known. Today Venice is still beautiful and to be treasured, but she is dying under the weight of over tourism. The city has been loved to the point of death in 2023. I got up at 5am one morning last year and stood by a column next to the Ducal Palace and looked out from the molo, and felt for a moment this old European splendour and beauty with hardly a soul around in the weak dawn light.

One thing is certain: if you want to escape the world of over tourism, just visit the Gemäldegalerie, Staatliche Museen zu Berlin. For reasons I don’t understand, this place is wonderfully uncrowded.

Fellow converts to the religion of walking

August 21st, 2023

“Sometimes, I overheard my aunts discussing these blighted destinies; and Aunt Ruth would hug me, as if to forestall my following in their footsteps. Yet, from the way she lingered over such words as ‘Xanadu’ or ‘Samarkand’ or the ‘wine-dark sea,’ I think she also felt the trouble of the ‘wanderer in her soul.”

The Songlines, Bruce Chatwin

Helmut Newton’s portrait of Bruce Chatwin, and me. At the Museum of Photography, Berlin.

I was reading Bruce Chatwin’s letters while sick in bed at the start of this year. Strangely that book and that experience was part of the inspiration for my peregrinations in 2023.

“I haven’t got any special religion this morning. My God is the God of Walkers. If you walk hard enough, you probably don’t need any other god.”

― Bruce Chatwin

I wouldn’t go as far as that, but I do agree with Chatwin and other such as Wordsworth, that if you want to cast off low spirits or confused thinking, just walk for at least two to three hours a day, every day. If you don’t believe me, then try it. It works for me.

The other day I was sitting in Dussman’s in the centre of Berlin – a very stylish bookshop with a large English language section. As I was browsing I came upon this map.

Where to next?

Places of ceremony and power in the Pacific

August 22nd, 2023

This afternoon I was at the Humbolt Forum, and spend some time in the section on Melanesia and Micronesia.  A wonderful experience has been designed by the museums curators, where you are taken by large projected video up the Sepik river on the north coast of Papua New Guinea, one of the great rivers of the world, still full of wildness and grandeur. Then you walk down a stair case and stand in front of a traditional men’s house and its triumphant gable.  These houses up to 25 metres in situ, and this was smaller but was still extremely large so that it took up two or three floors of space.  I stood in front of a flat large touch screen and went through old photos of these places.  And what came into my mind, but the tympanum (the section above a door lintel) with its carvings and images of old men representing saints and so on above the main entrance to English and French cathedrals… Strangely this came into my mind… As I looked up at the row of large stylised faces of men looking down at me from the gabled front of this Sepik River men’s house.  Humans repeating motifs and patterns in the world over thousand of years and, deserts and oceans and forests away.

These houses were for men to be initiated into the world of the spirits and the ancestors. As I spent more time learning about this Sepik river architecture, about how these houses are built, and what they were for, I remembered the ancient and enclosed world of PNG traditional culture that I had learned about from watching the famous triology of documentaries by Australians Bob Connolly and Robin Anderson, from reading Throwim Way Leg by Tim Flannery, and other sources. It is a cultural cosmos, complete and elaborate and proud, to rival any other cultural cosmos in the world.  Unlike English aristocrats who emulated ancient Rome in their architecture and culture, these men and women did not know about the outside world until the twentieth century.  They were not ‘remote’, they were not ‘on the periphery of world affairs’, they were not ‘far away from the centres of power’, etc.  They were at the centre of their cultural and natural universe.  Living cultures thousands of years old full of rituals, architecture, art, rites of passages, languages, knowledge of the plants and animals and weather of their world. 

Being here in this section of the Humbolt Forum made me want to take a long canoe with an outboard up the Sepik.  It gave me feel refreshed to remember that peoples and cultures close to my home in Perth, W.A. have until recent decades, felt secure in their place in the cosmos, and were planted in a dense culture that showed no deference to Greek democracy, Shakespearean drama, Claudean landscapes, industrial revolutions, or European monarchs.  That existed proudly independently and confidently, naked and strong and ingenious amongst their yams and their pigs and their forests full of vines and mountains and wide brown rivers. 

After immersing myself for half an hour in the architectural traditions of this culture along the Sepik River, and standing under the eves of one of its towering products, high above me, I moved on.  I walked to a bai, a traditional house for ceremonies, made in Palau, in Micronesia.  Yes, they have an actual bai here in the Humbolt Forum in Berlin.  It was made in the first decade of the twentieth century for a German ethnologist by the locals over three months, then shipped to Berlin.  And so I took my shoes off and stepped inside the raised platform of the bai, under its thatched roof.  The beams above me were carved with figures and animals, each telling a different story.  I sat next to the stones of the central hearth and pressed a button, and a disembodied voice from the rafters above me told me the stories of the people.  As each story was recounted I could look up and find it represented in carvings on different beams.  This made me think of the way the story of the bible is carved into wood and stone in English churches, from medieval times when most people were illiterate and stories were best represented that way.  It was the same here in this old Palauan culture.  What a wonderful experience. 

But it felt strange that I had come all the way to Berlin to have this experience, when I live in a country that is, comparatively, just next door to PNG and Palua.  Why don’t we tell these stories in Australia, to become more acquainted with our geographical neighbourhood more intimately?  I also reflected on how all of these rituals and ceremonies on the Sepik River had their swan song in the 1980s, and since then the triumph of meddling Christian missionaries have pretty much ended it all.  What continues is now done mainly for the tourists, what little come to this often violent area of the planet.  What a horrible thing to usher in the demise of cultures many thousand of years old through bigoted proselytising of your own holy book.  It is bad enough when you meet, as I have, people working in mining in PNG who don’t seem to care much about the people whose rivers they are polluting, but worse when people actively dissuade others from following their own cultural inclinations because of their own religious self-righteousness.

Still, thank you Humbolt Forum. You have widened my field of vision.

The mighty Sepik, a river to celebrate and honour. I think a journey up the Sepik would be a great adventure, up there with a journey from Lake Victoria to Cairo (and sadly probably not much safer these days with so many guns around).
Where else can you go to a museum and learn so much about the architecture of the Sepik River region in PNG? I think Alexander Humbolt, that great explorer and scholar, would have been proud of the museum named after him.
Back in the 1980s the last of this culture of veneration and ritual in these men’s houses was able to be documented before it faded away.
These structures tower up to 25 metres high in Abelam villages up on ridges. That is like a 7 story apartment block today. Can you imagine what imagination and skill and vision it took these men to design and built these out of wood and bamboo?
Further north in the Pacific you get to Palau. Here the cultre also built houses of great cultural significance, the bais.
I sat inside a bai today and listened to stories told about the Paluan ancestors from speakers in the rafters, while seeing these stories etched into the beams above me.
When you live in Perth, what do you see if you look straight north?

Places of peace and reflection in Berlin

August 23rd, 2023

As I sat on the grass looking across to the Charlottenburg Palace, I could hear a midsummer woodpecker gently drumming up in the trees somewhere above me. I had left the city’s beat.
I couldn’t work out where this bronze sculpture was from…
Later at the Museum of Decorative Arts I saw another copy and worked out that it is Castor and Pollux, a statue that comes from 1st century AD Rome and is now residing in the Prado in Madrid. This is a porcelain copy. There’s another copy in the V and A in London.
Down a long avenue of fir trees in the Charlottenburg palace gardens you find a Doric Temple. Its a mausoleum to Queen Luise of Prussia. Christian Rauch sculpted her tomb from white marble, and here she lays in the cool shadows and silence, 213 years later.

Why do I linger in places like this? Perhaps this is why…

‘Teach me mortality, frighten me

into the present.  Help me to find

the heft of these days.’

-Jack Gilbert

Another place that you can find mental and spiritual space for peace and reflection is the old Jewish cemetery, and so here I returned this morning.

The German reads: Stronger than death is love.

…two great gods in a vault of starlight

  Play ponderingly at chess; and at the game’s end

  One of the pieces, shaken, falls to the floor

  And runs to the darkest corner; and that piece

  Forgotten there, left motionless, is I….

  Say that I have no name, no gifts, no power,

  Am only one of millions, mostly silent;

  One who came with lips and hands and a heart,

  Looked on beauty, and loved it, and then left it.

  Say that the fates of time and space obscured me,

  Led me a thousand ways to pain, bemused me,

  Wrapped me in ugliness; and like great spiders

  Dispatched me at their leisure…. Well, what then?

  Should I not hear, as I lie down in dust,

  The horns of glory blowing above my burial?

-Conrad Aiken from Tetelestai

…nothing human remains. You are

the earth and air; you are in the beauty of the ocean

And the great streaming triumphs of sundown; you are alive

and well in the tender grass rejoicing

When soft rain falls all night…

-Robinson Jeffers from Hungerfield

Journey to Prague

August 31st, 2023

Yesterday I began my journey south. I looked out on this grey weather from the left window at the dimples of rain on the muddy Elbe River as it flows past steep grass banks, and yellow and green steeply pitched three-story mansions behind, and wooded slope behind them.  I would soon enter Bohemia for the first time as we cross the border and enter the land of my grandfather’s family, Jewish members of the Hapsburg Empire. 

I feel good to feel free and mobile and agile on the surface of the earth.  The beauty of the river valley to my left was surprising me as we wound forward.  It is the river Elbe, slowing and then quickly flowing through green and lush Saxony in south-east Germany. Mist hangs in the valley above white stone cliffs high above.  This river valley carried our train south and I saw some of the most beautiful and lushly forested landscape I had seen anywhere in Germany. 

The train from Berlin winds along the Elbe river with its high sandstone escarpment.
Perhaps my favourite bit about Prague was just getting there…
Celebrating crossing the border as the price of the beer drops by half in the restaurant car when you enter Czechia.

And so let’s be honest. The old town of Prague has been killed by the huge crowds of tourists in 2023.  It makes visiting the old town square almost unenviable so thickly does the crowd jostle.  But the walk up to the castle at the top of the hill thins out the numbers because the climb is relatively steep.  Up there you can appreciate Prague a little more. 

View from the castle gardens over Prague.

This morning I walked up through the green and quiet park behind my hotel, and over the hill to visit the library of Strahov Monastery.   This was completed in 1679, and there is a surfeit of stucco decoration on the walls and ceiling.  The bellowing American tourists marred the atmosphere of contemplative calm that I was hoping for, but the space is still impressive. 

Theological Hall, Strahov Monastery.

The highlight of this afternoon was watching the Prague Symphony Orchestra perform in Wallenstein Garden.  They were playing in the 1627 loggia whose ceiling is painted with frescoes depicting the battle of Troy.  They played, amongst other things, the score of Lawrence of Arabia, and the visual context couldn’t have been more dramatically appropriate, ancient Trojan battle scenes and all.  A crowd of thousands of Czechs had gathered in the gardens to watch. 

If you have never visited a place it is understandable that certain films or other bits of culture might colour your perception of that place. In 1996 a film called Kolya came out which is set in Prague. The main character is a down on his luck bachelor who lives in a wonderful medieval tower and plays the cello. And so for me Prague has always been associated with classical music and medieval spires dimly seen through misty window pains. It is fitting then that I was able to hear some classical music on my one day in the city.

Tomorrow the journey south continues…

The Alps

September 3rd, 2023

As my train rolled west from Vienna the countryside became more hilly and alternated with deeply green grass and copses of trees and little villages clustering around a church with a tall, onion domed spire.  And then the Alps…

What can you say about the Alps?  What would Europe be without the Alps?  As I approached a feeling of power and drama came to me.  The power of the world seemed heightened as I saw the colossal rock faces and ridges of the mountains to my south, looming under cloud tossed skies.  It was as though a part of me lit up again, a part of me became alive again.  These mountains emanate a sense of undeniable wildness and sing a song of adventure to the world.  They shrug off humans and our inventions and our cultural fabric, as if we are marginal and they central.  They say nothing and yet I feel infused with a sense of spiritual grace approaching their slopes and peaks.  I know others have felt this – Bruno Manser, Reinhold Messner, Herman Hesse, and of course the English pilgrims such as Wordsworth and Byron, have felt the spiritual power of the Alps.  John Muir spoke about the sense of grace and uplift that mountains can bring into your life more memorably and clearly than anyone in English, even if those words were about a mountain range far away from here.  Forget about the others, my own feelings this night as the train sped down into the valleys of the Alps, past church spires crowned by onion domes, rising up against the backdrop of steep stone and high places, were feelings of happiness.  I felt like I was stepping back into adventure.  The cities of Europe can have great beauty, but I was in need of the song of the earth in my ears. Now it is here. 

The next day in Innsbruck I took two buses up to 800 metres, then walked for a few hours up to 1900 metres on Nordkette.  It was a very steep incline full of loose stones in full sun much of the way.  I drew fast paced gusts of breath and could only concentrate on putting one foot in front of the other and not falling off the slope for some of the ascent.  My legs and my lungs took me to the top, whereas the tourists at the restaurant at the top had paid 70 dollars to get there in the metal cable car.  Cresting a ledge of grass I looked across to a stone scree slope along the flanks of the mountain’s ridge.  The Brenner Pass was to my south, over the other side of the Inn valley.  Thousands of years ago Roman soldiers marched down the Brenner pass, in the middle ages horses and carts made the journey, and after 1945 some of the escaping Nazis fled that way.  So much history below, but up in the sky you could just see distant peaks, covered in snow, and jutting stone ledges pushing into the blue above.  The walk down was sometimes accompanied by wildflowers blooming in clearings that were made for ski slopes when the temperature is about thirty degrees below what it was today. 

The train rolls along the north edge of Europe’s most towering mountain range.
Walking up Nordkette the slope was at a relentlessly steep incline.
On the way up Nordkette the sun became hot.
That evening in Innsbruck looking down at the turbid waters of the Inn river, one of the Danube’s most powerful tributaries.

Today my friend who lives here and I took a bus about an hour west of Innsbruck to Kuhtai, a little ski resort.  Kuhtai in the Tyrol is the highest alpine ski resort village in Austria, with a base elevation of around 2000m.  We hiked up to three perched lakes, and took our clothes off and swam in the last one.  The water was very cold, as you’d expect from snow melt.  The second time I went in it was actually a bit painful – the kind of pain you feel if someone holds an ice cube against your skin for a bit too long – even in the seconds after I got out, this discomfort endured.  But then the day’s warm sun defrosted me and the pleasure of being up at a high, wild alpine lake, sitting on a warm stone feeling clean and new came over me. 

We walked on, and climbed a route up a 2641 metre peak.  A bowl of water below us looked iridescently light blue, Speicher Finstertal, and above it towered jagged aretes atop another mountain ridge.  A tiring steeple chase up and up and up began, pushing just slightly into one’s fear and against one’s hesitation.  And then after an hour or two I am there, and straining quadriceps have elevated us into a realm of stone and ice and cloud.  One’s motivation and muscle have done what almost doesn’t seem plausible when standing low in the valley below.  I looked at the rocky high panorama around me, down into the bowl in the mountains filled with surreally blue water.  At that moment I thought that this alpine climb and this moment high on the earth is one of the memorable moments that I will get in this life. 

Cold mountain water always feels better when looking back from the other side as you dry off.
Can this blue be real?
A sublime bowl of mountains and water revealed itself as we neared the peak.
On the top, enjoying the long view.
After getting down we set off on our journey back to civilisation.

Vienna

September 8th, 2023

IN THE LATE nineteenth and early twentieth centuries, Vienna was the best evidence that the most accommodating and fruitful ground for the life of the mind can be something more broad than a university campus. More broad, and in many ways more fun. In Vienna there were no exams to pass, learning was a voluntary passion, and wit was a form of currency. Reading about old Vienna now, you are taken back to a time that should come again: a time when education was a lifelong process. You didn’t complete your education and then start your career. Your education was your career, and it was never completed. For generations of writers, artists, musicians, journalists and mind-workers of every type, the Vienna café was a way of life. […] Most, though not all, of the café population was Jewish, which explains why the great age of the café as an informal campus abruptly terminated in March 1938, when the Anschluss wrote the finish—finis Austriae, as Freud put it—to an era (from Cultural Amnesia by Clive James, 2007).

Reading James’ words made me more sympathetic towards Vienna than I would otherwise have been. And for years I had known it was the city of Wittgenstein and Freud and Klimt and plenty of other intellectuals and artists. But that was years ago and this is now.

Having just made a brief visit to the city I found it a smallish and architecturally dignified city north of the Alps. Not a world capital.

Yet it was. Vienna was the third largest city in Europe in the nineteenth century, after London (the biggest by far) and then Paris.  Apparently Freud used to walk along the Ringstrasse to clear his head after a long evening’s writing.  I walked there too, and enjoyed the tree lined boulevard lined with late nineteenth century neoclassical Parliament, neogothic Rathaus, and Renaissance Kunst history museum.  On my first afternoon in Vienna I actually made it into the Kunst history museum with an old friend who moved here from Brazil several years ago.  We walked to the room upstairs full of paintings by Brueghel.  I stood in front of his Tower of Babel for a while.  In this painting a huge tower is being built but it is falling apart in area – symbolising that the monoglot truth of humanity is crumbling into polyglot tribes. Perhaps this is a good symbol for the present state of the West as we become more stridently polarised on a political and cultural level. And I also stood in front of Brueghel’s The Peasant Wedding painting – the one I see when I visit two friends in Fremantle where a reproduction hangs on their wall.  It is a good reminder of the humanity of people long ago in north-western Europe being individual personalities with individual stories and dramas played out in their own time, in the 1500s.  In ways that still play out today, in different clothes, and with different material and technological environments, but otherwise with many of the same impulses and qualities stemming from a deeper human nature. 

Vienna is a pretty city.  Clean, full of caryatids on nineteenth century facades, and has very civilized koffee haus culture where you can find a table, get a newspaper and order your cup of coffee and slice of strudel and while away the afternoon.  It has the ghost of the House of the Habsburgs lingering in it.  You see this ghost atop the Hofburg in the shape of a two headed eagle in carved stone.  The konig of Hungry looks one way, and the emperor of Austria looks the other, a two headed overlord. At the end of the line this overlord was a whiskered and side-burned Franz Joseph.  The self-importance of this monarchs took a beating as in 1848 Europe was erupting with a rash of republican uprisings. And as the great buildings in stone went up on the Ringstrasse in Vienna the Austro-Hungarian Empire already had its days numbered.  These buildings try to assert something that wouldn’t last.

If you want to see a good reproduction of a classical temple wander around the Austrian parliament building.
The ‘father of history’, Herodotus, even sits in front of the parliament.
One of the less tourist crammed coffee houses in the city, Café Bräunerhof, provides an oasis of calm to retreat with a coffee and a paper (very expensive coffee and cake even here).
The Strauss memorial only went up in the Stadtpark in 1921. I had to come here and pay my respects.
Surely no other city in the world has this number of caryatids holding up its facades?
The ghost of the Habsburgs lingers and looms in Vienna (outside the Hofburg, the winter palace).
Pieter Brueghel the Elder’s 1567 ‘The Peasant Wedding’, a tangle of human stories, like any wedding party today.

Athens

September 14th, 2023

I have come to Athens, my final port of call in my journey south across Europe. I sit in my room on the big green park, Pedion tou Areos, and look out of the window and see canopy, and beyond that, arid yet green hills. Of course I should add that: in all other directions I am hemmed by the concrete jumble and cacophony of traffic that is 2023 Athens, and my window is firmly closed to stop the sound of traffic from overwhelming me.

I leave Europe in a few days, and start my journey home to Australia. I have had moments of beauty and pleasure living in Europe this year, but also moments of loneliness. In Moby Dick, when the sea captain Ahab is old and grey and tired, tired of the chase, he turns to the character Starbuck and says: ‘stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky […] By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and child in thine eye’. As for Starbuck, now is the time for me to forego hazard. Ahab could see home in the human eye, and he could have been looking into mine.

Greece – that beautiful country that is sometimes sullied by the architectural and auditory manifestations of its capital.  The Agora and the Temple of the Winds area and on top and on the south side of the Acropolis are parts of what redeems Athens as a city.  Walking in these places early or late in the day without the crowds reminds one of classical greatness and the beauty of old Greece.  Sometimes I think of Greek society as I felt about ancient Rome and modern Italy. Antiquity bears little relationship or apparent continuity with the loud, cigarette puffing societies of the present. 

This morning I was sitting upstairs in the Stoa of Attalos in the Agora.  It was cool and quiet.  What a relief after what is more common at the moment in Athens – thirty degrees and loud crowds and roaring motorbike engines.  I felt cool and spacious, stone under foot and soaring heights up to the ceiling.  The feeling of spaciousness and tranquility that a stoa gives you on a sunny Mediterranean morning is a balm.  We should replicate it at with a huge building at UWA.  But of course no contemporary architect or university administrator would consider such an idea.  This building was put up in the 1950s century with money from American benefactors (for example John Rokefeller gave a million US). 

This stoa is a faithful reproduction of the stoa that was here in the time of the Stoics. When you are here you are wandering in a large open portico where those same philosophers and their school of wisdom take their very name. Zeno of Citium for example, may have walked here, the man who started this school. Stoic philosophy taught methods to reduce negative emotions such as fear and anger in life, and maximise positive emotions such as joy. I consider Stoicisim as one of the major contributions of Western civilisation to answering the question: How should we live? For proof I recommend reading A Guide to the Good Life: The Ancient Art of Stoic Joy by William Braxton Irvine (2008), or How to Be a Stoic by Massimo Pigliucci (2017).

As I sat there this morning, immediately ahead of me was about ten metres of stone floor, ending in a row of Ionic columns and a few hundred metres from the balcony I could see the Temple of Hephaestus.  All was quiet.  No tourists to be seen for the minute thank god.  The Temple and the stoa and the agora slept in the sun of a September morning.  Ancient and peaceful. 

Stoa of Attolos in the Athenian agora, reconstructed by 1956.

Another place I often take shelter from the noise and air pollution of scruffy and chaotic Athens – the courtyard of the National Archeological Museum.
On the road in a bus along the coast, destination Sounion on the tip of Attica.
Are these the most beautifully situated Doric columns in the world, standing against the wind, high above the hills and the sea? The Temple of Poseidon at Sounion.
The Temple of Poseidon just after the sun has slipped beneath the horizon (I have craftily edited out the crowds of onlookers in the foreground).
Back in Athens, this cat must be a world famous celebrity, laying photogenically in the slipstream of thousands of tourists on the south side of the Acropolis.
Seeing all of the classical sculpture and architecture behind neat rope fences it is easy to forget that much of this was once combined with the magic and adventure of discovery. Imagine standing in this group as one of the most important Greek bronze statues ever found was being dug up in 1896: The Charioteer of Delphi.
The original statue, as I saw it and photographed it in September 2022, at Delphi. The expression is of concentrated attention mixed with pride at the anticipation of victory.
The charioteer at Delphi, reproduced in the Arts Department of the University of Western Australia, half a world away. Perhaps the expression of concentrated attention, sustained effort and an anticipated pride at victory that this statue communicates to the viewer was intended to reflect an ideal for university students everywhere to follow.
Escaping modern Greece and its broken pavements and noisy streets, you can climb up to the high city, the Acropolis, and be lifted into the ancient beauty of Antiquity at sunset. Millions of people do it, and they are right to do so.

Ownership and Selfhood in Greece

September 17th, 2023

Is the image of Lord Elgin’s workmen sawing off a metope from atop the Parthenon in 1801 (see the painting below) just as bad as a shaky video of an ISIS fanatic sledge hammering an Assyrian sculpture into oblivion a few years ago?  

Not quite, as the iconoclasts, be they ancient Christian or modern Muslim, just want to destroy, whereas Elgin wanted to enjoy – and he did ultimately sell them to a public museum where they could be viewed by thousands and now today millions.  And at the time, the early 1800s, the Turks were treating the site of the Acropolis pretty badly – there were shards of the Parthenon laying around on the ground and a minaret sticking out of its roof.  However it is still pretty shocking to think of – sawing through ancient marble, the metal saw rasping against the old stone, all so that you can stick the stone slab on a sailing boat and high tail it around Spain northwards, to the damp and chilly streets of London and Burlington House.   

Lord Elgin was like so many British aristocrats – he wanted to own lots of beautiful and ancient stuff. He wanted to put said stuff in a big house.  You see it again and again, from Hertford House (today’s Wallace Collection) in London, to the Earl of Bristol’s Ickworth House in Suffolk.  A Florentine pietra dura cabinet here, a Roman sarcophagus carved from marble there, a Brueghel canvas here, a full size Greek bronze figure there.  This impulse to own was part showing off, part investing their huge wealth in objects and I’m sure also, at least in some cases, part actually appreciating beauty, craftsmanship and history. 

‘Money has reckoned the soul of [the nation]… /…all Owners, Owners! Owners! with / obsession on property and vanishing Selfhood!’ (Allen Ginsberg, from Death To Van Gogh’s Ear). The urge to own stuff can end up imprisoning you, as Ginsberg intimated in this line. Focus too much on possessions and you start forgetting about the fragile living present tense, relationships and the wild earth around you.

Since I have been a nomad in 2023, just a few clothes and a phone and a wallet, and some strong walking legs, moving across Europe, I have felt quite free.  Walking around a bend in the rocky path around a spur of the coastline on Hydra yesterday I felt free.  It was just me, moving, unencumbered.  Objects didn’t own me, or drag my motion through the world.  An externally imposed routine didn’t own me either.        

It is possible to be at the mercy of one’s possessions.  Being a nomad, being a traveller, can liberate you from this tyranny of things.  Walking, free, and unencumbered by possessions.  Walking yourself happy. 

What should we think of Lord Elgin’s sawing off the sculptures of the Parthenon, and the urge to pillage and hoard beauty and tangible history that many rich English chaps have followed through on over the centuries? This question is usually answered in terms of should the sculptures be returned to Greece by the British Museum, and that is a valid topic, but I am obviously focusing on a different aspect of the subject.  I think that being obsessed with owning and hoarding nice stuff in your big English country house, or even your modern apartment, can get in the way of living.  It can be an obstacle to enjoying the fragile, living moment.  All we get in this life are a finite number of living moments, and then we disappear from the earth forever, like the Venerable Bede’s swallow flying into the warm mead-hall and out another door in an instant. Of course many of us enjoy owning nice stuff. Freud was a man who hoarded nice antiquities.  Bruce Chatwin the nomad renounced his former life selling nice stuff for Sotherby’s and extolled the virtue of moving lightly as a nomad.  

For a long time I thought that it is perhaps good to remember the way of the Bedu of Arabia – rich in space and relationships (ok they liked to have a few camels too!).  That way of thinking makes you younger I felt and gives you more possibilities in life. I am interested in history and art, but like Chatwin and others, I am wary of the way stuff can come to own you.

Sawing off and lowering down a sculptural metope from the Parthenon, directed by Lord Elgin in 1801 (watercolour by Edward Dodwell and Simone Pomardi). Vandal or conservator, perhaps he was also another English aristocrat at the mercy of his urge to possess.
The Acropolis Museum. In the foreground left you can see the lighter coloured statues from the pediment have had to be copied in plaster as the originals are in London.
The Temple of Hephaestus in the Agora. I was standing in front of it the other evening and a memory of standing in the countryside in the north of England a very long time ago came to me…
Belsay Hall, Northumberland. This was built from 1810 to 1817 thanks to Sir Charles Monck and his love of what he had seen of the ancient world in his travels in Greece. This is what I had been remembering that other evening. This English house was indeed inspired by the temple I saw in the agora. Monck saw it on his honeymoon in Athens and had to own what he loved (but perhaps architecturally he was also in later years enjoying the experience of what he owned…)
In the Agora you can walk up the Panathenaic Way, the path up which wound the procession in honour of the Goddess Athena that is commemorated on the frieze of the Parthenon. What you see on the frieze in stone you can imagine on this road in your head, bulls lowing and snorting on their way to be sacrificed, men on foot struggling with heavy amphoras, men on horse back with capes drapped over their shoulders. This path leads up to the Propylaea, the monumental gateway to the Acropolis. Today, if you stand on a hill near the Acropolis and look over to the Propylaea at about 10am you will see a thick crowd of tourists processing up the steps. Perhaps the beast they are leading up be sacrificed today is the spirit of any charm left in the ruins.
The Pynx, where the Athenian Assembly met 10 times a year, and democracy took place 2600 years ago. Pericles gave orations from the bema, the raised stone you see in the centre. I stood on this stone and imagined being an orator all those years ago… This semi-circular area before me on Pynx hill was empty on a Saturday morning while hundreds were already queuing for the Acropolis on the hill next door. The history of democracy is, perhaps, less amenable to an Instagram post or a ‘bucket-list’ item.

I was on Hydra on Friday, a mountainous island a couple of hours south of Athens on a ferry.  The outrageous sum of $126 AU dollars for the ferry trip indicates that Hydra these days is for the rich, not for the bohemian poets and song writers it hosted in the 1960s.  There was a cruise ship in full of wealthy and overweight Americans and the crowds on the dock were thick.  All of that said, I still managed to walk away from the town along the coast and after a few kms I found a stretch of rocky coastline dropping into deep blue water and went for a swim, blessedly alone, free from the mass that has surrounded me of late.  

And in the late afternoon I bought a beer from a supermarket and sat on the dock, down a few steps by the fishing boats were tourists don’t go, and dangled my feet in the cool sea water and looked up at the scene of Hydra town.  The white cube-like houses hug the dramatically rising bay’s slopes, creating a kind of amphitheatre, topped by arid hills, stones and bushes.  A stone tower of a church rises in neoclassical elegance to the right in the front row of buildings along the quay.  Brightly painted little fishing boats float in the water in the immediate foreground.  It is a beautiful scene.  The shadows of the lengthening sun fall over me and bring relief from the thirty degree heat of mid September.  I feel a warm beneficence to the world, the water gentle on my skin, the human settlement so pleasingly nestled into the land, a sense of uplift from seeing the powerful, rocky mountains above, my walking over. I rest and feel the freedom from care and mild cheerfulness that a cold beer brings one’s perspective. A pleasing symphony of elements that a Greek island without cars can bring.  My selfhood is restored.

Travel Writing Course – 2024

December 4th, 2023

As Laurie Lee wrote of his travels before the second world war, Europe was “wide open, a place of casual frontiers, few questions and almost no travellers”. In this fortnightly course, we’ll look at a selection of classic travel tales from this older, quieter Europe.

In Tales of the Alhambra the American author Irving Washington takes us to the Alhambra of southern Spain. Then we shift to England and follow J. B. Priestley as he travels around the country in 1933. In Mr Norris Changes Trains we will look at an expatriate’s experience of life in 1930s Berlin in a classic novel by Anglo-American writer Christopher Isherwood. We will finish with a visit to Greece, and read The Colossus of Maroussi, an impressionist travelogue by American writer Henry Miller first published in 1941.

We will think about what motivated such writers to leave the security of home and set forth on voyages of discovery and adventure. Is the Europe these travellers and novelists portrayed different to the Europe we might encounter on a holiday today? What has changed and has it all been for the better?

In 2023 I completed a journey that encompassed the four locations covered in these books, and I during the course I will offer my own thoughts on travel and writing from the perspective of today’s Europe.

11 March – Introductory Lecture on the genre of travel writing

25 March – Southern Spain in Tales of the Alhambra by Washington Irving

8 April – England in English Journey by J. B. Priestley

22 April – Berlin in Mr Norris Changes Trains by Christopher Isherwood

6 May – Greece in The Colossus of Maroussi by Henry Miller

Fortnightly Mondays at Wanneroo Library, 10.30am-12pm

Booking details to register for this course will be released in early 2024.

The Best Books of 2023

December 27th, 2023

This year I have done more walking around cities and countries that were new to me, than I have laying on a sofa with a book in my hand. For me 2023 has been more about acting in the physical world, than cogitating among the shelves – I have been the protagonist in the street, more than the scribbler in the scriptorium. But still, I don’t like life entirely without literary sustenance, so here are the best books I have read this year.

Henry Thoreau: A Life of the Mind, by Robert D. Richardson Jr. (University of California Press, 1988)

This isn’t as great a biography as Richardson’s work on Emerson, but it is still a very important book. Reading it one is treated to notes from Thoreau’s journals threaded together with observations on the published works and live as he lived it. When one understand how much pain, grief and adversity this seer and prophet experienced, the optimism in his vision of the universe is so much more worthy of wonder.

Abroad: British Literary Traveling Between the Wars, by Paul Fussell (Oxford University Press, 1982)

I had almost forgotten that back in 1980 people still wrote books like this – flamboyant prose style and page long slabs of personal opinion in between actual literary criticism. The book is quite entertaining though, and at its best makes the interesting point that ‘going South’ to the beaches and parasols of the Med, to shed clothes and have affairs and worship the sun, was for the British between the wars a kind of pastoral idyll, replacing the pastoral idylls of bleating flocks on English sward and babbling brooks beneath venerable elms (from an earlier time when the British didn’t travel as much). Unlike much literary criticism these days Paul Fussell is actually grateful and appreciative of good quality travel writing, and literature in general, and expresses his enthusiasms in this book (he also complains about modern tourism in an understandable but somewhat ploddingly predictable manner). The book is worth reading as an entertaining survey of some of the best travel writing ever written.

Travel and Topography. Eothen by Alexander William Kinglake (London: J. Ollivier, 1844)

What a wonderful work of travel. In 1834 the author travels through Constantinople, Smyrna, and into Jerusalem, Cairo and Damascus, and ends up, without really planning to, writing one of the greatest travel books of all time. He is feisty and opinionated, courageous and whimsical, by turns.

Here Kinglake approaches the land of the Bedu as he looks over the banks of the River Jordan to the east. I will let this quotation stand as emblematic for the book:

If a man, and an Englishman, be not born of his mother with a natural Chiffney-bit in his mouth, there comes to him a time for loathing the wearisome ways of society; a time for not liking tamed people; a time for not dancing quadrilles, not sitting in pews; a time for pretending that Milton and Shelley, and all sorts of mere dead people, were greater in death than the first living Lord of the Treasury; a time, in short, for scoffing and railing, for speaking lightly of the very opera, and all our most cherished institutions. It is from nineteen to two or three and twenty perhaps that this war of the man against men p. 129is like to be waged most sullenly. You are yet in this smiling England, but you find yourself wending away to the dark sides of her mountains, climbing the dizzy crags, exulting in the fellowship of mists and clouds, and watching the storms how they gather, or proving the mettle of your mare upon the broad and dreary downs, because that you feel congenially with the yet unparcelled earth. A little while you are free and unlabelled, like the ground that you compass; but civilisation is coming and coming; you and your much-loved waste lands will be surely enclosed, and sooner or later brought down to a state of mere usefulness; the ground will be curiously sliced into acres and roods and perches, and you, for all you sit so smartly in your saddle, you will be caught, you will be taken up from travel as a colt from grass, to be trained and tried, and matched and run. All this in time, but first come Continental tours and the moody longing for Eastern travel. The downs and the moors of England can hold you no longer; with large strides you burst away from these slips and patches of free land; you thread your path through the crowds of Europe, and at last, on the banks of Jordan, you joyfully know that you are upon the very frontier of all accustomed respectabilities. There, on the other side of the river (you can swim it with one arm), there reigns the people that will be like to put you to death for not being a vagrant, for not being a robber, for not being armed and houseless. There is comfort in that—health, comfort, and strength to one who is dying from very weariness of that poor, dear, middle-aged, deserving, accomplished, pedantic, and painstaking governess, Europe.

The Penguin Book of English Verse, Edited by John Hayward (Penguin, 1956)

How refreshing to read an anthology of great poetry that stands squarely on literary merit (rather than mainly socio-political representation criteria quietly smuggled in the back door by far left cultural re-education crusaders). Literature!

Determined: Life Without Free Will by Robert Sapolsky (Penguin, 2023).

By now Sapolsky is rightly regarded as one of the greatest communicators in modern science. Crucially he doesn’t think that intelligent and complex prose need be obfuscatory or boring, and his wit lightens the load here as elsewhere. In this book he outlines the many ways in which who we are, and how we behave and think, is a result of our environment and biology, and after outlining the terrain one finds that it doesn’t leave room to shoe-horn in a magical non-physical thing called ‘free will’.

Even for those of us who know quite a bit about psychology this is a great read, including as it does some very recent research results. Sapolsky finds that his argument against free will leads to a view of seeing criminals as humans who need to be quarantined from the wider population to stop them hurting others, but not vilified as supernaturally ‘evil’ (they are acting in ways we would if we had their genes and brains and backgrounds, etc). This is the best science book of 2023 in my opinion: funny, powerful conclusions, and a hugely wide purvey surveying different domains of knowledge.

So, no free will, however like even the author of this book, I will continue to act and think in ways in which free will is assumed in human life – that’s just how we’re made and its hard to go through life thinking otherwise. On the other hand, when I am at a function and well paid people are sipping white wine and lowly paid waiters are picking up empty glasses, I won’t think that those waiters should just show more ‘grit’ to get ahead and become the ones with the suits and the wine glasses. I won’t think that the well heeled are extra deserving of their high salaries because of their free will and good choices. They were determined to be there, in that besuited position, and should stop gloating.

Tales of the Alhambra by Washington Irving (1832)

This year I spend many days walking up the steep hill on who’s brow sits the Moorish citadel that is the Alhambra, one of Spain and Europe’s great sights. As you puff up the incline you hear a trickling stream and feel a beautifully refreshing cool air descending past you through the chestnut trees. Half way up the straight route you pass a life size bronze statue of a man, surrounded by benches to sit and pause, and framed by dark green leaves. The man stands, pen in one hand and lowered book in the other, and looks to the horizon.

It is Washington Irving, the American ambassador to Spain in the 1840s, and practitioner of belle lettres. He travelled on horse back to Granada amongst its mountain setting in 1828, and saw a very different Alhambra and Spanish society to the one I was seeing in 2023. Thankfully his book Tales of the Alhambra provides a detailed verbal sketch of what he saw, threaded through with myth and embroidered with narratives about the people of the place of the time, their loves and lives.

Lawrence of Arabia by Ranulph Fiennes, 2023.

Having sat by Bedu tribesmen under the shade of a twisted desert tree in southern Jordan in 2017 and listened to them recite poems and sing songs as we sipped tea from a smouldering fire, I have had a small taste of the world of the wandering Arab nomad. It is a world of grandeur and grime, majesty in their robes and mountains, and harshness in their lack of material creature comforts normally found in settled societies.

The author of this new biography of Thomas Lawrence has done much more – he had lead Omani tribesmen through arid hills and into battle against invading Soviets in 1967 as a military leader. In writing this biography of Lawrence Fiennes, a celebrated English explorer, occasionally interrupts the narrative of Lawrence’s journey north through Arabia to draw comparisons with his own experiences in the desert. Fiennes is not a superb prose stylist. However his orientation towards action in the world as a man leads him to have written a biography which reads as an exciting narrative, succinct and light footed. It does not try to be an exhaustive biographical work, but rather zooms in on Lawrence’s time gathering Bedu tribes in the desert to the cause of fighting the Ottoman Turks during the first world war. The figure that emerges from this book is truly a special man, a deeply learned and open minded Englishman, who was not content with office-bound normality, and whose life became bound up in one of the great episodes in twentieth century history. Jordan and the traditional people of that region are the other major subject of this book, and for me this gives the work added significance.

Classic Travel Writing Course

March 6th, 2024

As Laurie Lee wrote of his travels before the second world war, Europe was “wide open, a place of casual frontiers, few questions and almost no travellers”. In this fortnightly course, we’ll look at a selection of classic travel tales from this older, quieter Europe.

In Tales of the Alhambra the American author and Romantic Washington Irving takes us to the Alhambra of southern Spain. In England we follow the sometimes scathing and always humorous J. B. Priestley as he travels around the country in 1933. We will finish with a visit to Greece, and read The Colossus of Maroussi, an impressionist travelogue by American writer Henry Miller first published in 1941

We will think about what motivated such writers to leave the security of home and set forth on voyages of discovery and adventure. Is the Europe these travellers and novelists portrayed different to the Europe we might encounter on a holiday today? What has changed and has it all been for the better?

11 March – Introductory Lecture on the genre of travel writing

25 March – – England in English Journey by J. B. Priestley

8 April – Southern Spain in Tales of the Alhambra by Washington Irving

22 April – – Greece in The Colossus of Maroussi by Henry Miller

The course is presented by a City of Wanneroo Libraries and the University of The Third Age (U3A).

Register Here.